Dondi,Cristina.MareMagnum
6 614 résultats
2017TITOLO: Printed books of hours from fifteenth century Italy. The Texts, the Books, and the Survival of a Long-Lasting Genre. AUTORE: Dondi,Cristina. EDITORE: Olschki DATA ED.: 2017, COLLANA: Biblioteca di bibliografia - Documents and Studies in Book and Library History, vol. 204. EAN: 9788822264688
1968Koln, 1968; br., pp. 10, ill. b/n, cm 16x23. italiano br.
2011French Text. Milano, 2011; clothbound, pp. 327, b/w ill. and plates, cm 24,5x30.
2017A cura di Spinelli Riccardo, S. Castelli, Morena F., Spinelli R., Castelli Silvia e Morena Francesco. Firenze, 2017; ril., pp. 520, 760 ill. b/n, 24 ill. col., cm 24,5x29.
2006Commentario all'edizione in facsimile del codice miniato. Modena, 2006; ril. in seta, pp. 267, ill., 128 tavv. col., cm 24x31. (Il Giardino delle Esperidi. 17).
2004Traduzione di Gargiulo A. Torino, 2004; br., pp. 224, 130 ill. b/n, 45 ill. col., cm 25x25. (Cataloghi Ragionati. 6). italiano 88-8052-01 Cataloghi Ragionati. 0006 br.
2022Lucca, 2022; br., pp. 396, ill., cm 12x24. (Grandi Libri. 1).
1937German Text. Burg, 1937; hardback, pp. 150, 170 b/w ill., cm 19x26. deutsch hardback
réf. 132290aafVerlag Woldemar Klein, Dr. Rudolf Georgi Aachen, 1970, in-4to, ca. 40 S., + 24 farbigen Tafeln, Original-Pappband.
1996A cura di V. Fortunati. Milano, 1996; br. in cofanetto, pp. 328, 330 ill. b/n e col., cm 25x28. (La Pittura in Emilia e in Romagna). (Arte). (Le pitture regionali). (La pittura in Emilia Romagna. 4.2.2). italiano 88-435-572 La Pittura in Emilia e in Romagna br. in cofanetto
1999A cura di Causa Picone M. Napoli, 1999; br., pp. 240, 312 ill. b/n num. n.t., 19 ill. col. num. n.t., cm 25x28. italiano 88-435-874 br.
1981Ristampa anastatica numerata da 1 a 800. Esemplare N. 446. Milano, 1981; ril. in pelle in cofanetto, pp. 540, ill., cm 26x35. italiano 88-205-029 ril. in pelle in cof
1929réf. 2021753Fort Madison IA: Iowa State Penitentiary 1929. First Edition. Hardcover. Very Good. 48mo brown cloth 2 x 1 1/2 inches Humor from inside the walls. UNCLE " Unknown No Copy Located Elsewhere. Iowa State Penitentiary hardcover
1840réf. 673Philadelphia Pa. 1840. Calling Card printed one side only. 40 x 75 mm. 1 ½ x 3 inches. Painter's name scratched out and "Miss Louise Bradley West Springfield" is penciled in Engraved border pinholes. James W. Williams was a miniature portrait painter. He also experimented with early photographic processes to produce his portraits. He was born in England about 1787 and set up shop in Philadelphia. The Smithsonian holds two of his works; a Talbotype paper print with applied color of Edward Robinson Squibb and an ivory type of two girls untitled. Ivory types were positive photographic prints resembling a hand-painted ivory miniature and were first produced in the mid-1850s. As the term suggests some of these images were made on thin sheets of actual ivory or artificial ivory made of pigmented and hardened gelatin. Louise Bradley 1818-aft 1880 of West Springfield Massachusetts acquired Williams's calling card and used it as her own in this instance since she crossed out his name and penciled in her own. She married a farmer Charles White and lived and died in West Springfield. Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century but the development of photography contributed to the decline in the popularity of miniatures. . unknown
1840réf. 673Philadelphia Pa. 1840. Calling Card printed one side only. 40 x 75 mm. 1 ½ x 3 inches. Painter's name scratched out and "Miss Louise Bradley West Springfield" is penciled in Engraved border pinholes. James W. Williams was a miniature portrait painter. He also experimented with early photographic processes to produce his portraits. He was born in England about 1787 and set up shop in Philadelphia. The Smithsonian holds two of his works; a Talbotype paper print with applied color of Edward Robinson Squibb and an ivory type of two girls untitled. Ivory types were positive photographic prints resembling a hand-painted ivory miniature and were first produced in the mid-1850s. As the term suggests some of these images were made on thin sheets of actual ivory or artificial ivory made of pigmented and hardened gelatin. Louise Bradley 1818-aft 1880 of West Springfield Massachusetts acquired Williams's calling card and used it as her own in this instance since she crossed out his name and penciled in her own. She married a farmer Charles White and lived and died in West Springfield. Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century but the development of photography contributed to the decline in the popularity of miniatures. . unknown books
1990réf. 6680Montreal: Roger Huet 1990. 4 Vols miniatures 4x3cm each 40pp. Frontis illustrations publisher's portrait and ad at rear. Various colors of flexible leatherette tooled in gilt with marbled endpapers. Fine condition. Charming set of inspirational volumes from the Montreal miniature book publisher Roger Huet. Roger Huet unknown
1799réf. MB42633Good. 3 3/8 x 2 3/8 inches pictorial silk over paper spine stitched cloth separated from lower cover insect damage to top of upper cover. hardcover
1798réf. MB42632Good: light stain to lower corner of first few leaves. 3 3/8 x 2 1/2 inches pictorial silk over paper spine stitched paper cover label fabric lacking from lower cover Text in Japanese. This is a miniature edition of a title first published in 1778 and subsequently reprinted in many editions.
1799réf. MB42633Good. 3 3/8 x 2 3/8 inches pictorial silk over paper spine stitched cloth separated from lower cover insect damage to top of upper cover. hardcover books
1798réf. MB42632Good: light stain to lower corner of first few leaves. 3 3/8 x 2 1/2 inches pictorial silk over paper spine stitched paper cover label fabric lacking from lower cover Text in Japanese. This is a miniature edition of a title first published in 1778 and subsequently reprinted in many editions. books
réf. 3260Worcester Mass. : Achille J. St. Onge 1954. . 2 3/4 x 1 7/8 inches full green leather both covers heavily gilt. A.e.g. One of 1000 copies copies printed by the Chiswick Press London. MINT condition. See Bradbury p. 252 no. 12. Worcester [Mass.] : Achille J. St. Onge, 1954. hardcover
1982réf. 6735Seattle: Jane Dehn 1982. Number 130 of 1000 copies. Miniature book 4x3cm single sheet folded accordion style with 10 panels attached to two boards with printed paste-ons and a brown string tie. Color illustrations throughout by Jane Dehn and signed by her on the rear board. A few stray smudges to boards nearly fine. Beautifully made miniature illustrating an inspirational quote: "he who cannot appreciate the little things in life. can never attain the greater ones." Jane Dehn 1924-2006 was a Northwest artist working in fabric metal and print including miniature books. Jane Dehn unknown
1977réf. 6528Los Angeles: Worldhouse Publishers 1977. First edition unknown limitation. Miniature book 7x6cm 32pp. Signed by Neal on ffep. Hand-colored illustrations throughout. Gilt stamped brown leather boards hand colored illustrated jacket. Small stain to rear endpaper else nearly fine. A humorous take by Thomas Atwill Neal on the traditional Mother Goose nursery rhymes. "The work is rated 'G' for Goose." Scarce miniature book privately published by Neal's Worldhouse Press. Worldhouse Publishers unknown
1966réf. 6679New Britain CT: Art Press 1966. First editions of 300 copies. 2 Volumes each 2.5x2cm and 16ff. Each contains a 2-page hand colored illustration by Massmann and is bound in stiff paper wrappers also with illustrated and hand colored by Massmann. Fine condition. The first two volumes from an eventual four of folklore anecdotes from miniature book publisher and collector Robert E. Massmann. These volumes A Costly Binge and The Blasphemous Old Prospector are said to be from Rawhide Rawlins Rides Again by C.M. Russell. A charming set nicely illustrated. . Art Press unknown
1904réf. 71377London: Henry Frowde 1904. Oxford India Paper Edition. Leather Bound. 5 cm tall by 3.5 cm wide. Flexible leather wraps with a decoratively embossed metal front cover and a gilt stamped title on the spine. Rose-gilt text block edges. Metal of front cover tarnished. Rear cover bent. Title page adhered to the opposite page along the inside margin partially obscuring a couple of words in the title. With Eight Illustrations. A charming miniature edition of the second in Charles Dickens' series of Christmas books. Dickens' story is an attack on selfishness cowardice and cant. Henry Frowde unknown
