Bing Rudolf.MareMagnum
MareMagnum
5° Maggio Musicale Fiorentino, 1939. Il vascello fantasma di Riccardo Wagner
193924 cm, bross; pp. (24) programma di sala con fotografie degli interpreti e testo italiano, tedesco, inglese, francese
21 283 résultats
Firenze, Vallecchi,1974. In 8°pp.310n. con 34 illustrazz. in Tavv. f.t. Legat. Editoriale tt.tela e sovraccoperta.
198725x28 cm., 242 p., numerose ill. in b.n. e a col. n.t., bross. edit. con alette, cop. ill. (giallitura al piatto post.), in ottimo stato di conservazione. 409
193924 cm, bross; pp. (24) programma di sala con fotografie degli interpreti e testo italiano, tedesco, inglese, francese
réf. Van Norman Baer, NancyIn Pristine Condition. unknown
réf. 44747S.l 1953 in 4 (31,5x24,5) 1 volume broché, couverture illustrée, non paginé, avec de nombreuses illustrations en noi et blanc. Avec le programme des concerts du festival de musique d'Aix-en-Provence, du 10 juillet au 31 juillet 1953. Bel exemplaire
1905réf. 23470Paris Floury 1905 1 Paris, Floury, 1905, in-folio, broché, couverture rempliée illustré titrée.
réf. 44748Paris Brodard & Taupin 1954 in 4 (31,5x24,5) 1 volume broché, couverture illustrée, non paginé, avec de nombreuses illustrations en noi et blanc. Avec le programme des concerts du festival de musique d'Aix-en-Provence, du 10 juillet au 30 juillet 1954. Bel exemplaire
1972Volume numero 18. In copertina 3 settembre 1943, la firma dell'armistizio a Cassibile. All'interno saggio di Ruggero Zangrandi. Di questo volume è stata stampata un'edizione numerata dal 1501 al 3000: in oggetto l'esemplare numero 1777. Copertina stanca ai margini e agli angoli, lievemente bruniti i piatti. Dorso brunito, leggermente stanco alle estremità, presenti pieghe sulla lunghezza. Pagine ben salde alla cerniera, arricchite da numerose fotografie in bianco e nero, con didascalia. Numero pagine 156. USATO
réf. 78903Paris, Librairie Gründ, 1969. 14 x 21, 477 pp., quelques illustrations en couleurs, quelques dessins, reliure d'édition pleine toile + jaquette, bon état.
réf. 44749S.l 1955 in 4 (31,5x24,5) 1 volume broché, couverture illustrée, non paginé, avec de nombreuses illustrations en noi et blanc. Avec le programme des concerts du 8ème festival de musique d'Aix-en-Provence, du 10 juillet au 30 juillet 1955. Bel exemplaire
1968cm. 24 x 33,5, xii-160 pp. Quaderni Rossiniani 770 gr. xii-160 p.
2001cm. 17 x 24, xviii-174 pp. Quaderni della ?Rivista Italiana di Musicologia? Lo spettacolo ?opera?, a quattrocento anni dalla nascita, nelle sue molteplici componenti teoriche, compositive, sceniche, interpretative: ideologia e committenza, analisi di peculiari aspetti di poetica, forme e rappresentazione, recezione, accademie e impresariato, prototipi di professionismo canoro. Un itinerario di attente disamine dettate dal confronto con quell??invenzione? ? poetica, musicale, spettacolare ? che s?identifica con uno dei primati pi? storicamente attestati per la cultura italiana. The performance ?opera?, 400 years since its birth, in its numerous theoretical, composite, scenic, interpretative components: ideology and commission, analysis of particular aspects of poetry, form and representation, receptivity, academies and theatrical agencies, prototypes of professional singing. Details of careful examination dictated by the confrontation with that poetical, musical, spectacular ?invention? that identifies itself with one of the most historically proven supremacies for Italian culture. 359 gr. xviii-174 p.
2004cm. 18 x 25,5, x-258 pp. Studi e testi per la storia della musica Viene proposta l?edizione critica del libretto di Felice Romani per Giovanni Simone Mayr. Un ampio saggio introduttivo racconta le vicende dell?opera dalla commissione del San Carlo di Napoli (1813) al successo internazionale dovuto all?interpretazione di Giuditta Pasta; studia inoltre le scelte metriche e poetiche di Romani sullo sfondo della tradizione drammatica, coreutica e lirica del mito di Medea in Corinto in Italia. Critical edition of Felice Romani?s libretto for Johann Simon Mayr, with an extensive introductory essay describing the history of this opera commissioned in 1813 by the Teatro di San Carlo of Naples, and its great international success, which was due to Giuditta Pasta?s interpretation. Russo also describes the dramatic, lyrical and choreographic tradition of the the myth of Medea in Corinto in Italy and how this influenced Romani?s metrical and poetical choices. 525 gr. x-258 p.
