Bernays, Edward L.MareMagnum
4072 resultados
1961219 pages. "When first published in 1923 this work became the first book-length discussion of the scope and function of professional public relations and of its practitioner, the counsel on public relations." - from Preface. Bernays has subsequently come to be known as the 'Father of Spin'. Light wear. Library markings upon each edge of text and title page. Pocket removal markings inside each board. Front endpaper removed. Front hinge open. Cole p.27, Larson 7, Lasswell, Casey & Smith p.32 Book
191516 pages. Features: Are Hyphenated Citizens Good for American?; Who Are Americans?; A Congressman Who is Not Afraid - Representative Joseph Taggart of Kansas Assails Harper's Weekly for its abuse of Germans; Hartelpool Well Defended; Brave American Actress - Fern Rogers; Honesty is the Best Policy (Part 2 of 2), by Aleister Crowley - a remarkably forcible exposition of the hypocrisy of his countrymen; The Greatest Secret of German Progress, by Frank Koester; The Division of the Nation's Forces, by Dr. Hanns Heinz Ewers - a keen analysis of the actual condition and strength of the armies at war; English Schemes against German and German-American Insurance Companies; American "Neutrality Notes"; England's Note - Refusal to safeguard American seagoing commerce; England Decadent - Fair-Minded Englishmen and Americans in London express their disgust; Jerome K. Jerome Protests Against the Infamous Treatment of English Citizens of German Birth; Advertising Talk - persuading neutral companies to advertise in this 'publication of class'; The Turks at the Suez Canal; Violation of Property Rights of Foreigners in France; Back cover is a full-time request for readers to convert their spare time into dollars by working for this publication; and more. Unmarked. Average wear. Binding intact. A sound copy. Magazine
1797In-8°, 30pp, una tavola ripiegata, legatura in carta semplice, intonso In-8°, 30pp, one folded plate, paper binding, uncut.
1773In-8°, XVI, 138, una tavola ripiegata, legatura in carta semplice, intonso In-8°, XVI, 138, one folded plate, paper binding, uncut.
1934ref. 259329München, Zentralverlag der NSDAP, Franz Eher, 1934.
ref. 44942Kowloon Hong Kong: Christian Witness Press n. d. C. 1970s. Attached at the top-edge with maroon tape. A very good set still very bright with some minor occasional tears/creases and a faint spot of foxing here and there; overall a VG set. Five broadsides printed in color. 30-1/4" x 21" These posters were said to bring the viewer closer to God. The images progress much like a graphic novel beginning with two figures at the edge of a cliff on the other side is paradise and at the bottom of the divide is a pit of flames. The male figure tries to build a wooden bridge but it fails and falls into the pit. After he glimpses a heavenly vision of the baby Jesus a red cross springs from the flames to bridge the divide into Paradise. Viewed in sequence they evoke a striking allegory for reaching paradise by accepting Christ into your heart. Christian Witness Press unknown books
1975Very Good English Paperback. Propaganda booklet. Demy 8vo. (21 x 15 cm). Bilingual edition in English and Turkish. 114, [2] p., fully b/w color ills., and one special sticker of National Japan Floating Fair '76. Shin Sakura Maru (IMO: 7129087) is a Passenger Ship that was built in 1972. She was set up as a floating trade fair, but also doubled as a cargo ship. She was used for propaganda and the progress of the Japanese industry worldwide. This propaganda booklet is printed in Japan and was distributed by her. This is an extremely rare Turkish Edition. It includes rich color illustrations showing the social life, industry, educational system, sports, tourism, and social collaboration in Japanese country. The narrator in the text conveys Japan through the mouth of 'I'. Not in OCLC.; Not in Japanese and Turkish National Libraries. Extremely rare.
1975Very Good Turkish Paperback. Propaganda booklet. 4to. (28 x 21 cm). Edition in Turkish. [12] p., full of color ills. Shin Sakura Maru (IMO: 7129087) is a Passenger Ship that was built in 1972. She was set up as a floating trade fair, but also doubled as a cargo ship. She was used for propaganda and the progress of the Japanese industry worldwide. This propaganda booklet is printed in Japan and was distributed by her. This is an extremely rare Turkish Edition. It includes rich color illustrations showing the social life, industry, educational system, sports, tourism, and social collaboration in Japanese country. The narrator in the text conveys Japan through the mouth of 'I'. Not in OCLC.; Not in Japanese and Turkish National Libraries. Extremely rare.
