5 261 résultats
réf. 69182New York: Raw Books & Graphics 1986. Very Good. Slim folio 36 cm Saddle-stitched illustrated wraps. Wraps lightly rubbed. Moderate soiling to rear wraps of numbers 1 and 3. Volume 1 Number 1 Fall 1980. "Two-Fisted Painters" by Art Spiegelman booklet. Volume 1 Number 3. 1981. "Maus Chapter Two The Honeymoon" booklet. Volume 1 Number 4. 1982. Vinyl record "Reagan speaks for himself" detached and laid in. "Maus Chapter Three Prisoner of War" booklet. Volume 1 Number 5. 1983. Couple by Art Spiegelman. "Maus Chapter Four The Noose Tightens" booklet. Stapled in a little loosely. Volume 1 Number 6. 1984. "Maus Chapter Five Mouse Tales" booklet. Volume 1 Number 7. 1985. "Maus Chapter Six Mouse Trap" booklet. "Red Flowers" booklet by Yoshiharu Tsuge. Deliberately issued by the publisher with a torn front wrap. Volume 1 Number 8. 1986. Jimbo by Gary Panter. "Maus Chapter Seven Mauschwitz" booklet. The first number along with six other issues of RAW Magazine Volume 1. Number 2 is not present. A very colorful and bold comics and graphics anthology edited by Art Spiegelman and Françoise Mouly a husband and wife team which highlighted artists from around the world and was published in the United States from 1980 to 1991. In addition to the work of Spiegelman and Mouly RAW featured cutting-edge comic artists such as Robert Crumb Gary Panter Charles Burns Kim Deitch Sue Coe Jerry Moriarty Richard Sala and Ever Meulen among many others. In these issues of RAW one will find Gary Panter's best-known comic protagonist "Jimbo" a burly punk and existential adventurer as well as "The Voice of Walking Flesh" by Charles Burns "Love's Savage Fury" by Mark Newgarden and a centerfold by Ever Meulen captioned "Use the Mood of the Past to Rewire Your Brain for the Future." Of significant importance is the fact that Art Spiegelman's seminal graphic work "Maus: A Survivor's Tale" made it's first appearance in this magazine chapters 2-7 are present here as stapled-in booklets. Spiegelman's unrivaled Holocaust narrative "Maus" was awarded the 1992 Pulitzer Prize it was the first graphic novel to win the Pulitzer Prize and he was the first-ever cartoonist to receive the prestigious Edward MacDowell Medal a medal awarded annually since 1960 to artists who have made an outstanding contribution to American culture. A nearly consecutive run of volume 1 of this trailblazing magazine with original serialized chapters of "Maus." "The Graphix Magazine for Your Bomb Shelter's Coffee Table." Number 4 front cover caption. Raw Books & Graphics unknown
réf. 69182New York: Raw Books & Graphics 1986. Very Good. Slim folio 36 cm Saddle-stitched illustrated wraps. Wraps lightly rubbed. Moderate soiling to rear wraps of numbers 1 and 3. Volume 1 Number 1 Fall 1980. "Two-Fisted Painters" by Art Spiegelman booklet. Volume 1 Number 3. 1981. "Maus Chapter Two The Honeymoon" booklet. Volume 1 Number 4. 1982. Vinyl record "Reagan speaks for himself" detached and laid in. "Maus Chapter Three Prisoner of War" booklet. Volume 1 Number 5. 1983. Couple by Art Spiegelman. "Maus Chapter Four The Noose Tightens" booklet. Stapled in a little loosely. Volume 1 Number 6. 1984. "Maus Chapter Five Mouse Tales" booklet. Volume 1 Number 7. 1985. "Maus Chapter Six Mouse Trap" booklet. "Red Flowers" booklet by Yoshiharu Tsuge. Deliberately issued by the publisher with a torn front wrap. Volume 1 Number 8. 