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Looking for Bruce Conner

2012ref. 100713The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 348 pages; well-illustrated in color and black and white. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover

AB Books · Estados Unidos1976,00 US$≈ 1761,93 €

Hatch, Kevin; Bruce ConnerBiblio.com

Looking for Bruce Conner

2012ref. 97824The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 354 pp. ; 104 illus. 55 in color. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover

AB Books · Estados Unidos1976,00 US$≈ 1761,93 €

ISMAIL, Ibrahim Ibn, & James HatchBiblio.com

Poems for n and crackers.

1965ref. 151182Cairo: self-published 1965. A collaborative work from the height of Cairo's Black American creative movement First edition first printing of this collaborative book of poetry about racialized violence in America inscribed by Hatch one of the co-authors on the front free endpaper: "To Jackie would you believe two volumes of verse Love you for supporting the unpopular arts Jim". This self-published volume was a collaboration between Camille Billops a Black American artist her partner James Hatch a White American poet and Ibrahim Ibn Ismail a Black American poet whom the couple met in Cairo at that time the epicenter of pan-African art and politics. Ibrahim Ibn Ismail travelled to Cairo in May 1964 to study at Al-Azhar which was established as a university in 1961. He was drawn to the city as a hub of creativity for black Muslims with "notable Black American intellectuals artists and activists from the United States and even African nations like Ghana relocating to Egypt during the 1960s" Alhassen. In the US Ismail had been involved with the Black Muslim Movement but chose to leave having "suffered mistreatment at the hands of officials and becoming disillusioned with the BMM" Alhassen. In 1964 fellow activist Malcom X visited the city where the two men swiftly became friends. While speaking in Cairo Malcom X "made the following observations about the city: 'Cairo is probably one of the best examples for the American Negro. You know if ever a people should know how to practice brotherhood it is the American Negro and it is the people of Egypt". This work includes the full text of Ismail's "Epitaph for Malcolm X". This book was the first artistic collaboration between the couple Hatch and Billops. Billops was an artist activist and filmmaker of Black diaspora who contributed the illustrations to this volume. Billops's first solo exhibition was shown in Cairo at the Gallerie Akhenaton the same year. Hatch who was granted a Fulbright appointment to teach at the High Cinema Institute in Cairo had moved to the city with Billops in 1961. On their return to America Hatch and Billops established their Soho home as a collaborative space for poets musicians academics and playwrights and together curated a significant archive of African American culture and art beginning in 1968 while both teaching at the City College of New York. Their collection is now housed at Emory University. The "Jackie" in the inscription may be the academic Jacqueline Bobo who had connections with Billops and thereby Hatch through her work on Black female filmmakers. Billops co-edited a special 'Black Film Issue' of Black American Literature Forum featuring contributions from William Greaves Bell Hooks Marlon Riggs and Bobo herself. In turn Bobo edited Black Women Film and Video Artists 1998 in which Billops's work features. Octavo. With 5 black and white illustrations in the text. Original brown paper wrappers titles to front cover in black. Joints firm but a little creased a few small marks to covers. An excellent copy. Maytha Alhassen The "Three Circles" Construction: Reading Black Atlantic Islam through Malcolm X's Words and Friendships Journal of Africana Religions Vol. 3 No. 1 pp. 1-17. unknown

Peter Harrington · Reino Unido1250,00 GBP≈ 1487,60 €

[Boccaccio; Caxton Club] Wilkins Ernest HatchBiblio.com

The Trees of the Genealogia Deorum of Boccaccio

1923ref. 23077Chicago: The Caxton Club 1923. FIRST and LIMITED EDITION one of only 160 copies printed on handmade Fabriano Paper. With 21 plates three of which are in beautiful full colour with printed tissue guards. Also with fine engraved ititials and tables throughtout. 4to publisher’s original half vellum over buff boards with small vellum corner-pieces. 24pp plates. A very fine copy near as pristine. SCARCE LIMITED TO ONLY 160 COPIES. A study of the genealogical tables used to decorate Boccaccio's great mythological work from manuscripts and the early printed editions. Genealogia deorum gentilium known in English as On the Genealogy of the Gods of the Gentiles is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome written in Latin prose in circa 1360 by the Italian author and poet Giovanni Boccaccio. The first printed edition was in Venice at the early date of 1472. By 1499 no fewer then eight editions had published attesting to the popularity of the work. Ernest Hatch Wilkins was a respected authority on Italian literature. His teaching career began at Amherst as an instructor of Romance languages from 1900 to 1904 and continued at Harvard where he taught from 1906 to 1912 and again from 1947 to 1950 as a visiting lecturer on Italian literature. In 1912 he went to the University of Chicago where he was successively Associate Professor and Professor of Romance languages until his move to Oberlin in 1927. From 1923 to 1926 he served the University as Dean of its College of Arts Literature and Science Wilkins served as Oberlin College's seventh president from 1927 until his retirement in 1946. He authored several respected works on Dante Petrarch and Papini. He was a corresponding member of the Accademia Della Crusca in Florence and was decorated with the Cavaliere della Corona d'Italia in 1920 for his international promotion of Petrarch and Dante. The Caxton Club hardcover

Buddenbrooks, Inc. · Estados Unidos764,50 US$≈ 681,68 €

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