Very Good Turkish Original artwork in watercolor, Indian ink, and dry paint. 11,5x9,5 cm. This rare original artwork of Mary and Jesus comes along an exceptional provenance of Turkish cartoonist Semih Balcioglu (1928-2006), with his handwritten note on verso "Cemal Nadir'in bir kompozisyonudur" [i.e. It's composed by Cemal Nadir]. Signed on right lower as "C. N". Unpublished work. Cemal Nadir was a Turkish cartoonist. He was born in Bursa, Ottoman Empire on 13 July 1902. His father Sevket was a calligrapher (Turkish: Hattat) employed in courts. After finishing high school, he began working as a sign painter in Bursa. He also created cartoons, and his first cartoon appeared in Diken (literally: "The Thorn") periodical. Although he moved to Istanbul and tried to be a full-time cartoonist, he could not make it and he returned to Bursa. The Alphabet reform of 1929 gave Cemal Nadir a second chance to show his talent. When Turkey adopted the Latin alphabet replacing the Ottoman Turkish alphabet in Arabic script, all sign boards were necessarily changed, and he worked hard to meet the demand. The same year, he moved once more to Istanbul to work for the daily Aksam. Later, he also drew for the newspaper Son Posta, as well as for satirical magazines such as Akbaba. He also contributed to Yedigün. During this period, he published the satirical magazine Amcabey. During World War II, he drew anti-Nazism cartoons in the daily Cumhuriyet. In 1946, Republican People's Party (CHP) invited him to run for a seat in the parliament. However, he refused the invitation, he said that with political affiliation he would not be able to create cartoons.
1826Very Good Turkish, Ottoman (1500-1928) Contemporary (early 19th century) quarter brown cloth with marbled boards, "Yahudi ebrûsu" end-papers. Roy. 8vo. (23 x 16 cm). In Ottoman script (Old Turkish with Arabic letters). 90 p., numbered with Arabic numeric system in pencil, around seven illustrated schemes of magical diagrams. Written on a probably 17th-18th century European paper with "Crescent" watermark, naskh script with "harakât", black and red ink. Early and a rare posthumous manuscript copy of this 18th-century Islamic majmua, containing the treatment methods and drug compositions against physical and spiritual diseases, with material and magical suggestions, copied 32 years after the author's death by a "Hafiz" with an addendum of new drugs and treatments compiled from older annotations of this work. "In the first part of the work on spiritual medicine, verses, prayers, talismans, and magic formulas in the Islamic culture like "wafqs" that are believed to be treated; in the second part, on physical medicine, drug formulas from various material objects for physiological diseases are shown." (Çagrici). Harputî was an 18th-century poet and prose from Harput (Kharberd). In the introduction to the manuscript, he stated that he is not a doctor, but that he writes practices that can heal patients due to his experiences. Despite this, the text was widely used in Ottoman medicine in the 18th and 19th centuries.
1945ref. 14742Paris, La Lithographie, 1945 ; in-folio en ff., chemise caramel à rabats illustrée_; (4) pp. (texte de Jacques-Noir, poésie de René Fauchois et table) ; frontispice, couverture et 41 planches lithographiées sur vélin fort, numérotées à la main, la plupart avec titre manuscrit et signature autographe.
1867ref. 4080S.l., s.n., s.d. ; in-16 (95 x 132 mm), 16 pp. imprimées sur papier pelure (poids : 3 grammes).
