2634 risultati
rif. 148351Rome: Reteitalia 1989. Draft script for the 1989 television film originally aired on Video 80 on May 12. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script is an annotated list of scenes and several handwritten pages of Invernizzi's notes. Laid in with the script are three carbon typescript revision pages and several documents relating to production. Text in Italian. Based on Giovanni Guareschi's 1982 short story. After moving to Bologna to start a new life an impoverished widow decides to hide the existence of her nine children from her landlady in order to avoid higher rent prices. Set and shot on location in Bologna. Script: Brown quarter leather spring binder housing the script. Script in yellow untitled wrappers. Title page present dated Ottobre 1987 with credits for director Lina Wertmuller and novelist Giovanni Guareschi. 134 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light wear overall and tape reinforcements to the spine bound with two gold brads. List of scenes: Seven leaves with last page numbered 7. Xerographic duplication rectos only. Pages Very Good plus with light edgewear. Reteitalia unknown books
2016rif. 127141Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 0891780734 . Museum paperback
2014rif. 117073Rm/Museo/Jeu De Paume. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Most of text in Spanish and English with portions exclusively in Spanish. -- with a bonus offer-- . 2014. 8415118732 . Rm/Museo/Jeu De Paume hardcover
1989rif. 74684Institute. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 40 pp. With 30 ills. And 14-page inserted checklist. 28 x 19 cm. -- with a bonus offer-- . 1989. Institute paperback
2007rif. 93859Turner. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 116 pp. ; 51 color illustrations. -- with a bonus offer--; Thomas Struth's most recent project "Making Time" was exhibited at the Prado Madrid in the winter and spring of 2007 and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues and consists of photographs depicting the Prado's famous collection and its visitors photographs that were displayed throughout the Prado during his exhibit as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years Struth made more than 400 images in and around the Prado showing an "inhabited" public space and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work from the spring of 2005 on Velazquez's great "Las Meninas" 1656 itself a classic study of spectatorship. The result is a multilayered dialogue between Struth the Prado its collection and its visitors. . 2007. 8475067883 . Turner paperback
2007rif. 77841Actar D/Actar Distribution Inc. . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 368 pp. With 288 ills. 129 col. . 33 x 23 cm. -- with a bonus offer--; Warhol was an extremely public figure but a very private person. His guardedness offset by his desire to place himself in front of the media has created a confounding situation. While Warhol masterfully presented a honed persona to the world his façade also drove critics fans acquaintances and perfect strangers to hunt for evidence of his personal life. As a result many observers who did not directly know Warhol feel a personal claim to the white-wigged phenomenon and often refer to him as Andy. Rather than using Warhol s formal surname his given name hints at heightened familiarity and understanding. . 2007. 849691710X . Actar D/Actar Distribution Inc. hardcover
rif. 13145Kaufman TX: Lone Star Autographs. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer--; 013145 . Lone Star Autographs paperback
rif. 28281Kaufman TX: Lone Star Autographs. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - ND -- with a bonus offer--; T-LONESTARYAR; Lone Star Autographs Special Catalog - Senator Ralph W. Yarborough Collection Part IX - Lone Star Autographs - Catalogue #933 . Lone Star Autographs paperback
2015rif. 111147La Fábrica. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 8415691793 . La Fábrica hardcover
