21.216 resultados
1873ref. 360111873. GOUNOD Faust. Opera 5 felvonásban. Göthe Után irták Barbier Gyula és Carré Mih. Forditotta Ormai. Zenéje Gounod Károlytól. Pest: Nyomatott Emich Gusztáv 1864. Octavo. Plain dark pink wrappers. 35 pp. Faust was Performed in Hungary for the first time on 2 September 1863. MEYERBEER Proféta. Nagy opera öt felvonásban. Irta Scribe. Forditotta Egressy Bèni ès Szerdahelyi. Zenéjét szerzé Meyerbeer. Pest: Nyomatott Herz Jánosnál 1856. Octavo. Plain light green wrappers. 3 pp. Le Prophete was performed in Hungary for the first time on 11 June 1850. MEYERBEER Hugonotok. Nagy opera öt felvonásban. Irta Scribe. Forditotta Nádaskai Lajos. Zenéjét Mayerbeer!. Pesten: Nyomatott Lukács Lászlónál 1852. Octavo. Plain ivory wrappers. 48 pp. Les Huguenots was performed in Hungary for the first time on 6 November 1852. THOMAS Mignon. Regényes dalmü 3 felvonásban. Göthe "Meister Vilmos Tanuló Évei" czimü regénye után irták Carré es Barbier. Forditotta Ormai Ferencz. Zenejét szerzé Thomas Ambrus. Pest: Kiadja Pfiefer Ferdinand 1873. Octavo. Original publisher's light blue wrappers with titling within decorative border. 36 pp. Mignon was performed in Hungary for the first time on 20 September 1873. WAGNER Tannhäuser; és a Wartburgi Dalnok Verseny Regényes dalmü 3 felvonásban. Szövegét s zenéjét irta Wagner Richard. Magyarra forditotta Ãbrányi Kornél. Pest: Kiadja Pfiefer Ferdinánd 1871. Octavo. Original publisher's light blue wrappers with titling within decorative border. 20 pp. Tannhäuser was performed in Hungary for the first time on 11 March 1871. Wrappers slightly worn and soiled. Some browning and foxing. From the first or early performances of these operas in Hungary. unknown books
1983ref. 149602N.p.: Sara Films 1983. Vintage reference photograph from the 1983 film. With a printed mimeo snipe on the verso. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Godard Histoires du cinema. Sara Films unknown books
1984ref. 151105N.p.: International Spectrafilm Distribution 1984. Vintage reference photograph of Jean-Luc Godard and Valerie Dreville from the 1984 US release of the 1983 French film. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 10.25 x 8 inches. Near Fine. Godard Histoires du Cinema. International Spectrafilm Distribution unknown books
1986ref. 150041Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 7 x 5 inches. Near Fine. Godard Histoires du Cinema. Interpress unknown books
1909ref. 31924München: Braun & Schneider 1909. 4 issues. Small quarto. Stapled. 185-232 pp. Profusely illustrated with drawings cartoons and caricatures by August Roeseler 1866-1934 Werner Zehme 1859-1924 and others. From the collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934. Slightly worn and browned. This popular German periodical contained commentary of a humourous nature particularly relating to contemporary German theatre opera literature art and social mores. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. Braun & Schneider unknown books
ref. 30832Executed in ink pencil gouache and silver paint on wove paper. Unsigned but with monogrammatic handstamp to lower left corner. With annotations in ink in Russian relative to various parts of the costume. 13.125" x 8.75" 332 x 222 mm. Slightly worn and soiled; some edge tears and repairs; upper right corner with erasure resulting in minor paper loss. Korovine designed costumes for productions of Russian operas including Borodin's Prince Igor Mussorgsky's Khovanshchina and Rimsky-Korsakov's Sadko and Le Coq d'Or. "Konstantine Korovine is one of the most famous of Russia's twentieth-century stage designers. He made his debut as a theatrical painter in 1885 when he executed the sets and costumes for the production of Snegurochka at Savva Mamontov's Private Opera after Vasnetsov's designs and thereafter he emerged rapidly as an independent stage designer - decorating according to one souce 80 operas 37 ballets and 17 dramas during his lifetime. Korovine brought to the Russian stage a vibrancy and richness that was lacking in the traditional Imperial theaters. He felt more at ease when called upon to design operas and ballets treating of Russian history and legend such as Prince Igor Sadko and The Golden Cockerel and he designed sets and costumes for such spectacles at home and abroad." Bowlt: Russian Stage Design Scenic Innovation 1900-1930 from the Collection of Mr. & Mrs. Nikita D. Lobanov-Rostovsky pp. 175-176. MacDougall Arts Ltd. London auction June 9 2011 lot 413 catalogue p. 17. unknown books
