The Studio Museum in HarlemBiblio.com
3 666 résultats
1968réf. 92685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown
1968réf. 92685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown books
1937réf. 20946EHollywood CA: Universal Pictures 1937. Original 1937 Studio Pass to Universal Pictures Studios for Hollywood columnist Jimmy Starr. Blue cardstock 3 3/4” x 2” with Universal Pictures logo. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Identification Card Void After April 1 1937 Admit to Studio Lot for Parking and to Publicity Dept. Only No. 29 stamped Issued to Jimmy Starr L.A. Herald & Express typed Authorized by signed.” Blank on the verso. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Some of the 1937 Paramount Studios films Mr. Starr may have enjoyed include such popular productions as Jungle Jim with Grant Withers and Betty Jane Rhodes We Have Our Moments with Sally Ellers and James Dunn and When Love Is Young with Virginia Bruce Kent Taylor and Walter Brennan. Universal Pictures unknown
1950réf. 28317New York: Golden Press 1950. 1st edition. Oversize Hardcover in color illus boards; no jacket as issued. VeryGood unmarked bright boards & bright contents; traces of light wear & minor touch-up. Collectible first edition. Bright crisp clean tight copy slight damage at rear upper spine traces of wear to corners but overall an exceptional copy of this icon of Disney Americana at 65 years old. 9-1/2 x 12-3/4 unnumbered pp color illus every page color-illus endpapers. Golden Press hardcover
1973réf. 18187BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1982réf. KOS02201766Interior Publishing 1982. Soft Cover. Fine. KOS02201766 Interior Publishing paperback
1980réf. KOS02201645Interior Publishing 1980. Soft Cover. Fine. KOS02201645 Interior Publishing paperback
1960réf. 403653London : Longacre Press 1960. 1st edition. Softcover. Very good paperback copies; edges slightly dust-dulled and nicked. Remains a particularly well-preserved set overall; tight bright and clean. Contents; 85 issues of ""The Studio"" spanning from 1960 to 1963. 115 issues of ""The Studio. The leading magazine of contemporary art"" spanning from 1953 to 1960. Some issues repeated. More information upon request. Subjects; Art ; Periodicals. Painting Periodicals. Decorative arts. Arts and crafts movement. Great Britain. London : Longacre Press paperback
1957réf. OS3057CPeople's Fine Arts Publishing House 1957. Hardcover. Very Good. WE SHIP DAILY. EX-Library. There are 73 color illustrations in a decorative outer box. Text is in Chinese without the added title page and commentary in English. Outer box spine has been reinforced with leather like tape. Minimal library markings. Elsewhere minor corner wear. PROMPT PROFESSIONAL SERVICE! People's Fine Arts Publishing House hardcover
1972réf. L3 boxtemp218 hgPoesia Espanola Del Siglo Veinte Antologia. Estudio preliminar seleccion y notes de Gustavo Correa. Published by Appleton-Century-Crofts 1972. Hardcover xxii613 pages. Library withdraw book. Appleton-Century-Crofts. hardcover
1957réf. 191474Peking: People's Art Publishing House 1957. Hardcover. Good shelfwear and handwritten name in marker on front of cardboard box light foxing spots to title page and some borders plates are all present and otherwise very clean. Silk over boards portfolio with red Chinese lettering and yellow illustrations with bone clasp closures; 5 pp text with bw illustrations 73 color plates some with two or three per page. Issued in cardboard box with black Chinese lettering. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Lu Hua and Ma Chiang. Eng & Chinese. 16x15x1.5" People's Art Publishing House hardcover
1957réf. 191474Peking: People's Art Publishing House 1957. Hardcover. Good shelfwear and handwritten name in marker on front of cardboard box light foxing spots to title page and some borders plates are all present and otherwise very clean. Silk over boards portfolio with red Chinese lettering and yellow illustrations with bone clasp closures; 5 pp text with bw illustrations 73 color plates some with two or three per page. Issued in cardboard box with black Chinese lettering. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Lu Hua and Ma Chiang. Eng & Chinese. 16x15x1.5" People's Art Publishing House hardcover books
1982réf. 021040Japan: Interia Shuppan 1982. Book. About Fine. Soft cover. Superstudio was an architecture firm founded in 1966 in Florence Italy by Adolfo Natalini and Cristiano Toraldo di Francia. Superstudio was a major part of the Radical architecture movement of the late 1960s. Softcover with dust jacket designed by Tadanori Yokoo. Text in Japanese and English. Interia Shuppan Paperback
réf. 54-0283London: Offices of The Studio 1907. 270 xxii pp. Illustrated in color and black and white. With a lithograph by Joseph Pennell "Le Puy" a color lithograph by Thoma Hans "Rest During the Flight Into Egypt" and a lithograph by James McNeill Whistler "The Smith's Yard". Way 88; Levy 126; Wuerth No. 124. Small 4to. Green cloth titled and decorated in gilt. London: Offices of The Studio, 1907. hardcover
1940réf. 58555Boston:: D. C. Heath and Company 1940. First edition. publisher's illustrated cloth in dust jacket. Ink name on front free endpaper; a tight sound unworn copy in a bright price-clipped jacket with a few short closed tears and some light dust-soiling and creasing along the top edge. 8vo. Illustrated by the Walt Disney Studio. D. C. Heath and Company, hardcover
1931réf. 62956Philadelphia:: David McKay Company 1931. First edition. publisher's cloth-backed boards illustrated in color. There is a slight rusty mark from a paper clip on the verso of the title page and p. 1; otherwise a beautiful bright copy. . 8vo. Story and Illustrations by Staff of Walt Disney Studio. David McKay Company, hardcover
1931réf. 61856Philadelphia:: David McKay Company 1931. First edition. publisher's cloth with applied illustration on front panel. . Loss 1" x 2-1/2" to the lower margin of one leaf affecting no text and barely touching the bottom of one illustration; neat tissue repairs to the same region of several other leaves; also some creasing to the lower margins of other leaves; the binding sound and quite attracitve. 8vo. Illustrated throughout in color. Story and Illustrations by Staff of Walt Disney Studio. David McKay Company, hardcover
réf. BN604731König Walther. Isaac Julien. Western Union: Small Boats Isaac Julien. Western Union: Small Boats Centre for Contemporary Art Ujazdowski; Castle Warsaw; Isaac Julien Studio; Slizinska Milada and Julien Isaac König, Walther unknown
réf. 4125Montreal QC: Wm. Notman n.d. Mounted Photographs. Near Fine. Three 19th c. photographs of Niagara Falls together creating a virtual panoramic view which includes both the American Falls and the Canadian Horseshoe Falls. Photos are titled in negative "920 - Horse-Shoe Falls From Canadian Side Niagara" albumen and silver salts print on paper 6 x 9.5 inches wide mounted onto 6.25 x 9.75 inch wide card "923 - Horse-Shoe Falls From Goat Island Niag." albumen and silver salts print on paper 6 x 9.5 inches wide mounted onto 6.25 x 9.75 inch wide card and "931 - American Falls. From Goat Island Niag." gelatin silver chloride print on paper 6-7/8 x 9-1/4 inches wide mounted onto 7-1/8 x 9-1/2 inch wide card. The silver chloride print has some silver mirroring near edges a barely discernible three inch vertical wrinkle at bottom center from original mounting card mount slightly curled verso w. browning. The two albumen photos both have fading near the edges card mount slightly curled with some browning. We found a similar view at the McCord Museum "American Falls from Goat Island Niagara ON about 1870 - VIEW-932" but could not locate this view no. 931. The photo of "Horse-Shoe Falls From Canadian Side Niagara" dates about 1870 according to the McCord catalogue and "923 - Horse-Shoe Falls From Goat Island Niag." being just three views later would date about the same. Wm. Notman unknown
1834Mm 150x220 Due volumi rilegati in uno. Volume in robusta tela marrone coeva con titolo oro su etichetta applicata al dorso, 240 + 495 pagine. Leggere fioriture nel testo e una gora alle ultime carte del secondo tomo, peraltro il libro è in buone condizioni nelle sue legature ben salde, Spedizione in 24 ore dalla conferma dell'ordine.
1969réf. 12811BASTEI 1969. 1. softcover. DER STARKE MANN MIT DEM GOLDENEN HERZEN BASTEI paperback
1969réf. 13067BASTEI 1969. 1. softcover. DER STARKE MANN MIT DEM GOLDENEN HERZEN BASTEI paperback
1969réf. 13513BASTEI 1969. 1. softcover. DER STARKE MANN MIT DEM GOLDENEN HERZEN BASTEI paperback
1886réf. 2324Montreal QC: W. Notman Studio 1886. Mounted Photograph. Good Only. A Builder's Photograph shot just before No. 306 would have been put into service with the CPR. Mammoth size albumen and silver salts on paper print measuring 14-1/2 x 20-7/8 inches wide mounted onto card measuring 22 x 28 inches wide with "W. NOTMAN PHOTO" stamped in blind at bottom right edge. Photo is faded and yellowed card mount appears brittle w. some soil and chips to edges verso w. soil and stains from a previous mounting and framer's notes in pencil. This 4-4-0 CPR locomotive was built by the Canadian Pacific Railway Company New Shops in Montreal Quebec. It was completed and entered service on October 1886. Its builder's plate number was 1022. Extra shipping costs possible for this large photograph. W. Notman Studio unknown
In 4°, pp.25, legatura piena pelle marezzata, dorso a fregi e titolo, leggermente abrasi, in oro. grande e decorativa marca tipografica al frontespizio al recto di esso frase "Chartae usu maxime vitae utikitas constat, et memoria" Plin. Nat. Hist. lib. 13 c. 11. Dedica e stemma al Cav. Giorgio Perachino a Ciliano augustissimi Ducis Caballicensium Nobili... Approfondito studio ed elogio della carta da stampa su carta forte priva di difetti, L'autore oltre a un elogio iniziale descrive minuziosamente vari tipi di carta da stampa e cerca di tracciare le origini: Quando e da chi inventata, forse è un segreto ,che Polidoro Virgilio ( De invenzione rerumlib. 2 cap. 8) confessa di non aver mai potuto rintracciare. Scaligero vuole che sia stata trovata dagli Alemanni. Maffei afferma per certo che l'invenzione è dovuta ali italiani, altri ai Greci altri ancora agli Arabi, conclude che l'invenzione si debba attribuire ai Chinesi," Qesta carta è bianca, morbida,ed eguale, senza la menoma asprezza, che fermi il moto del pennello" Altri ti pi carta vengono descritti: L'Europea ,la Pedemontana etcc. etcc. Prezioso studio in ottimo stato di conservazione..
