176 résultats
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1976réf. 022635San Francisco: San Francisco Closet Ball Publisher 1976. Wraps. Good. Blue wraps. Unpaginated approximately 40 pp. Black and white photos and illustrations throughout. A program of events entertainment staff credits and brief letters from the organizers for the 4th San Francisco Closet Ball. Includes photos of several luminaries although not in drag. The Closet Ball started in 1973 and was an annual drag event that billed itself as "San Francisco's Most Outrageous Coming Out Party!" The ball was essentially a competition for first time drag queens. They would first appear in male attire then return in female attire where they were assisted by more experienced drag queens. Winners were coronated as the Closet Ball Queen. The event also served as a fundraiser for a variety of charities and organizations. Many ads throughout this program for local businesses etc. GOOD condition. Faint vertical crease present. Minor wrinkling toning and soiling. Newspaper clipping laid in on the front page resulting in a square of offsetting. San Francisco Closet Ball, Publisher unknown
1950réf. 236641950. American cross dressing performance photo archive depicting cisgender men modeling women's bathing suits skirts jewelry and accessories before a mixed audience circa 1950s when gender nonconformity remained vulnerable to public condemnation employment discrimination police surveillance and prosecution under local masquerade and public decency laws. The photographs record gender play within a communal entertainment setting where exaggerated poses costume changes and spectators' laughter temporarily displaced the rigid standards governing masculine appearance in postwar public life. Neither the performers' identities nor their sexual orientations are established but the event preserves a social space in which femininity could be assumed displayed and applauded by men and women. Photo archive of 10 silver gelatin photographs each 3.5" x 3.5" United States circa 1950s. The photographs show several men taking turns before an audience inside a wood paneled bar diner lodge or social hall. Performers model floral and striped bathing suits short skirts necklaces earrings head coverings sunglasses handbags and other accessories sometimes standing with hands on hips or adopting runway poses associated with fashion modeling and beauty contests. One man walks past seated spectators carrying a handbag; another poses beside a jukebox; others appear in groups as participants watch wait or compare costumes. A tattooed performer sits at a counter while applying or adjusting makeup preserving an informal backstage moment within the evening. Women and men sit close to the improvised runway and an illuminated "Exit" sign recurs behind the performers. Cross dressing revues occupied an unstable position in midcentury American culture. Professional female impersonation appeared in traveling productions and nightclub programs including the nationally touring Jewel Box Revue during the 1950s while comparable conduct outside theatrical settings could expose individuals to arrest harassment or forced disclosure. The federal Lavender Scare begun in 1950 treated homosexuality and perceived sexual nonconformity as threats to employment and national security reinforcing the pressure to conceal identities and relationships. This event appears less formal than a commercial revue locating gender performance within an ordinary social gathering where friends and patrons participated as performers witnesses and judges. Light surface wear curling occasional creasing and small edge losses with a larger tear affecting the borders of two photographs; images retain generally strong contrast. Overall in good condition. A compact visual record of men testing the boundaries of acceptable dress and gendered behavior through fashion parody embodied performance and collective amusement in 1950s America. unknown books
1950réf. 236641950. American cross dressing performance photo archive depicting cisgender men modeling women's bathing suits skirts jewelry and accessories before a mixed audience circa 1950s when gender nonconformity remained vulnerable to public condemnation employment discrimination police surveillance and prosecution under local masquerade and public decency laws. The photographs record gender play within a communal entertainment setting where exaggerated poses costume changes and spectators' laughter temporarily displaced the rigid standards governing masculine appearance in postwar public life. Neither the performers' identities nor their sexual orientations are established but the event preserves a social space in which femininity could be assumed displayed and applauded by men and women. Photo archive of 10 silver gelatin photographs each 3.5" x 3.5" United States circa 1950s. The photographs show several men taking turns before an audience inside a wood paneled bar diner lodge or social hall. Performers model floral and striped bathing suits short skirts necklaces earrings head coverings sunglasses handbags and other accessories sometimes standing with hands on hips or adopting runway poses associated with fashion modeling and beauty contests. One man walks past seated spectators carrying a handbag; another poses beside a jukebox; others appear in groups as participants watch wait or compare costumes. A tattooed performer sits at a counter while applying or adjusting makeup preserving an informal backstage moment within the evening. Women and men sit close to the improvised runway and an illuminated "Exit" sign recurs behind the performers. Cross dressing revues occupied an unstable position in midcentury American culture. Professional female impersonation appeared in traveling productions and nightclub programs including the nationally touring Jewel Box Revue during the 1950s while comparable conduct outside theatrical settings could expose individuals to arrest harassment or forced disclosure. The federal Lavender Scare begun in 1950 treated homosexuality and perceived sexual nonconformity as threats to employment and national security reinforcing the pressure to conceal identities and relationships. This event appears less formal than a commercial revue locating gender performance within an ordinary social gathering where friends and patrons participated as performers witnesses and judges. Light surface wear curling occasional creasing and small edge losses with a larger tear affecting the borders of two photographs; images retain generally strong contrast. Overall in good condition. A compact visual record of men testing the boundaries of acceptable dress and gendered behavior through fashion parody embodied performance and collective amusement in 1950s America. unknown
197198 pages. Features: Boss Heads for VWs; Performance Cranks; Mint 400 Off Road Bash; and much more. Average wear. A sound copy. Magazine
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