4 974 résultats
1919réf. 9281919. Superb. Aquatint with hand coloring in watercolor on watermarked laid Arches paper 8 1/16 x 5 9/16 inches 206 x 142 mm full margins. Signed titled dated and numbered 22/40 in pencil lower margin. From the fourth state of 4 consisting of a total of 80 impressions only 40 of which have hand coloring in watercolor. In superb condition with light toning and archival tape tabs at the top right and left corners and lower right corner on the verso well outside of the image area. Printed by Frederick Reynolds. Fletcher 23. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. William Dolan Fletcher John Taylor Arms a Man for All Time: The Artist and His Work. Sign of the Arrow Eastern Press 1982. p. 15. unknown
réf. 1385834064.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0428978991.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0483394173.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1333578407.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 63462882Johns Hopkins University Press . Papeback. New. pp. xvi 275 Johns Hopkins University Press unknown
2011réf. DADAX0801897661Johns Hopkins University Press 2011-01-03. 1. paperback. New. 6.00x0.72x9.00. Buy with confidence. Excellent Customer Service & Return policy. Johns Hopkins University Press paperback
réf. 1330716795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0267815085.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0553137115.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013réf. 2-1581072473New Forums Press 2013. Paperback. New. 292 pages. 11.00x8.50x0.66 inches. New Forums Press paperback
1699réf. 236781699 Edinburgh 1ed Proper Project for Scotland IRISH Radicals Church England "A Proper Project for Scotland" is a rare 17th-century work attributed to Alexander Shields. This like many other works from this era is a controversial book on the ongoing fights between Protestant and Catholics the government and the church and Ireland and Britain. In fact Shields himself refers to the controversy as a plague. "how many millions of poor inadvertent souls hath been irrecoverably lost and ruined to all intents and purposes by this most dangerously infecting plagues." This 1699 first and only known edition is incredibly rare with no other example known to exist not only for sale but in institutional holdings. A truly rare and remarkable history of the church and political feuds in Ireland Scotland and England. Item number: #23678 Price: $750 SHIELDS Alexander attrib. A proper project for Scotland : To startle fools and frighten knaves but to make wise-men happy Edinburgh: 1699. First edition. Details: <!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages <!-- if !supportLists-->o <!--endif-->77 3 <!-- if !supportLists-->· <!--endif-->References: Wing P 3673a <!-- if !supportLists-->· <!--endif-->Provenance: Armorial bookplate – Cranstoun of Corehouse <!-- if !supportLists-->o <!--endif-->Possibly George Cranstoun Lord Corehouse 1770–1850 who was a Scottish advocate judge and satirist. He was also a friend of Sir Walter Scott. Motto: THOU SHALT WANT ERE I WANT <!-- if !supportLists-->· <!--endif-->Language: English <!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure <!-- if !supportLists-->· <!--endif-->Size: ~7.75in X 6in 19.5cm x 15cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 23678 Photos available upon request. hardcover
réf. 0080115632.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1997réf. Q-1890780014People for the American Way 1997-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! People for the American Way paperback
réf. 0060903236.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991réf. 246954PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1991réf. 241941PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2013réf. Q-0307985768Crown 2013-01-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Crown hardcover
1976réf. 59994Dallas TX: Taylor Publishing Co. 1976. 4to. xxviii 523 1 pp. Illustrated title numerous colour plates many photo illustrations diagrams charts. Embossed black publisher’s simulated calf raised embossed Colt on front cover raised gilt lettering front cover & spine slight shelfwear NF/VG. First edition thus of this lavishly illustrated history of Colt revolvers and automatics including the New Service Double Action Revolver Colt Army Special Double Action Revolver Officers’ Model Target Police-Positive Special Bisley Model Target the discontinued Colt Automatic Pistol Military Model .45 caliber .38 caliber Military Model Automatic Pistol decorative grips medallion inserted for ivory and pearl handle grips and parts. Taylor Publishing Co., unknown
1988réf. 785026PN. New. 1988. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1988réf. 783424PN. New. 1988. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1990réf. 239826PN. New. 1990. Soft Cover. Date is original print. This is a reprint edition . PN paperback
réf. 1573666Crocker Art Museum. Hardcover. VG/Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges but with no tears and not price clipped. pages and binding are clean straight and tight. there are no marks to the text or other serious flaws. Crocker Art Museum hardcover
2013réf. 236900Sacramento. : Crocker Art Museum. 2013. First edition. . Gilt decorated hard cover. . Fine copy in fine dust jacket in mylar. As new. . Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Crocker Art Museum. hardcover
1928réf. 23171928. Very good. Etching with drypoint on antique cream laid paper 12 x 5 9/16 305 x 142 mm; sheet 13 1/4 x 8 1/2 inches 337 x 216 mm. Signed dated and inscribed in the lower margin in pencil. Although Fletcher specifies only 2 trial proofs Arms himself has inscribed "Trial Proof VII" in pencil in the lower margin. An impression aside from the regular edition of 100 printed on 18th century paper with a contemporary inscription in ink in the upper right corner which reads "Cent quatre vingt quatre" one hundred twenty four. There are some areas of light discoloration in the margins that date to the origin of the paper. Printed by Frederick Reynolds assisted by Henry Carling. A magnificently detailed impression in excellent condition. Fletcher 212. Périgueux has one of the most extensive old towns in the Dordogne department in France. The Périgueux Cathedral was originally built in the 12th century but it was rebuilt by the architect Paul Abadie between 1852 and 1895. The base of the bell tower was part of the original church. Today the square bell tower has three tiers pierced with arches that support a tall dome. In Arms' etching the bell tower looms above a narrow cobblestone alley lined with ancient stone buildings. In perhaps a tribute to Whistler Arms left building surfaces unmarked by his etching needle. Light vertical passages draw the viewer's eye toward the darker more detailed center of the image. One's eyes move upward with the play of shadow texture and light toward the imposing domed bell tower. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown