4.099 Ergebnisse
Best.-Nr. 63-8671Paris France: Studio Piaz ca. 1930. Autographed Post Card 3.5" x 5.5". Good with creasing; post card removed from album with remains on verso. En Francais. Dans la Revue: La Joie De Paris au Casino de Paris. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Paris, France: Studio Piaz, ca. 1930. unknown
Best.-Nr. 63-8674Paris France: Studio Piaz ca. 1930. Autographed Post Card 3.5" x 5.5". Good with creasing; post card removed from album with remains on verso. En Francais. Hair dressing by Antoine. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Paris, France: Studio Piaz, ca. 1930. unknown
Best.-Nr. 12760Studio Pottery. COVERED JAR. Porcelain with rich green crackle glaze signed likely 20th Century. Unidentified studio pottery with apparent Japanese signature. 6 inches diameter 8 inches high. Beautifully proportioned and exquisitely crafted. In excellent condition. unknown
1953Best.-Nr. 649203Yoshida Studio / Japan Society 1953. First Edition. Wraps. Very Good. Extremely scarce. The front cover is an original woodblock by Toshi Yoshida the rear cover features a color woodblock by Hodaka Yoshida. A Very Good copy in the original cream wraps spine has some wear and separation at top; covers have some browning; rust from staples shows through to cover. This catalog records the tour of the Yoshida family studio at an important transitional time between generations and styles with Toshi's work evolving from the traditional as examplified by his father Hiroshi to find his own forms and Hodaka charting his own choice from the start. 13 p. 1 leaf of plates : ill. b/w ports. ; 24 cm. Text is reverse fold. Yoshida Studio / Japan Society unknown
Best.-Nr. 2421London 1894-1898/99. The Studio An Illustrated Magazine of Fine and Applied Art. The Extra Winter Numbers 1894 1896 1897 1898 and 1899. London Offices of the Studio V Henrietta Street Covent Garden. London. 4to.The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The Studio commissioned original graphic works for inclusion in its periodical magazine and these are represented here BY CHARPENTIER a French Artist and R. ANNING BELL a British artist. Profusely illustrated in this volume with original lithographs prints and color and black-and-white reproductions. Arntzen & Rainwater Q331. Five years bound into one volume. A special separate issue from the regular yearly issues. 4to. The book is bound in green cloth with gilt letters on the cover and spine. In good condition with the exception that the edges of the book are a bit rubbed. The earlier editions usually had original lithographs and etchings by artists such as James Mc Neil Whistler Charpentier and others bound into the publication as it is here. 1894-Christmas cards and their Chief Designers 1896-Robert Louis Stevenson 1897-98-Chuldren's Books and Their Illustrators 1898-99-Modern Book Plates and their Designers CHARPENTIER ALEXANDRE 1875-1963. LISEUSE WOMAN READING. London. 1896. Embossed lithograph in colors. Contained within the bound edition of The Studio See Photo 1896 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. Also a second original lithograph "In Nooks with Books" by R. Anning Bell. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. unknown books
2004Best.-Nr. DADAX0786888970Hachette Books 2004-02-11. paperback. New. 5.75x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Hachette Books paperback
2021Best.-Nr. BN125787ImageBooks Factory/Allmedia ImageGroup Holland 2021. 2021. I love you - invulboeken - Bestie: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 I love you - invulboeken - Bestie: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 S. Studio ImageBooks ImageBooks Factory/Allmedia (ImageGroup Holland) unknown
2021Best.-Nr. BN125800ImageBooks Factory/Allmedia ImageGroup Holland 2021. 2021. I love you - invulboeken - Papa: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 I love you - invulboeken - Papa: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 S. Studio ImageBooks ImageBooks Factory/Allmedia (ImageGroup Holland) unknown
2021Best.-Nr. BN125788ImageBooks Factory/Allmedia ImageGroup Holland 2021. 2021. I love you - invulboeken - Mama: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 I love you - invulboeken - Mama: Jij bent de beste en ik vertel je 50 keer waarom! I love you invulboeken 1 S. Studio ImageBooks ImageBooks Factory/Allmedia (ImageGroup Holland) unknown
