6 678 résultats
1913réf. 14726ABNürnberg, Wich, 1913. 5 : 3 cm. Original cloth with golden horse-shoe on front board.
1913réf. 14727ABNürnberg, Wich, 1913. 5 : 3 cm. Original cloth with golden horse-shoe on front board.
[S.l.], [s.n.], [1913], volumetto di piccolissimo formato, mm. 50x35, legatura originale in piena pelle con pianta con fiori miniata a mano sulla copertina anteriore, pp. [30]. Con frontespizio riquadrato da cornice in cromolitografia. Contiene i mesi dell'anno seguìti da alcune carte per eventuali annotazioni (lasciate vuote). Leggere spellature.
2002A cura di Anna Forlani Tempesti. Rimini, 2002; br., pp. 110, 50 ill. b/n num. f.t., cm 20x27. (Calepino di disegni. Note e saggi su disegni e stampe e sulla loro storia. 1). italiano 88-900139- Calepino di disegni. Note e saggi su disegni e stampe e sulla loro storia. 0001
Miniatura su carta eseguita a china e splendidamente colorita all'acquerello, raffigurante calice bizantino, cm.15x10,5. Controfondata su cartoncino dell'epoca. Di squisita fattura.
2017Pieve San Giacomo, 2017; br., pp. 36, ill. col., cm 21x21.
2008Bergamo, 2008; br., pp. 80. (Arte moderna e contemporanea).
2013Bergamo, 2013; br., pp. 32, ill. b/n e col. (Arte Moderna e Contemporanea).
1999STATO: USATO, COME NUOVO. TITOLO: Calligrafia di Dio. La miniatura celebra la Parola. AUTORE: Catalogo della Mostra: CURATORE: A cura di Giordana Mariani Canova, Paola Ferraro Vettore. EDITORE: Franco Cosimo Panini DATA ED.: 1999, COLLANA: Coll.La Miniatura. EAN: 9788882900823
2019Traduzione di Grimaldi C. Milano, 2019; br., pp. 192, ill. col., cm 24x32. (Disegno).
2010Castelnuovo del Garda, 2010; br., pp. 63, ill., cm 19x13,5.
1840réf. 673Philadelphia Pa. 1840. Calling Card printed one side only. 40 x 75 mm. 1 ½ x 3 inches. Painter's name scratched out and "Miss Louise Bradley West Springfield" is penciled in Engraved border pinholes. James W. Williams was a miniature portrait painter. He also experimented with early photographic processes to produce his portraits. He was born in England about 1787 and set up shop in Philadelphia. The Smithsonian holds two of his works; a Talbotype paper print with applied color of Edward Robinson Squibb and an ivory type of two girls untitled. Ivory types were positive photographic prints resembling a hand-painted ivory miniature and were first produced in the mid-1850s. As the term suggests some of these images were made on thin sheets of actual ivory or artificial ivory made of pigmented and hardened gelatin. Louise Bradley 1818-aft 1880 of West Springfield Massachusetts acquired Williams's calling card and used it as her own in this instance since she crossed out his name and penciled in her own. She married a farmer Charles White and lived and died in West Springfield. Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century but the development of photography contributed to the decline in the popularity of miniatures. . unknown
1840réf. 673Philadelphia Pa. 1840. Calling Card printed one side only. 40 x 75 mm. 1 ½ x 3 inches. Painter's name scratched out and "Miss Louise Bradley West Springfield" is penciled in Engraved border pinholes. James W. Williams was a miniature portrait painter. He also experimented with early photographic processes to produce his portraits. He was born in England about 1787 and set up shop in Philadelphia. The Smithsonian holds two of his works; a Talbotype paper print with applied color of Edward Robinson Squibb and an ivory type of two girls untitled. Ivory types were positive photographic prints resembling a hand-painted ivory miniature and were first produced in the mid-1850s. As the term suggests some of these images were made on thin sheets of actual ivory or artificial ivory made of pigmented and hardened gelatin. Louise Bradley 1818-aft 1880 of West Springfield Massachusetts acquired Williams's calling card and used it as her own in this instance since she crossed out his name and penciled in her own. She married a farmer Charles White and lived and died in West Springfield. Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century but the development of photography contributed to the decline in the popularity of miniatures. . unknown books
2009A cura di E. Crispolti, C. Marsan, N. Micieli. Firenze, 2009; br., pp. 36, ill. b/n, cm 24x22. (Accademia delle Arti del Disegno. Monografie. 46).
2009Milano, 2009; br., pp. 186, cm 15,5x21,5. (Varia).
2001Boulogne-Billancourt, Académie des Beaux-Arts, Bibliothèque Marmottan, 3 octobre 2001 - 26 janvier 2002. Préface par Jean Tulard. Textes par Jean-Marie Granier, Bruno Foucart, Yves-Marie Bercé, Maria Cristiana Costanzo et Marina Natoli. Roma, 2001; paperback, pp. 182, b/w and col. ill., cm 24x28. (Arte e archeologia).
2002Prefazione di Walter Veltroni. Introduzione di Alessandro Masi. Città di Castello, 2002; br., pp. 360, ill. e tavv. b/n, cm 24x29. (Imago). italiano 88-500-017 Imago
2011Seconda edizione. Napoli, 2011; ril. In cofanetto, pp. 232, ill. e tavv. b/n e col., cm 25,5x34.
2020Milano, 2020; br., pp. 144, ill., cm 13x18,5. italiano 88-99385-8 br.
2020Milano, 2020; br., pp. 144, ill., cm 13x18,5.
2003A cura di Salvatore Carrubba, Dotti Goffredo e Podini Giordano. Milano, 2003; spillato, pp. 48, ill. b/n e col. italiano spillato
1963Milano, 1963; br., pp. 90, 72 tavv. b/n, cm 21x30. (I grandi maestri del disegno). italiano I grandi maestri del disegno br.
2021S. Giuliano Terme, 2021; br., pp. 124, ill. (Fumisterie. 10).
2010Lovere, Atelier del Tadini, 25 aprile - 20 giugno 2010. A cura di Albertario M. Lovere, 2010; ril., pp. 528, ill., 48 tavv. col., cm 17,5x24,5. (Quaderni dell'Accademia Tadini. 2).
2012Roma, Palazzo Braschi, 5 dicembre 2012 - 7 aprile 2013. A cura di F. Leone e Ericani G. Roma, 2012; br., pp. 288, ill. b/n e col., tavv., cm 23x30.
