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1986ref. 91100Musee / Flammarion. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text In French. 192 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Musee / Flammarion hardcover
1908ref. 469579Oregon Hawaii 1908. Hardcover. Very Good. Folio. Measuring 8½" x 15". Quarter leather and black cloth with gilt decorations. Contains 250 sepia-toned albumen photographs measuring between ½” x ½” and 7½" x 9½" with captions. Very good album with worn edges rubbing and some removed pages with very good or better photographs with some fading. A photo album compiled by Eugenia Atkinson of Ashland Oregon beginning in 1889. The photographs featured here are views of Oregon California Missouri and Hawaii and do not appear to be in chronological order. Atkinson annotates the photos and includes handwritten captions throughout the album. She begins with images of her hometown with views of Ashland Creek Falls Crater Lakes and a local mill. Atkinson captured daily life in Oregon with images of picnics by the creek interior home scenes and fashionably dressed women posed for a group photo. Atkinson and her friends and family visit Honolulu Hawaii and she includes large format photos of the hotel where they stayed landscapes and local people. Another section of images depicts a trip to Missouri with images of a farm and friends' homes. Atkinson visits the coasts of California and Oregon photographing lifeguards practicing drills the Cliff House in San Francisco Newport Beach and Victorian beachgoers lying in the sand. Other photos show interiors of well-to-do homes portraits of friends family pets and a trip to Stanford. Towards the end of the album a train crash near Ashland is seen; another photo shows an arch constructed for a visit by President Roosevelt. Eugenia was the wife of English-born businessman W.H. Atkinson. According to the National Park Service after arriving in Oregon in 1874 Atkinson became “active in the town's principal industrial and banking enterprises” owning shares in the Ashland Flour Mill and the Ashland Woolen Manufacturing Company. He was one of the founders of the Bank of Ashland and helped organize the Ashland Library. Mr. Atkinson died relatively young at the age of 50 in 1894 and Eugenia spent the next 24 years in the house they had built in Ashland now on the National Registry of Historic Places. A photo dated 1889 shows Eugenia standing in front of her house. This album follows Eugenia during her widowhood during her travels and her activities within the community. A nice collection of photographs compiled by an important Oregon woman at the turn of the century. hardcover
1908ref. 469579Oregon Hawaii 1908. Hardcover. Very Good. Folio. Measuring 8½" x 15". Quarter leather and black cloth with gilt decorations. Contains 250 sepia-toned albumen photographs measuring between ½” x ½” and 7½" x 9½" with captions. Very good album with worn edges rubbing and some removed pages with very good or better photographs with some fading. A photo album compiled by Eugenia Atkinson of Ashland Oregon beginning in 1889. The photographs featured here are views of Oregon California Missouri and Hawaii and do not appear to be in chronological order. Atkinson annotates the photos and includes handwritten captions throughout the album. She begins with images of her hometown with views of Ashland Creek Falls Crater Lakes and a local mill. Atkinson captured daily life in Oregon with images of picnics by the creek interior home scenes and fashionably dressed women posed for a group photo. Atkinson and her friends and family visit Honolulu Hawaii and she includes large format photos of the hotel where they stayed landscapes and local people. Another section of images depicts a trip to Missouri with images of a farm and friends' homes. Atkinson visits the coasts of California and Oregon photographing lifeguards practicing drills the Cliff House in San Francisco Newport Beach and Victorian beachgoers lying in the sand. Other photos show interiors of well-to-do homes portraits of friends family pets and a trip to Stanford. Towards the end of the album a train crash near Ashland is seen; another photo shows an arch constructed for a visit by President Roosevelt. Eugenia was the wife of English-born businessman W.H. Atkinson. According to the National Park Service after arriving in Oregon in 1874 Atkinson became “active in the town's principal industrial and banking enterprises” owning shares in the Ashland Flour Mill and the Ashland Woolen Manufacturing Company. He was one of the founders of the Bank of Ashland and helped organize the Ashland Library. Mr. Atkinson died relatively young at the age of 50 in 1894 and Eugenia spent the next 24 years in the house they had built in Ashland now on the National Registry of Historic Places. A photo dated 1889 shows Eugenia standing in front of her house. This album follows Eugenia during her widowhood during her travels and her activities within the community. A nice collection of photographs compiled by an important Oregon woman at the turn of the century. hardcover books