1986. Jimbo by Gary Panter. "Maus Chapter Seven Mauschwitz" booklet. The first number along with six other issues of RAW Magazine Volume 1. Number 2 is not present. A very colorful and bold comics and graphics anthology edited by Art Spiegelman and Françoise Mouly a husband and wife team which highlighted artists from around the world and was published in the United States from 1980 to 1991. In addition to the work of Spiegelman and Mouly RAW featured cutting-edge comic artists such as Robert Crumb Gary Panter Charles Burns Kim Deitch Sue Coe Jerry Moriarty Richard Sala and Ever Meulen among many others. In these issues of RAW one will find Gary Panter's best-known comic protagonist "Jimbo" a burly punk and existential adventurer as well as "The Voice of Walking Flesh" by Charles Burns "Love's Savage Fury" by Mark Newgarden and a centerfold by Ever Meulen captioned "Use the Mood of the Past to Rewire Your Brain for the Future." Of significant importance is the fact that Art Spiegelman's seminal graphic work "Maus: A Survivor's Tale" made it's first appearance in this magazine chapters 2-7 are present here as stapled-in booklets. Spiegelman's unrivaled Holocaust narrative "Maus" was awarded the 1992 Pulitzer Prize it was the first graphic novel to win the Pulitzer Prize and he was the first-ever cartoonist to receive the prestigious Edward MacDowell Medal a medal awarded annually since 1960 to artists who have made an outstanding contribution to American culture. A nearly consecutive run of volume 1 of this trailblazing magazine with original serialized chapters of "Maus." "The Graphix Magazine for Your Bomb Shelter's Coffee Table." Number 4 front cover caption. Raw Books & Graphics unknown books
1947Cloth, 8vo, 510 pages (volume 18) , 42 volumes, 24 cm. Trial against H. W. Göring, R. Hess, J. Von Ribbentrop, R. Ley, W. Keitel, E. Kaltenbrunner, A. Rosenberg, H. Frank, W. Frick, J. Streicher, W. Funk, H. Schacht, G. Krupp von Bohlen und Halbach, K. Dönitz, E. Raeder, B. Von Schirach, F. Sauckel, A. Jodl, M. Bormann, F. Von Papen, A. Seyss-Inquart, A. Speer, C. Von Neurath, and H. Fritzsche, individually and as members of any groups or organizations to which they belonged. "Documents admitted in evidence are printed only in their original language. " Volumes. 30, 31 and 38 have fold. Charts (4 total) in pockets. Contents: volumes 1. Official documents. --Volumes 2-22. Proceedings. --Volumes 23. Chronological and subject index. --Volumes 24. Document and name index and errata. --Volumes 25-42. Documents and other material in evidence. Subject: Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946. Added author International Military Tribunal. Spine and pages tanned. Edge wear to covers. Ex-library with book plate. Good condition. (H-22) This volume only.
198412mo; 117 pages; In German. 2 long handwritten letters from the author laid in. A nicely done history. (GER-39-4)
1963Very Good Condition Lacks Jacket; Large 8vo; 565 pages; By a participant in the July 20, 1944 plot to kill Hitler. (HOLO2-77-24)
réf. L11112Moscou. Éditions militaires du Commissariat du Peuple à la Défense, 1944. In-12 agrafé de 28 pages. Texte du Communiqué de la Commission extraordinaire Polono-Soviétique pour l'étude des massacres commis dans le camp d'extermination de Majdanek, près de Lublin (Pologne). Dos recollé, extrêmement rare !
réf. L8610Jérusalem. Yad Vashem. Institut commémoratif des martyrs et des héros, 1975. In-4 agrafé. Plusieurs textes en français. Importante iconographie en noir & blanc et reproductions en couleurs de dessins d'enfants en dépliant. Chronologie etc. E.O.
réf. L11110Lodz. Commission Centrale d'Histoire Juive, 1946. Plaquette in-8 agrafée de 40 pages. M. Balberyszski était un juif lituanien, survivant de l'Holocauste. Ce livre est le récit de la vie et de l'organisation du Petit Ghetto depuis sa formation jusqu'à sa liquidation, c'est aussi le seul témoignage historique du sort de la population juive de Vilna depuis le jour de l'arrivée des Allemands, jusqu'à la libération des 84 Juifs survivants par l'armée soviétique. Préface de J. Kermisz. Catalogue des publications du centre. Textes en polonais. E.O.
réf. L15847Varsovie. Ksuazka i Wiedza, 1968. In-12 br. Plaquette de 92 pages publiée à l'occasion de l'anniversaire des 25 ans du soulèvement du ghetto de Varsovie en 1943. Texte en polonais. Année de l'E.O.
