Studio SelsBiblio.com
Senezh studio and the communist SurroundBiblio.com
Soviet Critical Design
2019réf. Manohar-9781350021990Bloomsbury 2019. Hardcover. New. Bloomsbury hardcover
3 666 résultats
1973réf. 19870BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 21457BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 19440BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 19075BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 21350BASTEI 1973. 1. softcover. Heute mit Silberpfeil-Poster! Anmerkung: Ich hätte das Poster Mondkind genannt! DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 21260BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 21070BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1977réf. 23738BASTEI 1977. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1973réf. 18734BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
2019réf. Manohar-9781350021990Bloomsbury 2019. Hardcover. New. Bloomsbury hardcover
2019réf. Manohar-9781350021990Bloomsbury 2019. Hardcover. New. Bloomsbury hardcover
réf. 4119Montreal QC: Wm. Notman. Mounted Photographs. Near Fine. Four Winter scenes from the Notman Studio. Albumen and silver salts on paper three photos measure 5.5 x 4 inches wide and one measures 6 x 4 inches wide all mounted on card one signed in negative "Notman 22373". Some fading and yellowing to images card mounts w. minor curl and touch of browning verso. Two sleds and two tobaggans help to provide a charming Winter setting for this fine group of 19th c. studio images. Wm. Notman unknown
réf. BN370435Sagrada Biblia Nueva/new Guadalupana Study Bible: Edicion Guadalupana Para Estudio Vino Imitation Leather Dec 31 2001 Sagrada Biblia Nueva/new Guadalupana Study Bible: Edicion Guadalupana Para Estudio Vino Imitation Leather Dec 31 2001 Sagrada Biblia Nueva/new Guadalupana Study Bible: Edicion Guadalupana Para Estudio Vino Imitation Leather Dec 31 2001 hardcover
1930réf. 4710Paris 1930 aucune reliure Deux tirages gélatino-argentiques d'époque assemblés en un panorama de 34,5 x 16 cm et montés sur carton (49 x 32 cm), signature du photographe sous l'image, étiquette du studio photo Lecram en bas à droite.
1970réf. 15729BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1970réf. 14365BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
réf. 66090Luzern Bösch AG 1983. 128 x 905 cm Zustand A. Konzertplakat «Jazz in Willisau» im Hotel Mohren in Willisau. 010 Luzern, Bösch AG, 1983 unknown
réf. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
réf. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
1721réf. 41271Paris, Montalant, 1721. Fol. (40 x 26 cm). Titel in Rot u. Schwarz. Mit zahlr. Holzschn.-Vignetten u. -Initialen. 27 Bll., 707 (1) S., 40 Bll.; 2 Bll., 215 (1) S., Pgmt. d. Zt. m. handschriftl. Rückentitel.
Matita misure: mm 300 x 437 Pittore e scultore italiano. Sin da giovane, sotto la spinta dal padre Antonio, si dedica alla scultura e già nel 1827 si fa conoscere per un gruppo di quaranta busti giganteschi, oggi dispersi, a soggetto mitologico e rurale, per la Villa dei Conti Sabatini a Udine. Contemporaneamente collaborava con il padre dimostrando capacità nel cogliere i dettami dello stile neoclassico allora in voga. Precocemente si avvicina alla pittura; realizza pochi soggetti religiosi, si afferma nella pittura di genere, in quella storica e in quella satirica. Con piglio originale ed estroso attira l'attenzione sia di capi di Stato, nobili ma anche collezionisti italiani che vedevano il suo studio come un ritrovo mondano, un passaggio obbligato durante i soggiorni veneziani. Gli affibbiarono il soprannome di "Goldoni della pittura veneziana". Soddisfatto della posizione sociale ed economica conquistata, abbandonò il lavoro a quarant'anni per godersi la vita. Sue opere sono conservate nei musei di Trieste, Padova e Venezia. In questo disegno l'attenzione dello spettatore è catturata dal michelangiolesco corpo maschile di spalle. Il modello è seduto come su un argine di un torrente. La torsione del corpo, con le mani adagiate a terra come nell'atto di sollevarsi, mostra le braccia muscolose, la schiena in tensione e il volto rivolto a destra caratterizzato da una bocca socchiusa, naso alla greca, lo sguardo fisso verso un punto in lontananza e capelli mossi dal vento. La capigliatura è tipicamente neoclassica. Sembra di vedere uno studio per un dio fluviale, un allegoria. Evidente è la conoscenza della statuaria classica Il tratto è rapido, la linea di contorno è morbida su tutta la figura e l'intersezione fitta del tratteggio regala giochi chiaroscurali che mostrano l'attenzione per gli effetti della luce sul nudo atletico. In basso a destra, a matita, firma. Al verso veloci schizzi a matita. Disegno su carta vergellata color avorio. Buono stato di conservazione, leggero foxing e qualche piega. Filigrana: tre mezze lune (Veneto, XVIII secolo) Bibliografia: A. De Alisi, Le arti figurative nella Venezia Giulia, ms. (sec. XX), ad vocem.
1900réf. List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.” Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown
1900réf. List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.” Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown books
1890réf. 287341890. A large studio photo album with large albumen photographs of Italian architecture and sculpture in and around Siena 3 Florence 27 Ravenna 4 Bologna 3 Venice 12 Padua 2 Verona 12 Lombardi 1 Lake Como 4 Massagno 1 Napoli 1 Milan 4 Pompei 1 2 unidentified. 63 images 13 by Alinari 2 by Noack Geneva 3 Edizioni Brogi 1 Sommer and other photographers most with studio numbers and captions in Italian. Fratelli Alinari was a photographic studio founded in 1852 in Florence and run by the three Alinari brothers and is today considered one of the world's oldest photographic firms. Maroon diced leather binding gold dentelles 6 chambers 14 3/4 x 10 3/4" 63 images image size 9 3/4 x 8" 6pp blank at back marble endpapers no titles. Covers rubbed at edges binding strong images vgc. unknown
1945réf. 20947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2” x 2 1/4”. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.” On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
