Barlandus, Hadrianus CorneliusAntiquariat.de
287 risultati
1585rif. 41026Frankfurt a. M., J. Wechel für Sigismund Feyerabend, 1585. 8°. Mit Titelholzschnitt (Portrait der Gertrud von Sachsen; auf S. 25 wiederholt), einigen Holzschn.-Vignetten bzw. -Initialen, 37 ca. halbseitigen Holzschn.-Portraits (darunter, abgesehen von den ersten drei, mit den dazugehörigen Wappen) von Jost Amman u. 2 Holzschn.-Druckermarken (am zweiten Titel u. am Ende). 8 Bll., 393 (recte 391); 109 (1) S., Pgmt. d. Zt. m. durchzogenen Bünden, handschriftl. Rückentitel, goldgepr. Deckelfleurons u. dreiseitigem Farbschnitt.
2004In 8 (20x14,5) brossura plasticata illustrata; 192 pp, normali segni del tempo su angoli della copertina con piccole ammaccature, illustrazioni a colori, Ediz. italiana, spagnola e portoghese, collana Icons, buono. Ed. 2004
2007[Original title " Praying with icons: an introduction for children"] Small publication describing the religious significance of Icons in simple language. The Icons are from the Ukrainian Catholic Church of St, Sophia, in Rome. 32p. illus (col)f, Book
1645Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
1613rif. 52581613 Musée du petit palais 16 mars - 13 juin 1976 - 214 illustrations
rif. 61832Martigny, Fondation Pierre Gianadda 2001, 240x220mm, 191pages, reliure d'éditeur. Exemplaire à l'état de neuf.
rif. 28120Paris Musée du Petit Palais 1976 in 4 (24x21) 1 volume broché, couverture illustrée en couleurs, non paginé, avec de nombreuses illustrations en noir et blanc, et en couleurs. Catalogue de 214 numéros décrits et pour la plupart reproduits. Les icônes de Bulgarie et la communauté culturelle Byzantino-Slave. Glossaire, bibliographie . Exposition présentée au Musée du Petit Palais du 16 Mars au 13 Juin 1976. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
rif. 15253, Bruxelles, Musees Royaux d'Art et d'Histoire, 1977, Broche sous couverture illustree, 175 x 240mm., pages ne pas numerotees, illustrations en b/n et en couleur.
1976rif. 99930549Musée du Petit Palais Musée du Petit Palais 1976. In-8 carré broché, 209 pages. Nombreuses photos. Catalogue d'exposition. Bon état.
2003rif. 170377Grégoriennes Grégoriennes, 2003. Grand In-8 carré relié toile rouge éditeur sous jaquette illustrée. Nombreuses reproductions. Très bon état.
1986rif. 107056Artbook International 1986, In Artbook International 1986, In-4 cartonnage éditeur. 18 pages de texte + 48 planches couleurs légendées. Très bon état.
1901rif. 028187Antwerpen 1901 De Nederlandsche Boekhandel Hardcover
rif. 107346aafGenève, Nagel, 1969, gr. in-4to, 132 p. avec 89 reproductions de tableaux en couleurs collées (tipped-in), avec dedicace de 1970 et timbre du ‘Consul et consulate of Chypre à Burundi’ reliure en toile originale. Bon exemplaire
rif. 30634London, Thames & Hudson, 2001 Hardcover with dustjacket, 208pp., 23.5x31cm., illustr. troughout in col., good cond. ISBN 9780500510414.
1991rif. S57394Lisse, Rebo 1991 143pp.waarvan 65pp.kleurenillustraties, gecart.band, geïll.stofwikkel, 34cm.
1962rif. LFA00a37Un ouvrage de 30 pages, format 170 x 110 mm, illustré, broché couverture couleurs, publié en 1962, Editions Flammarion/UNESCO, Collection "Le Grand Art en Livres de Poche"
2005Mm 220x270 Catalogo dalla Mostra di Umbertide, Chiesa di San Francesco, 14 maggio - 12 giugno 2005. Volume cartonato con copertina figurata, 224 pagine profusamente illustrate a colori. Stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1991143pp.waarvan 65pp.kleurenillustraties, gecart.band, geïll.stofwikkel, 34cm.
2003Grégoriennes, 2003. Grand In-8 carré relié toile rouge éditeur sous jaquette illustrée. Nombreuses reproductions. Très bon état.
1976Paris, Petit Palais, 1976. Un volume broché de format in 8° carré reproduisant 214 photographies en noir et 68 en couleurs. Tranches un peu brunies, bon état
1976Musée du Petit Palais 1976. In-8 carré broché, 209 pages. Nombreuses photos. Catalogue d'exposition. Bon état.
1985Paris, Médiaspaul 1985. In-12 broché de 140 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
1973rif. 155855Leipzig: Edition Leipzig / Gütersloh: Gütersloher Verlagshaus Gerd Mohn 1973. 488 Seiten. Einige Portrait-Holzschnitte. Kl.-8° (17 x 11 cm). Orig.-Halbleinenband mit farbigem Rückentitel und illustriertem Orig.-Schuber. [Hardcover / fest gebunden].
1986Artbook International 1986, In-4 cartonnage éditeur. 18 pages de texte + 48 planches couleurs légendées. Très bon état.
In-4 carré, CX-220p. Très bel ouvrage illustré de 58 planches en couleurs contrecollées et de 116 planches en noir reproduites en héliogravure. Très bel exemplaire.
