Barker, John & Meaden, Richard (editors)MareMagnum
162 risultati
2004No marks or inscriptions. No creasing covers or to spine. A very clean very tight copy with bright front cover and no bumping to corners. 178pp. Performance car magazine with features on the Ascari KZ1, Lamborghini Gallardo, Porsche 911 Turbo, Lotus Elise, Maserati Quattroporte, Karting, Lancia Fulvia, Lancia 037, Chrysler Supercar 850bhp, Tokyo Show, Sport Clio 182, Volvo S40, TVR Sagaris and drive tests on seven more cars plus pages of news, performance car listings/statistics, engineering matters and lots more.
1930rif. 11190Clio South Carolina 1930. 9.5 x 6.25" green pictorial wrappers 64 2 pp. A scarce cookbook issued as a promotional device by a bank in the rural town of Clio South Carolina. According to the introduction "this book has been very carefully compiled from the best recipes given as favorites of good practical cooks throughout the country. Its use in your kitchen will promote thrift.Especially in the last few years the women of America have learned to practice thrift in the kitchen. With the adjustment of prices these thrifty methods continued will save not only food but money." Recipes are attributed to women around the country suggesting that this was a stock cookbook adopted by the bank. The emphasis on thrift through difficult economic times suggests that the cookbook was published during the Great Depression or in the wake of World War I. The book also contains several pages of information about the bank including a page relating to checking accounts for women. Not found in OCLC. A good copy with soiling and wear to covers paper abrasions to covers with loss to outer layer mild toning to pages. unknown
1852rif. 153116Venezia: Antonelli 1852. Pp. 238 num. Per colonne. Preceduto da: GIUSTINO. Storie filippiche… Tradotte dal prof. ab. cav. Francesco Arnulf precedute dagli argomenti dei libri di Pompeo Trogo. Pp. xviii 802 nu. per colonne. Venezia Antonelli 1856. Due opere legate in un volume di cm. 245 solida legatura coeva in mezza pelle dorso liscio con titoli e filetti in oro. Pochi segni d'uso buona conservazione. Antonelli unknown
1900rif. 9381900 Calmann Levy, Paris, 1900. Petit in-8 (205 X 145 mm) de 188 pages, demi-maroquin brun à coins, dos à nerfs , , couverture illustrée en couleurs et dos conservés Edition originale ornée d'une vignette de titre et de 12 compositions en couleurs par Alphonse MUCHA, dont 7 hors-texte compris dans la pagination. Bon exemplaire en parfait état (Carteret IV; 167: Edition originale et premier tirage trés recherché).
1963rif. 139230Greece: Alexman 1963. Softcover. Very Good. Very good in wrappers a paperback. Book is clean and solid small mark on rear cover. Alexman unknown books
1958rif. RO80157975ALEXMAN. 1958. In-16. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 120 pages. Nombreuses planches de photos en noir et blanc. Un plan dépliant, en noir et blanc en fin d'ouvrage.. . . . Classification Dewey : 949.5-Grèce
1999rif. LFA-12673632886e Fascicule (Année 1999) : 275 pages, format 155 x 240 mm, broché, illustré, bon état
rif. 201900470Paris, Presses universitaires de france , 1945 ; in-8, 695 pp., br. Page non coupé.
1896rif. 1004259New York: M'lle New York Publishing Company 1896. Ten promotional posters for the first year of M'lle New York a fortnightly illustrated magazine that ran from August 1895 to January 1899. Edited by Vance Thompson and James Huneker and primarily illustrated by Thomas Fleming and Thomas Powers M'lle New York was inspired by the sophisticated satirical French weeklies of the day. More than any other American periodical it captured a bohemian sensibility its colorful pages crowded with literary translations risqué drawings and advertisements aimed at a cosmopolitan male readership. Paul Verlaine Knut Hamsun Maurice Maeterlinck and Henrik Ibsen all appeared in its pages. While "off the radar of broader culture" M'lle New York was nonetheless "an important instance of a coterie publication one with a strong avant-gardist and French influence and one that more clearly serves as a precursor to modernist little magazines than others of this period." See Kirsten MacLeod American Little Magazines of the Fin de Siècle: Art Protest and Cultural Transformation. The strong graphic identity of M'lle New York is reflected in these promotional posters which were eventually offered for sale by the editors as a fundraiser: "We've been besieged with requests for them." The posters assembled here date from August 1895 to January 1896. Eight are by Thomas Fleming seven signed in the image one unsigned one by Thomas Powers and one "The Journalistic Orchid" by editor James Huneker's wife the artist Clio Hinton Huneker. The posters feature depictions of nude or nearly nude women alongside grotesques of various kinds: a satyr a capitalist "pig" a mask ethnic caricatures. The one outlier is a straightforward announcement of a new short story by Edward W. Townsend in the inaugural issue. OCLC locates a single holding of M'lle New York posters at Hofstra. An uncommon and compelling group. Ten color-lithographed posters of varying sizes measuring between 12 and 19 inches high and between 8.5 and 20 inches wide printed on various paper stocks. Penciled dates to top corner of nine posters; pencil sketch to one verso. Light edgewear short closed tear to January 1896 poster. M'lle New York Publishing Company unknown books
1896rif. 1004259New York: M'lle New York Publishing Company 1896. Ten promotional posters for the first year of M'lle New York a fortnightly illustrated magazine that ran from August 1895 to January 1899. Edited by Vance Thompson and James Huneker and primarily illustrated by Thomas Fleming and Thomas Powers M'lle New York was inspired by the sophisticated satirical French weeklies of the day. More than any other American periodical it captured a bohemian sensibility its colorful pages crowded with literary translations risqué drawings and advertisements aimed at a cosmopolitan male readership. Paul Verlaine Knut Hamsun Maurice Maeterlinck and Henrik Ibsen all appeared in its pages. While "off the radar of broader culture" M'lle New York was nonetheless "an important instance of a coterie publication one with a strong avant-gardist and French influence and one that more clearly serves as a precursor to modernist little magazines than others of this period." See Kirsten MacLeod American Little Magazines of the Fin de Siècle: Art Protest and Cultural Transformation. The strong graphic identity of M'lle New York is reflected in these promotional posters which were eventually offered for sale by the editors as a fundraiser: "We've been besieged with requests for them." The posters assembled here date from August 1895 to January 1896. Eight are by Thomas Fleming seven signed in the image one unsigned one by Thomas Powers and one "The Journalistic Orchid" by editor James Huneker's wife the artist Clio Hinton Huneker. The posters feature depictions of nude or nearly nude women alongside grotesques of various kinds: a satyr a capitalist "pig" a mask ethnic caricatures. The one outlier is a straightforward announcement of a new short story by Edward W. Townsend in the inaugural issue. OCLC locates a single holding of M'lle New York posters at Hofstra. An uncommon and compelling group. Ten color-lithographed posters of varying sizes measuring between 12 and 19 inches high and between 8.5 and 20 inches wide printed on various paper stocks. Penciled dates to top corner of nine posters; pencil sketch to one verso. Light edgewear short closed tear to January 1896 poster. M'lle New York Publishing Company unknown
1932rif. 211218179Teck Publishing Corporation 1932-01-01. Paperback. Good. Teck Publishing Corporation paperback
