286 resultados
1835ref. 142049Firenze Italy: Tipografia all' Insegna di Dante 1835. later buckram title on spine. 8vo. later buckram title on spine. xv 290 16 pages. Second revised and enlarged edition Brunet II p. 1473 after the first in Venice in 1833 which appeared in only 100 copies. A near fine copy. Contains six engraved plates with portraits of Italian storytellers Boccaccio Franco Sacchetti Firenzuola Lorenzo Magalotti Gasparo Gozzi and Michele Colombo. Tipografia all' Insegna di Dante unknown
1835ref. 142049Firenze Italy: Tipografia all' Insegna di Dante 1835. later buckram title on spine. 8vo. later buckram title on spine. xv 290 16 pages. Second revised and enlarged edition Brunet II p. 1473 after the first in Venice in 1833 which appeared in only 100 copies. A near fine copy. Contains six engraved plates with portraits of Italian storytellers Boccaccio Franco Sacchetti Firenzuola Lorenzo Magalotti Gasparo Gozzi and Michele Colombo. Tipografia all' Insegna di Dante unknown books
1769ref. R300110215PEL BENEDETTI. 1769. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XII + 209 pages - OUVRAGE EN ITALIEN - un tampon et une annotation sur la page de titre - 2 photos disponibles.. . . . Classification Dewey : 840.05-XVIII ème siècle
1832ref. 70625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown
1832ref. 70625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown books
1914ref. 189942FlorenceS. Olschki: Leo S. Olschki 1914. Hardcover. Good heavy shelfwear and soiling to portfolio; spine missing all plates present foxing and age toning throughout. Oversized portfolio tan boards with black lettering 4 pages of text describing the plates 25 mounted color and bw plates. I disegni della R. Galleria degli Uffizi in Firenze Series. Second Series Second issue. Text is in Italian. Leo S. Olschki hardcover
1914ref. 189942FlorenceS. Olschki: Leo S. Olschki 1914. Hardcover. Good heavy shelfwear and soiling to portfolio; spine missing all plates present foxing and age toning throughout. Oversized portfolio tan boards with black lettering 4 pages of text describing the plates 25 mounted color and bw plates. I disegni della R. Galleria degli Uffizi in Firenze Series. Second Series Second issue. Text is in Italian. Leo S. Olschki hardcover books
ref. a30245Pisa 1665 Francisci Onophrij. In Latin. 8vo. 433pp. plus errata pages 1/2 leather with marbled paper boards. Ownership stamp on title page. VG some brown spotting in text some wear on covers and head of spine. hardcover
ref. H2483Verona 1858. 8vo. 1 S. auf Italienisch gutes Exemplar. Massalongo: Paläobotaniker Lichenologe. unknown
1658ref. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover
1658ref. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover books
1870ref. 14641Milano: Presso la Libreria Dante Alighieri di Erico Politti. Tip. Lombardi 1870 1870. Buon esemplare completo e complessivamente ben conservato entro graziosa ed onesta legatura dell'epoca; lievi segni d'uso sulle legature piccoli difetti sulle sguardie qualche segno a lapis sugli indici. . Due volumi opera completa in mezza pelle coeva piatti in percallina arancio con titoli e piccoli fregi dorati sugli angoli dorso liscio con fregi e filetti dorati sguardie bianche; in ottavo cm 23 x 16 pp 630 712 numerose illustrazioni nel testo occhietto con ricchi fregi di gusto moresco. Buon esemplare completo e complessivamente ben conservato entro graziosa ed onesta legatura dell'epoca; lievi segni d'uso sulle legature piccoli difetti sulle sguardie qualche segno a lapis sugli indici. Bella edizione ottocentesca del Don Quixote di Cervantes nella celebrata traduzione di Bartolommeo Gamba e con ricco apparato iconografico ripreso dall'edizione parigina di Dubochet del 1836. Bartolommeo Gamba noto come bibliofilo e bibliografo per l'importante e tuttora valida Serie dei testi di lingua fu a lungo attivo nell'editoria dapprima con i Remondini per i quali curava tra l'altro la corrispondenza con la Spagna affinando la conoscenza dell'idioma iberico e poi come editore-tipografo dirigendo la Tipografia di Alvisopoli. Fu per l'impresa veneziana che il letterato diede alle stampe per la prima volta la sua traduzione del Don Quixote 1818-1819 con illustrazioni di Francesco Novelli; la versione venne condotta sull'edizione della Reale Accademia di Madrid del 1780 e fu molto apprezzata conoscendo numerosissime ristampe. «El traductor que lo fué B. Gamba adoptò una manera de traducir que sin ser literal reproduce con bastante fidelidad salvo alvunas exceptiones el sentido del original. El estilo es bastante elegante y las poesias estan traducidas con gusto» Rius. L'edizione qui proposta riprende la revisione del testo curata da Francesco Ambrosoli nel 1840 per Andrea Ubicini ma include anziché la prefazione di Louis Viardot tolta dall'edizione parigina presa a modello una breve introduzione di Antonio Balbiani. I due volumi sono illustrati da circa 800 vignette xilografiche disegnate da Tony Johannot con l'ausilio di Andrew Best Leloir Brevière Porret e molti altri. Rius I 795; Ashbee 186 per la serie iconografica e 410; Palau II p. 172. Cat. 26 n. 9. Presso la Libreria Dante Alighieri di Erico Politti. [Tip. Lombardi, 1870] unknown
