Perez Sanchez Alfonso; Angulo DiegoMareMagnum
6 618 résultats
1985English Text. London, 1985; hardpaper, pp. 152, 255 b/w ill., 77 b/w plates, cm 24x34. (A corpus of Spanish Drawings. 3). english 0-19-92103 A corpus of Spanish Drawings. 0003
Budapest, Akademiai Nyomda, 1965, in-8, br. editoriale, pp. numerate da 100 a 118. Con illustrazioni. Dedicato ad un codice appartenuto a Matteo Corvino.
1996New York Galleries, 8 - 31 May, 1996; London galleries, June 26 - July 5, 1996. Presented by Jean-Luc Baroni. Catalogue by Stephen Ongpin. English text. New York, 1996; paperback, pp. 100, col. plates, cm 21x30. (Master Drawing). english Master Drawings. 1996
1985Testo Italiano e Inglese. London, 1985; br., pp. 125, ill. b/n e col., tavv. b/n e col. english italiano 0-7135-255 br.
2013Ristampa anastatica delle tavole. Savigliano, 2013; cartonato, pp. 328, col. ill., cm 19,5x24,5. (Excelsa. Opere Scelte).
réf. 8785Bibliothèque nationale, Paris, 1986. In-8, broché sous couverture illustrée en couleurs, 194 pp. Avant-propos, par André Miquel - Introduction, par Vadime Elisseeff - Les Moghols, par Francis Richard - Catalogue [150 n° décrits] : Portrait des princes, images de la Cour, par Amina Okada. - Un exotisme venu d'Europe. - Herbiers et bestiaires. ...
réf. 146011Very Good. External dimensions 38 × 32 mm 8 card leaves with window mounts on both sides containing 10 loosely-inserted albumen prints visible size 21 × 14 mm. Bone covers backed in blue velvet with an ornate gilt brass clasp; all edges gilt; spine lightly rubbed; a few prints slightly discoloured or creased; in excellent condition overall. The subjects of the portraits six women and four men are not identified. The 'gem' photographs in this charming pocket keepsake were popular in the 1860s and 1870s. unknown
2017Aosta, Centro Saint Benin, 20 ottobre - 8 aprile 2017. A cura di Maurizio Ferraris, Alberto Fiz, Pietro Bellasi e Fiz A. Testo Italiano e Francese. Arezzo, 2017; br., pp. 168, ill. col., tavv. b/n e col., cm 24x28.
2011Paris, Salon du Dessins, 24 - 29 march, 2011. Firenze, 2011; clothbound, pp. 88, b/w and col. ill. and plates, cm 22x27.
2010Paris, Salon du Dessins, 24 - 29 march, 2010. Firenze, 2010; clothbound, pp. 88, b/w and col. ill., cm 23x27.
2021Pistoia, 2021; br., pp. 96, ill. col., cm 17x24.
1969Edited by Arthur Houghton and Henry Morgan. English text. New York NY, 1969; clothbound, pp. 210, 46 b/w plates, cm 19,5x27. english 87-598-000
1920réf. 58739Philadelphia PA: The Philadelphia MuseumsCommercial Museum of Philadelphia Exhibits Bureau ca. 1920. Archive of 52 mounted silver gelatin photographs sized 7 x 9 in. mounted on 9.75 x 12 in. gray studio board mounts all imprinted w/ white lettering at lower right corners and captions below images a few have photographer’s original imprints w/in the negative and printed explanatory text on light gray versos minor edgewear rubbing wear to some corners minor bowing to mounts as usual a few boards w/ edgewear wear at corners 1 photo w/ soiling still a VG group of photos w/all retaining bright strong contrast. This archive serves as an excellent surviving visual aid from the “Miniature Museum” exhibits created by the Commercial Museum of Philadelphia before and after World War I in order to promote foreign trade and develop international commerce for U.S. products. Sponsored by manufacturers suppliers and many different companies who would supply products to the Commercial Museum these interactive exhibits were intended to illustrate not only useful products of other countries and the advantage for trade in the U.S. but also to underlie important facts of modern industry. Dispatched for free these sample exhibits contained a cupboard at the base in which an educator or lecturer could place photographs and additional exhibits which would revolve on loan for assorted subjects to be taught. The photographs preserved here include those used originally with such trays as the “Beverages; Brush Fiber; Carbon; Coconut; Cotton; Cow; Flax; Gums & Resins; Iron; Ores & Metals; Rice; Rope Fiber; Rubber; Silk; Spice; Sugar & Wheat.” For instance this unknown instructor ordered for the “Beverages Drawer Exhibit” the photographs “Picking Tea” in Japan “Tea Factory” in Ceylon “Tea Ships” in Formosa Taiwan or “Picking Coffee” in Brazil which would have then been used with a series of large folding or rolling maps to be displayed as part of a multi-media presentation. As the cases were heavy and fragile these were sent out in place and further education materials