3004 risultati
2019rif. x-0190927097Oxford Univ Pr 2019. Hardcover. New. 444 pages. 9.50x6.50x1.50 inches. Oxford Univ Pr hardcover
rif. 3319818902.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967rif. 76761Bucaresti: Editura Academiei Republicii Socialiste Romania 1967. Hardcover. Very Good/Good. illustrations folding plan folding map 271p. Original light green cloth. dj. 25cm. Jacket scuffed and edge-worn. "Rejected by Tozzer Library" stamped on endpaper. Romanian text. Excavations of Dridu culture. Editura Academiei Republicii Socialiste Romania hardcover
1967rif. 76761Bucaresti: Editura Academiei Republicii Socialiste Romania 1967. Hardcover. Very Good/Good. illustrations folding plan folding map 271p. Original light green cloth. dj. 25cm. Jacket scuffed and edge-worn. "Rejected by Tozzer Library" stamped on endpaper. Romanian text. Excavations of Dridu culture. Editura Academiei Republicii Socialiste Romania hardcover books
rif. 3848470691.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 9781536163216NOVA SCIENCE PUBLISHERS INC
rif. 9781536174663NOVA SCIENCE PUBLISHERS INC
rif. 95341Buenos Aires: MALBA Museo de Arte Latinoamericano de Buenos Aires; Fundación Eduardo F. Costantini. 21 de agosto - 5 de octubre 2009. 27x23cm. Texts: Adriana Lauria; María Amalia García David Weseley 202 p color plates bios. cat. color pict. fldg. wrps. OCLC: 645892432 An exhibition of the work of two pioneering artists joined together in the exhibition on the basis of their work in the non-figurative movents that took place in Argentina in the mid-20th century. Yente Eugenia Crenovich 1905-2005 and Prati Lidy Prati 1921-2008 and have been for over sixty years "secret" artists Queens of the mystery who were married to major figures in the art world and were relegated to secondary roles. But time has shown due to the growth of recognition over time that Latin American abstraction has gained in museums around the world and in the market their status as pioneers of abstraction has been recognized in the world of the initiated but his artistic legacy was unknown until this exhibition by the general public. ENGLISH AND SPANISH TEXTS MALBA, Museo de Arte Latinoamericano de Buenos Aires; Fundación Eduardo F. Costantini. unknown books
2025rif. x-1032613912Routledge 2025. Hardcover. New. 226 pages. 9.18x6.12x9.21 inches. Routledge hardcover
1994rif. 213036Santa Fe NM: Twin Palms Publishers 1994. First edition and first printing. Hardcover. Printed in an edition of 5000 copies. Features an introduction by Witkin and essays by Stanley Burns Eugenia Perry Janis Aaron H. Esman and James Crump. A collection of over 100 black and white images. A near fine copy in black cloth boards and in a very good dust jacket with some light rubbing and some foxing to the verso. Twin Palms Publishers unknown
1991rif. 180271Paris France: Centre national de la photographie avec le concours du ministère de la Culture et de la Communication 1991. Softcover. VG. Black glossy covers. 17 pages 63 pages of plates : illustrations. text in French. Includes bibliographical references. Centre national de la photographie, avec le concours du ministère de la Culture et de la Communication paperback
2008rif. 86002Thames & Hudson. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pages; 64 photographs. -- with a bonus offer--; Photofile; The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible the books each contain reproductions in duotone and/or color plus a critical introduction and a bibliography. With his focus on the "disagreeable beauty" of the anomalous and the transgressive Joel-Peter Witkin's images are edgy and disturbing. Influenced by artists from Giotto to the Surrealists by daguerreotypes and the work of Bellocq his portraits and complex tableaux incorporating corpses hermaphrodites masks and mutilation provoke and challenge the viewer. 64 photographs in color and duotone . 2008. 050041095X . Thames & Hudson paperback
1998rif. 213032Santa Fe NM: Twin Palms 1998. First edition and first printing. Hardcover. 196 pages. Features an essay by Eugenia Parry. A retrospective collection of disturbing images that Witkin personally selected from his large body of work. Includes 92 four color plates and lists of selected exhibitions and selected publications. A tight near fine copy cloth boards with some of the usual flaking to the spine lettering and in a near fine photo illustrated cloth slipcase. No dust jacket as issued. Twin Palms unknown