1835ref. 216879Florence: Dante 1835. Second. hardcover. very good-. 6 copperplate engravings of portraits. 290 pages index. 8vo 3/4 calf marbled boards rebacked in linen. Florence: Dante 1835. Second Edition. Internally a nice clean copy. Very Good-. Dante unknown
1835ref. 216879Florence: Dante 1835. Second. hardcover. very good-. 6 copperplate engravings of portraits. 290 pages index. 8vo 3/4 calf marbled boards rebacked in linen. Florence: Dante 1835. Second Edition. Internally a nice clean copy. Very Good-. Dante unknown books
1634ref. 200881634-1646. 4to. 4 works in 1 vol. a4e2A-X4Y2; ¹1a4A-C4D2a4A-F4F4 blanka4A-O4. Full contemporary calf rebacked with old spine laid-on corners worn old owner's names on t.p. some foxing a good copy. Gavantius 1569-1638 liturgist and member of the Barnabite order was general of his order and named perpetual consultor to the Congregation of Rites by Pope Urban VIII. Early on he dedicated himself to the study of liturgy and this was his chief work. It traces the historical origin of the rites discusses their mystical significance and gives rules for their observance and obligation of the rubrics. Cardinals Millino Muto and Cajetan approved it and it was dedicated to Urban VIII. Cuvernon was a doctor of the Sorbonne Gavanti: BL 17th Italian 382. Camerini Giunta Venice 1316. unknown
1654ref. M7809Italy : Mattio Cadorini c.1654. Very Good;. Size : 120x175 mm 4.72x6.89 Inches Coloring: Black & White Category: Maps City Maps;Maps Europe Italy; Mattio Cadorini unknown
1810ref. 6342Venice: Nella tipografia Picotti 1810. Only edition. Very Good. Octavo 24 cm; 2 61 1 pages. Bound in woodblock-printed polychrome wraps with the poet's name written in ink along the spine. Only slight abrasions at the head else about fine. The notable bibliographer Bartolommeo Gamba curated this collection of poems by his neighbor in the town of Bassano del Grappa Giuseppe Bombardini. Bombardini's day job was in local government rising finally to the rank of "podestà" the equivalent of the mayoralty. Among the poems written to commemorate weddings and funerals we find Romantic sonnets dedicated to the summer night to the Brenta to two roses to the month of May. Nella tipografia Picotti paperback
1810ref. 6342Venice: Nella tipografia Picotti 1810. Only edition. Very Good. Octavo 24 cm; 2 61 1 pages. Bound in woodblock-printed polychrome wraps with the poet's name written in ink along the spine. Only slight abrasions at the head else about fine. The notable bibliographer Bartolommeo Gamba curated this collection of poems by his neighbor in the town of Bassano del Grappa Giuseppe Bombardini. Bombardini's day job was in local government rising finally to the rank of "podestà" the equivalent of the mayoralty. Among the poems written to commemorate weddings and funerals we find Romantic sonnets dedicated to the summer night to the Brenta to two roses to the month of May. Nella tipografia Picotti paperback books
ref. Z1-C-089-01505Gale ECCO Print Editions. Used - Like New. Used - Like New. Italian. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Gale ECCO, Print Editions unknown
1746ref. 53702De Tournes Brothers Geneva 1746. Revised Edition. Hardcover Full Leather. Good Condition/No Dust Jacket. BARTOLOMMEO CASTELLI. Lexicon Medicum Graeco-Latinum Geneva: Fratres De Tournes 1746. Quarto Editio Nova Accuratissima pp. ii 788 brown morocco boards with gilt lettering and floral decoration to spine red morocco label five raised bands all edges tinted red. Alphabetized in Latin with Greek and Latin definitions. Garrison-Morton 6794: "The earlier lexicon of Gorraeus formed the basis of this work which was reprinted in several editions the last in 1792." Condition of this book: Good and sound with heavily worn covers bumped corners small losses at spine ends chips clean inside tight. Size: Quarto. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Antiquarian & Rare; 18th century; Reference. Pictures of this item not already displayed here available upon request. Inventory No: 53702. . De Tournes Brothers hardcover
ref. 52321, Bononiæ [Bologne], Typis Petri-Mariæ Montii 1707, in-folio, plein vélin, tit. marqué à l’encre sur dos à cinq nerfs, bandeaux, lettrines, culs-de-lampe et vignettes, impression en double colonne, (qq. accrocs sur les plats, qq. trous de vers non traversants, coins inf. cornés, qq. annotations à l’encre d’époque, rares rousseurs sur certaines pages), int. assez frais, [16]-387p.
