21.531 risultati
rif. 39892293-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
rif. ANAIS-0394981782Random House Books for Young Readers. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Random House Books for Young Readers hardcover
2019rif. SBBIH-2MEQPK2EJ3YVDolman Scott 2019. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Dolman Scott paperback
rif. 47819878-nnew. unknown
rif. 47819879like new. unknown
rif. 47819878like new. unknown
rif. 47819879-nnew. unknown
2025rif. __1835950752Intellect L & D E F A E 2025. Hardcover. New. 640 pages. 9.60x6.69x9.61 inches. Intellect L & D E F A E hardcover
rif. 18916299-nnew. unknown
rif. R1166-013Original paper binding on yellow paper some discoloration and folds but further in good condition. Songtext printed on paper 16 x 10 cm.Klassik Stitung Weimar. Herzogin Anna Amalia Bibliothek dates this song at around 1881 in Worldcat catalogue.Liedtekst - Songtext - Song - Lied - Opera Faust unknown
rif. 43057022like new. unknown
1931rif. 003197Brattleboro VT: Vermont Printing Company 1931. Limited edition. Hardcover. Good. Epstein Abner J. Tall 8vo. 11 double-leaved pages. Bound in black cloth-backed boards with art deco design in magenta purple white black silver and gold. Illustrations in dark pink by Abner J. Epstein. Limited Edition of 250 copies this copy is number 94. Reprinted from Opera Guyed by Newman Levy. Inscribed by Levy: "To Harry -/Add this to your/collection of limited editions/Newman/Jacoby - '97." Good interior is heavily foxed and age-toned binding is rubbed especially at extremities some sunning to spine minor fraying to head and tail of spine. Solid copy in a striking binding. Vermont Printing Company hardcover
1929rif. 035174Moskva / Moscow: Teakinopechat 1929. 1st Edition . Soft cover. Good/Good. Photographs. 118 Pp. Tan Wrappers Printed In Black; Unprinted Textured Brown Dust Jacket.5 1/4" X 3 5/8". Libretto Biography Of Shishov Etc. Many Photographic Illustrations Of Stage Sets In Russian Modernist Style. Inscribed At Length By The Author On Inside Of Front Cover Dated May 27 1929. Book Worn; Binding Cracked Between Pp 32-33 But Binding Intact. Dj Very Worn Small Chips At Corners. Shishov Taught At The Moscow Conservatory 1925-1931. From 1930 He Was Editor At Muzgiz State Music Publishing House And Edited Tchaikovsky's Eugene Onegin. Teakinopechat paperback
1817rif. AQ35159London: s.n. 1817. Single leaf broadside. Browned with staining and chipping to edges and some loss to upper right corner. An apparently unrecorded playbill displaying an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of The Persian Hunters or the Rose of Gurgistan a comic opera featuring music by English composer Charles Edward Horn 1786-1849. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. . Dimensions. [s.n.] unknown
2021rif. 8734France: Timeless-France 2021. First Edition First Printing. Hardcover. Fine. Quarto. 8.5 x 12 in. 192 pp. Profusely illustrated with black & white and color reproductions of photographs facsimile art and letters etc. Fine in original clothbound cover silkscreened designed by Laurence Dupré. As new still wrapped in plastic. This is the limited Timeless Edition from an edition of 150 and includes an exclusive artzine entitled Paranoia Club. This volume collects work a previously unpublished interview as well as writing art etc. from and about counter-culture and industrial music icon Genesis P-Orridge. Frontwoman of seminal bands like Throbbing Gristle and Psychic TV P-Orridge was also a performance and visual artist occultist cultural critic etc. This exclusive edition also includes some of P-Orridge's correspondence with longtime friend and collaborator Jean-Pierre Turmel co-founder of the Sordide Sentimental label from the mid-1970s till early 1990s offering a personal view into their archive. Timeless-France hardcover
2021rif. 8733France: Timeless-France 2021. First Edition First Printing. Hardcover. Fine. Quarto. 8.5 x 12 in. 192 pp. Profusely illustrated with black & white and color reproductions of photographs facsimile art and letters etc. Mild bump to head of front fore-corner otherwise fine in original cloth-back pictorial paper-covered boards. This is the regular Timeless Edition but with a laid-in card from publication included with the first 100 copies of this volume. This volume collects work a previously unpublished interview as well as writing art etc. from and about counter-culture and industrial music icon Genesis P-Orridge. Frontwoman of seminal bands like Throbbing Gristle and Psychic TV P-Orridge was also a performance and visual artist occultist cultural critic etc. Includes some of P-Orridge's correspondence with longtime friend and collaborator Jean-Pierre Turmel co-founder of the Sordide Sentimental label from the mid-1970s till early 1990s offering a personal view into their archive. Timeless-France hardcover
