Ballet, JeromeBiblio.com
21.283 risultati
rif. 2140494504.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1849430977.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 215569 7/8 x 8 inches Professionally laid-down on light card. Very good. Since 1922 Anello & Davide of London have been the premier brand in dance and theatrical footwear with a reputation for specialised handcrafted shoes. NB Postage will be reduced to actual cost when the order is processed. unknown
rif. 2119on a small green tinted album leaf. unknown
1910rif. 42191AB1910. Lugano Cooperativa Umanista no year c.1910. 15.2cm x 10.3cm. 23 pages. Original softcover. Very good condition with only minor signs of external wear. paperback
1982rif. 311BB1982. London Sotheby Parke Bernet and Co 1982. 18cm x 24.5cm. 192 unnumbered pages. Original Softcover. Good condition only with some stronger signs of wear. Includes the pricelist of estimates loosely inserted. Including Léon Bakst - The Yellow Sultana 1916 / Léon Bakst - Costume design for the Negro Dancer from Le Dieu Bleu / Costume and Decor Designs by Benois Gontcharoiva and Exter / Reference books from the Collection of Serge Leslie and Doris Niles etc. paperback
1981rif. 9370Havana Cuba: Ministerio de Cultura / Cuba 1981. First Edition. Hardcover. Very Good. 8 5/8 X 10 1/4 Inches. 44 PP. "To be near Alica is to be near dance; to be dance itself. Her glory surpasses all homage and represents the admiration respect and affection of Cuba and of all Cubans." - Nicolas Guillen December 25 1981 Original December 29 1981 hardcover Gala souvenir book from the celebration of Alicia Alonso in Havana Cuba. Includes a complete record of Alonso's stage appearances for 50 years. Alicia Alonso was a visionary force in ballet who transformed limitations into artistic power. Despite severe vision impairment she became one of the most celebrated dancers of the 20th century known for her dramatic intensity and precise technique. As the founder of Cuba's National Ballet she played a pivotal role in shaping the country's cultural identity through dance. Alonso's performances especially in roles like Giselle were marked by emotional depth and resilience inspiring generations of dancers to see obstacles not as barriers but as catalysts for greatness. Original plain blue cloth boards with "Alicia Alonso" stamped in gilt on front cover. Text in Spanish. B/W photographs throughout. A few bumps to spine. VERY SCARCE. OCLC locates "1" copy. Ministerio de Cultura / Cuba hardcover
rif. 60995. PLEASE NOTE that those programmes on pink/yellow paper were sold whilst those on white paper were given free with the performance. Apart from the Announcement booklets all the programmes have a central panel on the front cover with an ornamental border. unknown
1924rif. 191217New Jersey: Victor Talking Machine Company 1924. Seventh Edition; revised. Hardcover. Very Good in boards. Top text block edge gilded fading. Victor Talking Machine Company hardcover
1828rif. AQ34991London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Browned with chipping to edges. Small hole to lower left-hand side touching text without loss of sense. A Regency playbill advertising the performance of Tit for Tat a comic opera adapted from Mozart's opera buffa Così fan tutte first performed in England during May 1811 at the King's Theatre London. Mozart's libretto and score was adapted by William Hawes 1785-1846 director of music at the English Opera Lyceum. . Dimensions 337 mm x 216 mm. S. G. Fairbrother, (Lyceum Printing Office) unknown
1828rif. AQ34992London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Very slight chipping to edges; overall a fine copy. An early playbill advertising the eleventh British performance of The Pirate of Genoa! proclaiming itself an adaptation of Austrian composer Joseph Weigl's 1766-1846 comic seafaring opera 'Gli Amor Marinari' more accurately known as L’amor Marinaro Ossia il Corsaro 1797. . Dimensions 338 mm x 224 mm. S. G. Fairbrother (Lyceum Printing Office) unknown
rif. 0961868600.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ria9783386621205_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1882. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
rif. ria9781800856257_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
rif. ria9781138224926_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; While acknowledging the progress that the capability approach has made in renewing the thinking on development this book critiques the inadequacy of the approach drawing conclusions about the economic analysis of develo paperback