would be dispatched to enhance their use but unfortunately classroom usage resulted in frequent lost and damaged photographs. Also present here are photos for “Camels Carrying Charcoal” into Constantinople Turkey; “Cutting Bananas” in Jamaica; “Cocoanut Plantation” & “Making Cocoanut Oil” in Ceylon; or the “Iron Furnace” in Hankow China or “Rope Factory” in Hong Kong. Two of the photos for Mexico include one still retaining the original caption for Charles Betts Waite of a smelter operation in Aguascalientes Mexico and another of the Sirena Mine in Guanajuato Mexico with the photographer’s imprint scratched out in negative but appears to have been a Winfield Scott image. Other images show the bustling harvesting of spices in Ceylon Singapore Jamaica and German East Africa rubber plantations in the Amazon Valley of Brazil and panning gold in Vancouver B.C. and hydraulic gold mining in Otago New Zealand with image by Burton Bros. of Dunedin. The Rice and Silk sections both offer excellent views of both processes in late Meiji and Taisho-era Japan. The Commercial Museum which originally opened in 1897 was the foremost source of international trade knowledge for American manufacturers in the early 20th Century. Slowly other Trade Commissions and Exhibitions supplanted the Commercial Museum and by the 1950’s the Miniature Museum visual aid exhibits had become obsolete and many had been broken up or photographs and samples dispersed through use. Although the Museum continued to provide programming and display exhibits until 1994 it was then closed indefinitely. See: Charles R. Toothaker Curator Educational Work of the Commercial Museum of Philadelphia Bulletin 1920 No. 13 Dept. of the Interior Bureau of Education 1921 includes images of assorted variations of the original oak sample cases and even large display of possible photo choices; Katelyn Wolfrom Rise and Fall of the Philadelphia Commercial Museum: How a Forgotten Museum Forever Altered American Industry Independence Seaport Museum Spring 2010. The Philadelphia Museums,[Commercial Museum of Philadelphia, Exhibits Bureau], hardcover
réf. ST18267collection1 FOUR EARLY 20TH CENTURY DIARIES. DE LA RUE'S CONDENSED DIARY AND ENGAGEMENT BOOK FINGER SHAPE FOR 1902 1906 1909 AND 1914. London: De La Rue & Co. 1902-14 77 x 24 mm. 3 x 1". 34 leaves. Four separately issued annual volumes. Diaries with soft leather covers decorated in gilt 1902 in brown morocco 1906 and 1906 in burgundy 1914 in scarlet 1902 diary IN A SILVER FILIGREE SLIPCASE the others in matching morocco cases. 1902 diary with an address noted on Memorandum page otherwise unused; other diaries with neatly written entries in pencil or pen. Front cover of 1902 diary slightly sunned quarter-inch chip to tail of spine corners and extremities of all books lightly rubbed from sliding in and out of cases binding of 1914 book lightly soiled but none of these issues significant and the bindings and cases all generally very well preserved. 2 AVE MARIA. Budapest or Italy ca.: 1970 10 x 11 mm. 3/8 x 7/16". 6 unnumbered leaves three of them blank. Charming burgundy calf upper cover with the head of the Madonna tooled in gilt flat spine with gilt bands. In a black pebble-grain morocco slipcase nestled in fabric inside a 32 x 34 mm. metal box with latch. With a cross printed on the first leaf and a simple engraving of the Madonna's head on the second. Bondy p. 156. Tiny what else scratch to head of spine otherwise A FINE SPECIMEN. This charming minuscule book contains the Latin text of the "Ave Maria" printed on one page. Bondy tells us there is some dispute about its origins with Hungarian bibliophiles claiming it was printed in Budapest and Italian collectors insisting it was Italy. Whatever its place of publication it could scarcely be more charming and it is certainly the most portable prayer book we have ever offered for sale. 3 CHURCH OF ENGLAND. BOOK OF COMMON PRAYER. with HYMNS ANCIENT AND MODERN. Oxford: University Press London: William Clowes ca. 1920 60 x 45 mm. 2 1/4 x 1 3/4". 688 pp.; 859 1 pp. Two works bound in one volume. Contemporary ivorine covers and spine silk joints metal silver monogram mounted on upper cover textured white endpapers all edges gilt. Frontispiece of choir boys to first work and of girls' choir to second. Upper corners of spine beginning to lift silk joints a little worn otherwise a fine specimen clean and bright internally in a well-preserved binding. unknown
