21 531 résultats
1886réf. 55097Denver: Denver Lith. Co 1886. 1 vols. 10 in x 7 in lithographed card with printed silk cover overlay. One inch tear in card at fold silk spotted with creases and very small holes. 1 vols. 10 in x 7 in lithographed card with printed silk cover overlay. Denver Lith. Co unknown
1930réf. 144431930. Image 9 1/2 x 7 1/2 inches matted and framed to 14 1/4 x 12 1/4 inches overall. 1 vols. Fine condition. Image 9 1/2 x 7 1/2 inches matted and framed to 14 1/4 x 12 1/4 inches overall. 1 vols. An attractive image showing the great Wagnerian soprano in street clothes seated. unknown
1955réf. 053357Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Original Concert Program Pamphlet with Autograph Signature unknown
1992réf. 053360Istanbul: Akbank 1992. Soft cover. Fine. Paperback. Oblong large 8vo. 23 x 24 cm. In English and Turkish. 36 p. color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Akbank paperback
1880réf. 261261880. Very good overall. Eight lovely ballet/theatrical dance costumes illustrated in full color on one large sheet. These chromolithograph illustrations were likely for a book on dance. Printed in two rows of four figures. Each female figure features a different richly colored skirt with overlay off the shoulders blouse and hat ribbons and hair styles each with its own back drop. 17 x 13 3/4". A few small pinholes at margins which look to have been used for calibration of printing otherwise bright and clean. unknown
1976réf. 049452Istanbul 1976. Soft cover. Very Good. Original typescript with autograph signed letter sent to Turkish cardiologist Nurettin Kamil Irdelp 1902-1992 with its envelope. 1 p. Dated 10 February 1976. It' written: Muhterem doktor bey Bana gönderdiginiz kitabinizi ilgi ile okudum. Nezaketinize tesekkür ederim. Don Giovanni premieri için söylediginiz güzel sözler ve bu kitp için candan tesekkür ederim". Reverend Mr. doctor I read your book with interest. Thank you for your kindness. Thank you for all the good words and sayings for the Don Giovanni premiere. -trasltd-. He was Taksim Istanbul State Opera and Ballet General Director of Music and maestro in German origin between 1987-1990s in Turkey. He taught and worked with Turkish composers and maestros such as Orhan Tanrikulu and others. paperback
1968réf. 049592London 1968. Soft cover. Very Good. Original b/w photo-advert. 20 x 14 cm. Signed and inscribed by Korat to "Bedros bey" as '. my play-friend'. Dated 1.16.1968. Advert of Rigoletto Place des Arts - Montreal S. A. Goumsky - London. Korat also known as Korad was a Turkish female opera artist. She made her stage debut as 'Lucia' at Ankara State Opera. He studied on the Italian operas at the Deutsche Oper in Hannover and at the La Scala in Milan. In 1959 she was a soloist in the interpretation of the 9th Symphony in the Beethoven Festival Germany. She played the leading roles in the opera stages of European US and African countries. In 1966 she participated in the Verdi Festival in Montreal with famous artists. With her powerful and colorful soprano voice interpretation and technique she has gained widespread fame. Scarce. paperback
1873réf. A114407Melbourne: Azzopardi Hildreth & Co. 1873. Very Good. small octavo. card covers 23pp. Complete & tight. Very scarce Azzopardi, Hildreth & Co. unknown
1865réf. A114072Melbourne: Abbott & Co. 1865. Very Good. small octavo. card covers 22pp. Wrappers rather worn but complete & tight. Very scarce Abbott & Co. unknown
1870réf. A114288Sydney: Gibbs Shalllard & Co. 1870. Very Good. small octavo. card covers 24pp. ÔFirst produced in Australia at the Prince of Wales Opera House Sydney May 1870Õ. Advertisement for the opening of the new Melbourne Town Hall on the rear wrapper suggests that this is for a Melbourne performance. Wrappers rather worn but complete & tight. Very scarce Gibbs, Shalllard & Co. unknown
1867réf. A114289Sydney: Gibbs Shalllard & Co. 1867. Very Good. small octavo. card covers 36pp. Advertisements inside & on the rear wrapper suggests that this is for a Sydney performance. Wrappers loose & rather worn but complete & tight. Very scarce Gibbs, Shalllard & Co. unknown
2012réf. BN223144DALLOZ 2012. 2012. Softcover. Peur espoir compassion indignation - Volume 21 L'appel aux émotions dans les campagnes présidentielles 1981-2007 Peur espoir compassion indignation - Volume 21 L'appel aux émotions dans les campagnes présidentielles 1981-2007 Marion Ballet DALLOZ paperback
réf. BN370497Stanley Roseman and the Dance - Drawings from the Paris Opera Hardcover Stanley Roseman and the Dance - Drawings from the Paris Opera Hardcover Stanley Roseman and the Dance - Drawings from the Paris Opera Hardcover hardcover
2008réf. BN395215Presses universitaires de Rennes 2008. 2008. La rue dans l'Antiquité: Définition aménagement et devenir de l'Orient méditerranéen à la Gaule : actes du colloque de Poitiers 7-9 septembre 2006 organisé par l'équipe d'accueil EA 3811 HERMA Université de Poitiers La rue dans l'Antiquité: Définition aménagement et devenir de l'Orient méditerranéen à la Gaule : actes du colloque de Poitiers 7-9 septembre 2006 organisé par l'équipe d'accueil EA 3811 HERMA Université de Poitiers Pascale Ballet Presses universitaires de Rennes unknown