1931Best.-Nr. 983F38Philadelphia: David McKay Company 1931 . First edition. Paperback. Very Good Indeed. 9" by 6.5". Staff of Walt Disney Studio. An exceptionally lovely example of the first edition of this collection of humorous short tales about Mickey Mouse illustrated throughout. The first edition first printing of this highly desirable early publication from Walt Disney. The second issue in the publisher's vibrant paper wraps.With 'story and illustrations by staff of Walt Disney Studio' this is a delightful short tale following the adventures of Mickey Mouse as he encounters bad traffic goes to a birthday party and attempts fishing.Illustrated throughout with vignette monochrome illustrations.With an advertisement to the rear. In the publisher's original cloth backed pictorial paper wraps. Externally vibrant with light rubbing to wrap perimeters. Internally firmly bound. Pages exceptionally clean and bright. Very Good Indeed David McKay Company paperback
Best.-Nr. 2421London 1894-1898/99. The Studio An Illustrated Magazine of Fine and Applied Art. The Extra Winter Numbers 1894 1896 1897 1898 and 1899. London Offices of the Studio V Henrietta Street Covent Garden. London. 4to.The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. The Studio commissioned original graphic works for inclusion in its periodical magazine and these are represented here BY CHARPENTIER a French Artist and R. ANNING BELL a British artist. Profusely illustrated in this volume with original lithographs prints and color and black-and-white reproductions. Arntzen & Rainwater Q331. Five years bound into one volume. A special separate issue from the regular yearly issues. 4to. The book is bound in green cloth with gilt letters on the cover and spine. In good condition with the exception that the edges of the book are a bit rubbed. The earlier editions usually had original lithographs and etchings by artists such as James Mc Neil Whistler Charpentier and others bound into the publication as it is here. 1894-Christmas cards and their Chief Designers 1896-Robert Louis Stevenson 1897-98-Chuldren's Books and Their Illustrators 1898-99-Modern Book Plates and their Designers CHARPENTIER ALEXANDRE 1875-1963. LISEUSE WOMAN READING. London. 1896. Embossed lithograph in colors. Contained within the bound edition of The Studio See Photo 1896 with their blind stamp lower right. 5 ¼ x 8 7/8 188mm x 226mm. The book is bound in green cloth with gilt letters on the cover and spine. In good condition. Also a second original lithograph "In Nooks with Books" by R. Anning Bell. The Studio Magazine was an illustrated fine arts and decorative arts magazine founded in Britain in 1893 which exerted a major influence on the development of the Art Nouveau movement. unknown
Best.-Nr. 9903Offices of the Studio. London. 1895. Volume Five. 4to. Fully illustrated throughout. Bound in early full green morocco with bevelled edged boards. Spine with raised bands each with gilt piping. Compartments double ruled lettered and decorated in gilt. White vellum inlay on the front cover incorporated into a gilt reproduction of the well known original design used on the cloth bound copies of this volume within a double ruled border edge. Rear board with gilt double ruled line border. Gilt inner dentelles. Silk endpapers. All edges gilt. The binding is unsigned but is certainly the work of a master bookbinder. It is possible that this volume was bound for the publisher's salesmen of the Studio as a promotional tool. Offices of the Studio. London. 1895 hardcover
1970Best.-Nr. 9504BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
Best.-Nr. 2337Épreuve tirée sur papier albuminé de format 14.6 x 10.3 cm, montée sur le carton préimprimé du photographe Nadar rue d'Anjou St-Honoré à Paris, au format cabinet (16.4 x 10.8 cm). Au verso, mention imprimée en rouge : « Médaille d'or Exposition Universelle 1878. Nadar, Paris » aussi, cachet du photographe J. Kuhn de Paris, ainsi que la signature de Sarah Bernhardt à l'encre noire. Très bel état.
Best.-Nr. 871261987. 128 x 905 cm Zustand A Auftrag: Keramik Mobil Gebrüder Ammann Bern CH gegründet 1988 010 1987 unknown
1684Best.-Nr. YRG-374Fort in-8,reliure d'époque Maroquin rouge, dos à nerfs, tranches dorées, titre doré, fleurons dorés, dentelle dorée bornant les plats, double filet aux coupes. Texte sur six colonnes.Intérieur frais. Dorure des tranches estompée en petites zones, petit manque sur 3 coins. Trés bon état général. coloniae agrippinae. apud balthasarum ab egmond.
