3.561 resultados
1953ref. 137621Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Draft script for the 1953 film musical. Based on the original story "Why Should I Cry" by I.A.R. Wylie first seen in the 1949 Saturday Evening Post. Joan Crawford's first Technicolor feature. Ruthless and demanding Broadway musical star Jenny Stewart Joan Crawford meets her match in a blind rehearsal pianist Tye Graham Michael Wilding who unbeknownst to Jenny has held a soft spot for the tyrannical star since his days as a novice Broadway reporter. Blue titled wrappers noted as VAULT COPY on the front wrapper rubber-stamped copy No. 5537 dated 02/25/53 with credits for producer Henry Berman and screenwriter John Michael Hayes. Title page integral with first page of text dated 02/25/53. 107 leaves with last page of text numbered 78. Mimeograph on yellow stock dated variously between 02/24/53 and 02/28/53. Pages Near Fine wrapper Near Fine bound with two gold brads. Hirschhorn p. 338. Metro-Goldwyn-Mayer [MGM] unknown
1953ref. 137621Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Draft script for the 1953 film musical. Based on the original story "Why Should I Cry" by I.A.R. Wylie first seen in the 1949 Saturday Evening Post. Joan Crawford's first Technicolor feature. Ruthless and demanding Broadway musical star Jenny Stewart Joan Crawford meets her match in a blind rehearsal pianist Tye Graham Michael Wilding who unbeknownst to Jenny has held a soft spot for the tyrannical star since his days as a novice Broadway reporter. Blue titled wrappers noted as VAULT COPY on the front wrapper rubber-stamped copy No. 5537 dated 02/25/53 with credits for producer Henry Berman and screenwriter John Michael Hayes. Title page integral with first page of text dated 02/25/53. 107 leaves with last page of text numbered 78. Mimeograph on yellow stock dated variously between 02/24/53 and 02/28/53. Pages Near Fine wrapper Near Fine bound with two gold brads. Hirschhorn p. 338. Metro-Goldwyn-Mayer [MGM] unknown books
1958ref. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown
1958ref. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown books
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1964ref. 155108Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Two vintage borderless reference photographs one double weight of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 153070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 153070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1964ref. 155108Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Two vintage borderless reference photographs one double weight of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1980ref. 159604Tokyo: Nikkatsu 1980. Five vintage studio still photographs from the 1980 Japanese pink film. 10 x 8 inches. About Fine faintly age toned. Nikkatsu unknown
1980ref. 159604Tokyo: Nikkatsu 1980. Five vintage studio still photographs from the 1980 Japanese pink film. 10 x 8 inches. About Fine faintly age toned. Nikkatsu unknown books
1977ref. 197301977. Lucas George. Star Wars: A New Hope 1977 reshaped American cinema through its synthesis of mythic storytelling science fiction and commercial spectacle establishing the modern blockbuster model. The film follows a young protagonist drawn into an interplanetary conflict integrating archetypal narrative structures with advanced visual effects. Its unprecedented global commercial success becoming the first film to surpass $500 million in worldwide revenue contributed to a reorientation of studio production toward franchise development merchandising and serialized storytelling supporting research into late twentieth-century media economics and popular culture. George Lucas's Star Wars: A New Hope. Los Angeles: 20th Century Fox 1977. Archive of 6 original vintage silver gelatin photographic stills. Glossy black-and-white prints measuring approximately 7.5 x 10 inches. The images depict staged scenes from the film including the trash compactor escape sequence with principal characters in confined mechanical space and the closing award ceremony featuring formal assembly and costumed figures. Additional compositions include appearances by Mark Hamill Harrison Ford Carrie Fisher and Alec Guinness shown in character within spacecraft interiors battle environments and ceremonial settings. The photographs emphasize costume design spatial staging and group dynamics central to the film's visual identity. Produced during a period of transition in the American film industry Star Wars contributed to the emergence of effects-driven storytelling and long-form franchise planning. Its influence extended across subsequent science fiction and fantasy productions shaping visual expectations and narrative scope in global cinema. Light handling wear with minor surface marks; overall very good condition. A cohesive group of early production stills from the first installment of a major cinematic franchise. unknown
1977ref. 197301977. Lucas George. Star Wars: A New Hope 1977 reshaped American cinema through its synthesis of mythic storytelling science fiction and commercial spectacle establishing the modern blockbuster model. The film follows a young protagonist drawn into an interplanetary conflict integrating archetypal narrative structures with advanced visual effects. Its unprecedented global commercial success becoming the first film to surpass $500 million in worldwide revenue contributed to a reorientation of studio production toward franchise development merchandising and serialized storytelling supporting research into late twentieth-century media economics and popular culture. George Lucas's Star Wars: A New Hope. Los Angeles: 20th Century Fox 1977. Archive of 6 original vintage silver gelatin photographic stills. Glossy black-and-white prints measuring approximately 7.5 x 10 inches. The images depict staged scenes from the film including the trash compactor escape sequence with principal characters in confined mechanical space and the closing award ceremony featuring formal assembly and costumed figures. Additional compositions include appearances by Mark Hamill Harrison Ford Carrie Fisher and Alec Guinness shown in character within spacecraft interiors battle environments and ceremonial settings. The photographs emphasize costume design spatial staging and group dynamics central to the film's visual identity. Produced during a period of transition in the American film industry Star Wars contributed to the emergence of effects-driven storytelling and long-form franchise planning. Its influence extended across subsequent science fiction and fantasy productions shaping visual expectations and narrative scope in global cinema. Light handling wear with minor surface marks; overall very good condition. A cohesive group of early production stills from the first installment of a major cinematic franchise. unknown books
ref. 51-4257San Remo: 25 février 1902. . Menteuse par amour. Nouvelle. San Remo 25 février 1902. 29 feuillets in-4°. S Corrections manuscrites.Sgned as Maris Star. Apparently complete.Provenance: Bibliothèque Rohan-Chabot.Fonds Jean Stern et Maria Star.Birthdate:December 08 1854;Birthplace:Trieste Friuli-Venezia Giulia Italia Italy;Death: May 07 1926 Roquebrune-Cap-Martin Provence-Alpes-Côte d'Azur France;Immediate Family: Daughter of Leone Hierschel and Clementina de MinerbiWife of Baron Louis Stern.Mother of Jean Stern; Lucie Ernesta Henriette Girot de Langlade; Pierre Charles Ernest Louis Stern; Marie Louise Fanny Clémentine Thérèse de Chasseloup Laubat and Léon Stern.Sister of Gioacchino / Joachim van Hier / Hierschel de Minerbi; Graf Caleb Filippo Oscar Hierschel-Minerbi; Oscar Hierschel de Minerbi; Elodia Rachele Hulda Claudia de Hierschel and Clara Zoe Lea de Morpurgo. Ernesta Stern 1854-1926 known under the pseudonym Maria Star was a French woman of letters and philanthropist. She held a salon in her private mansion at 68 rue du Faubourg-Saint-Honoré reputed to be one of the most brilliant in Paris before the First World War: she hosted Marinetti and Marcel Proust among others. It is there that she wrote many tales and stories of Venetian inspiration. In 1874 she married banker Louis Stern 1840-1900; from this union was born Jean Stern 1875-1962 who also became a banker but also owner-breeder of racehorses; a remarkable fencer he was also the author of historical works as well as many pieces of circumstance that have become rare.P.Ernesta Stern 1854-1926 connue sous le pseudonyme de Maria Star est une femme de lettres et une philanthrope française. Elle tient un salon dans son hôtel particulier du 68 rue du Faubourg-Saint-Honoré réputé l'un des plus brillants de Paris avant la Première Guerre mondiale : elle y accueille notamment Marinetti ou Marcel Proust. C'est là qu'elle écrit de nombreux contes et récits d'inspiration vénitienne. Elle épouse en 1874 le banquier Louis Stern 1840-1900 ; de cette union naîtra Jean Stern 1875-1962 qui devint également banquier mais également propriétaire-éleveur de chevaux de course ; remarquable escrimeur il fut aussi l'auteur d'ouvrage historiques ainsi que de nombreuses pièces de circonstances devenues rares. San Remo,: 25 février 1902. unknown
