2.331 resultados
1486In-4; pp. (28). Legatura in cartonato settecentesco.Prima e unica edizione di questi trattati sulla prospettiva e la retorica, scritti dall'umanista calabrese, che colgono un momento fondamentale dell'evoluzione artistica del rinascimento italiano.Opera di esaltazione della prospettiva nell'arte rinascimentale, che Collacio ravvisa nelle opere di alcuni artisti contemporanei tra cui in primis individua la pala di San Cassiano diAntonello da Messina, opera che segna anche l'introduzione in Italia della tecnica a olio. Seguono gli esempi dei fratelli Bellini, del Mantegna, di Pietro Lombardo, e il coro ligneo dei fratelli Canozi nella Basilica del Santo a Padova, opera per cui questo testo e' anche una preziosa fonte di descrizione iconografica essendo il coro andato distrutto.In questa rara opera pubblicata a Venezia, si raccoglie in modo assai interessante una summa di fattori ed eventi legati alla vita e agli studi di Matteo Colacio (Foroleto, provincia di Catanzaro, inizio della prima meta' del XVI secolo, forse 1457 - nessuna ipotesi sulla data della morte). Una descrizione piu' lunga ed accurata verra' fornita su richiesta.P.a.R.
1628ref. 4005Venice: Lucio Spineda 1628. SOLE EDITION. Hardcover. Fine. Contemporary limp vellum in fine condition paste-down torn. The text is in excellent condition with a few instances of light toning in gatherings O S and X and a small worm-track in the margin of the first few lvs. The text is illustrated with woodcut diagrams. An extremely rare book. OCLC cites only 1 copy in North America Columbia University and 5 other institutional copies outside of Italy two in Denmark two in France one in Switzerland. Vagnetti described the book without having seen a copy. Riccardi described an incomplete copy. First and only edition of this wide-ranging work on selected problems in perspective and its underlying geometry largely organized around what the author considers to be commonly found theoretical or practical errors. Diano proves himself to be well read in the contemporary literature of optics and perspective citing Kepler Maurolico Aguilon and others. The final two chapters describe perspective instruments of the variety used by Dürer. Ferdinando di Diano born around 1571 was an Italian mathematician philosopher and theologian author of some fifteen texts on various subjects including the natural sciences. In "The Eye Wandering from Reason Emended. Perspective"1628 Diano distinguishes between 'perspectiva naturalis' physiological optics and 'perspectiva artificialis' the graphic method that allows the rationalization of space. Diano considers human perception via 'perspectiva naturalis' to be fallible; one cannot be sure what one perceives visually is true or merely a 'deception of the mind'. That is the observer does not know if the images that reach the retina are altered in some way by the mind. By contrast through 'perspectiva artificalis' using optical and measuring tools to "construct" an accurate perspective view the individual can affirm the reliability of one's senses. It is this enhancement of the ability of men to thwart the illusions of visual perception that is at the heart of the "The Eye Wandering from Reason Emended. Perspective." In Diano's views it is the ability to distinguish our perception from reality that distinguishes the soul of rational people from those of madmen and beasts. Lucio Spineda hardcover
1628ref. 4005Venice: Lucio Spineda 1628. SOLE EDITION. Hardcover. Fine. Contemporary limp vellum in fine condition paste-down torn. The text is in excellent condition with a few instances of light toning in gatherings O S and X and a small worm-track in the margin of the first few lvs. The text is illustrated with woodcut diagrams. An extremely rare book. OCLC cites only 1 copy in North America Columbia University and 5 other institutional copies outside of Italy two in Denmark two in France one in Switzerland. Vagnetti described the book without having seen a copy. Riccardi described an incomplete copy. First and only edition of this wide-ranging work on selected problems in perspective and its underlying geometry largely organized around what the author considers to be commonly found theoretical or practical errors. Diano proves himself to be well read in the contemporary literature of optics and perspective citing Kepler Maurolico Aguilon and others. The final two chapters describe perspective instruments of the variety used by Dürer. Ferdinando di Diano born around 1571 was an Italian mathematician philosopher and theologian author of some fifteen texts on various subjects including the natural sciences. In "The Eye Wandering from Reason Emended. Perspective"1628 Diano distinguishes between 'perspectiva naturalis' physiological optics and 'perspectiva artificialis' the graphic method that allows the rationalization of space. Diano considers human perception via 'perspectiva naturalis' to be fallible; one cannot be sure what one perceives visually is true or merely a 'deception of the mind'. That is the observer does not know if the images that reach the retina are altered in some way by the mind. By contrast through 'perspectiva artificalis' using optical and measuring tools to "construct" an accurate perspective view the individual can affirm the reliability of one's senses. It is this enhancement of the ability of men to thwart the illusions of visual perception that is at the heart of the "The Eye Wandering from Reason Emended. Perspective." In Diano's views it is the ability to distinguish our perception from reality that distinguishes the soul of rational people from those of madmen and beasts. Lucio Spineda hardcover books
1693ref. 87952Romae - Roma, Typis Johannis Jacobi Komarek Bohemi, Nella stamperia di Giacomo Komarek Boëmo 1693 In-folio. Reliure de l’époque plein veau brun, dos à nerfs muet, 68 planches gravées, tête et pied de dos restaurés, coins émoussés et frottés, mouillures.