Best.-Nr. 132638aafRoma, Studio Anderson (1845-1963) / Ediz Jacquier / , vers 1880 - 1900, 24.5x19.5 (Fotos) / 35x28 cm (Blattgr.) 59 auf festen braunen Kartonträger aufgezogene Fotografien + 1 (das letzte) Blatt ohne Foto. Mit eingelichteter Nummer, Titel d. Malerei und dem Namen des Fotografen Anderson (mitunter auch D. Anderson) sowie Ediz Jacquier. Alle Tafeln sind auf Falz gebunden. / Toutes les 60 planches avec 59 photographies sont montées sur des feuilles brunes reliés sur onglets dans un album de luxe (avec date 1906), Ledergebundenes (Souvenir-)Album (29x37.5 cm) mit Goldaufdruck - 12 September 1906 - . Etwas fleckig. In Orig.-Schachtel. / Reliure en cuir brun avec titre or sur le plat devant. Encadrement d’une large bordure dorée à l’intérieur, tranches dorées, qqs. taches sur les plats + boite (usée) - 12 Septembre 1906 - . Les planches sont reliées sur onglets.
Best.-Nr. 120990(Pekin ou Tianjin), Shide Tang 1918, 300x185mm, broché. Imprimé sur papier de xuan ou de bambou avec emboitage (Taou ou Han). Bel exemplaire.
2023Best.-Nr. 933531London: Strange Attractor Press in association with The Magic Circle 2023 2024. NEW / LIMITED EDITION SET - PUBLISHER SEALED BOOK & CARDS : Austin Osman Spare Tarot Deluxe Paperback Set including a paperback edition of Lost Envoy : The Tarot Deck of Austin Osman Spare ISBN : 1913689735 / 9781913689735 a facsimile edition of the Spare Tarot deck ISBN : 1913689840 / 9781913689841 a companion sourcebook A facsimile of How to Tell Fortunes by The Cards by Rapoza 1906 a key source for Spare's tarot attributions reproduced back to back with a facsimile of The Tarot by S. L. MacGregor Mathers 1888 a printed cloth bag an enamel pin and four high quality postcards all housed in a bespoke box printed with Spare's monogram see image. Deluxe Limited Edition Set. Soft Cover. New. Illus. by Austin Osman Spare. Thick 10" tall Presentation Box. Oversized Safely Securely Packed. Strange Attractor Press in association with The Magic Circle paperback
2023Best.-Nr. 932536London: Strange Attractor Press in association with The Magic Circle 2023. 2024. NEW / LIMITED EDITION SET - PUBLISHER SEALED BOOK & CARDS : Austin Osman Spare Tarot Deluxe Paperback Set including a paperback edition of Lost Envoy : The Tarot Deck of Austin Osman Spare ISBN : 1913689735 / 9781913689735 a facsimile edition of the Spare Tarot deck ISBN : 1913689840 / 9781913689841 a companion sourcebook A facsimile of How to Tell Fortunes by The Cards by Rapoza 1906 a key source for Spare's tarot attributions reproduced back to back with a facsimile of The Tarot by S. L. MacGregor Mathers 1888 a printed cloth bag an enamel pin and four high quality postcards all housed in a bespoke box printed with Spare's monogram see image. Deluxe Limited Edition Set. Soft Cover. New. Illus. by Austin Osman Spare. Thick 10" tall Presentation Box. Heavy Oversized Safely Securely Packed. Strange Attractor Press in association with The Magic Circle paperback
1981Volume numero 11 appartenente alla collana Profili letterari, diretta da Gorizio Viti. Seconda edizione del volume. All'interno introduzione e guida allo studio dell'opera siloniana, storia e antologia della critica. Copertina leggermente usurata agli angoli, ai margini e alle estremità del dorso; piatti con presenza di pieghe. Presente firma di appartenenza a penna all’occhiello. Pagine ben salde alla cerniera, con ampio margine, lievemente brunite, così come i tagli. Controguardia posteriore strappata per metà. Numero pagine 205. USATO
1982Volume numero 5 appartenente alla collana Profili letterari diretta da Gorizio Viti. All'interno introduzione e guida allo studio del romanzo, storia della critica, antologia critica, appendice cronologica e topografica. Copertina leggermente usurata agli angoli e alle estremità del dorso; piatti con presenza di pieghe, leggermente sbiaditi. Pagine ben salde alla cerniera, con ampio margine, lievemente brunite, così come i tagli. Numero pagine 344. USATO