1419rif. 219549奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 33pp 18.7 x 12.7cm original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
2010rif. DADAX1161040196Kessinger Publishing 2010-04-18. paperback. New. 6.00x0.94x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
rif. ria9781835950753_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
rif. 56575Basse-Terre Archives départementales 1973. Gr.8° 369 S. Brosch. Einbd. gebräunt u. etw. gebrauchsspurig sonst gutes Exemplar. = Volume 3 - Tome 1 troisième volume publié en 1896. Nachdruck. Text frz. 010 Basse-Terre, Archives départementales, 1973 unknown
1937rif. HALL507629Paperback. 1937. 1937 June - October. 4th Season. 46pp including 21 tipped-in coloured ills. black & white ills. throughout card covers 4to London 1937. The coloured illustrations include 4 costumes & designs by Goncharova 3 by Bakst 3 by Derain 2 by Miro & 2 by Berard. The cover illustration is by Berard. Covers a little worn contents very good. . paperback
1945rif. 136503Gloucester: Ford & Branch LTD c1945. Undetermined. fine. 14.25" X 10" 36 X 25.5 cm. Original boardside with black and red text and illustration. Two small holes and string hanger at top. Slight crease to top else is clean and bright. fine Broadside from an English Opera House advertising two plays. A decorative border encases the title at the top and a dark illustration depicting a stage and packed seats is to the top right. The first play Agatha Christie's Ten Little Niggers is to take place on March 26th for one week no perfomance Good Friday and is accompanied by the subtitle "nine victims- and one unknown killer- marooned on a desert island.". The play was first published by Christie in 1939. The book was named after a popular nursery rhyme of the same name. The American edition was "Ten Little Indians". The name was later adapted to the last line of the rhyme "And Then There Were None". "The Happiest Days of Your Life" the second play on the broadside by John Dighton and produced by Leslie Phillips was to take place April 2nd for one week as a special Easter Holiday Attraction. It is described as "A wildly funny farce about a boys' school and a girls' school- on the same premise! The most hilarious evening of your life!". In 1950 the play was turned into a film by Frank Launder. The broadside also provides details of performances and box office. 1945 Ford & Branch, LTD unknown
1945rif. 136506Gloucester: Ford & Branch LTD c1945. Undetermined. near fine. 14.25" X 10" 36 X 25.5 cm. Original boardside with black and red text and illustration. Two small holes and string hanger at top. Slight crease to top with subtle red line across bottom half. Else is clean and bright. near fine Broadside from an English Opera House advertising two plays. A decorative border encases the title at the top and a dark illustration depicting a stage and packed seats is to the top right. The first play Agatha Christie's Ten Little Niggers is to take place on March 26th for one week no perfomance Good Friday and is accompanied by the subtitle "nine victims- and one unknown killer- marooned on a desert island.". The play was first published by Christie in 1939. The book was named after a popular nursery rhyme of the same name. The American edition was "Ten Little Indians". The name was later adapted to the last line of the rhyme "And Then There Were None". "The Happiest Days of Your Life" the second play on the broadside by John Dighton and produced by Leslie Phillips was to take place April 2nd for one week as a special Easter Holiday Attraction. It is described as "A wildly funny farce about a boys' school and a girls' school- on the same premise! The most hilarious evening of your life!". In 1950 the play was turned into a film by Frank Launder. The broadside also provides details of performances and box office. 1945 Ford & Branch, LTD unknown
2010rif. DADAX116062710XKessinger Publishing 2010-02-23. hardcover. New. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1957rif. 208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change. Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity. Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown
