183 résultats
1920réf. 201891920. LGBTQ Cross-Dressing Collection of eight photographs 1920s-1990s traces the evolution of female impersonation and cross-dressing entertainment across the twentieth century spanning early vaudeville-era performers through television and film portrayals of gender variance. The archive captures both underground stage culture and mainstream representation illuminating shifting public attitudes toward cross-dressing in American performance history. Early real photo postcards advertising Francis Blair as "Dancer De Luxe" demonstrate commercial promotion of female impersonation in the 1920s while later silver gelatin photographs depict drag performers in 1960s stage attire and publicity stills from film and television exploring gender disguise as narrative device. One image references Jamie Farr's portrayal of a cross-dressing soldier in 1979 television described in accompanying press text as "the first time a man played a man who would dress as a woman" underscoring changing media engagement with gender nonconformity. Collection of eight photographs. Sizes range from 3.5 x 5.25 inches to 8 x 10 inches. Includes two real photo postcards from the early 1920s advertising Francis Blair; four silver gelatin photographs from the 1960s showing drag performers in contemporary women's fashion; publicity still of Reg Varney in The Best Pair of Legs in the Business 1973; and images of Danielle Carter in tiger print stage costume. Several photographs retain original press articles or captions en verso. The archive chart a movement from theatrical female impersonation in live revue culture to mediated representation in film and television. They illustrate how cross-dressing functioned alternately as spectacle satire subcultural identity and emerging topic of public conversation. Photographs crisp with minimal edge wear; versos clean where visible. Overall very good condition. A cross-generational visual archive of twentieth-century gender-nonconforming performance. unknown
1920réf. 201891920. LGBTQ Cross-Dressing Collection of eight photographs 1920s-1990s traces the evolution of female impersonation and cross-dressing entertainment across the twentieth century spanning early vaudeville-era performers through television and film portrayals of gender variance. The archive captures both underground stage culture and mainstream representation illuminating shifting public attitudes toward cross-dressing in American performance history. Early real photo postcards advertising Francis Blair as "Dancer De Luxe" demonstrate commercial promotion of female impersonation in the 1920s while later silver gelatin photographs depict drag performers in 1960s stage attire and publicity stills from film and television exploring gender disguise as narrative device. One image references Jamie Farr's portrayal of a cross-dressing soldier in 1979 television described in accompanying press text as "the first time a man played a man who would dress as a woman" underscoring changing media engagement with gender nonconformity. Collection of eight photographs. Sizes range from 3.5 x 5.25 inches to 8 x 10 inches. Includes two real photo postcards from the early 1920s advertising Francis Blair; four silver gelatin photographs from the 1960s showing drag performers in contemporary women's fashion; publicity still of Reg Varney in The Best Pair of Legs in the Business 1973; and images of Danielle Carter in tiger print stage costume. Several photographs retain original press articles or captions en verso. The archive chart a movement from theatrical female impersonation in live revue culture to mediated representation in film and television. They illustrate how cross-dressing functioned alternately as spectacle satire subcultural identity and emerging topic of public conversation. Photographs crisp with minimal edge wear; versos clean where visible. Overall very good condition. A cross-generational visual archive of twentieth-century gender-nonconforming performance. unknown books
1995réf. 88873Tübingen, Max Niemeyer Verlag, coll. « Lexicographica Series Maior 6, 62, 63 » 1995 3 volumes. In-8. Cartonnages éditeur havane imprimés, X-2012 pp. en pagination continue, notes bibliographie.
1940réf. 226681940. LGBTQ Drag Archive of Finocchio's nightclub materials 1940s-1950s one of the earliest and most influential drag venues in the United States. Founded in 1936 at 506 Broadway in San Francisco Finocchio's emerged from Depression-era nightlife to become a nationally recognized stage for female impersonation at a time when queer expression was routinely policed and publicly stigmatized. Operating decades before the gay liberation movement the club cultivated a space where gender illusion theatrical glamour and camp spectacle were presented for mixed audiences from San Francisco's gay community to tourists and Hollywood figures. Six items. San Francisco 1940s-1950s. The archive is anchored by a large-format performance booklet featuring illustrated cover artwork by performer and artist Li-Kar and interior photographic portraits of principal female impersonators in elaborate costume. Substantially larger than standard venue handouts the booklet is a visually ambitious souvenir highlighting star performers through graphic design and photography. Also included are a smaller illustrated promotional drink menu and four souvenir postcards depicting the revue cast in sequined gowns chorus-line formations and staged tableaux. Measurements range approximately from 4 x 6 inches to 8 x 11 inches. During the 1940s and 1950s as policing of queer bars intensified in many American cities Finocchio's maintained a visible and commercially successful presence marketing itself with the slogan "The most interesting women are not women at all." Its stage featured performers who helped bring female impersonation into mainstream entertainment in the U.S. Minor edge wear and light handling creases; printed surfaces remain bright with strong image clarity. Overall very good condition. unknown
1940réf. 226681940. LGBTQ Drag Archive of Finocchio's nightclub materials 1940s-1950s one of the earliest and most influential drag venues in the United States. Founded in 1936 at 506 Broadway in San Francisco Finocchio's emerged from Depression-era nightlife to become a nationally recognized stage for female impersonation at a time when queer expression was routinely policed and publicly stigmatized. Operating decades before the gay liberation movement the club cultivated a space where gender illusion theatrical glamour and camp spectacle were presented for mixed audiences from San Francisco's gay community to tourists and Hollywood figures. Six items. San Francisco 1940s-1950s. The archive is anchored by a large-format performance booklet featuring illustrated cover artwork by performer and artist Li-Kar and interior photographic portraits of principal female impersonators in elaborate costume. Substantially larger than standard venue handouts the booklet is a visually ambitious souvenir highlighting star performers through graphic design and photography. Also included are a smaller illustrated promotional drink menu and four souvenir postcards depicting the revue cast in sequined gowns chorus-line formations and staged tableaux. Measurements range approximately from 4 x 6 inches to 8 x 11 inches. During the 1940s and 1950s as policing of queer bars intensified in many American cities Finocchio's maintained a visible and commercially successful presence marketing itself with the slogan "The most interesting women are not women at all." Its stage featured performers who helped bring female impersonation into mainstream entertainment in the U.S. Minor edge wear and light handling creases; printed surfaces remain bright with strong image clarity. Overall very good condition. unknown books
1975Mm 150x210 Ristampa anastatica dell'edizione di Firenza, Formigli, 1834. Brossura editoriale di 45 pagine. Copia molto buona. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2016A clean, unmarked book with a tight binding. 162 pages. Signed "with laughs and cheers, Kirk Frederick 4/16" on the title page.
