Hatch, Kevin,Biblio.com
2270 resultados
ref. 24824514-nnew. unknown
ref. 24824514like new. unknown
2016ref. x-0262528894Mit Pr 2016. Paperback. New. reprint edition. 342 pages. 9.00x7.00x1.00 inches. Mit Pr paperback
ref. DADAX0262528894MIT Press 2016-02-12. Reprint. paperback. New. 7.00x0.80x9.00. Buy with confidence. Excellent Customer Service & Return policy. MIT Press paperback
ref. SONG0262528894MIT Press 2016-02-12. Reprint. paperback. Used: Good. 7.00x0.80x9.00. Buy with confidence. Excellent Customer Service & Return policy. MIT Press paperback
ref. 0262016818.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0262528894.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 66840MIT 2012. First edition first printing. New and bright tall illustrated boards in like illustrated by Connor dustjacket with crisp bright text. Exquisite volume in publisher's shrinkwrap MIT, 2012 hardcover
2012ref. 100713The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 348 pages; well-illustrated in color and black and white. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover
2012ref. 97824The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 354 pp. ; 104 illus. 55 in color. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover
ref. B9780262528894Paperback / softback. New. A new perspective on the enormously influential but insufficiently understood work of San Francisco-based artist Bruce Conner 1933-2008. paperback
ref. ria9780262528894_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ref. 0026147807.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012ref. 217804Cambridge MA and London: The MIT Press 2012. First edition and first printing. Hardcover. 342 pages. A critical examination of American artist Bruce Conner. Features text by Kevin Hatch. Includes numerous color and some black and white illustrations. A clean near fine copy in illustrated boards and in a near fine dust jacket. The MIT Press unknown books
2012ref. 83927Cambridge & London: MIT Press 2012. First edition. 342 pp w/index. Very near fine in fine dust jacket. Cambridge & London: MIT Press unknown books
ref. 1103329693.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. A9780814325803Paperback / softback. New. A valuable contribution to African American literary and theatrical scholarship this volume is a compilation of sixteen plays written during the Harlem Renaissance brought together for the first time and set in a historical context. paperback
ref. B9780814325803Paperback / softback. New. A valuable contribution to African American literary and theatrical scholarship this volume is a compilation of sixteen plays written during the Harlem Renaissance brought together for the first time and set in a historical context. paperback
1996ref. Q-0814325807Wayne State University Press 1996-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Wayne State University Press paperback
1996ref. x-0814325807Wayne State Univ Pr 1996. Paperback. New. annotated edition edition. 468 pages. 9.00x6.00x1.00 inches. Wayne State Univ Pr paperback
2008ref. Q-1592172067House of White Birches 2008-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! House of White Birches hardcover
2014ref. 1-1118678052For Dummies 2014. Paperback. New. 2nd edition. 410 pages. 11.00x8.25x1.00 inches. For Dummies paperback
ref. AdityaBooks-9781118678237Wiley. New. Wiley unknown
ref. AdityaBooks-9781118678237Wiley. New. Wiley unknown
2024ref. SKU0578831For Dummies 2024-06-12. paperback. Good. 8x0x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking For Dummies paperback