ref. 29868Image size ca. 212 x 142 mm. sheet size 321 x 190 mm. The design depicts a man dressed in an exotic Egyptian costume deocrated with numerous armlets anklets necklace earrings headdress etc. Executed in watercolour and gold paint on heavy wove paper. Slightly worn; browning to outer edges from old mat; remnants of mounting paper to verso. unknown books
1982ref. 140561N.p.: Accent Films B.V. 1982. Vintage studio still photograph from the 1982 film. Based on Giuseppe Verdi's 1853 opera of the same name. A musical retelling of Verdi's famous opera which follows the doomed romance between a courtesan and a nobleman. 8 x 10 inches. Near Fine. Accent Films B.V. unknown books
1881ref. RBALLER00ECLibrairie Germer Bailliere Et Cie 1881. Very Good. Ballet Gilbert. Le Rein Senile : Contribution a L'Etude de la Nephrite Interstitielle Chez les Vieillards Extrait de la Revue de Medecine. Paris: Librairie Germer Bailliere Et Cie 1881. Illustrated. 8vo. Book condition: Good. Contemporary ink notation at top of front wrap and tiny blind stamp on bottom edge. A small number stamp on first page. Back wrap lacking and with glue residue and stitching holes at spine from previous binding in a larger volume. Contents very good. Text in French. . Librairie Germer Bailliere Et Cie unknown books
2009ref. 130310New York: Aperture 2009. First edition. Hardcovers. Three volumes. Curtis Mann with an essay by Rod Slemmons John Opera with an essay by Karen Irvine and Stacia Yeapnis with an essay by Natasha Egan. Each book with numerous illustrations. All books in fine condition and in a fine cardstock slipcase. No dust jackets as issued. Aperture unknown books
ref. 14051Original Albumen photographic print of 19th century Paris. In the foreground several carriages are crossing paths in front of the Paris Opera. Circa 1880s. by X.phot. as credited in the title bar. A superb image capturing a period of time in 19th century Paris. 8" x 11". A sharp clean image. In excellent condition. unknown books
ref. 15503Foreign Languages Press Peking 1973. 8vo. 39pp. Colour illustrated wraps. Black and white illustrations inside. The Red Detachment of Women Chinese: 红色娘å军; pinyin: Hóngsè niángzÇ jūn is a Chinese ballet which premiered in 1964 and was made one of the Eight Model Operas which dominated the national stage during the Cultural Revolution. It is best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. In very good condition. unknown books
1880ref. 17251np 1880. Broadsheet 5.75" x 17.5" pink paper light wear. Very Good. unknown books
ref. 12406Used; Like New/Used; Like New. An evocative image dated 1904 and signed lower right in an unknown hand not Chaliapin!. Fine. Approx 9 x 14 cm. unknown books
1972ref. 9020545Minneapolis: University of MInnesota 1972. 1st. Hardcover. Fine/near fine. Bound in the publishers original cltoh over boards spine stamped in black. With three plays by Yale M. Udoff Allen Joseph William N. Monson. University of MInnesota hardcover books
1972ref. 9020546Minneapolis: University of MInnesota 1972. 1st. Hardcover. Fine/near fine. Bound in the publishers original cltoh over boards spine stamped in black. With four plays by David Korr Gladden Schrock Don Keith Opper Joel Schwartz. Spine of dust jacket is sunned else fine. Advance comp copy with publisher's promotional materials laid in. University of MInnesota hardcover books
