Uhland, Ludwig (1787-1862). - Fischer, Hermann (Hrsg)Antiquariat.de
21.777 risultati
1892rif. 30522ABStuttgart, Verlag der J.G.Cotta'schen Buchhandlung Nachf, [1892]. 8° (18x12) 328,342; 216,235; 228, 208 S., PorträtFrontispiz, einheitliche rote Olnbde mit reicher goldPräg, marmorSchnitt, 6 Bände in 3 [so komplett]. kaum gelesen, gute Exemplare, [= Cotta'sche Bibliothek der Weltliteratur],
1892rif. 36803ABStuttgart, Verlag der J.G. Cotta'schen Buchhandlung Nachf, [1892]. 8° (18x12), 312, 342 S., roter Oln (Kaliko) mit schwarz- und goldPrägung, 2 Bände in 1 Buch (so komplett), Besitzvermerk (Rich. Wagner Weihanchten 1893) verso Frontispiz, ohne Gebrauchsspuren, offensichtlich ungelesen,
1911rif. 19411ABStuttgart; Berlin, J.G. Cotta'sche Buchhandlung Nachf, 1911-1916. gr8° (24x16), IX,469; XII,454; XIV,477; XV,425 S., jeweils Frontispiz, 1 doppelseitiges HandschriftFaksimile, einige Porträts im Text sowie Tafelabb., einheitliche rotbraune Olnbde (Kaliko) mit goldPräg, (Band 4 etwas dunkler), dreiseitiger Farbschnitt, grüne Vorsätze, jeweils 1 Lesebändchen, 4 Bände in 4 (so komplett), gelegentlich gering stockfleckig, feste saubere Exemplare, [= Veröffentlichungen des Schwäbischen Schillervereins; 4-7 : herausgegeben von Otto Güntter],
In-8, broché, couverture moderne de papier fort, 19 p. Erste Ausgabe (édition originale). Wagner appelle les amateurs à s'associer librement pour défendre son oeuvre mais aussi intéresser l'ensemble du peuple allemand et le gagner à sa cause. De fait, en cette même année, la première association wagnérienne fut fondée et dès 1872, Wagner déménagea de Triebschen à Bayreuth où il s'installa avec sa femme Cosima. Wagner rief die Liebhaber dazu auf, sich frei zusammenzuschließen, um sein Werk zu verteidigen, aber auch das gesamte deutsche Volk zu interessieren und für seine Sache zu gewinnen. Tatsächlich wurde im selben Jahr der erste Wagner-Verein gegründet, und bereits 1872 zog Wagner von Triebschen nach Bayreuth, wo er sich mit seiner Frau Cosima niederließ. (Oesterlein, 'Katalog Einer Richard Wagner-Bibliothek', n°2284). Des piqûres éparses. Bon exemplaire.
187119pp., 1st edition, 23cm., original green editor's softcover, good condition, rare, M91665
1871rif. M91665Leipzig, E.W. Fritzsch 1871 19pp., 1st edition, 23cm., original green editor's softcover, good condition, rare, M91665
1871rif. 38356In-8, broché, couverture moderne de papier fort, 19 p. Leipzig, E. W. Fritzsch, 1871.
rif. 29333o.J. Sängerin. 1851 am Hoftheater von Neustrelitz und Dessau, 1856-61 am Hoftheater in Schwerin, 1861-66 Hoftheater in Hannover, 1867-68 zahlreiche Gastspiele in Deutschland und Frankreich, 1867 am Hoftheater Schwerin, 1868-69 Hoftheater in Darmstadt, heiratete den Tenor Jose Lederer, seit 1879 Gesangspädagogin in Frankfurt. 1837 Hildesheim - 1890 Frankfurt /Main. Kniestück stehend. Stahlstich von Weger. 205 x 155 mm.
Condizioni buone come da immagini
U. Buttafava ed E. Gentile - Arrivano i Beatles: Storie di una Generazione - ed. 2007 Testo in lingua italiana. Pagine 255 con illustrazioni. Copertina morbida. Condizioni molto buone.  ,
2015New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 176 p. Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu. Report on theater and opera in the early Republican years.
rif. 1390363414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961rif. 2142618Turnhout: Brepols 1961. XIX, (1), 345, (1) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1976rif. 100846New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine. Together with the retained copy of Jean Dalrymple's letter of April 6 1976. The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts. The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, April 19, 1976. hardcover
1980rif. 28607New York: October 14 1980. 1980. Very good. - sc Quarto 11 inches high by 8-3/8 inches high. 201 words typed on a sheet of cream paper with her address typed at the top. Signed "Constance DeJong". The left edge of the paper is darkened & there is a light paper-clip mark to the top left corner with a small light stain just below the body of the letter. Very good. DeJong writes to Gary Wilkie of Contexts in Seattle to ask if she could present her new work there as part of a tour that will take her to Portland Oregon. She encloses a photo and resume: "It's not very up to date in terms of the new work I'd be presenting or the recently completed book and opera I wrote with Philip Glass." A publicity sheet from Art Performances New York states: "Constance DeJong is one of the young post-modern writers who has made performance a natural extension of her work as a writer. By blending some of the traditional techniques of theatre - lighting movement music - performances extend her work beyond the written word into an almost tactile presence a context where the narrative can come to life. New York: October 14, 1980. unknown
1977rif. 100063New York: March 12 1977. 1977. Fine. - Over 55 words typed on her 10 inch high by 6-1/2 inch wide light blue personal stationery. The soprano Carole Farley expresses her's and her husband conductor Jose Serebrier's gratitude for Jean Dalrymple's "help and kindness". "You are one of the most beautiful human beings we know." "I hope you will accept these tickets for my first performance." Signed "Carole". Fine. The first production of Alban Berg's "Lulu" at the Metropolitan Opera premiered on March 18 1977 with Carole Farley in the leading role in a production by John Dexter. Born in 1946 the American opera soprano Carole Farley was principal singer with the Metropolitan Opera. In 1977 at the age of 19 Farley performed the title role of "Lulu" in the METs premiere production of Berg's opera. Her performances of Poulenc's "La Voix Humaine" and Menotti's "The Telephone" were filmed by Decca in co-production with the BBC and are now re-issued on DVD a best-seller in the New York Times charts. Farley is married to the conductor Jose Serebrier. Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York: March 12, 1977.
1982rif. 96511New York September 23 1982. 1982. Very good. - Over 125 words typed on her husband Jose Serebrier's 11 inch high by 8-1/2 inch wide embossed stationery. In her letter addressed to her friend and press agent Jean Dalrymple the soprano mentions the dates of her forthcoming performances: "I am singing LA VEUVE JOYEUSE The Merry Widow at Theatre Chatelet . 30-some performances in all. It is a new production especially for me." She then mentions heading to Puerto Rico and subsequently Australia where "I will be making a film of the Poulenc opera 'La Voix Humaine' for television." She concludes "Looking forward to our lunch on Thursday and catching up" signed "Carole". In a postscript Farley asks if Jean Dalrymple could "bring me a copy or copies of your release on Thur". Dalrymple's press release is included with the letter. Folded for mailing there are rust stains from a paper clip to the top and bottom edges. Very good. Born in 1946 the American opera soprano Carole Farley was principal singer with the Metropolitan Opera. In 1977 at the age of 19 Farley performed the title role of "Lulu" in the METs premiere production of Berg's opera. Her performances of Poulenc's "La Voix Humaine" and Menotti's "The Telephone" were filmed by Decca in co-production with the BBC and are now re-issued on DVD a best-seller in the New York Times charts. Farley is married to the conductor Jose Serebrier. Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, September 23, 1982. unknown
