185 résultats
réf. 3024Paris, chez Nepveu, 1818 - imp. P. Didot l'ainé, chevalier de l'ordre royal de St Michel, imprimeur du roi - in-12, 338 pp. - rel. bas. blonde (un accroc avec manque au dos)
124pp., 22cm., br.orig., Dissertation présentée à l'Académie de Lausanne, cachet au verso de la p.d.t., texte frais et en bon état, K113120
140pp., 24cm., with a short handwritten dedication by the author, text in Latin, Doctoral Dissertation (University of Utrecht, the Netherlands), bound in red cloth with gilt lettering, all edges gilt, small stamp at verso of title page, K113122
8vo., First Edition thus; original printed wrappers, covers very faintly age-soiled else a very good, bright, clean copy. First appearance in Rieu's renowned 'Penguin Classics' series, and first publication of Watling's translation. The cover roundel is based on an alleged bust of the dramatist. A note in Penguin's Bristol archives suggests that one 'Bert Pugh' was responsible for the design (see Edwards Hare & Robinson, p.60). Penguin Classics, L3.
In 16, pp. 96 + (1) di errata + (1b). Annotazione manoscritta coeva al fr. Br. rifatta con carta d'epoca.
pp. 127, in 8°, brossura.
Gallimard, 1967. Collection Connaissance de L'inconscient. In-8 broché, couverture à rabats de 188 pages. Rares passages discrètement soulignés au crayon de papier en marge sinon bon état.
Editions de Minuit, 1969 . In-8 broché, couverture rempliée de 288 pages. Collection Critique. Rares passages discrètement soulignés au crayon de papier sinon Bon état
Scholar's name to ffep and stamp to titlepage. Top of back strip has slight damage. Slight staining to foreedge of textblock. Internally fine. ; Extensive English commentary. ; Vol. 4; 272 pages
Scholar's name to ffep in pencil (E. Kerr Borthwick). Corners bumped. Spine a little sunned with lettering a little faded. ; Extensive English commentary. ; Vol. 4; 272 pages
Minor shelfwear. Scholars' bookplate to inner cover. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
Light bumping to bottom boards. Light rubbing to boards. ; Volume 2 Only. ; Vol. 2; 210 pages
Spine slightly browned. Corners chipped and edgeworn. Pages slightly tanned. ; Text in Greek, notes and commentary in Latin. Xxx, 76pp ; 76 pages
Wraps are browned. Light chipping to 2 corners of wraps. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
Book is fine. ; Classici sono quei testi capaci di originare riscritture e riconoscibili come modelli di altre espressioni letterarie o artistiche. Questo fenomeno di geminazione è particolarmente vistoso per l’Edipo re di Sofocle e l’Edipo di Seneca la cui ricezione è un labirinto fitto e mutevole, ricco di contaminazioni e di reticoli intertestuali in cui lo stesso esercizio critico entra a far parte del processo di riscrittura. Il volume comprende 19 contributi: un ampio saggio introduttivo su alcuni particolari temi e morfemi del mito, lungo tutta la sua tradizione; 6 contributi dedicati ai due testi antichi, fondativi della tradizione edipica; ed infine 12 capitoli incentrati sull'analisi - senza pretese di esaustività - delle diverse tradizioni letterarie, teatrali, visive e cinematografiche della fortuna di Edipo, lungo una dimensione cronologica e geografica che muove dalle prime riprese nella cultura europea dei secoli XVI e XVII, fino alla contemporaneità. In chiusura la testimonianza di Edoardo Sanguineti, straordinario interprete del teatro classico, e dei classici più in generale, che ha tradotto a suo modo un Edipo tiranno, messo in scena nel 1980 da Benno Besson. ; Spudasmata Band 149; 450 pages