1978Best.-Nr. 6999BASTEI 1978. 1. softcover. 256-262 Nr. 257 nur Umschlag! Maloftege! BASTEI paperback
1903Best.-Nr. 66928London: Offices of 'The Studio' 1903. Folio. In eight parts complete. Folio measuring 31cm x 43cm. Publisher's quarter cream-coloured cloth over boards with paper title onlay to front board. With 48 plates eight original parts loose within original portfolio boards. Boards worn and slightly marked with loss to the top board's top-right corner. Each part in grey printed paper wrappers and containing an introduction on a particular medium including wood-engraving lithography water-colouring etc. followed by six tipped-in plates. Plates include original etchings and engravings and reproductions of water-colours and oils. Gray paper wrappings have some wear to edges but are internally clean. Illustrations including lithographs and etchings by Frank Brangwyn Henri Riviere A. Lepere D. Y. Cameron. This is a heavy item and may require additional postage if being shipped outside of Europe. . Very Good. Original Wraps. 1903. Offices of 'The Studio' 1903 paperback
China e matita misure: mm 112 x 141 Pittore, disegnatore, bibliofilo, letterato, collezionista, poeta, critico e storico dell’arte. A soli quindici anni è accolto nell'Accademia dell’Arcadia per i suoi componimenti poetici. Successivamente segue a Brera i corsi di Traballesi, Knoller e Appiani. Nel 1795 è a Roma dove stringe amicizia con Felice Giani , Angelika Kauffmann e soprattutto con Antonio Canova, di cui diventa amico fraterno. Nel 1801, a soli ventiquattro anni, è nominato Segretario dell’Accademia di Brera. Grazie anche al sostegno della Repubblica Cisalpina egli imprime una svolta radicale alla suddetta istituzione, redigendo i nuovi statuti, ampliando la collezione della Pinacoteca (si ricorda fra tutti l’acquisto dello “Sposalizio della Vergine” di Raffaello) e raccogliendo svariato materiale didattico; dalle stampe ai gessi ai libri. Viaggia intanto a Roma, Napoli e Parigi, dove fa la conoscenza di David. Nel 1802 vince il concorso bandito dalla repubblica Cisalpina con il dipinto “La Riconoscenza della Repubblica italiana a Napoleone”. Nel 1807 da le dimissioni dall'Accademia a causa dei contrasti col governo e la nuova politica- da lui giudicata troppo severa- di Napoleone. Nello stesso anno, su incarico del Viceré Eugenio di Beauharnais realizza una copia del Cenacolo vinciano. Per questa occasione pubblica nel 1810 il saggio “Del Cenacolo di Leonardo da Vinci”, che riscuote un immediato successo ed è ancora oggi considerato un testo fondamentale per lo studio del pittore toscano. Bossi muore prematuramente nel 1815 lasciando incompiuta la commissione per gli affreschi di Villa Melzi a Bellagio. Giuseppe Bossi fu un infaticabile ed eccelso disegnatore. Egli utilizzava il disegno come momento di studio ed elaborazione delle proprie idee figurative. Dotato di un segno veloce, sicuro ed energico; era inoltre in grado di realizzare, grazie all'uso di sapienti campiture acquerellate, opere di grande atmosfera. Nel foglio si vedono tre figure a penna. A sinistra l'abbraccio tra una figura seduta, probabilmente un uomo, caratterizzato da morbidi ciuffi di capelli e da un abito panneggiato, che sostiene una bimba dal lungo abito in piedi davanti a lui. Sulla destra viene raffigurato un bambino, il suo corpo e il suo volto sono costruiti mediante la linea di contorno, apparentemente sovradimensionato rispetto alle altre due figure. Fitte linee parallele danno profondità e creano le zone in ombra. Esemplare grafico elegante, studio preparatorio. Ottimo stato di conservazione. Bibliografia: AA.VV. “Giuseppe Bossi Pittore”, Busto Arsizio, 1965; L.T.Brunetto “Giuseppe Bossi. L’Uomo e L’opera”, Busto Arsizio, Pianezza Editore, 1983. F. Leone & F. Mazzocca (a cura di)“L’officina neoclassica”, Silvana editoriale, Faenza, 2009; G. Fusconi (a cura di) L’Artista e il suo atelier. I disegni dell’acquisizione Osio all’Istituto Nazionale per la Grafica”, Palombi editori, Roma, 2006.