réf. ST18267collection1 FOUR EARLY 20TH CENTURY DIARIES. DE LA RUE'S CONDENSED DIARY AND ENGAGEMENT BOOK FINGER SHAPE FOR 1902 1906 1909 AND 1914. London: De La Rue & Co. 1902-14 77 x 24 mm. 3 x 1". 34 leaves. Four separately issued annual volumes. Diaries with soft leather covers decorated in gilt 1902 in brown morocco 1906 and 1906 in burgundy 1914 in scarlet 1902 diary IN A SILVER FILIGREE SLIPCASE the others in matching morocco cases. 1902 diary with an address noted on Memorandum page otherwise unused; other diaries with neatly written entries in pencil or pen. Front cover of 1902 diary slightly sunned quarter-inch chip to tail of spine corners and extremities of all books lightly rubbed from sliding in and out of cases binding of 1914 book lightly soiled but none of these issues significant and the bindings and cases all generally very well preserved. 2 AVE MARIA. Budapest or Italy ca.: 1970 10 x 11 mm. 3/8 x 7/16". 6 unnumbered leaves three of them blank. Charming burgundy calf upper cover with the head of the Madonna tooled in gilt flat spine with gilt bands. In a black pebble-grain morocco slipcase nestled in fabric inside a 32 x 34 mm. metal box with latch. With a cross printed on the first leaf and a simple engraving of the Madonna's head on the second. Bondy p. 156. Tiny what else scratch to head of spine otherwise A FINE SPECIMEN. This charming minuscule book contains the Latin text of the "Ave Maria" printed on one page. Bondy tells us there is some dispute about its origins with Hungarian bibliophiles claiming it was printed in Budapest and Italian collectors insisting it was Italy. Whatever its place of publication it could scarcely be more charming and it is certainly the most portable prayer book we have ever offered for sale. 3 CHURCH OF ENGLAND. BOOK OF COMMON PRAYER. with HYMNS ANCIENT AND MODERN. Oxford: University Press London: William Clowes ca. 1920 60 x 45 mm. 2 1/4 x 1 3/4". 688 pp.; 859 1 pp. Two works bound in one volume. Contemporary ivorine covers and spine silk joints metal silver monogram mounted on upper cover textured white endpapers all edges gilt. Frontispiece of choir boys to first work and of girls' choir to second. Upper corners of spine beginning to lift silk joints a little worn otherwise a fine specimen clean and bright internally in a well-preserved binding. unknown books
1863réf. 353721Buffalo NY: Breed Butler & Co 1863. 63pp. 1-1/2 x 1 inches. Original green cloth gilt front cover a.e.g. Fine. 63pp. 1-1/2 x 1 inches. Breed, Butler & Co unknown
1863réf. 353721Buffalo NY: Breed Butler & Co 1863. 63pp. 1-1/2 x 1 inches. Original green cloth gilt front cover a.e.g. Fine. 63pp. 1-1/2 x 1 inches. Breed, Butler & Co unknown books
réf. 125263Qajar Persia circa 1800. . Single illuminated miniature painting with decorated borders miniature 180 x 110mm total leaf 260 x 140mm; illustration depicting a seated teacher with three pupils in attendance sitting by a running stream under some poplar trees illustration heightened in gilt mounted to cats with gilt decorations to borders framed and glazed. A charming and beautifully drawn illustration in the style of Reza Abbasi 1565-1635 the leading Safavid miniaturist known for his distinctive ability to capture texture and movement in his drawings by combining ink lines with wash colours. This illustration is likely from the early Qajar period and demonstrated the lasting influence and legacy the great classical artists had over the future generations of artists and patrons alike. Qajar Persia, circa 1800. unknown
2011Venezia, 2011; br., pp. 64, ill. b/n, cm 15x21. (Venezia/Narrativa).
2009Illustrazioni di Mariarosa Gaude. Testi di Nicola Ghietti. Savigliano, 2009; ril., pp. 128, ill. b/n e col., cm 25x31. (Fragmenta2. Paesaggi e Territorio).
1996In-4, tela editoriale, titolo al dorso, sovracoperta, pp. 127, con illustrazioni a colori nel testo. It contains “the works of Palekh miniature-painters.. yo with the poet’s five fairytales and his poem “Ruslan and Lyudmilla” English and Russian text. In buono stato (good copy).
2021Rivoli (To), Castello di Rivoli, 17 maggio - 7 novembre 2021. A cura di M. Beccaria e Christov-Bakargiev C. Milano, 2021; ril., pp. 416, 390 ill. b/n e col., cm 24x28. (Arte Moderna. Cataloghi).
1959AA. VV. AA. VV. Miniature persiane. Il Saggiatore. 1959 - I. Milano, Il Saggiatore 1959 - I italiano, in sedicesimo pp. N.N. 4571 AA. VV. Miniature persiane. Il Saggiatore. 1959 - I. In-16. Cartonato. pp. non numerate. Con tavole a colori. Volume in perfette condizioni.
2014Roma, 2014; br., pp. 48, ill. b/n e col., cm 22x22.