1930Very Good Turkish, Ottoman (1500-1928) Original collection includes photographs of Arif Sayil and two business cards of him with autograph notes. The collection contains a small portrait photograph, two business cards, one is written some Ottoman Turkish notes, a standard sized studio photograph of his youth, gelatin silver small photo of him, a fine studio photograph with his fine clothes and his hat, a photograph showing him among some military stuff and early politicians of Trabzon city (Turkish rugs back), an autograph photograph with his manuscript note '25. yas Trabzon hatirasi, 15,4,1934' [i.e. A souvenir of Trabzon for my 25th age], a studio photo by Weinberg signed by Weinberg, two huge sized portrait photographs, and four photographs showing his funeral in varios sizes. The years of photographs between the 1930-1950s, until his death (his funeral photos). Arif Sayil was an early Turkish deputy of CHP -Republican Party- from Trabzon city and one of the theoretician of Republican Party of Republican Turkey.
1940Very Good Turkish Original business card with autograph dedication. In Turkish. Muzaffer Görduysus was Turkish consul of Komotini (Gümülcine) between the years of 1943-1947. Dedicated to Ismail Hakki Okday, (1881-1977) who was son of last Ottoman vizier Ahmet Tevfik Pasha, groom of the last Ottoman sultan Vahdeddin, soldier, diplomat and philatelist.
1952Very Good Turkish Original autograph letter signed as 'Dr. Tevetoglu' with its original envelope San Antonio stamped. 2 p. Sent to Bedia and Subhi Tevetoglu. Letter tells them academic speeches and other plans besides daily works and some feelings of Fethi Tevetoglu. Letter was sent from San Antonio, USA.
1934Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as Izmit belediye reisi Kemal'. Letterhead of TC IzmitBelediye Dairesi. 1 p. Dated 16-17/1/1934. Puncher holes at left side and slight stains. Kemal Öz was a politician in the period of early Republican Turkey. He was mayor of Izmit city (belediye reisi) between the years of 1931-1950.
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929, Istanbul. It starts as 'Muhterem Vasfi Riza bey'... Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5, 1902 in Constantinople, Ottoman Empire. He was an actor, known for Karim beni aldatirsa (1933), Ankara postasi (1928) and Milyon avcilari (1934). He died on November 23, 1992 in Istanbul, Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit (actor, husband of paintress Bedia Muvahhit), writer Refik Halit (Karay) and Refi 'Cevat (Ulunay). After the proclamation of the Second Constitutional Monarchy, he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri (Sekizinci). Bican Efendi series, in which he played the title role after the WW 1, was accepted from the first comedy of Turkish cinema history.
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sezai' by Samipasazade Sezai to Türkgeldi family. In Ottoman script. 4 p., last page has Ali Fuat Türkgeldi's autograph note on Samipasazade Sezai's death as: "[Samipasazade] Sezai Bey; 26 Nisan 1936 Pazar aksami saat dokuzu yirmi geçe [21:20] ölmüstür.". Sezai's letter starts as 'Pek muhterem kardesim'. Used blue ink with a fountain pen. Ali Fuat Türkgeldi, (1867-1935) was an Ottoman historian and politician. He is the son of Celâl Bey, the undersecretary of the Ministry of Interior and the son of Cemal Bey in the Reform period (Tanzimat - Westernization) period), the director of Translation Chamber. Sezai Turkish realist storyteller, novelist. He is the author of Sergüzest (Adventure) which is one of the first realistic novels of Turkish literature. Also he was pioneer of the modern short story in Turkish literature with Küçük seyler 'Little things' he wrote in 1892. Between 1885 and 1901 he lived in Istanbul (this letter dated probably in that period) and had a literary period. He was close friends with Abdülhak Hamit and Recaizade Ekrem. He met with Namik Kemal whom he met when he was 17-18. He did not produce many works like other Tanzimat writers; wrote one novel, two small story books, and travel memoirs. In 1888, he published a novel called Sergüzest (A story about a Pasazade and his love story), after which he became one of the first writers of Turkish literature after Semseddin Sami, Namik Kemal and Ahmet Mithat Efendi. He translated Alphonse Daudet's 'Jak' into Turkish. For thinking that he was being held under 'surveillance' for his novel, he went to Paris in 1901 and stayed there until the declaration of the Constitutional Monarchy in 1908. He met the Young Turks in Paris; He joined the Committee of Union and Progress and came to a respected place in the community in a short time. Upon the declaration of the Constitutional Monarchy, he returned to Istanbul and was appointed as ambassador to Madrid. As WW 1 began, he moved from Madrid to Switzerland, where he stayed until the end of the war. His only novel, Serguzest, was the first novel in Turkish literature to deal entirely with captivity; the novel, in which the system of concubinance and slavery was criticized, was his most famous work. It was translated into French by Besim Ömer Pasha. e combined romance and realism in her writings. He combined romanticism and realism in his writings. He gave works with the motto of "l'art pour l'art".
