1841In 8° (20x12,5 cm); 40 pp. Senza brossura ma non slegato. Prima rara edizione di questo melodramma composto dal celebre Antonio Peretti, poeta e letterato di corte sotto Francesco IV e Francesco V di Modena che fu a lungo professore e segretario dell'Accademia Atesina di belle arti, nato a Castelnuovo dei Monti (RE) e morto a Ivrea (TO). Timbri dei censori estensi alla prima ed ultima carta. Un disegno a matita realizzato tra fine ottocento ed i primi del novecento con ritratto di un uomo. Una piccola mancanza all'angolo basso del volumetto, insignificante e per il resto esemplare ad ampi margini ed in buone condizioni. Le musiche per il melodramma furono composte dal celebre compositore, per breve periodo maestro di cappella a Reggio Emilia e arguto musicologo, Angelo Catelani, nato a Guastalla (RE) e morto a S.Martino di Mugnano (MO). Prima rara edizione.
1844Best.-Nr. 8333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover
1844Best.-Nr. 8333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover books
Musica Jean Becquerel L'art musical dans ses rapports avec la physique Paris, Hermann, 1^ ed. 1926 Pag. 41. Copertina rigida non coeva - Testo in francese. Condizioni molto buone. Legatura e sguardie rifatte. Copertina originale in brossura conservata.
1980Best.-Nr. 2142665Turnhout: Brepols 1975-1980. XXVI, 808 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1962Best.-Nr. 2142959Turnhout: Brepols 1962. VI, 343 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1960Best.-Nr. 2142970Turnhout: Brepols 1960. VII, 682, (2) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1967Best.-Nr. 2142951Turnhout: Brepols 1967. X, (2), 269 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1969Best.-Nr. 2142952Turnhout: Brepols 1969. (6), 417, (1) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1955Best.-Nr. 2142969Turnhout: Brepols 1955. XXI, (3), 473, (1) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
Best.-Nr. 16516, Editions l'eran du monde Bruxelles, Godenne 1946, Relie, couverture, 445pp.
Best.-Nr. 23541Antwerpen, M.E. Belpaire Komiteit, 1933 Gebonden, originele groene linnen uitgeversomslag met goud opdruk, 17x22 cm., 470 pp.
Best.-Nr. 11672drame en trois actes en vers. In 8 demie reliure havane, façon cuir glacé, titre doré. Faux-titre, frontispice gravé, (portait de Beethoven) titre VIII, 134 pages, non rogné, A Paris aux éditions du Dauphin Dijon Août 1929. Exemplaire n°XLIX sur vergé de hollande Van Gelder, seul grand papier (tirage total 250 exemplaires) (petite trace de frottement en tête du dernier plat.
2007Best.-Nr. RO20251973Prisa Innova S.L.. 2007. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 78 pages + 2 cds - nombreuses illustrations en couleurs hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Best.-Nr. 7804essai d’histoire et de critique,musicales,nouvelle édition, entièrement refondue,avec des portraits et d’autres illustrations inédites.Petit in 8 demi-toile lie de vin à la bradel et à coins.Titre,filets dorés.Faux-titre, portrait en frontispice,titre,XV,382 pages,illustrations hors-texte.Librairie Académique Perrin et Cie Libraires éditeurs 1914.Bon exemplaire.La jeunesse de Beethoven et Thérèse Malfati,Beethoven et Shubert,Richard Wagner,un nouveau recueil de lettre,l’amitié de Nietzche et de Richard Wagner
Best.-Nr. 2642o.J. Sängerin. 1882 in Berlin als Elsa im Lohengrin, blieb bis 1888, 1888-95 Wiener Hofoper, 1895 Metropolitan Opera, 1898 Wiener Hofoper, lebte später in Berlin u. war Gesangspädagogin. Um 1860 Krakau - 1940 Berlin. Fast Halbfigur in Pose. Photogravure bei Eckstein. 303 x 195 mm.