rif. WALTER-FILM007297American Ballet Theatre. No binding. Fine. New York: American Ballet Theatre 1970s-2000s. Group of five vintage original 8 x 10" 20 x 25 cm black-and-white glossy print still photos. Photo stamps and blurbs on versos fine. Twyla Tharp b. 1941 is an American dancer choreographer and author who lives and works in New York City. In 1965 she formed the company Twyla Tharp Dance which merged with American Ballet Theatre in 1988. She regrouped the company in 1991. Her work often uses classical jazz and contemporary pop music. She is renowned as an innovative American choreographer known for her unique blending of classical ballet modern dance and popular styles often incorporating elements of jazz social and even street dance. She is also recognized for her Broadway work including choreographing Movin' Out and Come Fly Away and her contributions to film and television. Wikipedia Four photos show the Tony Award-winning choreographer/dancer/writer of American Ballet Theatre in portrait and at work. One is for her ballet How Near Heaven. American Ballet Theatre unknown books
rif. WALTER-FILM007297American Ballet Theatre. No binding. Fine. New York: American Ballet Theatre 1970s-2000s. Group of five vintage original 8 x 10" 20 x 25 cm black-and-white glossy print still photos. Photo stamps and blurbs on versos fine. Twyla Tharp b. 1941 is an American dancer choreographer and author who lives and works in New York City. In 1965 she formed the company Twyla Tharp Dance which merged with American Ballet Theatre in 1988. She regrouped the company in 1991. Her work often uses classical jazz and contemporary pop music. She is renowned as an innovative American choreographer known for her unique blending of classical ballet modern dance and popular styles often incorporating elements of jazz social and even street dance. She is also recognized for her Broadway work including choreographing Movin' Out and Come Fly Away and her contributions to film and television. Wikipedia Four photos show the Tony Award-winning choreographer/dancer/writer of American Ballet Theatre in portrait and at work. One is for her ballet How Near Heaven. American Ballet Theatre unknown
1919rif. 432211919. First Edition. GILBERT AND SULLIVAN D'OYLY CARTE OPERA COMPANY. Poster ""Gilbert and Sullivan's ""The Yeoman of the Guard"" by Dudley Hardy"". WITH: Billboard ""Opera Company's 1919/1920 Season by Dudley Hardy and John Hassall"". London: David Allen & Sons 1919. Single sheet measuring 20 by 30 inches; nine unassembled dovetailing sheets measuring 7-1/2 by 10 feet assembled. $900.Original poster depicting the headsman with axe from Gilbert and Sullivan's ÒThe Yeoman of the GuardÓ accompanied by a large billboard in parts announcing the seasonÕs productions with three poster designs: ÒThe YeomanÓ ÒThe GondoliersÓ and ÒThe Mikado.ÓThe poster advertises Gilbert and Sullivan's ""Yeoman of the Guard"" widely recognized as Sullivan's most accomplished musical score. A classic Savoy Opera the piece isÑrather unusuallyÑset during the 16th century at the Tower of London bringing in quasi-Shakespearean dialogue and a darker atmosphere. The accompanying billboardÑmeasuring over 70 square feetÑpromotes the 1919 season's productions including ""Yeoman"" the musical theater favorite ""The Mikado"" and Gilbert and Sullivan's last major success ""The Gondoliers."" Hardy and Hassall were among the premier graphic artists of their time having built reputations both as book illustrators and specialists in poster design. Hardy was influenced by French chalk drawings and poster art while Hassall attributes his style to Japanese prints. ""Yeoman"" poster fine. Chipping and creasing to separate panels of original billboard. A wonderful pair. unknown books
1919rif. 432211919. First Edition. GILBERT AND SULLIVAN D'OYLY CARTE OPERA COMPANY. Poster ""Gilbert and Sullivan's ""The Yeoman of the Guard"" by Dudley Hardy"". WITH: Billboard ""Opera Company's 1919/1920 Season by Dudley Hardy and John Hassall"". London: David Allen & Sons 1919. Single sheet measuring 20 by 30 inches; nine unassembled dovetailing sheets measuring 7-1/2 by 10 feet assembled. $900.Original poster depicting the headsman with axe from Gilbert and Sullivan's ÒThe Yeoman of the GuardÓ accompanied by a large billboard in parts announcing the seasonÕs productions with three poster designs: ÒThe YeomanÓ ÒThe GondoliersÓ and ÒThe Mikado.ÓThe poster advertises Gilbert and Sullivan's ""Yeoman of the Guard"" widely recognized as Sullivan's most accomplished musical score. A classic Savoy Opera the piece isÑrather unusuallyÑset during the 16th century at the Tower of London bringing in quasi-Shakespearean dialogue and a darker atmosphere. The accompanying billboardÑmeasuring over 70 square feetÑpromotes the 1919 season's productions including ""Yeoman"" the musical theater favorite ""The Mikado"" and Gilbert and Sullivan's last major success ""The Gondoliers."" Hardy and Hassall were among the premier graphic artists of their time having built reputations both as book illustrators and specialists in poster design. Hardy was influenced by French chalk drawings and poster art while Hassall attributes his style to Japanese prints. ""Yeoman"" poster fine. Chipping and creasing to separate panels of original billboard. A wonderful pair. unknown