2011rif. 94728La Fabrica. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 172 pages; 134 illustrations. -- with a bonus offer--; Deriving its theme from the "Interface" theme of the 2011 PHotoEspaña festival Face Contact looks at the myriad registers of the human face as interpreted by photography. It sets aside the conventional category of "portrait" to assess the idea of photographing the face as if it were an anthropological occasion or semiotic act rather than merely an artistic genre. Broaching this reframing of portraiture as sociology are photographers and artists such as Liliana Angulo Ananké Asseff Lauren Olney Richard Lawrence Jorge Brantmayer Nancy Burson Luis Camnitzer Jeanette Chávez Colectivo MR Luc Fosther Diop Eugenio Dittborn Juan Downey Hans-Peter Feldmann Jérôme Fortin Shadi Ghadirian Simryn Gill Shilpa Gupta Mona Hatoum José Iraola Kan Xuan Pedro Lemebel Cristina Lucas Dulce Pinzón Liliana Porter Libia Posada Jorge Ribalta Yoani Sánchez Stephanie Sinclair Dayanita Singh Marta Soul Remy Zaugg Jarbas Lopes and Giselle Victoria. . 2011. 8492841893 . La Fabrica paperback
2021rif. 1-1119488877Wiley-Blackwell 2021. Hardcover. New. 2nd edition. 7081 pages. 18.25x12.00x10.00 inches. Wiley-Blackwell hardcover
rif. 152527N.p.: N.p. 1970. Dialogue transcript for the infamous unfinished film musical undated circa 1968. Copy belonging to Frank Zappa with a single annotation in Zappa's hand on the top of the first page. Full provenance available. A transcript detailing multiple takes of ten scenes shot by Zappa for his long-planned but never finished experimental film. Transcript primarily addresses scenes featuring Don Preston and Phyllis Smith Altenhaus but also contains dialogue intended to be spoken by Carl Zappa Billy Mundi Aynsley Dunbar Jimmy Carl Black and Zappa himself. Originally innovated in 1967 by Zappa featuring his then-band the Mothers of Invention the film would morph in various ways over the course of the next decade but would ultimately never come to fruition due to a lack of financing. In 1969 the Mothers of Invention released the acclaimed double album "Uncle Meat" an instrumental soundtrack to the unfinished film. Finally in 1987 a direct-to-video "making of" documentary of the uncompleted film was released. Transparent front wrapper with orange back wrapper and spine. 59 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages with light stain on first leaf else Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown books
rif. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
rif. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown books
1838rif. 49473Paris, Bachelier, 1838 a. 1840. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 7, No 19 and Tome 10, No 17/18. With title-ages to vol. 7 and 10. Pp. (769-) 803 a. pp. (671-) 717. (Entire issues offered). Bessel's papers: pp. 785-793 a. pp. 703-710. Stamp on both titlepages. The second titlepage with a fes brownspots, otherwise clean and fine.
1838rif. 49473Paris Bachelier 1838 a. 1840. 4to. No wrappers. In: "Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences" Tome 7 No 19 and Tome 10 No 17/18. With title-ages to vol. 7 and 10. Pp. 769- 803 a. pp. 671- 717. Entire issues offered. Bessel's papers: pp. 785-793 a. pp. 703-710. Stamp on both titlepages. The second titlepage with a fes brownspots otherwise clean and fine. First appearance of a milestone paper in astronomy giving the solution of the great problem of distances in the universe which had baffled astronomers ever since the time of Copernicus announcing the FIRST SUCCESSFUL DISPLACEMENT OR PARALLAX OF A FIXED STAR and hence deducing the FIRST RELIABLE DISTANCE OF THE EARTH TO A FIXED STAR. The parallax observed corresponded to ab. 600.000 times that of the earth from the sun. On these grounds Bessel calculated the distance to about 11 light years and this was confirmed by fresh investigations by Bessel in 1839-40 the second paper offered. In 1842-43 it was also confirmed by C.A.F. Peters at Pulkowa. It is the first published instance of the fathom-line thrown into celestial space.Bessel communicated his observations in Comptes Rendus in a letter to Humboldt the offered paper dated Nov. 5 1838 in "Monthly Notices" in letter to J. Herschel and in "Astronomische Nachrichten" Vol. 16 No 365-66 pp. 65-96 1838 where a more detail account was published.Ther paper "Bestimmung der Entfernung des 61sten Stern des Schwans" in "Astronomische Nachrichten" is dated at the end: Altona 1838 Dec. 13.Bessel's investigation was hailed by John Herschel when Bessel was awarded the R.A.S. gold medal "The greatest and most glorious triumph which practical astronomy has ever witnessed". "For determining the parallax of 61 Cygni Bessel selected two comparison stars of magnitude 9-10 at distances of roughly eight and twelve minutes of arc. 61 Cygni is a physical double star whose components differ in brightness by less than one magnitude. The distance of sixteen seconds of arc between the components favored the accuracy of the determination of the parallax because pointing could be carried out with two star images. After observing for eighteen months by the fall of 1838 Bessel had enough measurements for the determination of a reliable parallax. He found that p = 0.314 with a mean error of ±:0.020. This work was published in the Astronomische Nachrichten 1838 the first time the distance of a star became known. Bessel’s value for the parallax shows excellent agreement with the results obtained by extensive modern photographical parallax determinations." DSB.Parkinson "Breakthroughs" 1838 A. - Shapley & Howarth "A Source Book in Astronomy" pp. 216 ff. unknown
1970rif. 011169Paris Maeght 1970 In-2 En feuilles, couverture illustrée Edition originale Dédicacé par l'illustrateur
1579rif. 17643Lutetiae, apud Marnerum Patissorum typographum Regius, in officina Roberti Stéphani, 1579 ; deux parties avec titre propre reliées en un volume in-8, veau marbré, dos à nerfs décoré et doré avec le chiffre de Mathieu Molé, armes de Mathieu Molé au centre des plats ; (12)-136 pp. , (6) p. , (1) f. blanc ; 292, (12) pp.volume in-8, veau marbré, dos à nerfs décoré et doré avec le chiffre de Mathieu Molé, armes de Mathieu Molé au centre des plats ; (12)-136 pp. , (6) p. , (1) f. blanc ; 292, (12) pp.
rif. 158636N.p.: N.p. 1971. Vintage two-color poster for an unseen performance by punk icons the Stooges queer hippie theatre troupe the Cockettes all-girl rock group The GTOs and John Mendelsohn's short-lived rock band Super Star held at the Hollywood Palladium on July 16 1971. The show would ultimately be canceled after The Stooges formally broke up on July 9 1971. A preview of The Cockettes' satirical 1971 film "Tricia's Wedding" was also to have been shown. The film featured The Cockettes reenacting President Nixon's daughter Tricia's wedding to Edward Cox interspersed with a number of humorous scenes including Eartha Kitt spiking the punch bowl with LSD. Even before it was canceled it's hard to imagine how this concert would have come together given the clashing styles of the acts. Founded in 1969 in San Francisco the Cockettes were a performance art group that performed improvised musical numbers in elaborate genderbending costumes and had become a sensation among the West Coast arts and culture scene. The GTOs were a satirical rock band formed in Los Angeles with ties to Captain Beefheart and Frank Zappa who would produce the band's only album Permanent Damage 1969. And the Stooges were simply the Stooges. 11.25 x 26 inches. About Near Fine. N.p. unknown books
1943rif. 53630Tunisia 1943. Nearly Fine. Five-pointed yellow cloth star sewn onto plain beige cloth 7.3 by 9 cm. Yellow dye somewhat faded else in fine state of preservation. Specimen of the yellow star imposed on the Jewish population of Tunisia in March 1943 as a mark of the slave laboror. Tunisia was the only Islamic country to come under Nazi rule at first indirectly through the Vichy regime in France between 1940 and its liberation by Allied forces on May 7 1943. In response to the Allied invasion of Algeria and Morocco German and Italian forces invaded Tunisia on November 9 1942. By the end of November the Germans took the first anti-Jewish move by arresting four of the community leaders including Moïse Borgel the president of the Jewish congregation. "In addition to the governor-general's sympathetic attitude -- and in some degree to the pro-Jewish attitude of Bey Sidi Mohammed al-Mounsaf -- the Italians also in practice interfered with the application of the anti-Jewish laws" E.H. The dignitaries were released after a week following the intervention of the mayor of Tunis and the Italian consul. Because of objections by the Italians the edict to wear the star does not appear to have been generally enforced with rigor and was only formally imposed in two cities Sfax and Tunis. While 5000 Jews had originally been put on forced labor in thirty locations and camps along the front line "at the time of the collapse and surrenter in early May 1943 only sixteen hundred Jews were employed on forced labor" E.H. Given the relatively small labor force and the lack of zeal in imposing the anti-Jewish ordinances it is clear why so few of these yellow badges have survived. References: I. Gutman ed. Encyclopedia of the Holocaust vol. 4 pp. 1521-23. unknown
