3.561 resultados
1929ref. 157096Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Vintage reference photograph of Conrad Nagel and Kay Johnson from the 1929 pre-Code film showing actors Conrad Nagel and Kay Johnson. Mimeo snipe on the verso. A socialite marries a wrongly convicted murderer in order to fulfill the requirements of her grandparents' will expecting him to be out of the picture after his planned execution in a few days. The man is unexpectedly freed when the real murderer confesses and the socialite finds herself married to-and forced to live with-a man she does not know. Kay Johnson's film debut. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1929ref. 157096Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Vintage reference photograph of Conrad Nagel and Kay Johnson from the 1929 pre-Code film showing actors Conrad Nagel and Kay Johnson. Mimeo snipe on the verso. A socialite marries a wrongly convicted murderer in order to fulfill the requirements of her grandparents' will expecting him to be out of the picture after his planned execution in a few days. The man is unexpectedly freed when the real murderer confesses and the socialite finds herself married to-and forced to live with-a man she does not know. Kay Johnson's film debut. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
1980ref. 147426N.p.: N.p. 1980. Draft script for the 1982 film. Title page contains "#40" written in manuscript pencil on the upper right likely a copy number as well as several pages with annotations again in manuscript pencil commenting circling and striking scenes action and dialogue. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story" he was Billy a child coping with his parent's recent divorce flying to California with his mom Sally Catherine Hicks to meet her high school sweetheart Mike Paul Le Mat for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene leading the killer to them and it is up to little Billy to outsmart him. Set in Death Valley California and New York shot on location in California Arizona and New York. Gray untitled wrappers. Title page present dated October 28 1980 with credits for screenwriter Richard Rothstein. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1980ref. 147426N.p.: N.p. 1980. Draft script for the 1982 film. Title page contains "#40" written in manuscript pencil on the upper right likely a copy number as well as several pages with annotations again in manuscript pencil commenting circling and striking scenes action and dialogue. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story" he was Billy a child coping with his parent's recent divorce flying to California with his mom Sally Catherine Hicks to meet her high school sweetheart Mike Paul Le Mat for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene leading the killer to them and it is up to little Billy to outsmart him. Set in Death Valley California and New York shot on location in California Arizona and New York. Gray untitled wrappers. Title page present dated October 28 1980 with credits for screenwriter Richard Rothstein. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1954ref. 152204Culver City CA: Columbia Pictures 1954. Vintage reference photograph taken on the set of the 1954 film showing actor Marlon Brando giving his parents a tour of the famed "roof" set from the film accompanied by producer S.P. Eagle. Printed mimeo snipe affixed to the verso along with the stamp of Columbia Pictures. Based on screenwriter Budd Schulberg's 1955 novel "Waterfront." A dockworker and would-be prizefighter witnesses a murder at the hands of the local mob boss' men and is forced to stand up to his corrupt union leaders. Nominated for twelve Academy Awards winning eight including Best Picture Best Director and Best Screenplay. Shot on location in Hoboken New Jersey and New York City. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown
1954ref. 152204Culver City CA: Columbia Pictures 1954. Vintage reference photograph taken on the set of the 1954 film showing actor Marlon Brando giving his parents a tour of the famed "roof" set from the film accompanied by producer S.P. Eagle. Printed mimeo snipe affixed to the verso along with the stamp of Columbia Pictures. Based on screenwriter Budd Schulberg's 1955 novel "Waterfront." A dockworker and would-be prizefighter witnesses a murder at the hands of the local mob boss' men and is forced to stand up to his corrupt union leaders. Nominated for twelve Academy Awards winning eight including Best Picture Best Director and Best Screenplay. Shot on location in Hoboken New Jersey and New York City. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown books
1970ref. 164320N.p.: N.p. 1970. Vintage oversize borderless reference photograph from the 1970 film showing director Hal Ashby with actor Beau Bridges and crew members during filming on location in New York. Ashby's directorial debut based on the 1966 novel by Kristin Hunter about a naive wealthy white man who buys an inner-city tenement in Park Slope Brooklyn intending to evict the low-income Black tenants and turn the building into a luxury home for himself. He soon grows fond of the residents even beginning a relationship with one of the women living in the building and decides to remain as the landlord. Set in Park Slope Brooklyn and shot on location in Brooklyn and Manhattan. 10 x 8 inches. Near Fine. Complete collation details available on request. N.p. unknown