2010réf. BN586931Errance / Musée de l'Ancien Évêché 2010. 2010. Hardcover. Roches de mémoire : 5000 ans d'art rupestre dans les Alpes Roches de mémoire : 5000 ans d'art rupestre dans les Alpes Emmanuel Breteau Ed. Françoise Ballet Philippe Curdy Philippe Hameau & al. Errance / Musée de l'Ancien Évêché hardcover
réf. 35881922-nnew. unknown
1986réf. G0394981782I3N10Random House Books for Young Readers 1986. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Random House Books for Young Readers hardcover
réf. 26442131like new. unknown
2017réf. 2-178682289XOberon Books Ltd 2017. Paperback. New. 110 pages. 9.50x9.50x0.55 inches. Oberon Books Ltd paperback
1883réf. 56458Providence 1883. Folio broadside approx. 13" x 5¾" text in a single column beneath the running head; light toning very good. Listing the cast of characters for this Irish drama in three acts made for the benefit of the Brownson Lyceum as well as a synopsis of each of the three acts and seat prices. The Irish poet Oscar Wilde had lectured at Low's the preceding September. unknown
1887réf. 56496N.p. Providence 1887. Folio broadside approx. 12" x 4¾" text in a single column beneath the running head light toning very good. Listing the cast of characters for this Irish comedy in four acts a summary of which is appended as well as a list of the Providence Opera House Orchestra and an announcement of two matinees Atkinson's Aphrodite and Peck's Bad Boy. unknown
1947réf. 1014391947. 1947. Very good. - An original 9 inch high by 6-1/2 inch wide silver-hued black & white photograph of the Russian prima ballerina Tamara Karsavina by Edmund Harrington though the photographer is not here identified. The image portrays Tamara Karsavina attired in her costume with pinafore dress jacket and kokoshnik designed by Natalia Goncharova. The photograph is inscribed & signed in Russian within the image by the Prima Ballerina. Roughly translated the inscription reads: "To dear Grigory Vasilyevich in memory of pleasant friendly meetings and as a pledge of a future reunion / Tamara Karsavina / 1947". The photograph is mounted onto 10-1/4 inch high by 7-1/7 inch wide heavy cream stock. The edges of the mount are soiled and there is tiny tear in the top left of the photograph. Very good. "One of the solos danced by Karsavina was the Russian Dance for which her blue costume pinafore-dress jacket and kokoshnik was designed by Natalia Goncharovs. Karsavina was photographed by Apeda in a first version of this costume wearing the dress over a white long-sleeved round-necked blouse reproduced in the Sketch 29 April 1925 and in the second version the jacket replacing the blouse by Edmund Harrington ca.1929". Quoted from the "Victoria & Albert Museum". Renowned for her beauty the Russian prima ballerina Tamara Platonovna Karsavina 1885-1978 was a principal dancer of the Imperial Russian Ballet and subsequently of Sergei Diaghilev's Russian Ballet. Settling in Great Britain she is recognized as one of the founders of modern British Ballet and assisted in the establishment of The Royal Ballet and the Royal Academy of Dance. The costume designer Natalia Goncharova 1881-1962 was a Russian avant-garde artist painter costume designer writer illustrator and set designer. She and her partner Mikhail Larionov were founding members of Moscow's first radical independent exhibiting group the Jack of Diamonds and the radical Donkey's Tail. She and Larionov invented Rayonism. She moved to Paris and was a member of the German art movement Der Blaue Reiter. 1947.
2008réf. H-711-846Editions Francis Lefebvre 2008. Hardcover. Good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions Francis Lefebvre hardcover
1936réf. 300382Paris: Alliance de Publicite et de'Impression 1936. Full color program for the 1936-1937 season of Ballet Russe de Monte Carlo presented by Col. de Basil. Cover illustration by I. Bilibine on silver paper jacket folded over plain covers~ ~66pp. with 4 pages of tipped-in color plates on both sides picturing different aspects of the production such as the costumes and scenery. Some wear to cover edges and bottom of spine. Good. Alliance de Publicite et de'Impression unknown
1888réf. 12744Paris: Félix Lacan Editeur 1888. Deuxiéme Edition Revue. Original Wraps. Very Good in Wraps. Deuxiéme Edition Revue. Original Wraps. From the library of Dr. Oliver Sacks the renowned neurologist author and educator. He was in his life celebrated for his contributions to the understanding of the human brain and his ability to communicate complex scientific concepts to a broader audience. In doing so he highlighted the profound impact of neurological disorders on human identity and experience. His library is a reflection of this remarkable polymath's questing mind. Chipp.ing and loss to wrapp.er toning else tight bright and unmarred. Green paper wraps. 8vo. 174pp. In French. Félix Lacan, Editeur unknown