396 résultats
Dijon, Edit. Pellion et Marchet fre., c. 1890. Imitation de Jésus-Christ. Traduction nouvelle. A.M.D.G. Edition bijou R.M. 320p. 16 avo. Piel editorial algo rozada. Lomo con hierros. Cantos dorados. Livre en français. Buen ejemplar.
réf. 604362Paris, Gallimard, 1997. In-8 carré broché, couv. ill. en coul., 107 pp., 84 ill. en n/b. dont la plupart à pleine pp., bibliographie, tables.
1981réf. 51425ABWiesbaden, Kommissionsverlag Franz Steiner, 1981. 4° (28x20), 112 S., mit 100 beschriebenen und teils farbig bebilderten Exponaten, ill OKart (Brosch), vom Schnitt her etwas unfrisch/angestaubt, sonst fest und sauber,
Folio, 21.[1]pp., one of 100 numbered copies, presentation inscribed, with coloured vignette on title and 14 collotype plates, orig. cloth, a fine copy.
réf. 603080British Library, 2004. In-12 br., couv. rempliée ill. en coul., 159 pp., 140 ill. en couleurs.
réf. 602986Los Angeles, J. Paul Getty Museum / London, Royal Academy of Arts, 2003. Fort in-4 broché, couv. ill. en coul., XV-576 pp., nb. ill. en coul. dont, plusieurs à pleine pp., catalogue de 172 notices descriptives et ill., texte en anglais sur 2 colonnes, biographies, bibliographie, index.
Second Edition, 12mo, coloured frontis., 21 illustrs., orig. cloth, d.w.
réf. 603433Los Angeles, The J. Paul Getty Museum, 2009. In-4 broché, couv. rempliée ill. en coul., 131 pp., front. en coul., 23 pp. de texte en anglais suivies de reprod. en coul. à pleine pp. légendées en anglais.
réf. 602942Oxofrd, At the Clarendon Press, 1969. In-8, rel. éd. pleine-toile enduite brune sous jaquette, 108 pp., front. en coul., 66 planches de reprod. en n/b., texte sur 2 colonnes en anglais, index.
First Edition, 4to, 147pp., 48 coloured plates, orig. cloth, d.w. The Bibliotheca Corviniana which Matthias Corvinus, King of Hungary (1458-1490), collected in his Buda palace was one of the largest and most magnificent libraries of the times. Out of the original Corvinian collection 43 manuscripts and two incunabula are preserved in Hungary, and the present work is a discussion of them.
19678vo., First Edition, with 4 fine coloured plates in gilt and colours and 16 plates in monochrome; original pictorial wrappers, a near fine copy.
First Edition, 4to, xii,85pp., coloured frontis., 80 plates, orig. printed wrappers.
1989Folio, First Edition, with 23 fine coloured plates on 16 and 718 monochrome plates on 342; terracotta cloth, upper board and backstrip lettered in brown, a fine copy in unclipped dustwrapper. The manuscript collection contains some 700 codices, over half of which originated in the monastery libraries of the mediaeval bishopric of Utrecht. This catalogue, modelled on those of the Bodleian Library, presents all the essential information on the miniatures, marginalia and other decorations in 132 MSS from the northern Netherlands, and 49 others from Belgium, France, Germany, Greece and Italy.
réf. ST12207Modena: Franco Cosimo Panini 2008. No. 201 OF 980 COPIES. 216 x 152 mm. 8 1/2 x 6". 136 leaves in the facsimile. Three volumes including two volumes of commentary one in German and one in Italian. SUMPTUOUS RED MOROCCO central panel of each cover with thin open-work black leather in an ornate vine pattern laid over blue and gold silk creating a stained glass effect the leatherwork incorporating floral circles painted in red and gold three large medallions arranged down the center of the panel those at head and tail of red morocco painted in a black gold and blue pattern and with a large round semi-precious stone at the middle the central medallion comprising a miniature on silk that on the upper cover of the Archangel Gabriel that on the lower cover of the Virgin Mary; raised bands spine diapered in blind with a single gilt dot at the center of each lozenge; floral silver cornerpieces and two clasps red morocco doublures framed in silver doublure panels with intricate decoration in gilt and black large central medallion of open-work black leather over blue silk with a molded leather profile of Julius Caesar at center ivory watered silk endleaves all edges gilt and gauffered. In a padded silk-lined cream-colored suede box with an enamel medallion on the upper cover. BEAUTIFULLY DECORATED THROUGHOUT: with many ornamental initials elaborate floral extensions and partial borders a tondo miniature at the foot of each calendar page seven historiated initials with full borders and five full-page miniatures each by a different Italian master. ◆In mint condition. This sophisticated Book of Hours was produced in 1503 at the behest of Bonaparte Ghislieri a member of an important Bolognese family. In commissioning it Ghislieri wanted to bring together several of the most famous artists of the period each of whom was called upon to create a full-page miniature. The intention was to offer a sort of miniature anthology of the best that the Bologna school of illumination could produce at the time. Consequently we see a succession of works by: Amico Aspertini Adoration of the Shepherds Lorenzo Costa King David and his Lyre Il Francia Francesco Raibolini Saint Jerome Matteo da Milano Annunciation and Perugino St. Sebastian. This last is the only miniature ever painted by Raphael's teacher. Bologna was also the home of the scribe Pierantonio Sallando who taught grammar at the University of Bologna and was to become a famous professor of writing. The codex passed from the Ghislieris to the Albani family of Urbino where it is documented in the 18th century; the following century it reached England where it was purchased by Henry Yates Thompson in 1897. Since 1941 it has been kept in the British Library. Franco Cosimo Panini unknown books