1970ref. 164320N.p.: N.p. 1970. Vintage oversize borderless reference photograph from the 1970 film showing director Hal Ashby with actor Beau Bridges and crew members during filming on location in New York. Ashby's directorial debut based on the 1966 novel by Kristin Hunter about a naive wealthy white man who buys an inner-city tenement in Park Slope Brooklyn intending to evict the low-income Black tenants and turn the building into a luxury home for himself. He soon grows fond of the residents even beginning a relationship with one of the women living in the building and decides to remain as the landlord. Set in Park Slope Brooklyn and shot on location in Brooklyn and Manhattan. 10 x 8 inches. Near Fine. Complete collation details available on request. N.p. unknown books
1962ref. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1962ref. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1934ref. 159596London: National Film Archive 1934. Two vintage reference photographs from the 1934 film one showing actors Bette Davis and Leslie Howard the other showing director John Cromwell and a camera crew capturing a scene with Kay Johnson and Howard. Both with the stamp of National Film Archive on the verso. From the archive of film historian and author Joel Finler. Based on the 1915 novel by W. Somerset Maugham. A sensitive clubfooted young man falls in love with a mercurial tearoom waitress. A breakout role for actress Bette Davis and the first of three adaptations of Maugham's novel followed by one in 1946 and one in 1964. 10 x 8 inches. Near Fine. National Film Archive unknown
1934ref. 159596London: National Film Archive 1934. Two vintage reference photographs from the 1934 film one showing actors Bette Davis and Leslie Howard the other showing director John Cromwell and a camera crew capturing a scene with Kay Johnson and Howard. Both with the stamp of National Film Archive on the verso. From the archive of film historian and author Joel Finler. Based on the 1915 novel by W. Somerset Maugham. A sensitive clubfooted young man falls in love with a mercurial tearoom waitress. A breakout role for actress Bette Davis and the first of three adaptations of Maugham's novel followed by one in 1946 and one in 1964. 10 x 8 inches. Near Fine. National Film Archive unknown books
ref. 677831like new. unknown
2012ref. x-0415626943Routledge 2012. Hardcover. New. 1st edition. 250 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2023ref. x-3031401387Palgrave Macmillan 2023. Hardcover. New. 287 pages. 8.50x6.00x1.00 inches. Palgrave Macmillan hardcover
1970ref. 9009San Francisco: San Francisco Publishing Company 1970. First Edition. Original wraps. Very Good. 7 X 7 Inches. 23 PP. "George Lucas lives on a hill in Mill Valley Marin County California. He is currently in the final year of his 3-year project THX-1138 a science fiction film which is no 2001 and not Planet of the Apes." Jeff Berner First and only issue of this ill-fated magazine that sought to cover film projects and media techniques in the San Francisco Bay area. I suppose by luck of location George Lucas and his THX-1138 were given the first two pages. The 24 year old Lucas provides cinematography details on the film as well as his thoughts on the state of film in general. The interveiw by Jeff Berner also includes Lucas' hope to do a "Viet war" film titled Apocalypse Now as well as a rock musical about 1954. While tracking the history of early Lucas interviews is rather difficult this magazine is one of if not the earliest interview of his career. Lucas was initially set to direct Apocalypse Now 1979 / Martin Sheen but the reigns were handed over to producer Francis Ford Coppola after the success of Star Wars and the obvious unavailability of Lucas. An important early but post-School interview with Lucas on his projects and career. OCLC locates only three copies San Francisco Museum of Modern Art Northwestern and Utah State. Light wear to edges with a small tear to right edge of cover and first page. San Francisco Publishing Company unknown
2021ref. x-9811639604Springer Nature 2021. Paperback. New. 637 pages. 9.25x6.10x1.45 inches. Springer Nature paperback
1519ref. 32188Flying Buttress Publication / Graphic Albums 1979. In-4 cartonnage éditeur non paginé au format 29 x 22 cm. Couverture avec titre doré. Dos carré. Plats et intérieur frais. Complet de la superbe jaquette illustrée et du rhodoïd. Recueil de 7 histoires de science-fiction, illustrées par l’artiste canadien Gene Day, surtout connu pour la série " Marvels Star Wars ". Un des 530 exemplaires numérotés et signés par Gene Day ( n° 154 ). Le colophon par erreur n'indique que 500 exemplaires. Rare édition originale américaine en état de neuf.
