DONADEO MariaLivre Rare Book
Icônes de la Mère de Dieu
1984réf. 146279Médiaspaul 1984, In-12 Médiaspaul 1984, In-12 broché, 143 pages + illustrations. Très bon état
Librairie Gil - Artgil SARL · Rodez, France8,00 €
465 résultats
réf. DADAX0367445530New unknown
1983réf. S107634München, Slavisches Institut 1983 211pp., 21cm., softcover, good condition, [contains the German translation], S107634
1983211pp., 21cm., softcover, good condition, [contains the German translation], S107634
1939réf. R96656Prieuré d'Amay-sur-Meuse, 1939 86pp. avec illustrations dans et hors texte (dont 2 en couleurs), signé avec dédicace (autographe) par l'auteur à Mgr. Huybers Evèque de Haarlem, 2e édition entièrement refondue augmentée et illustrée, 29cm., brochure originale illustrée, pour la plupart non coupé, bon état, R96656
in-4° 87 pp., 10 gravures in-texte et carte de la Russie Chretienne, broche, couv. illustree. Bon etat general. [P-41] [F] Essai de synthese pour les faire comprendre et aimer.
193986pp. avec illustrations dans et hors texte (dont 2 en couleurs), signé avec dédicace (autographe) par l'auteur à Mgr. Huybers Evèque de Haarlem, 2e édition entièrement refondue augmentée et illustrée, 29cm., brochure originale illustrée, pour la plupart non coupé, bon état, R96656
réf. DADAX0520297733New unknown
1983réf. 155021983 Aurora Art Publishers, Leningrad, 1983in4,pleine toile sous jaquette illustrée, 346pp.illistrées, bel exemplaire, langue anglaise
1984réf. 146279Médiaspaul 1984, In-12 Médiaspaul 1984, In-12 broché, 143 pages + illustrations. Très bon état
1982réf. 29766Médiaspaul Paris, Médiaspaul 1982. In-12 broché de 126 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
1985Paris, Médiaspaul 1985. In-12 broché de 140 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
1984Médiaspaul 1984, In-12 broché, 143 pages + illustrations. Très bon état
1982Paris, Médiaspaul 1982. In-12 broché de 126 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
1987réf. LFA-126719797Un ouvrage de 73 pages, format 115 x 175 mm, broché couverture couleurs, publié en 1987, Editions du Lion de Juda, bon état
réf. 21210St Etienne, CIEREC, 1991, in 8° broché, 158 pages ; illustrations ; couvetrure illustrée en couleurs.
1630Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching, circa 1630-40, lettered below the portrait, in two lines of Latin: "Judocus de Momper Pictor / montium Antverpiæ". Signed in lower margin left: "Ant. van Dyck fecit aqua forti".Portrait of Joos de Momper, half-length in front of a rocky overhang, turned to the right but looking towards the viewer; with short hair, moustache and beard, wearing a collar, buttoned doublet and cloak, his gloved right hand gesturing behind him at the level of his chest.A fine impression, printed on contemporary laid paper, with margins, very good condition.From the 'Icones principum, virorum, doctorum, pictorum, chalcographorum' by Anton van Dyck, printed for the first time in Antwerp, 1645.Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632).Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp. The New Hollstein (Dutch & Flemish) 6.III (Van Dyck); Mauquoy-Hendrickx 1991 7.III.
1967réf. 3043[Paris], Grand Palais, 1967 1 volume 18,2 x 23,5cm Broché sous couverture au 1er plat illustré couleurs. Non paginé (1,5cm d'épaisseur); carte, nombreuses illustrations en noir, vignettes et pleines pages, 16 planches couleurs (+ plaquette agrafée de 24 pages, vignettes couleurs). Ouvrage en bon état; couverture légèrement défraîchie (plaquette annotée à l'encre).
1967Catalogue de l'expositon présentée en 1967-1968 au Grand Palais (Paris), rédigé par Vadim ELISSEEFF: 618 n°s en classement chronologique, des origines à l'art soviétique; introduction de Mikha l Vladimirovitch ALPATOV et Dmitrii Vladimirovitch SARABIANOV; tableau chronologique; carte. Publié par l'Association française d'action artistique (Paris). Exemplaire enrichi du catalogue de la vente Drouot de mai 2003 "Icônes russes des XVIè au XIXè siècle - Orfèvrerie russe XIXè siècle" (124 n°s avec notices et vignettes en couleurs). Français
réf. SONG0253220068Used: Good unknown
réf. 607284Torino, Priuli & Verlucca, editori, 1993. In-folio br., couv. ill. en coul., très nb. ill. photogr. miniatures en n/b. in-t. et en coul. à pleine pp. h.-t., nb. fig. en n/b. in-t., appendices, bibliographie.
réf. DADAX9814695084New unknown
1982réf. 100158437HarperCollins Publishers Ltd 1982 424 pages 24 6x4 2x31 2cm. 1982. Cartonné jaquette. 424 pages.
réf. 22369Martigny, Fondation Gianadda 2004, 240x220mm, 199pages, broché. Bel exemplaire.
1972réf. 195799Desclée de Brouwer Desclée de Brouwer, 1972. In-8 relié toile sous jaquette illustrée rempliée de 303 pages illustrées de vignettes contrecollées en couleurs. Petites rousseurs et une écriture au stylo au premier feuillet blanc
réf. DADAX0472072331New unknown