ref. 27931New York City: Metropolitan Opera Co. INSCRIBED by Ms Stevens. Faint dimple in lower left corner. Very Good. 9-7/8" x 8" "One of the great voices of the Metropolitan Opera New York-born mezzo-soprano Rise Stevens made her debut with the company in 1939 as Octavian in Richard Strauss's "Der Rosenkavalier". Her other notable roles in 21 years with the company included the two characterizations most associated with her the title role in Bizet's "Carmen" and Dalila in Saint-Saens's "Samson et Dalila." Furthermore Ms Stevens is known for literally saving the entire 1961 season. After the company had canceled its entire 1961-62 schedule due to stalled labor negotiations a persuasive telegram from Rise Stevens convinced President Kennedy to intervene and he ordered the Secretary of Labor to arbitrate the dispute. Just three weeks later the entire season was reinstated on schedule demonstrating notables such as President Kennedy were not immune to the entreaties of the Met's attractive reigning mezzo-soprano. A great beauty as well as a great singer she also enjoyed one of the more successful careers of the many opera singers who made films most notably in "The Chocolate Soldier" opposite Nelson Eddy and "Going My Way" with Bing Crosby & Barry Fitzgerald. She was also something of a fixture on early TV appearing frequently on such programs as "The Bell Telephone Hour" & "The Voice of Firestone" where she sang both operatic arias & popular songs. She also appeared on one of the first telecasts from the Met in 1954 singing her favored role of Carmen opposite one of her most frequent Don Joses Richard Tucker." IMDb. Metropolitan Opera Co unknown books
ref. P002834Havana Cuba: Imp. "Marti" 1941. Octavos 23 × 15.5 cm. Single folded leaves printed to rectos and versos; 4 pp. each. Very good. Three programs for performances in Cuba of the Original Ballet Russe a ballet company established in 1932 by René Blum and Colonel Wassily de Basil as successor to Sergei Diaghilev's Ballets Russes founded in 1909. A disagreement between De Basil and Blum resulted in the company's split in 1936. De Basil's "Original Ballet Russe" retained such famous dancers as Riabouchinska David Lichine and Roman Jasinski and traveled extensively throughout Europe and America. In March 1941 the company arrived in Havana where it was enthusiastically met but the season was marred by a labor strike and the De Basil's inability to adequately pay the company. As a result many dancers lingered in the Cuban capital for months and were forced to take on other jobs including appearances in nightclubs to survive. The season included works such as Fokine's "Les Sylphides" "Paganini" "Prince Igor" "Petrouchka" "Sheherazade" and Massine's "Symphonie Fantastique" "Les Presages" and "Le Beau Danube.". unknown books
ref. 4451290 pp. compendium of essays texts lists of producers and designers lists of works with prices and other material pertaining to a national competition intended to spur new designs for furniture a wide array of functional and decorative objects and interior decor for middle class homes in Italy between the wars approx. 65 photographic illustrations on plates showing objects 6 pp. of advertisements in rear. 8vo. Orig. dec. wrpps. top of spine chipped. Rome 1928. Bollettino Ufficiale dell' Opera Nazionale Dopolavoro 11/12. All of the material was exhibited at the Esposizione Nazionale in Rome. As of June 2015 WorldCat locates only one holding in North America. unknown books
1838ref. 36247Girard: Naples 1838. Oblong quarto. Contemporary quarter dark brown calf with green textured paper boards decorative dark brown leather label to upper with "Costanza Angelillo" gilt spine in decorative compartments gilt. Occasional secondary pagination. Contains: Pacini Giovanni 1796-1867 Merope Grand Opera . arrangé pour Piano solo. PNs 8867-8879. Ca. 1848. 1f. recto title verso blank 1 list of subscribers as of 24 December 1847 18 numbers in piano score with occasional text. Subscribers include Filippo Angelillo in all likelihood related to Costanza Angelillo owner of the volume. Merope in 3 acts to a libretto by Cammarano after Voltaire was first performed in Naples at the Teatro S Carlo on 25 November 1847. Pacini Saffo . Souvenirs. Choeur de femmes. Musical manuscript. 1f. recto title on light green paper verso blank 6 pp. Donizetti Gaetano 1797-1848 Roberto Devereux . Représenté au théâtre Royal de St. Charles le 28 Octobre 1837 . L'opéra entier . D.2.50. . 1er -2ème cahier. 1f. recto title verso blank 3-19 i blank; 1f. recto title verso blank 18 pp. PNs 3939-3943. Ca. 1838. Donizetti No. 8. Cavatine PN 6045. Ca. 1843. 