3 034 résultats
2004réf. 26583Weinheim, Beltz Verlag, 2004. 4° ca. 1180 S., mit zahlreichen farb. u. s/w Abb., Bezahlung per PayPal möglich, we accept PayPal, Regalspuren am Fußschnitt, Einband ger. beschabt und ger. bestoßen, Reste von Postversandaufklebern a. Titel, altersbedingte Bräunungen, Gebr.sp., kartoniert
1995réf. 7862Königswinter, HEEL - Verlag 1995. Kartoniert, 4 21,5x28 cm, 195 S., "Hier ist die offizielle, illustrierte STAR TREK Chronologie. Von der Gründung der Föderation, über Captain Kirks frühe Tage in der Starfleet-Akademie, bis zu den Reisen der ENTERPRISE unter dem Kommando von Captain Jean-Luc Picard beinhaltet dieses Buch die komplette Geschichte des unglaublichen STAR TREK Universums. Die Chronologie dokumentiert jede wichtige Begebenheit aus allen STAR TREK Serienfolgen und -Filmen mit Sternzeit- sowie Erdkalenderdaten." Guter Zustand. Softcover
2000réf. 22273Hannover, AEJN Arbeitsgem. der Evang. Jugend in Nieders. (Hg), 2000. 4°, 88 S., mit zahlreichen s/w Abb., Bezahlung per PayPal möglich, we accept PayPal, Einband min. bestoßen, altersbedingte Bräunungen, sonst ger. Gebr.sp., kartoniert
1930réf. 152279N.p.: Caddo Company 1930. Vintage program for the premiere of the 1930 Pre-Code film which was famously held as a gala event at Grauman's Chinese Theatre in Hollywood. Howard Hughes' most expensive and ambitious production a story about World War I combat pilots today still a dazzling work of blockbuster action and actual aerial biplane footage. Originally conceived as a silent film and then retooled as a talkie in the wake of "The Jazz Singer" 1927. Most of the film is shot in black and white but one sequence is in color-the only color footage ever released of actress Jean Harlow before her untimely death. 8.75 x 11.75 inches bifold. Very Good with a few light dampstains to the front wrapper and a short closed tear to the bottom fold. Caddo Company unknown books
1955réf. 152321Burbank CA: Warner Brothers 1955. Vintage reference photograph of actors James Dean and Julie Harris examining a small scale model of a farm on the set of the 1955 film. With holograph ink and pencil annotations identifying Harris and Dean to the verso. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1978réf. 152298N.p.: California Stage Review 1978. Vintage "California Stage Review" program for the Westwood Playhouse production of "Jon Hendricks' Evolution of the Blues" with three black and white photographs housed in the original envelope circa 1978. Laid in program is a 6.5 x 5.5 inch flyer for the Coronet Theatre's production of "Bullshot Drummond." Jon Hendricks first created his masterwork "Evolution of the Blues Song" later amended to "Evolution of the Blues" for the 1960 Monterey Jazz Festival. An ambitious survey of African American music from spirituals and field hollers to blues gospel and jazz Hendricks interspersed his own compositions with classics such as Ma Rainey's "See See Rider" and Big Bill Broonzy's "Sun Gonna Shine in My Door" along with standards "Swing Low Sweet Chariot" "New Orleans" and "Sometimes I Feel Like a Motherless Child." Acclaimed musicians and singers such as Jimmy Witherspoon Hannah Dean "Big" Miller Ben Webster and Pony Poindexter were enlisted for the performance and in 1961 Columbia Records released the acclaimed LP of the project. In the 1970s Hendricks restaged the production at the Broadway Theatre in San Francisco where it ran for an unprecedented five years and in 1978 and 1979 at the Los Angeles' Westword Playhouse featuring performers Ka-Ron Brown Rosalind Cash Gary Chapman and others with co-direction and choreography by Donald McKayle. Program 8.5 x 11 inches. Four Pages saddle stitched. Near Fine. Photographs 8 x 10 inches. Near Fine. Envelope 9 x 12 inches. Very Good plus with toning at edges. California Stage Review unknown books
1971réf. 151346Los Angeles: Twentieth Century-Fox 1971. Vintage press kit for the French release of the 1971 documentary film. Full-color illustrated pocketed folder containing five black and white photographs and three pages of promotional reading material. A documentary following the star-studded 1969 Big Sur Folk Festival which featured Crosby Stills Nash and Young Joan Baez Joni Mitchell and many others. Shot on location in Big Sur. Folder photographs and promotional material Near Fine. Twentieth Century-Fox unknown books
1952réf. 151878Culver City CA: Columbia Pictures 1952. Two vintage reference photographs taken on the set of the 1952 film one showing actors Arthur Franz and Marie Windsor in conversation between takes the other showing Franz and Windsor sitting with director Edward Dmytryk assistant director Billy Reineck dialogue director Lauren Gage and script supervisor Frances McDowell. One with a mimeo snipe affixed to the verso along with a Columbia Pictures stamp the other with a RKO Radio Pictures stamp on the verso. A severely mentally ill delivery man struggles with his irrational hatred of women and begins venting his rage by killing women from a distance using a M1 carbine. One of the most minimal and exciting noirs of the 1950s and Edward Dmytryk's first return to directing after his long tenure on the Hollywood blacklist. Shot on location in San Francisco. One 8 x 10 inches one 10 x 8 inches. Near Fine. Grant US. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Columbia Pictures unknown books
1978réf. 147796Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Collection of 13 vintage black and white reference photographs 6 vintage color studio still photographs 5 vintage studio still photographs 2 vintage black and white borderless reference photographs and 1 color reference photograph from the 1978 film. Several of the photographs are candid shots taken on the set of the film. The sequel to "National Velvet" 1944 based on the 1935 novel. A former horse riding champion helps her troubled niece achieve Olympic horse riding glory. Set and shot on location in England. 24 photographs 10 x 8 inches 1 photograph 7.25 x 9.5 inches one photograph 6 x 9.5 inches 1 photograph 7.5 x 5 inches. Near Fine some with faint edgewear. Metro-Goldwyn-Mayer [MGM] unknown books
1979réf. 149612US: AG Enterprises 1979. Vintage poster for the independent Spanish-language 1979 film. Written directed produced and starring popular Cuban comedian Alvarez Guedes a farce about an attempt to create an organization of all the various Hispanic peoples in the United States despite their cultural differences. 26. x 37.25 inches. Bright and Near Fine with light bruising to the top edge. Folded as issued. AG Enterprises unknown books
1969réf. 151548N.p.: San Marco 1969. Two vintage borderless reference photographs of Pier Paolo Pasolini and Maria Callas on the set of the 1969 film. Photographer "Mario Tursi" stamps on versos. Based on the ancient Greek myth and loosely on the 431 BC play by Euripides wherein the titular character famously kills her sons as revenge against an unfaithful husband. The sole feature film appearance of noted opera legend Maria Callas one in which she curiously does not sing. Shot on location in Turkey Italy and Syria. 9.5 x 7 inches. Near Fine. BFI 1088. San Marco unknown books
1976réf. 146120Los Angeles: American International Pictures AIP 1976. Draft script for the 1977 film. One of the best unheralded revenge thrillers of the 1970s with William Devane taking an unusual turn as a sympathetic character though forced to be quite cold-blooded. Playing a Vietnam veteran with absolutely nothing left to lose Devane beats a warpath from Texas to Mexico in pursuit of a gang of murderous thugs who killed his family in order to steal a box of silver coins. Paul Schrader's fourth produced screenplay but written several years before the film's release around the same time he penned "Taxi Driver." Blue titled wrappers with the film title in gilt. Title page present dated June 14 1976 with credit for screenwriter Schrader. 106 leaves mimeograph on blue stock. Pages Fine wrapper Near Finebound with two gold brads. Grant US. Spicer US. American International Pictures [AIP] unknown books
1967réf. 151240N.p.: N.p. 1967. Vintage borderless reference photograph from the 1967 film showing actor Eddie Powell as The Mummy carrying actress Elizabeth Sellars. With a provenance stamp on the verso. A team of archaeologists revive an Egyptian pharaoh who subsequently seeks retribution for the violation of his tomb. The third in Hammer Films' Mummy cycle preceded by "The Mummy" 1959 and "The Curse of the Mummy's Tomb" 1964 and followed by "Blood from the Mummy's Tomb" 1971. The final Hammer film to be produced at Bray Studios before the company's 1967 relocation to Elstree and Pinewood Studios. Set in Egypt. 7 x 9.5 inches. Very Good plus. N.p. unknown books