ref. SONG1259390586Used: Good unknown
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ref. DADAX082800739XNew unknown
1541In-8°; pp. 796, mancano le ultime due carte, legatura in mezza pelle con tassello al dorso, più tarda. Con molti legni e diagrammi nel testo. Seconda edizione, la prima del 1538, le Lucubrationes dell’umanista fiammingo rappresentano un’opera “enciclopedica” nel senso che raccolgono trattati nei diversi campi del sapere, di particolare interesse la sezione scientifica dedicata all’ottica, alla prospettiva, astronomia, geometria e matematica, anche per le molte illustrazioni. Sembra le la parola “enciclopedi” si trovi per la prima volta proprio sul frontespizio di quest’opera, sotto la forma di kiklopedia.
ref. DADAX0415827620New unknown
1770ref. 24136A Coutances et se vend à Paris, chez Esnauts & Rapilly, s.d. [circa 1770]. Dimensions (à vue) : 528 x 352 mm + passe-partout + cadre.
1770ref. 241361770. A Coutances et se vend Paris chez Esnauts & Rapilly s.d. circa 1770. Dimensions vue : 528 x 352 mm passe-partout cadre. Rare et importante vue perspective - en coloris du temps - figurant l'ensemble de la cit. Lgendes et adresse en marge infrieure. Prsente sous cadre baguette dor. Marges lgÂrement oxydes. DiscrÂtes plissures au centre de l'preuve. Encrage de la partie lgende parfois un peu faible. Du reste belle condition. Rare. b42961 unknown
1647ref. 31685Paris Chez La Veuve Langlois, Dict Chartres, Rue Sainct Iacques, Aux Colomnes d'Hercule 1647 In-4 12 ff- 123 pp ( la pagination est double, il y an en réalité 246 pp dont 123 planches au verso imprimé, c'est l'explication de la planche suivante - 6 ff de tables . L'intérieur est bon sauf une mouillure d'angle sur quelques ff . Seconde Parie seule , dos à refaire .
1750ref. 125220à Paris, chez Charles-Antoine Jombert, libraire du Roi pour l'Artillerie & le Génie, au coin de la rue Gille-coeur, à l'image Notre-Dame. M. DCC. L. 1750 In-4 25 x 20 cm. Reliure de l’époque demi-veau havane, dos lisse orné de petits fers encadrés de roulettes dorées, VIII-241 pp., 110 planches hors texte illustrant respectivement les leçons de perspective et de 56 cul-de-lampe allégoriques à mi-page de Babel., table. Très bon exemplaire.
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1826ref. 92286Paris, chez l’Auteur 1826 In-8. Reliure restaurée amateur demi-basane noire, dos lisse muet, 84 pp., 47 planches dont frontispice. Intérieur correct avec rousseurs marginales, premières pages fendues marginalement en pied. Ouvrage d’une relative rareté bien complet de ses planches.
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