187 resultados
2004ref. LFA-126716845Un ouvrage de 496 pages, format 350 x 495 mm, relié toile, réimpression (2004) de grande qualité de l'édition de 1808, 134 gravures pleine page, tirage limité à 500 exemplaires sur papier Vélin, très bon état
1951Mm 120x180 Collana "Saggi e documenti". Brossura editoriale di 143 pagine, sovraccoperta originale. Timbri di biblioteca dismessa ad alcune carte, restauri alla sovraccoperta, peraltro buona copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1932ref. 2004270356xbvkParis, Éditions du Trianon, MCMXXXII (1932). Frontispice-plate in original-etching with aquatinta, 89 (1) pages on thick uncut Japan-paper. - Publisher's Japan-paper-wraps with blue-grey dustjacket; 8vo.(ca. 17,5 x 11 cm).
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 6) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
ref. 29271Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 6) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp.
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 2) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Fortes rousseurs. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
ref. 30403Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 2) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Fortes rousseurs.
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 5) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 79 pp. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
ref. 29270Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 5) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 79 pp.
1858ref. 13398Versailles Brunox 1858. Small 8vo-oblong. Orig. full cloth gilt. 32 pp. 12 engraved plates and 2 lithographed Plans. A little brownspotted. hardcover
1858ref. 13398Versailles, Brunox, 1858. Small 8vo-oblong. Orig. full cloth, gilt. 32 pp., 12 engraved plates and 2 lithographed Plans. A little brownspotted.
1858ref. 48186Couverture rigide. Reliure toile de l'éditeur. Format 11 x 17 cm, à l'italienne. 32 pages. 14 planches. Rousseurs.
ref. 16942Broché - 15,5 x 22,5 - 367 pp - année 2005 - Editions De Fallois Paris - illustrations -
1930ref. 14491930 plaq. in-8 couronne, couv. recto ill., lég. mouill. en queue, 51 p., début 20 ème girard éd.,
1925ref. 68331925 Paris. Editions du Trianon, 1925. In-12 (245x190 mm) couv. rempliée. 170 p. Impression à 2 teintes: pour la numerotation des pages et la suite des scenes (en rouge) 16 illustrations N&B pleine pages d'Eugène Delacroix. Edition limitée à 500 exemplaires. Ici N° 444 sur verger de rives. Absolument neuf sous couverture cristal
ref. 1081121987. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
ref. 1081121987. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown books
ref. 26758UNBOUND Piece of Paper Signature on page of Elsie de Wolfe. Signature and paper are in GOOD condition heavy glue mounting stains on back of page. SIGNED NOTE Elsie de Wolfe Signature ON NOTEPAGE SIGNED Elsie de Wolfe Mendl Villa Trianon VERSAILLES 1936 IN BLUE INK She was Born December 20 186523 July 12 1950 was an American actress interior decorator nominal author of the influential 1913 book The House in Good Taste4 and a prominent figure in New York Paris and London society. According to The New Yorker "Interior Design as a profession was invented by Elsie de Wolfe."5 During her married life the press usually referred to her as Lady Mendl. De Wolfe's 1926 marriage to diplomat Sir Charles Mendl was page-one news in the New York Times. Shortly after her marriage she scandalized French diplomatic society when she attended a fancy-dress ball dressed as a Moulin Rouge dancer and made her entrance turning handsprings In 1926 the New York Times described de Wolfe as "one of the most widely known women in New York social life" and in 1935 as "prominent in Paris society." Her morning exercises were famous. In her 1935 autobiography de Wolfe wrote that her daily regimen at age 70 included yoga standing on her head and walking on her hands. Signed by Author. Unbound. paperback
ref. 1362A PARIS CHEZ CH. GAVARD RUE DU MARCHE SAINT HONORE Tres nombreuses gravures plans gravure de machines
1850ref. 398423980249Lithographie en couleurs du XIXe siecle, dessinee et lithographiee par Jean-Pierre Thenot. L'oeuvre represente la Laiterie suisse du Petit Trianon, a Versailles, vue depuis la rive de l'etang du Hameau de la Reine, avec au premier plan un couple en promenade et un jeune garcon jouant au cerceau. Signee « Thenot » dans la planche, en bas a droite de la composition. Titre imprime en bas de la feuille : « La Laiterie Suisse du petit Trianon. (a Versailles) ». Dimensions : 27 cm x 18,1 cm. Etat : Bon etat de conservation. Legeres brunissures dans les marges. L'oeuvre est contrecollee sur un papier cartonne. Voir photos pour plus de details.
ref. 1269611974. London: Trianon Press 1974. Folio 25 color plates 8 proofs and commentary at the end eight color facsimile trial proofs twelve pages of text plus an extra suite of fourteen states of plate B collotype proofs and a matching guide-sheet and stencil. Original full brown morocco slipcase. As new. § De luxe copy #XXVI of 32 with extra material proofs stencil etc. Limited to 558 copies including 32 de luxe copies numbered I-XXXII 500 regular copies number 1-500 and 26 regular copies lettered A-Z reserved for the Trustees of the William Blake Trust and the publishers. This is a combined facsimile of Lord Cunliffe's copy copy B and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy copy E which was the first Trianon Press Blake facsimile published in 1951 see above. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. Bentley BB A82. unknown
ref. 1269611974. London: Trianon Press 1974. Folio 25 color plates 8 proofs and commentary at the end eight color facsimile trial proofs twelve pages of text plus an extra suite of fourteen states of plate B collotype proofs and a matching guide-sheet and stencil. Original full brown morocco slipcase. As new. § De luxe copy #XXVI of 32 with extra material proofs stencil etc. Limited to 558 copies including 32 de luxe copies numbered I-XXXII 500 regular copies number 1-500 and 26 regular copies lettered A-Z reserved for the Trustees of the William Blake Trust and the publishers. This is a combined facsimile of Lord Cunliffe's copy copy B and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy copy E which was the first Trianon Press Blake facsimile published in 1951 see above. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. Bentley BB A82. unknown books
ref. EB7-155HENRY 0 Paris, éd. Henry, A la pensée - in4 (27x 18.5 cm), cousu, cordon et ruban - couverture illustré gaufrée poussiéreuse - 28pp + 1 double page buvard au centre (rousseurs à cette page) - 1 page par mois avec 1 poésie en vis à vis en bel état et 1 page "notes" + 1 page "adresses" ces deux pages ont été écrites sur qq lignes
ref. EB7-155HENRY 0 Paris, éd. Henry, A la pensée - in4 (27x 18.5 cm), cousu, cordon et ruban - couverture illustré gaufrée poussiéreuse - 28pp + 1 double page buvard au centre (rousseurs à cette page) - 1 page par mois avec 1 poésie en vis à vis en bel état et 1 page "notes" + 1 page "adresses" ces deux pages ont été écrites sur qq lignes
ref. 95406Paris. 2° Folio, Halbleinen