ref. 51-5861Madrid: Garcia de Arroyo 1645. 8vo. 14.5 x 20cm. 12 leaves 338 leaves; Contemporary limp vellum. Full page Engraving by María Eugenia de Beer. María Eugenia de Beer died 1652 was a Spanish chalcographer. She was the granddaughter of the painter Joos de Beer and daughter of Cornelius de Beer es 1591 Utrecht – 1651 Madrid a Dutch-born painter and engraver who moved to Spain in 1618. In 1641 she married Nicolas Merstraten. She was known for her production of engraved illustrations. Many of her motifs were religious or mythological. She signed her works with the name "Doña".Fue hija de Cornelio de Beer un pintor y editor de estampas flamenco que estuvo activo en Utrecht en 1616 donde formó parte del gremio de pintores de San Lucas. Nada más sabemos de él hasta que en 1618 aparece en Madrid como maestro pintor en un contrato de aprendizaje con el joven Francisco de Balera de 14 años. El catálogo de su obra conservada no es muy conocido si bien sabemos que se dedicó fundamentalmente a la pintura religiosa y a los bodegones trabajando sobre todo en la Corte y más adelante en la provincia de Murcia.Earliest volume in OCLC is 1667.Provenance: Estate of Joaquin Romero Maura. Mr Maura great-grandson of a five-time prime minister of Spain lived in the UK for most of his life and co-directed the Iberian Centre with the illustrious historian Sir Raymond Carr. Joaquín Romero Maura – died lin June 2022 at the age of 81 at a senior home in Zaragoza Spain. The historian – who held a PhD from Oxford University – was widowed and childless. He had been a confidante of the former Spanish king.Joaquín Romero Maura Niza 1940-Zaragoza 5 de junio de 2022 fue un historiador español. Destacó por su obra La rosa de fuego un estudio sobre el obrerismo barcelonés de la primera década del siglo xx. Madrid,: Garcia de Arroyo, 1645. hardcover
1912ref. 175401London: 1912. As a token of their admiration and respect A commemorative album presented to Sybil Gotto the main organizer of the conference which was chaired by Leonard Darwin. Thirteen of the photographs are signed by the sitter and four are accompanied by their mounted clipped signature. Along with Darwin delegates depicted in the portraits include the politician Paul Doumer the entomologist Vernon Lyman Kellog and the biologist Raymond Pearl. A social hygienist Gotto 1885-1955 afterwards Neville-Rolfe founded the Eugenics Education Society - later the British Eugenics Society - with Francis Galton in 1907. She was an opponent of the "lax morals" that she believed were degenerating society and campaigned for greater contraceptive education improved treatments for sexually transmitted diseases and against prostitution. The conference held from 24 to 30 July 1912 was dedicated to Galton - who had died the previous year - and was attended by Winston Churchill Arthur Balfour and William Osler. The proceedings included lectures on biology education medicine sociology and "Practical Eugenics". A complete list of photographs is available upon request. Quarto 264 x 215 mm. With 18 photographic portraits mounted on thick card stock. Additional photograph of H. Holford Bottomley loosely inserted. Contemporary black morocco spine lettered and decorated in gilt 5 raised bands covers framed with triple fillet and foliate design in gilt front with Gotto's monogram inlaid in red morocco gilt fillets to board edges and turn-ins green moiré endpapers top edge gilt the rest uncut. Spine darkened head of spine and corners neatly restored marks top edge front inner hinge split but holding firm occasional faint foxing to contents: in very good condition. hardcover
1958ref. 3732451958. Single unlined 8-1/2 x 11 inch leaf holograph text in blue ink recto and verso; old fold lines with small tear and crease to one edge; in franked autograph envelope with light toning and wear. A punchy humorous letter to Sybil Landeau while she was still an undergraduate student at Hunter College the school Audre Lorde was also attending at the time. Her friend Eugenia begins by apologizing for her "bad French" stating that since she was "on the verge of leaving New Orleans I wanted to make it really abstruse and delay comprehension until I arrived in S.F. which would make me in two places at once" After offering to contact any friends of Landeau's in San Francisco she then writes "What are your present interests aside from Opera exams and Audre Lorde" While it is unknown exactly when the friendship between between Landeau - a passionate opera fan and future lawyer - and Lorde became intimate this letter provides perhaps the first indication that Landeau's feelings toward Lorde had begun to evolve into something far more personal. Their resulting affair continued into their graduate years at Columbia University and though it ended at some point during the 1960s both women carried on working together for civil and gay rights and their friendship endured until Lorde's untimely 1992 death. An important letter in the biography of Audre Lorde sent to one of her earliest girlfriends. unknown
1958ref. 3732451958. Single unlined 8-1/2 x 11 inch leaf holograph text in blue ink recto and verso; old fold lines with small tear and crease to one edge; in franked autograph envelope with light toning and wear. A punchy humorous letter to Sybil Landeau while she was still an undergraduate student at Hunter College the school Audre Lorde was also attending at the time. Her friend Eugenia begins by apologizing for her "bad French" stating that since she was "on the verge of leaving New Orleans I wanted to make it really abstruse and delay comprehension until I arrived in S.F. which would make me in two places at once" After offering to contact any friends of Landeau's in San Francisco she then writes "What are your present interests aside from Opera exams and Audre Lorde" While it is unknown exactly when the friendship between between Landeau - a passionate opera fan and future lawyer - and Lorde became intimate this letter provides perhaps the first indication that Landeau's feelings toward Lorde had begun to evolve into something far more personal. Their resulting affair continued into their graduate years at Columbia University and though it ended at some point during the 1960s both women carried on working together for civil and gay rights and their friendship endured until Lorde's untimely 1992 death. An important letter in the biography of Audre Lorde sent to one of her earliest girlfriends. unknown books
ref. 20810665Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151218162320212 reto contra Formist Edition 17 Power Publications Sydney 2019 hardcover
ref. 20701697Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151217444620202 nell contra Formist Edition 17 Power Publications Sydney 2019 hardcover