ref. 53150, Bononiæ [Bologne], Typis Petri-Mariæ Montii 1707, in-folio, plein vélin, tit. marqué à l’encre sur dos à six nerfs, bandeaux, lettrines, culs-de-lampe et vignettes, impression en double colonne, (léger accroc au dos, de légères épidermures, coiffe inf. accidentée, des rousseurs et qq. mouillures à l’int.), ouvrage bien conservé, [16]-387p.
1640ref. R119748Parisiis [Paris], Apud Ioannem Iost [Jean Jost] 1640 Complete in 3 parts and bound in one physical volume : LII,336 + XXVIII,358 + VIII,126 pp., each part with a separate title page, first title page in red and black, engraved vignettes on all title pages, with a full-page woodcut engraving on p.117 of part I, the third part contains "Praxis compendiaria visitationis episcopalis. Praxis altera dioecesanae synodi celebrandae", 24cm., contemporary full vellum binding (with an older repair, fully intact), text and interior are clean and bright except for few occasional small stains, text in Latin, text predominantly printed in two colums per page, good condition, weight: 1.4kg., R119748
1843ref. 1180Venezia: Tipografia di Gio Cecchini e Comp. 1843. 8vo. 225 x 150 mm. 8 ¾ x 6 inches. 112 pp. Original blue paper printed wrappers stitched as issued; front wrapper with some creases and the spine with some rubbing otherwise sound and attractive. First and only edition of Bartolommeo Bizio's response to the work of Dr. Ambrogio Fusinieri's essay on the creation of the color purple from the internal organs of mollusks found in abundance in the Mediterranean Sea. Bizio relies on the writings of Aristotle and Pliny and provides a detailed description of the variety of mollusks described by the ancients and the methods used to render the liquor from the shellfish. He follows this with details describing the difficult process required to produce the color purple for use by painters and cloth makers in the ancient world. Called Royal Purple this pigment was a rare and valuable color thus making it both rare and expensive. Carlo Piersanti and Ugo Enrico Paoli "Porpora". Enciclopedia Italiani 1935. OCLC lists copies at Berkeley and the Field Museum in Chicago. NUC cites only the Berkeley copy. ICCU list 10 copies in Italian libraries. Tipografia di Gio Cecchini e Comp. unknown
1843ref. 1180Venezia: Tipografia di Gio Cecchini e Comp. 1843. 8vo. 225 x 150 mm. 8 ¾ x 6 inches. 112 pp. Original blue paper printed wrappers stitched as issued; front wrapper with some creases and the spine with some rubbing otherwise sound and attractive. First and only edition of Bartolommeo Bizio's response to the work of Dr. Ambrogio Fusinieri's essay on the creation of the color purple from the internal organs of mollusks found in abundance in the Mediterranean Sea. Bizio relies on the writings of Aristotle and Pliny and provides a detailed description of the variety of mollusks described by the ancients and the methods used to render the liquor from the shellfish. He follows this with details describing the difficult process required to produce the color purple for use by painters and cloth makers in the ancient world. Called Royal Purple this pigment was a rare and valuable color thus making it both rare and expensive. Carlo Piersanti and Ugo Enrico Paoli "Porpora". Enciclopedia Italiani 1935. OCLC lists copies at Berkeley and the Field Museum in Chicago. NUC cites only the Berkeley copy. ICCU list 10 copies in Italian libraries. Tipografia di Gio Cecchini e Comp. unknown books