1997rif. 13711Prentice Hall 1997. Book. Very Good. Hardcover. 1st Edition. Publisher: Prentice Hall / Year: 1997 First Edition ./ ISBN: 0133407381 / Description: Hardcover without dust jacket Very Good condition / Condition: Stamp on back cover: "Simon and Schuster Special Copy Cannot be Returned" whatever that means no underlining no highlighting / Pages: 387 pages . Prentice Hall Hardcover
2002rif. 129794Deutsche Grammophon 2002-10-08. audioCD. Like New. 5x5x1. Shrink wrap away from new Please email for photos. Deutsche Grammophon unknown
1601rif. 127846Opera Gallery 2016-01-01. paperback. Like New. 0x0x0. Brand new slender exhibition catalog illustrated in color. Invitation card laid in. Please email for photos. Opera Gallery paperback
1605rif. 260909001CD Baby 2016-05-27. Audio CD. Used: Very Good. 5x5x0. Very good condition. From a private collection. Comes from non smoking home. CD Baby unknown
rif. 26442131-nnew. unknown
rif. 18916299like new. unknown
rif. 32724800like new. unknown
1938rif. 209421938. Anderson Marian archive of six concert programs dating from 1938 to 1953 documents the touring career of Marian Anderson during a period when her performances intersected with national debates over race access to public space and cultural representation. By the early 1940s Anderson had achieved international recognition following appearances at the White House and before British royalty as well as her widely attended 1939 concert at the Lincoln Memorial where she performed before an audience of 75000 after being barred from Constitution Hall. The programs trace her sustained concert activity across North America including major tours and individual performances in Canada and the United States and document the presentation of her repertoire which combined European art song traditions with African American spirituals. Anderson Marian. Archive of six concert programs. Various venues including University Artists tour circuits and concert halls in Toronto Brooklyn and Denver 1938 to 1953. Six programs in staple bound wrappers ranging from approximately 5 x 8 inches to 9 x 12 inches. Includes a program from her 1941 to 1942 coast to coast tour with extended biographical content and photographic illustrations depicting Anderson in performance receiving honors and in personal settings with family and manager Sol Hurok. A later illustrated program from the 1951 to 1952 tour presents similar material reflecting her continued prominence. Additional smaller programs document specific engagements at Eaton Auditorium in Toronto 1946 Brooklyn Institute of Arts and Sciences 1950 and Denver Auditorium 1953. These programs provide a record of Anderson's sustained public presence during a period when African American performers navigated segregated venues and expanding national audiences contributing to shifts in cultural access and representation. The inclusion of biographical narratives photographic imagery and repertory selections illustrates how her career was framed for concert audiences and how her public identity was constructed through touring circuits. Her performances in major cities across North America demonstrate the geographic reach of her influence and the institutional contexts in which her work was received offering material for the study of music history race and performance culture in the mid twentieth century. Minor edge wear with some foxing to several programs and manuscript notation to the Eaton Auditorium program; overall clean and stable. Overall very good condition. unknown
1898rif. 120815Buenos Aires Litografia Blanchi. Granzini y Volante 1898. In 8° massimo brossura in cromolitografia con belle immagini ai due piatti. Pp. 12 con al centro la composizione nominativa per palchi degli abbonati e la composizione nominativa dell'orchestra del Teatro dell'Opera. Le pagine sono una grande miniera di notizie sulla vita commerciale di Buenos Aires sono infatti tutte pubblicità di vario formato alcune con figure di negozi e aziente della città unknown
1942rif. 62473Philadelphia and New York:: Aberle Inc.; Willard B. Golovin Co. 1942-1943. First edition; No. 187 and 44 of 750 and 500 copies respectively. publisher's spiral-bound stiff wrappers illustrated in color. Both volumes near fine. Folio. Ballet-themed color Illustrations throughout incorporating elaborately presented samples of Aberle Ballet rayon stockings fabric samples of complimentary colors with which to wear them fashion color wheels and sales pitches including the patriotic merit of rayon stockings silk and nylon being unavailable during the war years "so that your charm would continue to inspire and maintain the morale.". Aberle Inc.; Willard B. Golovin Co., unknown