1979réf. 149481Beverly Hills CA: United Artists 1979. Vintage borderless black-and-white reference photograph of director J. Lee Thompson and a camera crew directing actress Patricia Neal while filming on location for the 1979 British film. With two printed mimeo snipes affixed to the verso with tape along with holograph pencil and ink annotations regarding layout. Based on screenwriter Bruce Nicolaysen's 1976 novel "Perilous Passage" wherein a Basque farmer helps a French scientist and his family flee to neutral Spain during World War I. Set and shot on location in the Pyrenees France. 9.5 x 7.5 inches. Very Good plus slightly wavy. United Artists unknown books
1951réf. 149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With holograph ink and pencil annotations on the verso regarding layout along with a collector label. Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown books
1981réf. 149829N.p.: N.p. 1981. Vintage flyer for two screenings of the 1981 concert film at the Artculture Resource Center in Toronto on December 14 and 15 1981. The flyer which doubled as a ticket for the event is stamped on the verso with location the date of the December 15 screening and Record on Wheels the record store where the ticket was purchased. The three hour film featuring a mix of live footage and promotional video was shown at concerts and galleries. The flyer notes that these are the only Canadian showings of the film making it a rare example of Factory Records' popularity and influence outside of the UK and US. 8.5. x 11 inches. Fine. N.p. unknown books
1976réf. 149427Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1976. Final Shooting script for the 1977 film. With 33 revision pages bound in at the rear. Copy belonging to uncredited cast or crew member Robert Harrison with his name in holograph pencil at the top right corner of the front wrapper and his name in holograph pencil or ink at the top right corner of several leaves. Several of the aforementioned revision pages rubber stamped "RECEIVED / DATE / ROBERT HARRISON." Based on the 1973 novel. The story of a woman held captive and forcibly impregnated by a rogue supercomputer that has attained artificial intelligence. Goldenrod titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 101 dated May 17 1976 with credits for novelist Dean Koontz and screenwriters Robert J. Jaffe and Roger O. Hirson. Title page integral to the first page of text. 129 leaves on white stock with last page of principal text numbered 96. 33 blue and gray revision pages bound in at the rear all intended as replacements for pages in the principal text but have been added rather than substituted. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1933réf. 146070Hollywood: Paramount Pictures 1933. First Draft script for the 1933 film. With holograph pencil annotations to the front wrapper. Lt. Henry Crocker a blithe Royal Air Force pilot realizes that the constant violence of war is beginning to take a harsh toll on Lt. Jerry Young his flying ace buddy who is showing signs of cracking up. When Young breaks down and eventually commits suicide Crocker decides to stage his death as an in-air combat casualty in order to save his friend's reputation. The script's original ending seen in this early version depicted Crocker years later as a bedraggled old man homeless and alone staring at a memorial plaque with an epitaph praising Young's heroism. Tall peach titled self wrappers noted as FIRST SCRIPT on the front wrapper rubber-stamped production No. 451 dated January 30 1933 with credits for screenwriters Bogart Rogers and Seton I. Miller. Title page integral with the front wrapper as issued. 115 leaves with last page of text numbered 112. Mimeographed on peach stock rectos only. Pages Very Good plus wrapper Very Good plus with creasing to the top left corner of the rear wrapper side stapled. Paramount Pictures unknown books
1961réf. 149691Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1961. Vintage borderless reference photograph from the set of the 1961 film showing director Nicholas Ray and his wife choreographer Betty Utey in conversation with actress Brigid Bazlen who plays Salome in the film. With a printed mimeo snipe affixed to the verso along with a partial label. Loosely based on the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Ray's blockbuster Biblical epic hot on the heels of "Ben-Hur" 1959. Shot on location in Spain. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1955réf. 147888N.p.: Visual Drama 1955. Vintage studio still photograph of Joyce Jameson and Myron Healey from the 1955 film here under the alternative title Gangbusters. NBC aired the True Crime television series Gang Busters from March 20 1952 to October 23 1952 and reedited the three episode storyline The Pinson Gang into the 1955 feature film Gang Busters. Lifelong criminal Pinson Healy keeps escaping from prison. Loosely based on Omar August Pinson American robber and murderer. 8 x 10 inches. Very Good plus with faint creasing to corners some edgewear and two small closed tears in left margin. Complete collation details available on request. Selby US. Spicer US. Lyons US. Visual Drama unknown books