Upper corners bumped with small chip to 1 corner. Small tear to cloth at head of spine (1/2 cm). Decorative boards. ; Quando nel 1952 uscì l’edizione degli Scholia all’Edipo a Colono, Vittorio de Marco (Napoli 1899-Roma 1988) era già noto come lo scopritore della familia Romana dei codici di Sofocle e degli Scholia relativi. Grazie anche a due importanti articoli di de Marco del 1936 e del 1937, poi sovente utilizzati negli studi sofoclei, tale scoperta aprì un filone di indagini nuove. L’edizione degli Scholia O. C. Era praticamente uscita in contemporanea con altri corposi articoli di de Marco riguardanti sia gli Scholia che il testo della tragedia sofoclea, e non era sfuggita ai maggiori filologi dell’epoca, che li consideravano lavori interessanti per tutto il testo di Sofocle “in stretta relazione” con le idee di Turyn sulla tradizione manoscritta delle tragedie sofoclee. Dopo l’edizione del 1952, de Marco ritornò sugli Scholia O. C. Con due articoli esemplari. Lasciato l’insegnamento nell’autunno del 1969, in prossimità del suo servizio fuori ruolo all’Università Statale di Milano, si riproponeva di tornare sull’edizione degli Scholia O. C. Del 1952 (specie sulla Praefatio) , ma gradualmente il suo interesse si spostò su Omero, un lavoro di grande lena che lo tenne occupato fino alla sua morte, ossia gli Scholia Minora [D] in Homeri Iliadem, un enorme e pazientissimo lavoro giunto fino al libro XVII e rimasto inedito. ; 76 pages; Xxx, 76 pp
Minor shelfwear. Small chip to 1 corner. Scholars' name to ffep (Mark Golden). ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
Spine is a bit sunned and faded. 1 corner a bit edgeworn. Rounds slightly rounded. Former owner's name to ffep in pencil. Very faint foxing starting to textblock. ; Extensive English commentary. ; Vol. 4; 272 pages
Pages lightly browned. Light shelfwear. ; Contributors: E. R. Dodds, E. T. Owen, Richmond Lattimore, Karl Reinhardt, Francis Fergusson, G. M. Kirkwood, Victor Ehrenberg, R. P. Winnington-Ingram, Bernhard M. W. Knox et al. ; A Spectrum Book; 119 pages
Foxing to wraps and textblock. Some browning to wraps and minor edgewear. Scholar's bookplate to inner cover (G. P. Goold). ; 126 pages
Scholars' name to titlepage (Mark Golden). Else book is fine. ; By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E. R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant, powerful presence throughout the play. He contends that although we can sympathize with Oedipus because of his sufferings, he is still morally responsible for murdering his father and sleeping with his mother. Apollo is therefore not indifferent and his actions are not unjust. Griffith focuses on Apollo's commandment "know thyself," a commandment Oedipus belatedly and tragically fulfils, to stress both the need for self-understanding in the study of ancient literature and the usefulness of ancient literature in achieving self-understanding. ; 160 pages
Former owner's name on ffep. Pencil notes to Greek text. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
book has been rebound in maroon buckram. Ex-library copy with usual stamps, call numbers and pocket. 4 pages are loose but present. ; English translation; 48 pages
Books have been rebound in brown boards with gilt lettering Minor shelfwear. Light pencilling to a few pages. Former owner's name to vol. 1 titlepage (A. Merriman). Minor corner creasing to a few pages. ; 8 books in 2 volumes: Vol I: (1913) Aias 196 pp; König Oedipus (1910) 239 pp; Oidipus auf kolonos (1909) 202 pp; Antigone (1913) 221 pp; Elektra (1912) 213 pp; Trachinierinnen (1914) 186 pp; Philoktetes (1911) 159 pp; Anhang (1899) 170 pp. Text is in Ancient Greek and German ; 8 Books Bound in 2 Volumes
Sophocle/Sofocle/Σοφοκλῆς/Sophoklḕs (Dain, Alphonse (Membre de l'Institut): Texte établi par - Mazon, Paul (Membre de l'Institut): et traduit par Sophocle. Tome II: Ajax - Œdipe Roi - Électre. Paris (France, Société d'Édition « Les Belles Lettres » (95, Boulevard Raspail) - Procédés Dorel (impression) 1968 french, in ottavo pp. Troisième tirage revu et corrigé. Réimpression 1968 del Tomo II della raccolta. Testo in francese con i testi delle tragedie in greco a fronte. Texte établi par Alphonse Dain (Membre de l'Institut) et traduit par Paul Mazon (Membre de l'Institut). Collection des Universités de France publiée sous le patronage de l'Association Guillume Budé. VIII piccolo/brossura. Stato buono (usura della copertina, che presenta in particolare abrasioni al primo piatto e al dorso - copertina brunita e polverosa - copertina e pagine leggermente brunite).