1943rif. 53630Tunisia 1943. Nearly Fine. Five-pointed yellow cloth star sewn onto plain beige cloth 7.3 by 9 cm. Yellow dye somewhat faded else in fine state of preservation. Specimen of the yellow star imposed on the Jewish population of Tunisia in March 1943 as a mark of the slave laboror. Tunisia was the only Islamic country to come under Nazi rule at first indirectly through the Vichy regime in France between 1940 and its liberation by Allied forces on May 7 1943. In response to the Allied invasion of Algeria and Morocco German and Italian forces invaded Tunisia on November 9 1942. By the end of November the Germans took the first anti-Jewish move by arresting four of the community leaders including Moïse Borgel the president of the Jewish congregation. "In addition to the governor-general's sympathetic attitude -- and in some degree to the pro-Jewish attitude of Bey Sidi Mohammed al-Mounsaf -- the Italians also in practice interfered with the application of the anti-Jewish laws" E.H. The dignitaries were released after a week following the intervention of the mayor of Tunis and the Italian consul. Because of objections by the Italians the edict to wear the star does not appear to have been generally enforced with rigor and was only formally imposed in two cities Sfax and Tunis. While 5000 Jews had originally been put on forced labor in thirty locations and camps along the front line "at the time of the collapse and surrenter in early May 1943 only sixteen hundred Jews were employed on forced labor" E.H. Given the relatively small labor force and the lack of zeal in imposing the anti-Jewish ordinances it is clear why so few of these yellow badges have survived. References: I. Gutman ed. Encyclopedia of the Holocaust vol. 4 pp. 1521-23. unknown books
rif. 3490New. DESCRIPTION: Outtake: Red Star The Breaker 2012. Limited Edition Archival inkjet print 10 x 10" image on 12 x 12" paper. Edition of 50 signed and numbered by the artist. CONDITION: FINE/NEW. SIGNED. unknown
rif. 166560N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio. Shot on location in Mexico. Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
rif. 166560N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio. Shot on location in Mexico. Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown books
1932rif. 160793New York: Abbott-Dunning 1932. Draft script for the Broadway premiere of the 1932 play. Working copy belonging to playwrights Ben Hecht and Charles MacArthur with their annotations in manuscript pencil throughout. An early theatrical effort by legendary playwrights authors and creative collaborators Hecht and MacArthur preceded by "The Front Page" 1928 and "The Great Magoo" 1932. Based on "Napoleon of Broadway" an unproduced play by Charles B. Millholland about an egomaniacal theatrical producer based on real-life impresario David Belasco as he attempts to win back his former protégé now working as a Hollywood actress. The play made its Broadway premiere on December 29 1932 at the Broadhurst Theatre running for 152 performances. Adapted for film by Howard Hawks two years later starring John Barrymore and Carole Lombard. Set in New York. Blue titled wrappers with credits for playwrights Hecht MacArthur and Millholland on the front wrapper. Title page present dated December 29 1932 with credits for playwrights Hecht MacArthur and Millholland director George Abbott and others. 112 leaves with last page of text numbered 3-29. Mimeograph duplication rectos only. Title page lightly dampstained else Pages Near Fine wrapper Good moderately dampstained and edgeworn bound with two gold brads. Abbott-Dunning unknown