1938ref. 1014111938 Prague, publié par le Ministère de la Défense, 1938, 295x210mm, pleine toile de l’éditeur, jaquette photographique, étui original en carton imprimé. Brochure originale d’hommage de l’éditeur au nom du Capitaine Kliment Bombera.Texte de Jiri Letov, Jiri Jenicek et Vladimir Pacak. L’illustration comprend 80 photographies pleine page reproduites en héliogravure ; légendes en tchèque, allemand, français et anglais. Photographies de Jiri Jenicek, conception graphique de Ladislav Sutnar. Formé avec le pictorialisme, Jiri Jenicek devient rapidement un ardent défenseur de la Nouvelle Photographie et collabore aux principaux mouvements d’avant-garde tchèques; de 1918 à 1948 il exerce dans l’armée ou il réalise de nombreux courts métrages et publie plusieurs ouvrages à thème militaire. Ladislav Sutnar, formé dans l’avant-garde tchèque des années 20 y apparaît d’emblée comme un graphistes des plus importants ; il participe aux expositions Pressa Cologne 1928, Barcelone 1929, Stockholm 1931, Milan 1936, Paris 1937 ; il émigre à New York en 1938 où il travaille pour la World’s Fair ; il y fonde une Ecole d’Arts Graphiques et la firme Sutnar and Hall, spécialisée dans le packaging. Birgus, Czech Photographic Avant-Garde p.295. Exemplaire neuf. (101411)
ref. 44944Kowloon Hong Kong: Christian Witness Press n. d. C. 1970s. Attached at the top-edge with maroon tape. A very good set still very bright with some minor occasional tears/creases and a faint spot of foxing here and there; overall a VG set. Seven broadsides printed in color. 30-1/4" x 21" These posters were said to bring the viewer closer to God especially when viewed in sequence. Five of the posters depict a man's face with a different countanence affected by the large heart beneath him. "This wordless poster series builds entirely on symbols to communicate its message about human need struggle and salvation. The likely venue for use of the poster was in small church or evangelism meetings or on street corners. These and similar posters were used to explain the need for salvation Christian discipleship and sanctification" per Wheaton College bulletin 1610. The animals are likely representative of the seven deadly sins the book symbolizes the Bible the dove is the Holy Spirit the cross is Christ's sacrifice for mankind the six-pointed star representing God's Law. The placement of these symbolic images in or out of the heart in conjuction with the two posters that depict the death of a Christian vs. a non-Christian make for a highly affective and eye catching allegorical puzzle. Christian Witness Press unknown books
1970316 pages. Published in cooperation with The Emergency Committee for Reappraisal of U.S. Overseas Policies and Programs, and The Overseas Press Club Foundation, Edward R. Murrow Memorial Fund. In light of the communications revolution of the last fifty years, this work addresses the urgent need for the U.S. Overseas Information Agency (USIA) to "be brought into line with changed political conditions, the new techniques of communication, and the findings of social scientists." - from Preface. Moderate wear. Binding intact. Usual library markings. A sound copy. Book
1942260 pages. Index. List of main sources. Black and white photographic plates. Organizational chart of the German Broadcasting Company (RRG) in 1942 and its links to the Ministry of Propaganda. Organizational chart of the Ministry of Public Enlightenment and Propaganda in 1942. "The first complete account of the gigantic propaganda organization of the Third Reich. Reveals and describes: The inner workings of the Nazi propaganda organization; The network of Party speakers; The German radio's war effort; The Nazi press system; The German stage and screen in 1942; Propaganda for the armed forces; The men in control. Access to unique German documentary material and an intimate knowledge of German wartime broadcasting and of the Nazi press have enabled the authors to paint a full-length picture of Hitler's political warfare machine." - dust jacket. Printed to wartime standard, apparently without a front free endpaper. Unmarked with average wear and soiling to publisher's canary yellow cloth. Average wear and half-inch of loss to decorated orange dust jacket at top of spine. Binding sound. A quality vintage copy of this vital and incisive wartime study. KEHR & LANGMAID 2950. Book
