Russell BraddonABAA
21.829 risultati
1962rif. 2221988First edition second printing. Octavo. 16 illustrations. Dust jacket price clipped; a few nicks; short tears. Very good. 256 pages. Boldly inscribed on front free endpaper by Sutherland 1926 - 2010 famous Australian soprano: "Sincerely Joan Sutherland." Collins hardcover books
rif. 5034628" x 10". Half-length pose by John E. Reed Hollywood signed and inscribed to Joseph Huntley. Very good. Signed and inscribed to African-American usher and autograph collector Joseph Huntley. Bliss 1917-2014 soprano; in various operettas on Broadway. One film credit. unknown books
rif. 2283VERSAILLES HOTEL DES VENTES DU CHATEAU 2007. Eric Pillon Encheres. 4to. Good condition. unknown books
1927rif. 503491Half-length pose by Witzel Los Angeles signed and inscribed: "To Joseph Huntley - With the best of good wishes Virginia Flohri 1927." 9 1/2" x 7 /12" Very good. Rare. Flohri 1893-1974 opera singer; screen credit "Alibi" 1929. unknown books
rif. 10572Used; Like New/Used; Like New. Full length jumbo 1884 Mora of NY cabinet photograph of the great soprano. Edges in gilt in very fine condition and rare in this large format. 7.5 x 13 inches 19 x 33 cm. unknown books
rif. 12700Used; Like New/Used; Like New. AMQS of four measures from the aria "Si les filles d'Arles sont reines" from Gounod's opera "Mireille" signed by one of the great stars of the English and world opera and concert stages for more than half a century beginning in 1857. He was closely identified with the title role in Mendelssohn's Elijah which he first performed in 1858. Santley whose sister Kate Santley was herself a musical and comedy star wrote four books two of them autobiographical. In 1907 he became the first singer to be knighted. Neatly penned in blue ink on a slip printed with a quotation from Shakespeare. Laid down on pink backing paper with slight wrinkling but otherwise in fine condition. 9.7 x 7.6 cm. unknown books
rif. 12692Used; Like New/Used; Like New. Impressive collection of AMQS and inscriptions addressed to the celebrated soprano Delphine Ugalde on both sides of a large album leaf measuring 31.5 x 23.5 cm 12.5 x 9.5 inches. Fine. The recto with: eight measures written and signed by the French composer Charles Lecocq from his wildly successful "La fille de Madame Angot" which when premiered in Paris in 1873 was performed for more than 400 nights consecutively. Inscribed to Ugalde and dated 20 May 1873; an unidentified inscription; a heartfelt inscription from Rossini's friend and biographer Alexis Azevedo dated 17 July 1870. The verso with: a three-measure 1869 quotation by Fauré celebrated French baritone and composer creator of important roles by Massé Thomas Meyerbeer Verdi and others who has penned a selection from his own Sacred Song for Voice and Piano "Les Rameaux" with a trimmed albumen photograph of him affixed beneath; a heartfelt 1869 inscription by Capoul the great French tenor creator of Offenbach's Vert-Vert and Masse's Paul et Virginie who writes that he is "so happy of your return to us that I embrace you as strongly as I admire you"; an 1870 inscription from Dejazet important French actress who writes that her "voice remains always charming even when it is speaking it is your great heart which sings" and with a trimmed albumen photograph of her affixed beneath; with one additional unidentifed inscription lower left dated 1873. Ugalde "studied in Paris with Cinti-Damoreau and made her début in 1848 at the Opéra-Comique as Angèle in Auber's Le domino noir a role created by her teacher. In 1851 she sang at Her Majesty's Theatre London as Delilah in Auber's L'enfant prodigue. In 1858 she sang Leonora Il trovatore at the Paris Opéra and was then engaged at the Théâtre Lyrique. In 1863 she moved to the Bouffes-Parisiens where in 1867 she sang in her own operetta Halte au moulin. She retired in 1871." Elizabeth Forbes Grove Online unknown books
rif. 12631Bold autograph signature of the important baritone closely associated with the roles of Wolfram Hans Sachs Kurnewal and Amfortas and creator two major Strauss roles including Herr von Faninal in Der Rosenkavalier. On an album page measuring 12 x 15.5 cm and dated Dreseden December 1902. unknown books
1980rif. 41218NY:: Cambridge University Press. Fine in Near Fine dust jacket. 1980. Hardcover. 0521229111 . Translated from the Italian and edited by Roger Parker. First edition thus. Fine in a near fine one short closed edge tear dust jacket. . Cambridge University Press, hardcover books