1944réf. 34835Tel Aviv: Haaretz Printing House 1944. First Edition with annotations in Hebrew. Illustrated with 17 full-page Zinco engravings created by Zincographies Ltd. Oblong folio 34 x 25 cm publisher's original linen backed boards the upper cover printed in Hebrew. 4 text and 17 plates pp. A very good copy well preserved with minor evidence of age or use. RARE EARLY ILLUSTRATED WORK ON THE HORRORS OF THE HOLOCAUST. The evocative illustrations include Jews being rounded up for transport to the camps a depiction of the "death wagons" used for transport the rebellion in the ghetto partisans Treblinka the "monster" Nazi the Underground resistence and more. The album of illustrations was prepared and published during the most intense years of the Holocaust. Lea Grundig 1906 – 1977 was a German painter and graphic artist. In the mid-1930s her work reflected themes of the new Nazi age with her cycles "Harzburger Front" "Unterm Hakenkreuz" 1936 "Der Jude ist schuld!" 1935–38 "Krieg droht!"1935–37 "Im Tal des Todes" 1942/43 and "Ghetto". In 1935 a ban was imposed on exhibits of her work and in May 1936 she was arrested. Later in 1936 she traveled to Switzerland but she then returned to her home city and it was in Dresden that in May 1938 she was again arrested. In March 1939 she was found guilty of "Preparing to commit High Treason" »Vorbereitung zum Hochverrat« as a result of her Communist activities and/or her Jewish provenance and was sentenced to four months imprisonment. She served her sentence which in the event lasted till November/December 1939 in a prison in Dresden. However on her release she was granted an emigration permit. She emigrated to Bratislava then the capital of the still notionally independent Slovak Republic Slovakia. In 1940 she reached a refugee camp in Slovakia from where she moved as an exile to Palestine. Here she survived in a British internment camp at Atlit till 1942. On release she remained till the end of 1948 in Palestine living successively in Haifa and Tel Aviv. She was again able to show her work legally: exhibitions of her work took place not just in Palestine where she was living but also in the USA France South Africa and Great Britain. Haaretz Printing House hardcover
1973réf. 62864Philadelphia: Jewish Publication Society of America 1973. First American and first English language edition. Octavo. Cloth hardcover; dustjacket; yellow top-stain; 399pp. Tight straight fine copy with top-stain vivid and unfaded. In the original dustwrapper unclipped priced $6.95 on front flap lightly rubbed at extremities VG. Ben-Amotz's semi-autobiographical first novel a landmark portrayal of a Polish Holocaust survivor who re-invents himself as a true sabra in postwar Israel. Ben-Amotz would go on to a popular and somewhat controverisal career as a fiction-writer journalist and media personality. Originally published in Hebrew as "Lizkor lishcoah" Tel-Aviv 1968 the English-language translation is by Zeva Shapiro. Surprisingly uncommon especially in nice condition. Jewish Publication Society of America unknown
1973réf. 62864Philadelphia: Jewish Publication Society of America 1973. First American and first English language edition. Octavo. Cloth hardcover; dustjacket; yellow top-stain; 399pp. Tight straight fine copy with top-stain vivid and unfaded. In the original dustwrapper unclipped priced $6.95 on front flap lightly rubbed at extremities VG. Ben-Amotz's semi-autobiographical first novel a landmark portrayal of a Polish Holocaust survivor who re-invents himself as a true sabra in postwar Israel. Ben-Amotz would go on to a popular and somewhat controverisal career as a fiction-writer journalist and media personality. Originally published in Hebrew as "Lizkor lishcoah" Tel-Aviv 1968 the English-language translation is by Zeva Shapiro. Surprisingly uncommon especially in nice condition. Jewish Publication Society of America unknown books
1975réf. 162863Villejuif: the municipality 1975. 241p. b&w photo section mostly archived period images first edition green oilcloth boards gilt titling a bit rubbed long ink inscription signed by a resident of Villejuif a very good copy. Laid in find a color brochure of the antifacist museum consisting of six 4x8 inch panels showing exhibits. --Caveat emptor: volume is very faintly musty. Aka Vassieux-en-Vercors. "A la occasion du cinquantieme anniversaire de la Municipalite Communiste de Villejuif." Marchais was at writing the secretary-general of the French Communist Party. the municipality unknown books
1944réf. 164946Suisse, Editions Hist, 1944. 95 S., 2 Bl., mit zwei s/w Abbildungen nach Fotografien. Original broschiert, gr.8°. Softcover Einband etwas berieben, Stempel auf Deckel. Seiten minim gebräunt.