réf. ST12207Modena: Franco Cosimo Panini 2008. No. 201 OF 980 COPIES. 216 x 152 mm. 8 1/2 x 6". 136 leaves in the facsimile. Three volumes including two volumes of commentary one in German and one in Italian. SUMPTUOUS RED MOROCCO central panel of each cover with thin open-work black leather in an ornate vine pattern laid over blue and gold silk creating a stained glass effect the leatherwork incorporating floral circles painted in red and gold three large medallions arranged down the center of the panel those at head and tail of red morocco painted in a black gold and blue pattern and with a large round semi-precious stone at the middle the central medallion comprising a miniature on silk that on the upper cover of the Archangel Gabriel that on the lower cover of the Virgin Mary; raised bands spine diapered in blind with a single gilt dot at the center of each lozenge; floral silver cornerpieces and two clasps red morocco doublures framed in silver doublure panels with intricate decoration in gilt and black large central medallion of open-work black leather over blue silk with a molded leather profile of Julius Caesar at center ivory watered silk endleaves all edges gilt and gauffered. In a padded silk-lined cream-colored suede box with an enamel medallion on the upper cover. BEAUTIFULLY DECORATED THROUGHOUT: with many ornamental initials elaborate floral extensions and partial borders a tondo miniature at the foot of each calendar page seven historiated initials with full borders and five full-page miniatures each by a different Italian master. ◆In mint condition. This sophisticated Book of Hours was produced in 1503 at the behest of Bonaparte Ghislieri a member of an important Bolognese family. In commissioning it Ghislieri wanted to bring together several of the most famous artists of the period each of whom was called upon to create a full-page miniature. The intention was to offer a sort of miniature anthology of the best that the Bologna school of illumination could produce at the time. Consequently we see a succession of works by: Amico Aspertini Adoration of the Shepherds Lorenzo Costa King David and his Lyre Il Francia Francesco Raibolini Saint Jerome Matteo da Milano Annunciation and Perugino St. Sebastian. This last is the only miniature ever painted by Raphael's teacher. Bologna was also the home of the scribe Pierantonio Sallando who taught grammar at the University of Bologna and was to become a famous professor of writing. The codex passed from the Ghislieris to the Albani family of Urbino where it is documented in the 18th century; the following century it reached England where it was purchased by Henry Yates Thompson in 1897. Since 1941 it has been kept in the British Library. Franco Cosimo Panini unknown
1830réf. 003360Pgris, Firmin Didot frères. grand in-8 (23,5 x 15 cm.), [IV],7, CCCLIX,[XV],36 pp., chagrin lie de vin, dos orné, large filet à froid et deux filets or sur les plats, petite grecque intérieure, tranches dorées (reliure d'époque). Curieuse édition, avec texte imprimé en caractères gothiques, encadrements, fleurons, lettres ornées, tirés des manuscrits du XVe, et cinq vignettes d'après Eugène Lami. Premier tirage. Un des rares exemplaires avec les fleurons, encadrements, lettres ornées et vignettes coloriées avec rehauts d'or
réf. 607843Paris, Draeger, 1973. In-folio rel. éd. bradel pleine-toile ocre impr. et ill. en rouge, [111] pp., dont 75 pl. d'enluminures et fac-similé en chromolithographie.
réf. 13188Sanchez & Cie, Paris, s.d. (circa 1870), 180 pp. avec planches et ornementations en chromolithographie . Imprimé en couleur par Georges HURTREL & Cie. Typographie de Gauthier-Villars. Paris, Bachelin-Deflorenne, s.d. [ fin du XIXème siècle ]. In-12 carré maroquin bleu nuit, double encadrement de filets à froid, écoinçons dorés, blason argenté au chiffre "BM" au centre du premier plat, double filet doré sur les coupes, dentelle intérieure dorée, dos à nerfs orné, titre doré sobrement au petit fer, tranches dorées .Livre d'Heures entièrement monté sur onglets, presque entièrement ILLUSTRE DE DÉCORS EN CHROMOLITHOGRAPHIE : ENCADREMENTS DE PAGES, TITRES, MINIATURES ETC.{CR} Infimes frottements sans gravité et très claires traces d'insolatio.. 180 pages.