1991rif. 180271Paris France: Centre national de la photographie avec le concours du ministère de la Culture et de la Communication 1991. Softcover. VG. Black glossy covers. 17 pages 63 pages of plates : illustrations. text in French. Includes bibliographical references. Centre national de la photographie, avec le concours du ministère de la Culture et de la Communication unknown books
1994rif. 148935Santa Fe NM: Twin Palms Publishers 1994. First edition. Hardcover. First printing of 5000 copies. Introduction by Witkin. Essays by Stanley Burns Eugenia Perry Janis Aaron H. Esman and James Crump. A collection of over 100 black and white images. A fine copy in a near fine dust jacket. Twin Palms Publishers unknown books
1988rif. x-0313261008Greenwood Pub Group 1988. Hardcover. New. 177 pages. 9.75x6.50x0.75 inches. Greenwood Pub Group hardcover
rif. 0313261008.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1988rif. DADAX0313261008Bloomsbury Academic 1988-06-10. Annotated. hardcover. New. 6.14x0.44x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1899rif. QZI-36(English description below) Kegan Paul, Trench, Trubner & Co., Londres, 1899. Première édition anglaise. Fort in-8 de 15,5 x 22,5 cm, (xxi) 624 pp. et plusieurs dizaines de pp. de portraits hors texte. Nombreuses cartes et photographies en noir et blanc. Reliure contemporaine en papier épais plein tissu bleu, dos lisse avec nom d'auteur et titre du livre en doré, charnières à la Bradel. Livre de référence de l'anthropologie anglo-saxonne de l'époque, "The Races of Europe" a popularisé la notion d'indice céphalique et de trois sous-groupes ethniques européens (nordique, alpin et méditerranéen), tout en rassemblant une somme considérable de données sur la taille, les taux de fertilité et bien d'autres éléments. Professeur d'université au MIT puis à Harvard, William Z. Ripley (1867-1941) fut ingénieur de formation et professeur d'économie. Son intérêt pour l'anthropologie et les types humains le conduisit à systématiser sa vision d'une humanité européenne constituée de trois grands groupes. Éclectique dans ses centres d'intérêt et ses sources, doté d'un sens puissant de la synthèse, il s'éloigna de l'anthropologie après la publication de "Races of Europe" pour se concentrer sur les problèmes liés aux chemins de fer sous l'administration Roosevelt et aurait prévu la crise de 1929 : "Une prospérité illusoire et trompeuse peut certes être indûment prolongée par des moyens artificiels, mais, en fin de compte, la vérité finit inévitablement par l'emporter." (New York Times, 17 août 1941, notice nécrologique de Ripley). *************** Kegan Paul, Trench, Trubner & Co., London, 1899. First English edition. Large octavo (15.5 x 22.5 cm), (xxi) 624 pp. plus several dozen pages of plates featuring portraits. Numerous black-and-white maps and photographs. Contemporary binding in heavy blue cloth; smooth spine with author's name and book title in gilt; Bradel-style hinges. A seminal work in Anglo-American anthropology of the era, *The Races of Europe* popularized the concept of the cephalic index and the classification of Europeans into three ethnic subgroups (Nordic, Alpine, and Mediterranean), while compiling a vast amount of data on stature, fertility rates, and many other factors. A university professor at MIT and later Harvard, William Z. Ripley (1867–1941) was trained as an engineer and worked as a professor of economics. His interest in anthropology and human types led him to systematize his view of the European population as consisting of three major groups. Eclectic in his interests and sources, and gifted with a powerful capacity for synthesis, he moved away from anthropology after the publication of *The Races of Europe* to focus on railroad issues during the Roosevelt administration; he is said to have predicted the 1929 crash: "An illusory and deceptive prosperity may indeed be unduly prolonged by artificial means, but, in the end, the truth inevitably prevails." (*New York Times*, August 17, 1941, Ripley's obituary).
1923303p. Hardcover Good condition, spine lightly faded, front flyleaf clipped Notes: The work is based on an essay entitled: The new decalogue of science, which appeared in the Century magazine of March, 1922; the correspondence between the author and G. Bernard Shaw in reference to this essay is here reprinted from the August, 1922, issue.
rif. 22081479-nnew. unknown
rif. 22081479like new. unknown
2015rif. x-1138022934Routledge 2015. Hardcover. New. 204 pages. 9.25x6.25x0.75 inches. Routledge hardcover