6 pp. 1f. From Don Pasquale. Donizetti Linda di Chamounix Nouvel opéra . arrangé pour piano solo. 1f. recto title verso blank. Cavatine O luce di quest' anima Ajoutée à Paris pour Mme. Persiani-Tacchinardi et chantée à Naples par Mme. Tadolini. 4 pp. PN 5863; No. 14 Air Final du 2ème Acte de Linda . A consolarmi affrettati Chanté par Mme. Tadolini. 8 pp. PN 5685. Ca. 1840. 2 numbers in total. Donizetti Lucia di Lammermoor. No. 4. Duo chanté par Mme. Tacchinardi et par Duprez. 9-18 pp. PN 3953; Grand opéra . arrangé par piano solo. 1f. recto title verso blank 9-15 i blank pp. PN 3962. Ca. 1838. 2 numbers in total. Verdi Giuseppe 1813-1901 I Due Foscari. No. 14 Choeur d'Introduction Allagioia. 4 pp. PN 6884; No. 2 Cavatine de Jacopo Dal più remoto esilio Chantée à Naples par Fraschini. 10 pp. PN 6875; No. 3 Choeur et Cavatine de Lucrezia Tu al cui sguardo Chantée à Naples par Mme. Bishop. 7 i blank pp. PN 6876; No. 6 Duo de Lucrezia et du Doge Tu pur lo sai Chanté à Naples par Mme. Bishop et Coletti. 9 i blank pp. PN 6879/ Ca. 1845. 4 numbers in total. Verdi Ernani . arrangé pour piano solo. 1f. recto title on light blue paper within decorative border verso blank. No. 12 Suite et Stretta No vendetta. 4 pp. PN 6647; No. 14 Duo final d'Ernani et de Silva Esci a te scegli segimi. 9 i blank pp. PN 6604; No. 15. Air final de Mme. Toldi Se crudele il cor mostrai. 4 pp. PNs 4312 3222; No. 3 Cavatine tyrolienne de Mme. Toldi In questo semplice. 7 i blank pp. PNs 4302 3221. 4 numbers in total. Bellini Vincenzo 1801-1835 I Puritani. No. 18 Duo Il rival salvar tu dei Chanté Par Tamburini et Lablache. 12 pp. PNs 4167 2765. Ca. 1842. 1 number in total. Mercadante Saverio 1795-1870 l Giuramento. . arrangé pour piano solo. 1f. recto title listing the 21 numbers in the opera verso blank No. 4. Quatuor Vicino a chi si adora. 5 i blank pp. PN 4115. Ca. 1847. 1 number in total. Binding very slightly worn rubbed and bumped. Occasional light foxing. A clean wide-margined copy overall. An attractively-bound collection. Naples unknown books
ref. 36029Includes works of Battista 5 Donizetti 6 Mercadante 7 Pacini 1 Petrella 1 and Verdi 1. With contemporary mansucript index to front free endpaper. Contents: BATTISTA Vincenzio 1823-1873 Ermelinda Dramma lirico in Quattro Atti di Domenico Bolognese. Monaco: Orlando e C. after 1850. - Duetto Signor Capitano. PN 599. 19 pp. - Coro alla danza. PN 600. 14 pp. - Terzettino Febo ei vieni. PN 606. 8 pp. - No. 13. Scena e Romanza. Partenopeo. PN 12093. 4 pp. Anna La Prie. Tragedia lirica di Nicola Leoncavallo. Napoli: Fabricatore e Co. ca. 1845. - Scena e cavatina Alboix. PN 105. 10 pp. DONIZETTI Gaetano 1797-1848 La Favorita Melodramma tragico in 4 atti Posto in musica pel Real teatro di Parigi. Napoli: Girard e Ci. ca. 1844. - Aria O mio Fernando. PN 5181. 9 pp. - Scena e Duetto Ah moio bene un Dio t'invia. PN 5185. 12 pp. - Quartettino Deh paventa il furor. PN 5197. 4 pp. - Scene e Duetto Ah va t'invo la e questa. PN 5184. 13 pp. Maria di Rohan Melodramma tragico in tre atti di S. Cammarano . Riduzione per Canto con accompo. di Pianoforte di C. Czerny. Milano: Giovanni Ricordi 1843 - N: 14. Scena e Freghier . No osoalzarcilumi! PN 14914HH. 6 pp. - Scena e Ballata . Cavalieri che veggio. Napoli: F. Fabricatore e C.; Palermo: R. Zerega. PN 146 ca. 1845. 7 pp. MERCADANTE Saverio 1795-1870 Violetta Opera semiseria in 4 Atti . Rappresentata per la prima volta nel Teatro Nuovo di Napoli li 10 Gennajo 1853. Napoli: Partenopeo ca. 1856-60. - No. 22. Rondo Finale. PN 10756. 10 pp. Virginia Tragedia Lirica in tre atti di S. Cammarano . Rappresenta per la prima volta nel R. Teatro S. Carlo di Napoli il 7 Apr. 1866. Napoli: T. Cottrau ca. 1866. - No. 10. Preghiera di Virginia. PN 14610. 4 pp. - No. 14. Terzetto di Virginia Appio ed Icilio. PN 14614. 8 pp. Stratira opera tragica in tre Atti. Esuguita nel R. Teatro di S. Carlo li 8 Gennajo 1853. Poesie di Domenico Bolognese. Napoli: Partenopea ca. 1866. - No. 3. Scena e cavatina Cassandro. PN 10757. 15 pp. - No. 14. Romanza Cassandro. PN 10758. 