430 résultats
2003réf. LFA-126714766Un ouvrage de 192 pages, format 150 x 250 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 2003, bon état
1963réf. S68696Utrecht, Aartsbisschoppelijk Museum 1963 [16]pp. + 38 buitentekstplaten, 23cm., tentoonstellingscatalogus (Aartsbisschoppelijk Museum, Utrecht, 18 februari - 16 april 1963), S68696
1963[16]pp. + 38 buitentekstplaten, 23cm., tentoonstellingscatalogus (Aartsbisschoppelijk Museum, Utrecht, 18 februari - 16 april 1963), S68696
1983réf. S107633München, Slavisches Institut 1983 148pp., 21cm., softcover, good condition, [also contains a German translation], S107633
1983148pp., 21cm., softcover, good condition, [also contains a German translation], S107633
1993réf. 63809Amherst, New York: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1993réf. 3110573Amherst, New York: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1993réf. 3132828Amherst: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
réf. SONG0847826619Used: Good unknown
2001A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
2003A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages. Full of art depicting women and their.... bodies.
2004A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
1645Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
réf. 11098, Gent, Snoeck-Ducaju, 2002 Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24x29,5cm, 116pp, rijkelijk geillustreerd in kleur en z/w, chronologisch overzicht, lexicon.
[Masterpieces in colour series] Exceptionally neat closeup images of fine mosaics from Ravenna- one on the front cover+11 plates tipped in [suitable for framing] with accompanying notes and introduction by Bernard Myers. 10p.+11 pates. NOTE : Large format [38x28x1 cm] Book
In-4, 255p. Edition originale numérotée. Tirage non précisé, cet exemplaire porte le numéro 805. Illustré de 56 planches en noir et de 4 planches en couleurs contrecollées. Tampon de possesseur en page de garde, sinon en parfait état. Bel ouvrage.
réf. 36718Paris, Editions de La Pléiade - J. Schiffrin, 1927. In-4°, 255p. Broché, couverture illustrée rempliée.
1927réf. 1291927 J.SCHIFFRIN LA PLEIADE 1927 IN4 br.- 60 ht dont 4 en couleur-256p.num/.-leg.manque au bas du dos ,une charniere faible fendue sur plus de la moitié.
réf. 11102, Alphen aan den Rijn, Icob, 1977.**, Gebonden, linnen, vergulde titel op de voorplat en de rug, originele geillustreerde omslagwikkel in kleur, 28x34,5cm, z.p. ( +/- 123pp), rijkelijk geillustreerd met 58 buitentekstplaten in kleur.
1991réf. 154071(Leiden): Supreme Council of Antiquities Press (1991). 188 Seiten. Mit 185 schwarzweißen Abbildungen auf 48 Tafeln sowie 33 farbigen Abbildungen auf 8 Tafeln im Anhang. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
réf. DADAX3967041190New unknown
réf. ART4243MPARKSTONE/AURORA. 1996. In-4. Relié. 239 pages, nombreuses illustrations en noir et en couleurs dans et hors texte.
1996réf. 272431996 Parkstone Aurora, Bournemouth/Saint-Petresbourg, 1996. grand in-4°,cartonnage éditeur avec sa jaquette éditeur; 240 pages, nombreuses illustrations
1996réf. 21224Parkstone, Bournemouth/Aurora, Saint-Pétersbourg 1996 In-4, cartonnage illustré, sous jaquette illustrée, photographies pleines pages en couleurs et en noir, 239 pp. Etat neuf.
1976réf. 100147621Einaudi 1976 in8. 1976. Cartonné jaquette.
