208 résultats
1964réf. 1015944to. Paris: Trianon Press 1964. 4to 56 pp. with a frontispiece and 15 color plates. Original color-printed wrappers covered in mylar some browning to wrappers sale slip from Bridge Books slipped in. § The original 1964 catalogue. Bentley BB 688. Trianon Press unknown books
1970réf. 1073694to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original full green morocco slipcase. Fine as issued. § Edition de luxe this being copy III limited to 36 copies specially bound with extra suites of the plates of an edition in all of 662 copies. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.” Damon Blake Dictionary. Trianon Press unknown books
1978réf. 107359Oblong folio. London: Trianon Press 1978. Oblong folio unlettered quarter morocco cloth worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy first published in 1838. This new edition has an introduction and commentary by Geoffrey Keynes; three facsimiles of early states and monochrome reproductions of Blake’s watercolor designs for the plates. Bentley Blake Books Supplement 208. Trianon Press hardcover books
réf. 107381London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes of a total edition of 562 copies. The definitive work about and reproducing all known portraits of Mr. and Mrs. Blake. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. Trianon Press 1977. 4to unknown books
réf. 107383London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy. § Copy A of 26 copies for the Trustees and publishers signed by Keynes of a total edition of 562 copies.The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. Trianon Press 1977. 4to unknown books
1975réf. 1052184to. London: Trianon Press 1975. 4to 8 plates 8 pp. commentary by Keynes with another plate plus 22 additional progressive proof plates and with a metal pochoir stencil mounted at the end. Full brown morocco prospectus inserted a fine copy in slipcase. As new. § #28 of 32 de luxe copies with the extra plates showing the progressive stages of the collotype and hand-stencil process. The total edition was limited to 458 copies. One of the richest and most elaborate Trianons. Bentley Blake Books A137. “The Song of Los completes the cycle of the four continents. the complete work tells the story of mankind from Adam to the Last Judgment the triumph of death and the general resurrection caused by the revolution.” Damon Blake Dictionary. Trianon Press unknown books
1964réf. 1012314to. Paris: Trianon Press 1964. 4to 56 pp. with a frontispiece and 15 color plates. Original color-printed wrappers covered in mylar. Wrappers slightly browned and curled; very good. § The original 1964 catalogue. Bentley BB 688. Trianon Press unknown books
1964réf. 1008994to. New York and Paris: The Orion Press with The Trianon Press 1964. 4to 103 pp. With 32 color plates. Original cloth in lightly soiled and chipped dust-jacket. Warmly inscribed from “Kay & Roger” Easson to a close friend. § The Orion Press with The Trianon Press hardcover books
1972réf. 91063 volumes. London: Trianon Press 1972. 3 volumes folio with 116 color facsimile leaves reproduced by collo-type and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake's pencillings and the tone of the paper. Marbled boards morocco backstrips slipcases a very good set as issued. § Limited to 220 copies thus; 100 copies were issued unbound in Port-folio and 36 de luxe copies with extra material. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf—then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. Trianon Press hardcover books
1964réf. 76494to. New York and Paris: The Orion Press with the Trianon Press 1964. 4to 103 pp. With 32 color plates. Original light blue cloth gilt-stamped backstrip pictorial dust jacket. Frontispiece detaching slight wear to dust jacket top board very slightly warped internally bright. Warmly inscribed to Kay Easson by a close friend Mary. Very good. § A fine trade edition of the 1964 Trianon Press facsimile. The Orion Press with the Trianon Press hardcover books
1965réf. 1047324to. London: Trianon Press 1965. 4to 8 plates 5 pp. text plus the extra materials. Full brown morocco marbled paper-covered slipcase gilt lettering to backstrip. A fine copy. § Edition limited to 426 copies de luxe issue being copy XII of XX copies with a suite of progressive states of one plate an original guide-sheet and stencil etc. One of the more difficult Trianon Press books to find. Bentley Blake Books 26. “The first the simplest and the most charming of the prophetic books. best understood as a rewriting of Milton’s Comus.” Trianon Press unknown books