191432 pages. This issue is twice as long as previous issues due to its blockbuster treatment of "The Case of Belgium" with reproductions of documents incriminating to Belgium. Features: The (New York) "Times" in Despair; Irish Home Rule Bill; Government Control of Public Utilities, by Frank Koester; "I Protest", by Clara Viebig - one of the foremost novelists of Europe; We Demand Real Neutrality; What is an American German?, by Representative Richard A. Bartholdt of Missouri; The Case of Belgium - In the light of official reports found in the secret archives of the Belgium Government after the occupation of Brussels with facsimiles of the documents - a major article; cartoon shows a German dog being taken before an English firing squad; England's Embarrassment is Ireland's Opportunity; and more. Unmarked. Average wear. Binding intact. A sound copy. Magazine
1942ref. 4754Washington DC: El Coordinador de Asuntos Interamericanos 1942. Very good. Pictorial lithograph 20 x 14.25 inches printed in red gray yellow and black. Minor surface wear mild creasing light dust-soiling a few pinholes. A rare poster issued by the Office of the Coordinator of Inter-American Affairs CIAA during World War II attempting to sway public opinion in Latin America to the Allied side. The CIAA was established by executive order in July 1941 in order to distribute news advertising film reels and more to and from Latin America to counter Italian and German propaganda campaigns in the region. The text of the present poster translates from the Spanish as "Freedom of Speech. One of the four freedoms for which the Allies are fighting." The central image features an open-mouthed face breaking open a large swastika which is itself on fire. A mildly subtle message that free speech destroys fascism. The poster was designed by noted Russian-American graphic designer and photographer Alexey Brodovitch whose printed credit appears at top right; Brodovitch is most well-known for his art direction of Harper's Bazaar from 1934 to 1958. A powerful visual display with only one copy reported in OCLC at MOMA though we also find two other institutional holdings at the United States Holocaust Museum and the Hoover Institute. El Coordinador de Asuntos Interamericanos unknown
1917ref. 28118London: Stanford's Geographical Establishment 1917. First printing. Map. Fine condition. A large format map illustrating the geopolitics of Europe after W.W.I. Intended to persuade viewers about the threat presented by the Central Powers of Germany Austro-Hungary Bulgaria and Turkey it color-codes them in black to emphasize the danger they might pose to the fledgling League of Nations. The solution is stated on the map which quotes from the Allies' war aims as articulated to President Wilson in 1916: "The civilized world knows that the aims of the Allies include-the reorganization of Europe guaranteed by a stable settlement based alike upon the principle of nationalities and on the right which all peoples whether small or great have to the enjoyment of full security and free economic development." The efforts to secure the peace in Europe dictated the division of nations cultures and tribes has continued to plague the world for over 100 years sellers' opinion. These groups include Greek pockets within Turkey Armenians in three pockets and Kurds Arabs which includes Jewish Colonies in Palestine. Also of note and marked on the map are the "Expropriations of the German Ansiedelungs Commission" an 1886 German proclamation that allowed Prussian settlers to appropriate Polish sovereign land. Printed at The Dangerfield Printing Co. Ltd. OCLC 9876563; Persuasive Maps: PJ Mode Collection #1188. Color lithograph 28" x 36 1/2". Backed on acid free linen supporting some tiny closed splits along the central & one other fold with one triangle of added margin not affecting the map. Very bright color and overall in very good condition. Stanford's Geographical Establishment unknown
1941ref. ZEIT1004München, Zentralverlag der NSDAP 1939 - 1941. 4°. Blätter teilweise randgebräunt, 8 Blätter mit geringem Insektenfraß außerhalb der Darstellung (am unteren Rand), einige leicht fleckig. Vorhanden sind: 08. -14.Okt. u. 03. - 30.12.1939. = 5 Bl. / Jänner - August 1940 = 23 Bl.; Folge 33 - 52 1940 = 20 Bl. / Folge 2 - 4, 6 - 31, 34 - 38, 52, 53 1941. = 36 Bl. Mit Zitaten von: Adolf Hitler, Hermann Göring, Baldur von Schirach, Carl von Clausewitz, Peter Rosegger, Walter Darré, Friedrich II., Ernst Moritz Arndt, Jean Paul u.A.