2004ref. 2872004 - broché - 3 Etoiles, revue intitulée "L'Art de la Haute Gastronomie" - Publication trimestrielle - In-4 (30 x 23 cm) broché - 138 pages - Très nombreuses photographies en couleurs - Jean D. NOUAILHAC (Directeur de la publication) - Dédicaces de Paul BOCUSE et de Alain DUCASSE en page de titre - Avec une lettre (envoi) de Catherine TRANCHANT, du Guide Michelin, à Monsieur Antoine MAILLON
1893ref. 104077L'Etoile 1893 L'Etoile, 1893, 12 numéros reliés en 2 volumes (année 1893 complète), 408 p. par volume, demi-basane vert sapin, environ 22x14cm, deux étiquettes sur le dos et une autre sur le premier contreplat de chaque volume, quelques frottements d'usage sur les reliures, bon état pour le reste.
195364 pages. Features: Wonderful cover art by William Winter illustrates a bustling midway scene at the Canadian National Exhibition (C.N.E.); Colour ad for Deepfreeze fridges inside front cover; Footnote on a Fabulous Canadian, Brig.-Gen. Alfred Cecil Critchley; Great colour ad for the 1953 Pontiac (beige Laurentian Sport Coupe with white roof); Lionel Shapiro Examines the Failure of the 27th Canadian Infantry Brigade Group in Germany - photo-illustrated article (appearing in photos are Leiut. Pat Durocher of Hawkesbury, ON, Sgt. J. Coles of Kingston, ON and Spr. M. Mercredi of Yellowknife; Bruce Hutchison Describes "The Fateful Gamble on the Rhine" - another photo-illustrated article; The Silent Star of Stratford (short story); Windsor, Ontario - The Salty Capital of Southern Canada - photo-illustrated article explains how the town has all but outgrown the juvenile delinquency of its rumrunning days in favor of industrial maturity; Can you Decide to Stay Alive? - The mysterious factor which 'wills' some people to die while other, gravely ill, triumphantly cling to life; Two Ways to Hook a Sucker (short story); Remember When Radio Was King? - great flashback photo-illustrated article; The Wrong Way to Make Millions - rare photo-illustrated article on New Brunswick tycoon K.C. Irving; I'm the Invisible Man; Half-page ad for Winchester shotguns; One-page colour Seagram ad features painting of Quebec by Lorne Bouchard, A.R.C.A.; Nostalgic two-page colour-photo ad for Tex-made bedding; Two-page photo-illustrated Allis-Chalmers ad features eleven action photos of their machines at work in industry; Really nice one-page two-colour ad for GMC trucks features several great photos of vintage trucks; Colour ad for Old Vienna beer shows man trying to bath his shaggy dog; Bank of Nova Scotia (BNS) ad includes photo of Mary Cusack of Tracadie Cross, P.E.I.; Colour back cover Coke ad features young man and tennis theme; and more. Moderate wear. Unmarked. Address label was clipped from top corner of front cover. A sound copy of this great vintage issue. Book
ref. SONG1473871026Used: Good unknown
1998ref. DADAX3598711298De Gruyter 1998-01-01. Reprint 2012. hardcover. New. 5.00x1.81x8.00. Buy with confidence. Excellent Customer Service & Return policy. De Gruyter hardcover
1954ref. 166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins. Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown
1954ref. 166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins. Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown books