1990Collana UNIVERSALE ECONOMICA 1307 Legatura brossura Formato Ottavo Num Pagine 352 Traduttore Gabriele Dotto, Donata Aldi, Alessandra Lucioli Prima Edizione
1931biografia di 270 pag in buone condizioni + 15 tavole f.t. Brossura
12 x 16,5, brossura, Pozzoli, casa editrice non specificata, 1978, 127 pp. Testi in lingua italiana, con ill. in b|n. Raro, in buone condizioni generali, piccole macchie in copertina e sul dorso.
193720 cm, brossura illustrata con tracce d'uso e mancanze al dorso; pp. 106
Best.-Nr. 390891915. Signed in full in pencil just outside platemark at lower right. Also signed and dated in the plate "E. Oppler 15" at lower left inscribed in pencil "9-50" just outside platemark at lower left and "VII.II" at lower left corner with titling in pencil to lower margin. On ivory laid Bosquet watermarked paper. Impression size 180 x 270 mm. 7 x 9-1/2" with wide margins. A pre-performance or intermission scene depicting three tiers of an elaborate performance space with people both sitting and standing some in animated conversation with players in the orchestra pit before a closed curtain. Number 9 of an edition limited to 50 copies this impression an apparent second state of seven. Oppler is considered the premiere chronicler of ballet in Germany. "He spent his student years in Munich London and Holland before settling in Berlin in 1905. As a member of the Berliner Secession he developed into a sought-after portraitist and from 1912 through his drawings and graphic works to one of the perhaps to the most significant German artistic chroniclers of ballet history. Especially the Ballets Russes and their soloists owe to Oppler's enthusiasm an appreciation known until today only among ballet afficionados. Oppler is recognized as the inventor of an illuminated drawing pencil which enabled him to sketch from the audience during rehearsals and performances." Deutsches Tanzarchiv Köln. unknown
Best.-Nr. 390891915. Signed in full in pencil just outside platemark at lower right. Also signed and dated in the plate "E. Oppler 15" at lower left inscribed in pencil "9-50" just outside platemark at lower left and "VII.II" at lower left corner with titling in pencil to lower margin. On ivory laid Bosquet watermarked paper. Impression size 180 x 270 mm. 7 x 9-1/2" with wide margins. A pre-performance or intermission scene depicting three tiers of an elaborate performance space with people both sitting and standing some in animated conversation with players in the orchestra pit before a closed curtain. Number 9 of an edition limited to 50 copies this impression an apparent second state of seven. Oppler is considered the premiere chronicler of ballet in Germany. "He spent his student years in Munich London and Holland before settling in Berlin in 1905. As a member of the Berliner Secession he developed into a sought-after portraitist and from 1912 through his drawings and graphic works to one of the perhaps to the most significant German artistic chroniclers of ballet history. Especially the Ballets Russes and their soloists owe to Oppler's enthusiasm an appreciation known until today only among ballet afficionados. Oppler is recognized as the inventor of an illuminated drawing pencil which enabled him to sketch from the audience during rehearsals and performances." Deutsches Tanzarchiv Köln. unknown books
Best.-Nr. 70447, Brepols, 2026 Paperback, Pages: 337, Size:216 x 280 mm, Illustrations:2 b/w, 12 col., 7 tables b/w., 2 tables col., 1 musical example, Languages:English, German, Italian. ISBN 9782503583648.
2016Best.-Nr. F8724China Intercontinental Press. 2016. Paperback. Fine. A fine set in a fine slip case ; 4to 11" - 13" tall; 0 pages . 7508533399 . China Intercontinental Press paperback
1983A clean, unmarked book with a tight binding. Wear and small tears to cover. 87 pages. Black and white photos and illustrations. Ballerina drawings by Eleanor Antin. The journal of Eleanor Antin for three weeks in October 1980 when she lived in New York as "Eleanora Antinova, the once celebrated but now retired Black Ballerina of Diaghilev's Ballet Russe."