1773ref. 664L4Romae: Sacra Congregatio de Propaganda Fide 1773. Leather. Very Good. 7" by 4.5". None. A very scarce example of the Tibetan Alphabetum issued by the Sacra Congregatio de Propaganda Fide. The Alphabetum series was one of the first to print the script of different languages. Written in Latin and Tibetan. A first thus of this work. 'The Alphabetum' was created as a reference text for Catholic missionaries who travelled worldwide to promote God's message. The Sacra Congregatio de Propaganda Fide printing press was established by The Vatican in 1622. The press held the largest collection of printing types from languages and scripts worldwide. They quickly produced these booklets of exotic languages which included Arabic Greek Iberian Syrian among many other languages. Presented in a handy pocket sized format the Alphabetums were a marvel of printing at the time. It demonstrated printing of characters not seen by western audiences. Ex library stamps contemporary to the work to the rear of title page for Biblioth Regia Berolinensi. With the vignette seal of the Congregation. This work includes the Lord's prayer the Ave Maria the Apostles' creed and the Ten commandments in Tibetan and Latin. The Tibetan Alphabetum was the first time that there was a western publication on the Tibetan language. It is based on information sent back by missionaries from the Capuchin mission at Lhasa. The work was first published under the name 'Alphabetum Tibetanum' and it would appear that this 1773 printing is the first time that the work appeared under the title 'Alphabetum Tangutanum sive Tibetanum'. The folding plate is provided in facsimile. An important work in print development and language education. In a half calf binding with marbled boards. Damage to the head of spine and to the outer corner to the bottom of both boards. Loss to the leather resulting in the minor damage and loss to the bottom corner of pages not affecting text. Contemporary library stamp to the verso of title page and contemporary inscription to the head of title page 'Ax J 6'. Pages are bright and clean. Very Good Sacra Congregatio de Propaganda Fide hardcover
1832ref. 14389Paris, Fonrouge, 1832-1833. 4 pièces reliées en 1 vol. in-folio, demi-maroquin vert à petits coins, dos lisse orné, bandeaux fleurdelisés en tête et en pied, filets dorés sur les plats (reliure de l'époque).
ref. 2885Paris chez l'auteur le 30 avril 1896 XLI; 194p avec 2 tableaux généalogiques reliure toile exemplaire numéroté 652 des 1100 exx 12x 185cm. THIS IS THE ORIGINAL ITEM NO REPRINT - unknown
ref. 158705Shanghai: Zhongguo renmin jiefangjun Shanghai jingbei qu 1971. The only traceable complete copy Sole edition first printing rare complete set of this portfolio celebrating the political economic and cultural role of the People's Liberation Army in the Cultural Revolution issued to Shanghai cadres responsible for creating pop-up propaganda exhibitions. Institutionally we have traced only the incomplete copy in the Tate's Martin Parr Collection. The 'May Seventh Directive' is the name given to a letter sent by Mao to Marshal Lin Biao in 1966 calling for the army to become an ideological bastion of the unfolding Cultural Revolution. By 1971 the directive had become a hallowed statement of the movement's guiding principles as well as the inspiration for the May Seventh Cadre Schools where party members who had politically erred could find redemption through a daily diet of manual labour and the study of Mao's writings. Sets of this portfolio were used in community spaces schools and workplaces to display the ethos of the directive. The posters are divided into four sections two of which invoke the spirit of Daqing and Dazhai the period's most important economic models: "Political Strides Forward - Mao Zedong Thought Nurtures and Renews"; "Study Dazhai - Triumph Over Nature with an Iron Will"; "Study Daqing - Make Revolution Through Self-Reliance"; and "Power in Unity - the Army and the People Stand Shoulder to Shoulder to Form a New Great Wall". Landscape quarto: 80 posters each 222 x 228 mm loose as issued with tissue guard. With 71 plates 20 colour after propaganda photographs gilt facsimile of Mao's calligraphy 8 decorative posters of text variously in red purple white and gilt captions printed in red. Housed in original folding red cloth portfolio with red string ties front panel lettered in gilt. Posters bright small closed tears at upper corners of title leaf old paper repairs on verso occasional cockling and creasing several small tidemarks and light toning at edges upper margin of second poster horizontally creased. A very good set indeed in the well-preserved case with gilt bright light rubbing and a little soiling especially to base. hardcover