rif. 12987One from Overstrand Norfolk; 27 May 1950. The other four on letterheads of 'Ballet' 'Ballet and Opera' and 'Ballet Publications Ltd'. Between 1949 and 1950. The five items in good condition on lightly-aged paper. Item One: Autograph Letter Signed with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines. 1p. 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl and begins: 'Dear Erich I have just spoken to Harewood the Earl of Harewood co-founder with Buckle of 'Opera' magazine. He would like you to do it but thinks the Rankl's sic friend had better have the job as they seem to have chosen him. What a pity! I was looking forward to your mellow cadences.' He 'adored being blown about at Brighton' and has 'returned full of youthful vigour but absolutely penniless'. Item Two: Autograph Letter Signed 'D'. 2pp. 4to. 'Overstrand Saturday' dated by Alport 27 May 1950. 2pp. 4to. He begins: 'My dear Erich Thank you so much for your nice letter. I hope indeed we shall often stay in lovelier and greater palazzi together if not in wind-blown flowery ditches.' It appears 'that the June number may well be the last. There is just one little plan which occurred to me on the golf course this afternoon Fore! Mr. Dorré! but we shall see in the next few days what comes of it.' He has 'had luncheon with Ursula' who is 'just back from Teneriffe and seems quite serene and buoyant'; and saw 'five tarry dead seagulls on the beach today and one huge bird - a cormorant maybe' which brings forth a quotation from Milton. Item Three: Autograph Note Signed 'D.'. On Frith Street letterhead of 'Ballet' magazine. Undated. 1p. landscape 12mo. 'Dearest Erich Do you want to stay the night on Thursday Let me know. Love D.' Item Four: Typed Circular Signed by Buckle 'Richard Buckle'. On Fleet Street letterhead of 'Ballet and Opera'; February 1949. The first paragraph reads: 'People are always complaining to me - verbally and by post from all over the world - that they can never get BALLET and OPERA. I must say I was always too lazy to take out an annual subscription to anything until I had a secretary of my own. Now thank goodness there is a little more paper to be had and we can print a few more copies every month.' Item Five: Typed Letter Signed by 'K. P. Newman Secretary'. On Frith Street letterhead of 'Ballet' magazine; 31 May 1946. 1p. 4to. Regarding the renewal of his subscription. One from Overstrand [Norfolk]; 27 May 1950. The other four on letterheads of 'Ballet', 'Ballet and Opera' and 'Ballet Publicatio unknown
1999310 pages including index and notes. In this, Gottfried Wagner's memoir, Hitler is an inescapable presence, as he was in Gottfried's family - one of the many specters haunting the Wagner estate, though young Gottfried wondered if he was the only one who could see them. One afternoon he discovered old photographs and oil paintings of Hitler among the family memorabilia. Warned never to mention the pictures to anyone, he became an unwilling coconspirator in his family's secret. New copy. Book
1987Collana NARRA 57 Legatura brossura con bandelle Formato Ottavo Num Pagine 502 Illustrazioni in b/n fuori testo Traduttore Gioia Angiolillo Zannino Prima Edizione
2017br. Il volume nasce dalla rielaborazione di un ciclo conferenze tenute presso il Teatro Massimo di Palermo e di due corsi universitari entrambi dedicati al Ring. Vi si trova una guida completa e aggiornata al sistema drammaturgico-musicale wagneriano, alla sua ricchezza concettuale e ai presupposti estetici, filosofici e politici che ne furono alla base. È costituito da un'ampia introduzione dedicata alle suddette premesse (con numerose citazioni dagli scritti di Wagner), seguita da un 'racconto' dettagliato delle vicende - innanzi tutto - dei quattro drammi musicali, in altrettanti capitoli. La trattazione si avvale degli apporti ermeneutici più significativi, da quelli storici di Nietzsche, George Bernard Shaw, Thomas Mann, T. W. Adorno a quelli più recenti. Corredata degli esempi musicali relativi a tutti i Leitmotive e di tavole che offrono una visione d'insieme della struttura tematica, offre la possibilità di addentrarsi nell'universo sonoro e drammaturgico di una delle più grandi creazioni di tutti i tempi per osservarne i dettagli compositivi e districarne la complessità dei significati. Il taglio non è tuttavia analiticamente specialistico: l'origine stessa del volume, didattica e divulgativa, si riflette nell'adozione di un registro intermedio, che non trascura le annotazioni utili allo studioso più competente, ma si presenta al contempo accessibile al lettore colto e appassionato.
