185 résultats
1970Sophocles Oedipus translated by Bernard M.W.Knox. 110p. Book
1950Book
1960Crofts classics series Book
1984Contains : Oedipus the King, Oedipus at Colonus and Antigone. Robert Fagles' translation conveys all of Sophocles' lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. Introduction by Bernard Knox.430p, Book
1973Contains : Oedipus the King, Oedipus at Colonus and Antigone translated by E.F Watling. 168p. Book
1965Contains : Oedipus the King, Oedipus at Colonus and Antigone translated by E.F Watling. 168p. Book
1965Contains : Oedipus the King, Oedipus at Colonus and Antigone translated by E.F Watling. 168p. Book
1960Translated and edited by Peter D. Arnott, this classic and highly popular edition contains two essential plays in the development of Greek tragedy- Oedipus the King and Antigone-for performance and study. The editor's introduction contains a brief biography of the playwright and a description of Greek theater.107p. Book
1963A translation of Oedipus Rex together with a selection of critical comments and essays. 178p. bibliography. (some underlining on a few pages) Book
1990Hugo von Hofmannsthal Edipo e la sfinge : tragedia in tre atti. Milano, Rizzoli 1990 multilingual, 341 BTT161B Brossura editoriale, volume in buone condizioni, lievi segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, testo in tedesco a fronte 341 pagine circa Copertina come da foto
1967Scholar's name to ffep and stamp to titlepage. Top of back strip has slight damage. Slight staining to foreedge of textblock. Internally fine. ; Extensive English commentary. ; Vol. 4; 272 pages
1967Scholar's name to ffep in pencil (E. Kerr Borthwick). Corners bumped. Spine a little sunned with lettering a little faded. ; Extensive English commentary. ; Vol. 4; 272 pages
1982Minor shelfwear. Scholars' bookplate to inner cover. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
1970Light bumping to bottom boards. Light rubbing to boards. ; Volume 2 Only. ; Vol. 2; 210 pages
1952Spine slightly browned. Corners chipped and edgeworn. Pages slightly tanned. ; Text in Greek, notes and commentary in Latin. Xxx, 76pp ; 76 pages
1982Wraps are browned. Light chipping to 2 corners of wraps. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
2012Book is fine. ; Classici sono quei testi capaci di originare riscritture e riconoscibili come modelli di altre espressioni letterarie o artistiche. Questo fenomeno di geminazione è particolarmente vistoso per l’Edipo re di Sofocle e l’Edipo di Seneca la cui ricezione è un labirinto fitto e mutevole, ricco di contaminazioni e di reticoli intertestuali in cui lo stesso esercizio critico entra a far parte del processo di riscrittura. Il volume comprende 19 contributi: un ampio saggio introduttivo su alcuni particolari temi e morfemi del mito, lungo tutta la sua tradizione; 6 contributi dedicati ai due testi antichi, fondativi della tradizione edipica; ed infine 12 capitoli incentrati sull'analisi - senza pretese di esaustività - delle diverse tradizioni letterarie, teatrali, visive e cinematografiche della fortuna di Edipo, lungo una dimensione cronologica e geografica che muove dalle prime riprese nella cultura europea dei secoli XVI e XVII, fino alla contemporaneità. In chiusura la testimonianza di Edoardo Sanguineti, straordinario interprete del teatro classico, e dei classici più in generale, che ha tradotto a suo modo un Edipo tiranno, messo in scena nel 1980 da Benno Besson. ; Spudasmata Band 149; 450 pages
2012Upper corners bumped with small chip to 1 corner. Small tear to cloth at head of spine (1/2 cm). Decorative boards. ; Quando nel 1952 uscì l’edizione degli Scholia all’Edipo a Colono, Vittorio de Marco (Napoli 1899-Roma 1988) era già noto come lo scopritore della familia Romana dei codici di Sofocle e degli Scholia relativi. Grazie anche a due importanti articoli di de Marco del 1936 e del 1937, poi sovente utilizzati negli studi sofoclei, tale scoperta aprì un filone di indagini nuove. L’edizione degli Scholia O. C. Era praticamente uscita in contemporanea con altri corposi articoli di de Marco riguardanti sia gli Scholia che il testo della tragedia sofoclea, e non era sfuggita ai maggiori filologi dell’epoca, che li consideravano lavori interessanti per tutto il testo di Sofocle “in stretta relazione” con le idee di Turyn sulla tradizione manoscritta delle tragedie sofoclee. Dopo l’edizione del 1952, de Marco ritornò sugli Scholia O. C. Con due articoli esemplari. Lasciato l’insegnamento nell’autunno del 1969, in prossimità del suo servizio fuori ruolo all’Università Statale di Milano, si riproponeva di tornare sull’edizione degli Scholia O. C. Del 1952 (specie sulla Praefatio) , ma gradualmente il suo interesse si spostò su Omero, un lavoro di grande lena che lo tenne occupato fino alla sua morte, ossia gli Scholia Minora [D] in Homeri Iliadem, un enorme e pazientissimo lavoro giunto fino al libro XVII e rimasto inedito. ; 76 pages; Xxx, 76 pp
1982Minor shelfwear. Small chip to 1 corner. Scholars' name to ffep (Mark Golden). ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
1967Spine is a bit sunned and faded. 1 corner a bit edgeworn. Rounds slightly rounded. Former owner's name to ffep in pencil. Very faint foxing starting to textblock. ; Extensive English commentary. ; Vol. 4; 272 pages
1968Pages lightly browned. Light shelfwear. ; Contributors: E. R. Dodds, E. T. Owen, Richmond Lattimore, Karl Reinhardt, Francis Fergusson, G. M. Kirkwood, Victor Ehrenberg, R. P. Winnington-Ingram, Bernhard M. W. Knox et al. ; A Spectrum Book; 119 pages
1941Foxing to wraps and textblock. Some browning to wraps and minor edgewear. Scholar's bookplate to inner cover (G. P. Goold). ; 126 pages
1996Scholars' name to titlepage (Mark Golden). Else book is fine. ; By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E. R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant, powerful presence throughout the play. He contends that although we can sympathize with Oedipus because of his sufferings, he is still morally responsible for murdering his father and sleeping with his mother. Apollo is therefore not indifferent and his actions are not unjust. Griffith focuses on Apollo's commandment "know thyself," a commandment Oedipus belatedly and tragically fulfils, to stress both the need for self-understanding in the study of ancient literature and the usefulness of ancient literature in achieving self-understanding. ; 160 pages
1982Former owner's name on ffep. Pencil notes to Greek text. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
1922book has been rebound in maroon buckram. Ex-library copy with usual stamps, call numbers and pocket. 4 pages are loose but present. ; English translation; 48 pages