1870réf. 31170Paris, Gruel / Engelmann, s.d. [circa 1870]. Un vol. au format pt in-12 carré (161 x 123 mm) de 2 ff. bl., 1 f. chromolithographié n.fol., cxcii pp., 4 ff. n.fol. et 2 ff. bl. Reliure signée de l'époque de plein maroquin lie-de-vin, plats ornés de filets, dentelles et roulettes d'encadrement dorés, chiffre doré surmonté d'une couronne vicomtale dorée au centre du premier, dos à nerfs orné de filets gras à froid, filet maigre doré sur les nerfs, doubles caissons d'encadrement dorés, double filet doré sur les coupes, tranches dorées et ciselées, dentelle intérieure dorée, gardes de pleine moire lie-de-vin. (Gruel).
1862réf. GITj414Paris Gruel, Engelmann 1862. In-12 carré 1 feuillet non chiffré I-CXCIIpp dont calendrier, 4 feuillets non chiffrés "souvenirs de famille" dans un bel encadrement et 12 feuillets blancs. Chagrin poli acajou, dos muet à nerfs ornés de filets noirs à pointes perlées se rejoignant sur sur les plats, double encadrement de filets à froid sur l'ensemble de la reliure, plats frappés d'une belle plaque à froid de volutes et médaillons servant de cadre à un fin monogramme doré sommé d'une couronne de marquis, coupes filetées, dentelle dorée sur bordure intérieure, contreplats et gardes doublés de moire pourpre, tranches dorées, 2 fermoirs en métal argenté ronds et en relief ornés d'une croix médiévale, reliure de l'époque (Gruel). Protégé par une chemise de percaline grenat doublée de satin ivoire et un étui grenat. texte en caractères gothiques orné de lettrines en couleurs, inscrit dans un large encadrement inspiré des manuscrits enluminés médiévaux, sur fonds bleu marial, rouge rubis, doré... offrant une grande variété de scènes de la vie médiévale, animaux chimériques ou réels, fleurs, anges, volutes, végétaux tous polychromes et rehaussés de doré. l'ornementation offre, en outre, un très beau titre-frontispice vivement coloré, 1 planche en chromolithographie représentant un somptueux pendentif à 2 camées aux armoiries accolées peintes, surmontées d'une bannière où la date du 11 mars 1879 à été calligraphiée, 1 frontispice au verso du titre, enfin 12 belles miniatures. Très bel exemplaire imprimé sur papier fort monté sur onglets, somptueusement illustré, dans une reliure raffinée signée Gruel et dans un remarquable état de fraîcheur.
1927réf. 36287ABMainz, Verlag der Gutenberg-Gesellschaft, 1927. 4° (28x21), 270 S., 13 Bl. (Werbeanhang), mit zahlr. Illustrationen im Text und auf 22 Tafeln, OHln, etwas angeschmutzt, Kanten etwas bestossen, Schnitt schwach stockfleckig, hintInnenspiegel sporig, wenige Tafeln mit etwas Abrieb durch Adhäsion, sonst innen fest und sauber, [= Gutenberg-Jahrbuch; Jg. 2 (1927)],
1842réf. 54307ABDüsseldorf, Arnz & Comp, [1842]. 8° (21x14), 1 w Bl., 1 Titelblatt 1 w Bl., [160] S., 1 w Bl., [2] S. Inhaltsangabe/Druckvermerk, durchgehend farbig lithographiert in unterschiedlichsten Schmuckrahmen, farbige Textinitialen und Illustrationen in Gold-, Silber- und Farbendruck in Manier einer mittelalterlichen Handschrift, violetter Samteinband mit vergoldeter durchbrochen gearbeitet und ziselierter Schließe und beidseitig Eckbeschlägen, dreiseitiger goldSchnitt, SeidenMoireeVorsätze, [9 Warenabbildungen] sehr schönes Exemplar in Pappkassette,
réf. 603247Ludion, 2009. In-4 br., couv. rempl. ill. en coul., 159 pp., 66 fig. en coul. in-t., 35 oeuvres cataloguées ill. et commentées.
réf. 603432Los Angeles, The J. Paul Getty Museum, 2007. In-4 broché, couv. rempliée ill. en coul., XXX-114 pp., front. en coul., 19 pp. de texte en anglais illustrées de 8 reprod. en coul. et suivies de 114 pp. de reprod. photogr. en coul. à pleine pp. légendées en anglais.
1995301 p. Beautifully Illustrated. Tall 4to. Original linen cloth binding. Colorful dust jacket. First Edition. Also issued as Pennsylvania German Society. New Series. Volume 31. A wonderful guide to the fascinating illuminated work of the Schwenkfelders. FRAKTUR. PAG 14B x2