1970Very Good Turkish Original report with autograph signatures and notes. 1 p. 23 x 17 cm. In Turkish. It's a 'play report' of Ulvi Uraz Theater in Üsküdar, Baglarbasi district in Istanbul. Dated 8/7/1970. Written play's name: Murtaza. As stage manager (rejisör) signed by Ulvi Ural (owner of theater house) and as stage administrator signed by famous Turkish actor Kemal Sunal, (1944-2000). He was a Turkish actor. With Hababam Sinifi, Kapicilar Krali and Davaro, Sunal gained large popularity amongst Turkish cinema goers and was famed for his character "Saban", a role he frequently played. His characters in films often reflected the problems common Turkish people faced in their country. Scarce.
1964Very Good Turkish Original typescript with autograph signed letter by Tahir Kutsi Makal. 1 p. Dated 6/19/1964. No letterhead. Letter says to an unknown person (probably he/she was one of authors of am important Turkish literary periodical 'Hisar') "My reverend master, I found a copy of the article, presenting. Henceforth we broke one's duck. Hopefully I will continue. Salute to all 'Hisar' authors., Tahir Kutsi Makal.".
1976Very Good Turkish Original typescript with autograph signed letter sent to Turkish cardiologist Nurettin Kamil Irdelp, (1902-1992) with its envelope. 1 p. Dated 10 February 1976. It' written: Muhterem doktor bey, Bana gönderdiginiz kitabinizi ilgi ile okudum. Nezaketinize tesekkür ederim. Don Giovanni premieri için söylediginiz güzel sözler ve bu kitp için candan tesekkür ederim". (Reverend Mr. doctor, I read your book with interest. Thank you for your kindness. Thank you for all the good words and sayings for the Don Giovanni premiere.) -trasltd-. He was Taksim Istanbul State Opera and Ballet General Director of Music and maestro in German origin between 1987-1990s in Turkey. He taught and worked with Turkish composers and maestros such as Orhan Tanrikulu and others.
[8] S. 4°. Fotos. Beigegeben: 2 Programmblätter des Marionetten-Theaters (La serva padrone und Goethe)
1920Very Good Turkish, Ottoman (1500-1928) Original business card. Scarce. In Ottoman script.
1890Very Good Turkish, Ottoman (1500-1928) Original business card. Slightly chipped left bottom corner. In Ottoman script. Ibrahim Edhem Pasha, (1819-1893) was an Ottoman statesman, who held the office of Grand Vizier in the beginning of Abdul Hamid II's reign between 5 February 1877 and 11 January 1878. He served numerous administrative positions in the Ottoman Empire including minister of foreign affairs in 1856, then ambassador to Berlin in 1876, and to Vienna from 1879 to 1882. He also served as a military engineer and as Minister of Interior from 1883 to 1885. In 1876-1877, he represented the Ottoman Government at the Constantinople Conference. Ibrahim Edhem Pasha was the father of Osman Hamdi Bey, a well-known archaeologist and painter, as well the founder of the Istanbul Archaeology Museum and the Mimar Sinan Fine Arts University. Another son, Halil Edhem Eldem took up the archaeology museum after Osman Hamdi Bey's death and has been a deputy for ten years under the newly founded Turkish Republic. Yet another son, Ismail Galib Bey, is considered as the founder of numismatics as a scientific discipline in Turkey. Later generations of the family also produced illustrious names. The architect Sedat Hakki Eldem, a cousin, is one of the pillars of the search for modern architectural styles adopted by the Republic of Turkey (called the Republican style in the Turkish context) in its early years and which marks many important buildings dating from the period of the 1920s and the 1930s. A great-grandson, Burak Eldem, is a writer while another, Edhem Eldem, is a renowned historian. More names include Erol Eldem, Tiana Eldem, Levent Eldem and Ercan Eldem, an architect. (Source: Wikipedia).