4 pp. Orazi e Curiaze Tragedia lirica in 3 atti di S. Cammarano. Posta in musica per il Teatro di S. Carlo ov'é stata rappresentata á 10 Novembre 1846. Napoli: Girard ca. 1846 - No. 2. Scena Romanza e Cavatina. PN 7555. 14 pp. - No. 13. Scena Preghiera ed Aria Finale. PNs 7565 7560 7567. 13 pp. Later issue of ca. 1856-60. PACINI Giovanni 1796-1867 Malvina di Scozia. Opera in 3 acts Grande Scena Preghiera ed aria. L'orror mi rese immobile. Napoli: Fabricatore e C. PN 725 ca. 1852. 19 pp. PETRELLA Errico 1813-1877 Elena di Tolosa. Melodramma in tre Atti. Eseguito nel R. Teatro del Fondo li 112 Agosto 1852. Poesia di Domenico Bolognese. Napoli: Successori della Ditta Girard ca. 1852. - No. 6. Duetto. Dembra mesta! . male! male! PN 10466. 14 pp. VERDI Giuseppe 1813-1901 Rigoletto. Melodramma di F.M. Piave. Milano: Giovanni Ricordi after 1852 - No. 9. Scena ed Aria "Coro nome che'il mio cor." PN N23079N. 7 i list of publisher's plate numbers for excerpts of piano-vocal piano 2-hands and piano 4-hands pieces pp. Oblong folio. 19th century black leather-backed boards. Binding somewhat worn and abraided; joints split. Occasional minor wear and soiling; some small tears. In very good condition overall. An interesting collection of scarce mostly Neapolitan imprints in all likelihood associated with contemporary performances. unknown books
ref. 30299Firenze n.d. Hand-coloured engraving of the exterior of the Teatro San Carlo. 235 x 305 mm. A 20th century re-impression of the 19th century original with "Correction du dessin et imprimé par l'Editrice PV 200" printed to corners just below image. Matted framed and glazed. From the collection of Marilyn Horne b. 1934. A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
1940ref. 296831940. Image size 200 x 174 mm. sheet size 284 x 217 mm. Signed in the stone "H. Rayner" and with monogram; also signed in pencil below platemark at lower right with "copyright 1940" in pencil to lower right margin. Printed in olive green-toned ink on wove paper. An Australian artist who studied and worked in Britain Rayner was a student of Walter Sickert at the Royal Academy and a friend of Augustus John. "Henry Rayner's single-minded devotion to the drypoint technique created what is almost certainly the largest body of drypoint work of any mid-20th century artist. Rayner typically took 15 or fewer impressions from each plate. It has taken nearly 70 years for Henry Rayner's drypoint work to begin attracting serious interest among collectors." Roger Stanton hewitthenryrayner.co.uk. unknown books
1940ref. 296841940. Image size 175 x 135 mm. sheet size 279 x 216 mm. Signed in the stone "H. Rayner"; also signed in pencil below platemark at lower right. With "Ballet" and "copyright" in pencil to lower margin. Printed in olive green-toned ink on wove paper. Very slightly worn; minor foxing to blank margins. An Australian artist who studied and worked in Britain Rayner was a student of Walter Sickert at the Royal Academy and a friend of Augustus John. "Henry Rayner's single-minded devotion to the drypoint technique created what is almost certainly the largest body of drypoint work of any mid-20th century artist. Rayner typically took 15 or fewer impressions from each plate. It has taken nearly 70 years for Henry Rayner's drypoint work to begin attracting serious interest among collectors." Roger Stanton hewitthenryrayner.co.uk. unknown books
1965ref. 27407New York NY: Robert Joffrey Ballet Company 1965. First Edition. Comb. Good. First Edition. 56 pages plus covers. Variously paginated. Illustrated with half tones. White comb binding. Minor staining and creasing. Spine comb is broken in several places. Still sound. Comb. What we take to be the 1964-1965 program for the Robert Joffrey Ballet. With detailed information on the previous few years activities a full page advertisement for the 1964-65 school year noting the faculty members and Joffrey's association with the American Ballet Center in NYC. While the production values are very basic the piece could have been used for fundraising prospective students and anyone interested in the Joffrey Ballet. Scarce with no copies available that we could find as of this listing. [ Robert Joffrey Ballet Company ] unknown books