1995réf. 169802New York: Fly By Night Press 1995. First edition. Softcover. 91 pages. A collection of poems by Star Black. A very near fine copy in wrappers. Includes a laid in handwritten note from Star Black presenting this book to fellow poet Star Black. Note in near fine condition. Fly By Night Press unknown books
1970réf. 144863Beverly Hills CA: United Artists / Chrislaw Productions 1970. Vintage borderless double weight photograph of actor Sammy Davis Jr. and director Jerry Lewis on the set of the 1970 film. Mimeo snipe on the verso. Chris Pepper Peter Lawford and Charlie Salt Sammy Davis Jr. are about to lose their London nightclub. In desperation they turn to Pepper's aristocrat twin brother for help who shortly after they contact is murdered. Pepper assumes his dead brothers identity and together with Salt they try to solve the crime. Shot on location in Herefordshire and London England. 8 x 10 inches. Near Fine. United Artists / Chrislaw Productions unknown books
1976réf. 146900N.p.: Films du Berry 1976. Collection of four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images. Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning work on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began a foray into making adult sex films under the pseudonym Michel Gentil which he continued to make under various pseudonyms through the mid 1980s. An erotic comedy directed by Jean Rollin under the pseudonym Michel Gentil and starring Tania Busselier and Martine Grimaud. 2 - 7 x 9.5 inches 2 - 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine some light curling. Films du Berry unknown books
1980réf. 145685France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With holograph annotations on the verso. Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires. 9.5 x 7 inches. Near Fine. Maurice Bernard unknown books
1954réf. 146173Burbank CA: Walt Disney Productions 1954. Final Shooting Script for the 1954 film with blue yellow and green revisions throughout. Based on the 1870 novel "Twenty Thousand Leagues Under the Sea" by Jules Verne. Walt Disney's "20000 Leagues Under the Sea" was one of the most expensive and ambitious productions of its time. A 200 foot submarine a 225 pound diving suit a specially built soundstage with a 90 x 165 foot tank and a giant squid which weighed two tons and required a crew of 28 to operate were just some of the monumental challenges of the production. Disney's first CinemaScope motion picture "20000 Leagues Under the Sea" was a resounding success and went on to be considered one of greatest live-action adventure movies ever made. In 1868 off the coast of San Francisco Professor Aronnax Paul Lukas his assistant Conseil Peter Lorre and master harpooner Ned Land Kirk Douglas set sail upon a armed frigate to investigate a spate of sinkings rumored to be caused by a sea monster. After months of searching the "monster" is spotted sinking a merchant vessel and the frigate attacks only to be sunk themselves. Adrift in the ocean the three come upon a strange metal vessel and realize the "monster" is a "submerging boat." The trio are captured by Captain Nemo James Mason and taken aboard the submarine the Nautilus and journey on a voyage of adventure and discovery under the sea. Nominated for three Academy Awards winning two for Art Direction and Special Effects. Shot on location in California Jamaica and the Bahamas. Blue titled wrappers with affixed Walt Disney Productions label as called for with Disney scripts from this era noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for screenwriter Earl Felton. Title page present with credits for screenwriter Earl Felton. 146 leaves with last page of text numbered 141. Mimeographed rectos only with blue yellow and green revision pages throughout dated variously between 1/30/54 and 3/1/54. Pages Near Fine plus wrapper Near Fine bound internally with three gold brads. Walt Disney Productions unknown books