réf. DADAX0195390180New unknown
réf. DADAX0840731981New unknown
2022réf. x-8323349495Jagiellonian Univ Pr 2022. Hardcover. New. 709 pages. 9.75x7.00x1.50 inches. Jagiellonian Univ Pr hardcover
1780réf. 23707(vers 1780) Format 180 x 340 mm, avec marges 220 x 360 mm.
2025réf. x-1350529915Bloomsbury USA Academic 2025. Hardcover. New. 272 pages. 9.22x6.14x1.01 inches. Bloomsbury USA Academic hardcover
réf. DADAX0801866642New unknown
réf. DADAX0062970933New unknown
1666réf. 20195Lyon, Charles Mathevet, 1666 ; soit trois parties reliées en un volume in-12, veau marbré, dos à nerfs décoré et doré, pièce de titre havane, roulette sur les coupes, tranches rouges (reliure ancienne) ; [16], 454 pp., [1] f. bl., [1] f., [12], 215, [1 bl.] pp. ; Frontispice qui porte en titre “Le médecin libéral à son Malade, tourmenté des vives appréhensions de la Mort”.
2011réf. x-3642822096Springer 2011. Paperback. New. 4th edition. 888 pages. German language. 9.61x6.69x2.13 inches. Springer paperback
2011réf. x-3642820921Springer 2011. Paperback. New. 4th reprint edition. 766 pages. German language. 9.61x6.69x1.73 inches. Springer paperback
1955réf. 459Impr.Devaye, Cannes: 1955. Plaquette in-8 (24,5 X 15,5cm)brochée .12pp.Plan de Ste Marguerite.
19761,025 pages. "Includes papers on a variety of topics, especially aeronautics. Early work of the National Advisory Committee for Aeronautics on aircraft stability and control appears in the first section and is followed by original contributions in airfoil theory, including theories of sweptback and slender airfoils. Several papers are devoted to the theory of minimum drag and to the theory of the oblique wing. Papers on geometrical optics appear next. Perhaps the most significant of these is the design of a fast (F/.66) monochromatic lens based on an inversion of the Schmidt arrangement. Several papers based on work of Avco-Everett Research Laboratory on cardiac assist devices are included and show elementary applications of fluid dynamics to the design of blood pumps and in particular the intra-aortic baloon pump. The last section presents some simple heuristic techniques in relatistic kinematics - based on conformal coordinates in two dimensions. Here the application to space-like motions provide an interesting duality with einsteinian kinematics." - from Abstract. Above-average but not excessive wear. Binding intact. Unmarked. Two inch tape repair to top of front cover at spine. A sound copy. Book
réf. 74918Paris, éd. Plon, 1945, EDITION ORIGINALE, in-12, cartonnage souple, couv. ill. en vert sur fond blanc éditeur, 246 pp., portrait de l'amiral en frontispice, chronologie, bibliographie, table des matières La vie et les actions du général de Richelieu, Maillé Brézé. Très bon état
réf. 16757N° 300 - 1e sept 1938 - in-8 broché - 175 pages
1963réf. 1103431963 Editions du Compas - 1963 - In-4, cartonnage toilé décoré sous jaquette illustrée en couleurs de l'éditeur - 309 p. - Très nombreuses superbes illustrations in et hors-texte en couleurs et en N&B
1966réf. mon0000496986Collins 1966T. hardcover. Good. in x in x in. This is the 1970 Collins reprint. NOT an ex-library book. Clean copy in good condition. Collins hardcover
réf. nf3330Collins London 1978 pictorial Hard Cover.128pin EXCELLENT GOOD CLEAN TIGHT READING ORDER AS NEW. Full refund if not satisfied. 24 hour despatch via Insured Signed for. If not pictured in this listing a scan of the actual book is available on request. Hardcover. As New. hardcover
2001A clean, unmarked book with a tight binding. 160 pages. Black and white photos. "Second only to a wig, really decent breast forms are a crossdresser's best investment."