2000rif. 40471NY:: St. Martin's. Fine in Fine dust jacket. 2000. Hardcover. 0312244185 . Part of The New Grove Composers Series. First edition. Fine in a fine dust jacket. . St. Martin's, hardcover books
1991rif. 38360North Pomfret:: Trafalgar Square Publishing. Near Fine in Near Fine dust jacket. 1991. Hardcover. 0943955335 . First American edition. Remainder mark on top edge else near fine in a near fine dust jacket. . Trafalgar Square Publishing, hardcover books
1996rif. 36955London:: Andre Deutsch. Fine in Fine dust jacket. 1996. Hardcover. 023398965X . Illustrated. First British edition. Fine in a fine dust jacket. . Andre Deutsch, hardcover books
rif. 606870Photographs not signed of a group of Latin American dancers believed to be Ballet Florklorico de Mexico. 1. Group shot of 21 musicians and dancers. 2. Two women in long shirts singing. 3. Woman with man wearing a poncho. 4. Man with painted face dancing with woman. Photographs are on single stock; 8" x 10"; very good mounting traces on two; minor signs of handling; ca. 1940. No Binding. Very Good. unknown books
rif. 606055not signed on a 3/4 length shot of Boris Karloff having a conversation with Warner Oland in a scene from the 1936 film "Charlie Chan at the Opera." Photograph is on single weight stock; 10" x 8"; very good minor signs of handling. No Binding. Very Good. unknown books
1998rif. 26033Princeton: Princeton University Press. As New in As New dust jacket. 1998. Hardcover. 069108811X . Translated from the German by Ewald Osers and Michael Downes. First edition. As new in like dust jacket. Still in original shrinkwrap. . Princeton University Press hardcover books
1993rif. 23688Urbana: University of Illinois Press. As New in As New dust jacket. 1993. Hardcover. 0252019741 . First printing. As new in like dust jacket. . University of Illinois Press hardcover books
2000rif. 23461Jefferson: McFarland & Company. Fine. 2000. Hardcover. 0786400773 . First edition. Fine in red cloth. No dust jacket. . McFarland & Company hardcover books
1844rif. 8333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover books
rif. 608297Los Angeles 1930. 10 7/8" x 8 1/2"; 1 large sheet front and back; very good one fold in the middle; minor signs of handling; 1930. 1. La Argentina - Spanish Dancers With Miguel Berdion pianist Thursday night January 9 1930 & Saturday night January 11 1930. 2. Wagner's "The Ring" with Juliette Lippe and Johanna Gadski and The German Opera Company. Vintage Original 1930 Los Angeles Philharmonic Auditorium Brochure. 2 Page Advertising Program. No Binding. Very Good. Los Angeles, 1930. unknown books
rif. 606789"Susie Kirwin" in black fountain pen ink on Wilbur Kirwin Opera Company letterhead Salt Lake City Utah June 12 1901. 5" x 7 7/8"; 3 separate pages; very good staple holes in the upper left corner of each page; mounting traces on the back of page 3; minor signs of handling; 1901. To William W. Marmon: Susie Kirwin praises Marmon's skin cream and offers a business proposition ". . .we have 35 people using 'cold cream'. .send me the pound jar at once. . .". Signed by Authors. No Binding. Very Good. unknown books
rif. 14432LONDON GRAMOPHONE 1921. REVISED AND ENLARGED EDITION VERY GOOD. LONDON, GRAMOPHONE, 1921 unknown books
1817rif. AQ35026London: s.n. 1817. Single leaf broadside. Browning and staining to edges with very small loss to lower right corner small hole and tear to title slightly obscuring final letters. A scarce playbill recording an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of 'Free and Easy' a comic opera. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. Rare; COPAC records no copies in the UK OCLC adds a single copy overseas Yale. . Dimensions 170 x 340 mm. [s.n.] unknown
rif. 13987BDet danske Sprog- og Litteraturselskab Kopenhagen 1983-1984. Zusammen 859 Seiten Halbleineneinbände Name auf Vorsatz. unknown
rif. 5h1837Nuova Era Internazionale s.r.l. ohne Ort 2006. 40 CDs mit je einem Booklet sowie ein 170seitiges Begleitbuch in original Pappbox ca. 37 x 15 x 14 cm. - neuwertig / Begleitheft fünfsprachig: englisch deutsch französisch italienisch und spanisch / Inhalt: De' Cavalieri Monteverdi Vivaldi Händel Piccinni Calderara Paisiello Cimarosa Gazzaniga Boccherini Salieri Rossini Mecadante Donizetti Bellini Verdi Leoncavallo Puccini Marinuzzi Menotti - unknown
rif. 1h14756Apud Eman. Thurneysen Basel 1779. 619 S. Halbleder vorderer Einbanddeckel lose/fleckig/gebräunt/Widmung auf Vorsatz/berieben/leicht bestossen. unknown