1946réf. 563Paris, Arthème Fayard, 1946. Édition originale. Grand album de 22 x 28 cm, 112 (2) pp. Relié demi-cuir noir à coins, dos à 5 nerfs ornés de pointillés et traits dorés, nom d'auteur et titre en doré. Plats marbrés. Couverture originale conservée. Tranchefile. Ouvrage illustré d'une cinquantaine de dessins en noir et blanc de l'auteur. Cet ouvrage est un puissant récit autobiographique illustré de l'artiste français Jean Bernard-Aldebert (connu sous le nom de Bernard-Aldebert, 1909-1974), relatant sa captivité dans cinq camps de concentration nazis différents entre 1944 et 1945. Après avoir bâti une carrière d'illustrateur, de caricaturiste et de satiriste, l'artiste voit son destin basculer tragiquement en novembre 1943. Pour avoir caricaturé Hitler sous les traits d'un chimpanzé dans le numéro du 1er août de l'hebdomadaire humoristique français *Ric et Rac*, Bernard-Aldebert est arrêté par la Gestapo. Il est ensuite transféré en janvier 1944 au camp d'internement de Royallieu-Compiègne, puis successivement à Buchenwald, Mauthausen, Gusen I et enfin Gusen II, où il demeure jusqu'à sa libération le 5 mai 1945. Le texte et les illustrations de l'auteur dévoilent les horreurs subies par les prisonniers dans ces camps : travaux forcés brutaux, famine, tortures sadiques et violences diverses. Si Bernard-Aldebert était surtout connu pour des caricatures au style léger et de charme, les images présentées ici versent dans un tout autre registre. Elles rappellent son style habituel, mais se révèlent bien plus dépouillées, sombres et austères, comme un reflet des émotions des personnages qui y apparaissent. Le texte est accompagné, presque systématiquement sur la page en regard, d'une reproduction en noir et blanc d'un dessin original de l'artiste, pour un total de 50 images. Celles-ci sont issues d'une série de croquis dessinés par Bernard-Aldebert peu après sa libération ; ils offrent, encore aujourd'hui, un témoignage visuel et émotionnel inestimable.
19391st edition. Original illustrated paper wrappers, 12mo, 64 pages. 4.75x7 inches. Cover shows a miserable prisoner flanked by ball & chains of swastika and hammer & sickle, behind whom hover Hitler, Mussolini, Stalin, and front and center The Pope. "Jehovah's Witnesses were subjected to intense persecution under the Nazi regime. The Nazis targeted Jehovah's Witnesses because they were unwilling to accept the authority of the state, because of their international connections, and because they were strongly opposed to both war on behalf of a temporal authority and organized government in matters of conscience. Within months of the Nazi takeover, regional governments, primarily those of Bavaria and Prussia, initiated aggressive steps against Jehovah's Witnesses, breaking up their meetings, ransacking and then occupying their local offices. By April 1, 1935, the Reich and Prussian Minister of the Interior ordered the responsible local officials to dissolve the Watchtower Society. Many actions of Jehovah's Witnesses antagonized Nazi authorities. While Witnesses contended that they were apolitical and that their actions were not anti-Nazi, their unwillingness to give the Nazi salute, to join party organizations or to let their children join the Hitler Youth, their refusal to participate in the so-called elections or plebiscites, and their unwillingness to adorn their homes with Nazi flags made them suspect. A special unit of the Gestapo compiled a registry of all persons believed to be Jehovah's Witnesses. Gestapo agents infiltrated Bible study meetings" (USHMM 2016) No copies listed in OCLC. Evenly- toned newsprint, Very Good Condition. Holocaust-related Jehovah's Witnesses material is rare, this imprint especially so. (HOLO2-134-61) xx
19561st edition. original cloth, 8vo. 303 pages. Inscribed by author in year of publication on front end paper. Illustrated. In Yiddish. Unusual design where illustrated "cover" is instead mounted as front pastedown, as issued. SUBJECT (S) : Jews South Africa Johannesburg history; Johannesburg (South Africa) ethnic relations. lightly bumped corners, Very Good condition. (YIZ-8-4)
1967IN HEBREW. 240x170 mm. 164 pages. Gilt hardcover and spine. Ex-library copy with usual marks. Pages yellowing. Else in good condition.
1953Original Wrappers. 8vo. 53 pages. 24 cm. First edition. In Spanish. Title translates as: The Neonazi movement in West Germany. Published by the Institute of Argentine Jews for Culture and Information, this medium length tract documents in detail the abhorrent manifestations of the renewed resurgence of neo-nazis and pro-fascist veteran groups in West Germany. Subjects: Antisemitism - Germany (West) . Fascism - Germany (West) . OCLC lists four copies worldwide (Harvard, HUC, AJU, Natl Libr Israel) . Institutional stamps on cover. Light soiling to wraps and outer edges; water stains throughout. However, text crisp. Fair condition. (HOLO2-99-26)
19218vo; 203 pages; Unflattering quotes about the Jews from all kinds of sources. From the Right-wing Volksverlag Less a "scientific" work than a popular item designed to turn the common German against the Jews. Cover wrappers chipped, edge-wear to inner-pages, but text clear and overall very good condition. (GER-89-11)
1968(FT) Publishers cloth. 8vo. 104 pages. 22 cm. First edition. In Yiddish. Author's note and three selections of poems in English; with one poem in Polish. The poems and memoir of Sam Waks, a survivor of Auschwitz. Subjects: Yiddish poetry. Yiddish literature. Holocaust, Jewish (1939-1945) . Ex-libris stamps on endpages. Otherwise near fine. Very good + condition. (HOLO2-99-38)
19431st edition. Original illustrated paper wrappers, 8vo, 24 pages. Loaded with Photographic illustrations of refugee childrens artwork, including children who came to England on the Kindertransport from Germany. Consists of 20 reproductions of paintings and drawings by children in the exhibition "The war as seen by children, " a foreword by J. G. Siebert, outlining the history of the exhibition, and a speech by Austrian-emigre artist Oskar Kokoschka at its opening, January 4, 1943, in the Cooling galleries, New Bond street, a fund-raiser for the German refugee school at Theydon Bois. Variant title: Our Children To-day and To-morrow. No. 1. SUBJECT (S) : Child artists. Art -- Exhibitions. World War, 1939-1945 -- Pictorial works. World War, 1939-1945 -- Children. Exhibition catalogs. A similar copy sold at auction in 2015 for over USD 650. Light Wear, Very Good Condition. (Holo2-126-16) xx
19488vo; 424 pages; 21 cm. . In Yiddish. Special issue to "Unser Weg". "The extermination of the Jews of Kowno (Kaunas) " on copyright page. Includes index, portraits, music and 18 pages of photo plates. The US Holocaust Memorial Museum keeps their copy in their Rare Book Collection. Pages tanned. Ex-library Lacks front wrapper, but text pages and internal binding remain solid. Good condition thus (YIZ-1-3)
19488vo; 424 pages; 1st edition. Original Blue CLoth21 cm. . In Yiddish. Special issue to "Unser Weg". "The extermination of the Jews of Kowno (Kaunas) " on copyright page. Includes index, portraits, music and 18 pages of photo plates. The US Holocaust Memorial Museum keeps their copy in their Rare Book Collection. Pages tanned. Very Good condition (YIZ-3-11)
19488vo; 424 pages; 1st edition. Original Blue CLoth21 cm. . In Yiddish. Special issue to "Unser Weg". "The extermination of the Jews of Kowno (Kaunas) " on copyright page. Includes index, portraits, music and 18 pages of photo plates. The US Holocaust Memorial Museum keeps their copy in their Rare Book Collection. Pages tanned. Hinges starting, some wear to boards, Good condition (YIZ-3-11A)