ref. 51-425629 décembre 1902. - Chaînes de fleurs. Paris Gazette des Beaux-Arts 1902. In-8 3 f. 32 p. bon à tirer sommairement broché qq. rousseurs. Corrections manuscrites.Provenance: Bibliothèque Rohan-Chabot.Fonds Jean Stern et Maria Star.Birthdate:December 08 1854;Birthplace:Trieste Friuli-Venezia Giulia Italia Italy;Death: May 07 1926 Roquebrune-Cap-Martin Provence-Alpes-Côte d'Azur France;Immediate Family: Daughter of Leone Hierschel and Clementina de MinerbiWife of Baron Louis Stern.Mother of Jean Stern; Lucie Ernesta Henriette Girot de Langlade; Pierre Charles Ernest Louis Stern; Marie Louise Fanny Clémentine Thérèse de Chasseloup Laubat and Léon Stern.Sister of Gioacchino / Joachim van Hier / Hierschel de Minerbi; Graf Caleb Filippo Oscar Hierschel-Minerbi; Oscar Hierschel de Minerbi; Elodia Rachele Hulda Claudia de Hierschel and Clara Zoe Lea de Morpurgo. Ernesta Stern 1854-1926 known under the pseudonym Maria Star was a French woman of letters and philanthropist. She held a salon in her private mansion at 68 rue du Faubourg-Saint-Honoré reputed to be one of the most brilliant in Paris before the First World War: she hosted Marinetti and Marcel Proust among others. It is there that she wrote many tales and stories of Venetian inspiration. In 1874 she married banker Louis Stern 1840-1900; from this union was born Jean Stern 1875-1962 who also became a banker but also owner-breeder of racehorses; a remarkable fencer he was also the author of historical works as well as many pieces of circumstance that have become rare.P.Ernesta Stern 1854-1926 connue sous le pseudonyme de Maria Star est une femme de lettres et une philanthrope française. Elle tient un salon dans son hôtel particulier du 68 rue du Faubourg-Saint-Honoré réputé l'un des plus brillants de Paris avant la Première Guerre mondiale : elle y accueille notamment Marinetti ou Marcel Proust. C'est là qu'elle écrit de nombreux contes et récits d'inspiration vénitienne. Elle épouse en 1874 le banquier Louis Stern 1840-1900 ; de cette union naîtra Jean Stern 1875-1962 qui devint également banquier mais également propriétaire-éleveur de chevaux de course ; remarquable escrimeur il fut aussi l'auteur d'ouvrage historiques ainsi que de nombreuses pièces de circonstances devenues rares. 29 décembre 1902 unknown
1938Very Good Turkish First and only edition of this very rare 20th century Turkish-Americana, and the first book written to introduce the world of Hollywood to the Turkish audience, by the first Turkish society reporter. Turan Aziz Beler was a modern pioneer of magazine journalism in Turkey. Beler was born in Istanbul in 1912. He started his literary career as a journalist. His first novel "Sevda" [i.e. Love] also stands out but "Türedi Ailesi" [i.e. Türedi Family] brought him fame. According to Beler's foreword in the book, the purpose of his travel is to clarify all things known incorrectly about Hollywood in Turkey. He spent three and a half years in Hollywood with many celebrities and interviewed American stars. He examined the conditions under which American popular cinema was formed. According to his own statement, he expressed the witty language that he was grateful to Hollywood for not having gotten married or gotten beaten He has very interesting and funny wording in this 1930s Hollywood travel memoirs. This book caused him to be sentenced to two years in prison in Turkey according to contemporary sources. Paperback. Large roy. 8vo. (25 x 18,5 cm). In Turkish. 213, [3] p., many b/w plates.
ref. DADAX1568653891New unknown
ref. DADAX052520962XNew unknown
ref. 30583421-nnew. unknown
1964ref. 151602Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage press kit for the 1964 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 20 black and white photographs and one gathering of promotional reading material. Based on Tennessee Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 151602Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage press kit for the 1964 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 20 black and white photographs and one gathering of promotional reading material. Based on Tennessee Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping. Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. 10 x 7.25 inches. Near Fine. N.p. unknown
1970ref. 159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping. Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. 10 x 7.25 inches. Near Fine. N.p. unknown books
ref. DADAX1569715580New unknown