1972réf. 1029344to. London: Trianon Press 1972. 4to xx 71 pp. With 16 color plates and 116 illustrations. Original blue cloth illustrated dust-jacket. § Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley Blake Books 385. Trianon Press hardcover books
1976réf. 62884to. London: Trianon Press 1976. 4to 5 color plates and commentary and progressive states of the plates and an original copper plate etc. Full brown morocco slipcase. As new. § Copy # VII of XXXII de luxe copies in an edition limited to 512 copies in all. The companion volume to the Book of Ahania. One copy of The Book of Los is known. Bentley Blake Books supplement p. 62. Trianon Press unknown books
1864réf. 5245Charpentier libraire-editeur 1864 371 pages in8. 1864. reliure éditeur demi basane dos à nerfs. 371 pages. Ce livre rassemble les contes et nouvelles d'Alfred de Musset poète et dramaturge romantique français du XIXe siècle. L'ouvrage s'inscrit dans une politique de conservation patrimoniale et correspond à une édition publiée par l'éditeur Charpentier notamment en 1884 et 1888
1942réf. 8800Editions Alpina 1942 157 pages in8. 1942. broché. 157 pages. Ouvrage de l'écrivain et critique d'art Raymond Escholier publié par les éditions Alpina offrant une évocation de Versailles. Le livre traite du château des jardins des Trianons du Musée et de la ville accompagné de rappels historiques. Il est richement illustré de photographies en héliogravure et de planches en couleurs
1957réf. 13901ARTHAUD 1957 237 pages in8. 1957. broché. 237 pages. Ouvrage illustré sur le château de Versailles et ses dépendances (Trianon) publié dans la collection 'Les Beaux pays' par Arthaud. Il contient 184 héliogravures et une couverture de Chapelain-Midy
2007réf. 16130Hugo et Compagnie 2007 24x2 8x17 6cm. 2007. Broché couverture rempliée. Dans ce livre Alain Baraton jardinier en chef du domaine de Trianon et du parc du château de Versailles mêle son parcours personnel à l'histoire du parc. Il y raconte comment après avoir découvert le parc en 1976 il a consacré sa vie à ce jardin d'exception et partage de nombreuses anecdotes liées à la grande et à la petite histoire de Versailles
1930réf. 18046EDITIONS ALPINA 1930 157 pages in8. 1930. broché. 157 pages. Ouvrage de l'écrivain et critique d'art Raymond Escholier publié par les éditions Alpina offrant une évocation de Versailles. Le livre traite du château des jardins des Trianons du Musée et de la ville accompagné de rappels historiques. Il est richement illustré de photographies en héliogravure et de planches en couleurs
réf. 1455, Paris, Editions du Trianon, 1926 - 1927., Relie (relieur: Peeters), demi-maroquin, dos orne de fil. dore et de piece de titre dore, plats marbre, dos a nerfs (4) dores, dos jauni, pages de garde marbre, tranches dores, frontispice, (1)couverture d' editeur, 19,5x24,5cm, (?? )
réf. 9823, Paris, Editions du Trianon, 1926., Relie (relieur: Peeters), demi-maroquin, dos orne de fil. dore et de piece de titre dore, plats marbre, dos a nerfs (4) dores, dos jauni, pages de garde marbre, tranches dores, frontispice, (1)couverture d' editeur, 19,5x24,5cm, 356pp(III), (?? )
réf. 23821Paris, Reunion des Musees Nationaux, 2003 Broche, couverture carton illustree en couleurs, 215 x 280mm., 208pp., illustration profonde en couleurs et en n/b. ISBN 2711845826.
réf. 53DxParis Brunox In 12 Oblong Cartonnage editeur toilé mauve - titre doré - dos insolé- interieur trés frais - bon etat d'ensemble
réf. 53DxParis Brunox In 12 Oblong Cartonnage editeur toilé mauve - titre doré - dos insolé- interieur trés frais - bon etat d'ensemble
réf. EB7-155HENRY 0 Paris, éd. Henry, A la pensée - in4 (27x 18.5 cm), cousu, cordon et ruban - couverture illustré gaufrée poussiéreuse - 28pp + 1 double page buvard au centre (rousseurs à cette page) - 1 page par mois avec 1 poésie en vis à vis en bel état et 1 page "notes" + 1 page "adresses" ces deux pages ont été écrites sur qq lignes
réf. EB7-155HENRY 0 Paris, éd. Henry, A la pensée - in4 (27x 18.5 cm), cousu, cordon et ruban - couverture illustré gaufrée poussiéreuse - 28pp + 1 double page buvard au centre (rousseurs à cette page) - 1 page par mois avec 1 poésie en vis à vis en bel état et 1 page "notes" + 1 page "adresses" ces deux pages ont été écrites sur qq lignes