1 389 résultats
2005This is a near fine softcover copy with almost no wear. Completely clean inside and out. Stated first edition. This catalog was prepared to accompany the traveling exhibition that started at the Metropolitan Museum of Art in New York from December 2005 to April 2006. After that the exhibition went to the Museum of Contemporary Art in Los Angeles, and the Centre Georges Pompidou in Paris, and finally the Moderna Museet in Stockholm from February to May of 2007. Exhibition organized by Paul Schimmel. Essays by Charles Stuckey, Thomas Crow, Branden W. Joseph, and Schimmel. Afterword by Pontus Hulten. Illustrated with many color plates. Inventory and Exhibition History of Combines. Bibliography. 12" high X 10" wide, 312 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1998This is a very good softcover copy with just light wear. SIGNED by the artist, Abelardo Morell, in ink on the half title-page. Not inscribed to anyone, just signed. This catalogue was prepared to accompany the exhibition at the Isabella Stewart Gardner Museum from September 18, 1998 to January 3, 1999. Introduction by Jill S. Medvedow. Essays by Charles Simic and Jennifer R. Gross. Illustrated in black & white. Uncommon signed. 10" high X 12" wide, 63 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1983This is a near fine softcover copy with almost no wear. Completely clean. The spine is not creased, binding firm. Text in Serbian, with a six page English summary. Mica Popovic (1923- 1996) was a Serbian painter, experimental filmmaker and one of the major figures of the Yugoslav Black Wave. As a painter, Popovic is best known for his 'informel' period (1958-1968) and his "Scenes Painting" (slikarstvo prizora) (from 1968). He also made several films in the 1960s, two of which ("Covek iz hrastove ume" and "Delije") were banned by the government for their antisocialist content. This monograph covers all of his paintings. Illustrated with 13 color plates + hundreds of black & white plates. Checklist for this exhibition has 166 works catalogued. Chronology with vintage black & white photographs. Exhibition history. Scarce, only one OCLC listing. 9" high X 8" wide, 309 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1996This is a very good softcover copy with almost no wear. Signed simply with just the phrase 'Best regards' by the artist Bernar Venet, on the front endpaper. Not inscribed to a person, just signed and dated. Text in French and English. This catalog was prepared to accompany the exhibition at the Espace Fortant de France in the summer of 1996. Essays by Jean-Michel Foray, Bernar Venet and Carter Ratcliff. Illustrated in black & white with photographs of Bernar Venet's sculptures. 12" high X 8" wide, 88 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2011This is a near fine hardcover copy without dust jacket as issued. Small handling crease to first two pages at right edge. Completely clean. This monograph was prepared to accompany the exhibition at Gagosian in New York from September 16 to October 22, 2011. Essays by John Waters and Bob Colacello. Illustrated mostly in color, with one fold-out. List of works. 12" high X 11" wide, 123 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking
2003This is a near fine softcover copy with just light cover wear. Completely clean. Includes CD at back of book in mylar pouch. This catalog was prepared to accompany the exhibition in Venice, Italy at the 50th Venice Biennale, with Fred Wilson representing the United States. Text in English and Italian at the end. Essays by Paul D. Kaplan and Salah Hassan. interview with artist conducted by Kathleen Goncharov. Illustrated in color. Exhibition history. Bibliography. 10" high X 7" wide, 66 pages. This book will be securely packed and shipped with tracking.
2002This is a fine hardcover copy of the first, and probably only printing, with virtually no wear. Completely clean, no marks to red flexible covers or text. No dust jacket as issued. This catalog was prepared to accompany the exhibition at the Whitney Museum from July 11 to October 13, 2002. Edited by Sylvia Wolf. Essay by Michael Rush. Conversation between Michal Rovner and Leon Golub. Illustrated in black & white and color. 11" high X 10" wide, 256 pages. A beautiful copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2016This is a fine hardcover copy with no wear at all, without dust jacket as issued. Completely clean. Text in English and Italian. Illustrated throughout in color with photographs of Helidon Xhixha's marble sculptures. This catalog was prepared to accompany the exhibition in Pietrasanta, Italy in the summer of 2016. Exhibition curated by Luca Beatrice. Biographical sketch. Exhibition history. 12" high 10" wide, 159 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2000This is a near fine softcover copy with almost no wear. Completely clean inside and out Spine is not creased. Feels unread. Small gallery stamp from the gallery that handle's Yuskavage's work, on the inside front cover. This catalog was prepared to accompany the exhibition at the Institute of Contemporary Art in Philadelphia from December 2000 to February 2001. Curated by Claudia Gould. Essays by Gould, Katy Siegel and Marcia B. Hall. Checklist. Exhibition history. Bibliography. Illustrated throughout in color. 11" high X 9" wide, 80 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2001This is a very good softcover copy with just light cover wear. Completely clean inside and out. Text in Hungarian and some English translation. This catalog was prepared to accompany the exhibition at the Hungarian National Gallery in the winter of 2001- 2002. István Szonyi (1894- 1960) was a Hungarian painter and graphic artist. "After WWI, a new generation grew up in Hungarian art. Most of these artists became known in the 30's. The core of the exhibition is made up of the works of the Szonyi Circle (István Szonyi, Vilmos Aba-Novák, Erzsébet Korb and Károly Patkó) and their followers (like Jeno Paizs Goebel). In the twenties, they were the Hungarian counterpart of international neoclassicisms." Illustrated in color and black & white. 180 works catalogued and illustrated, most in color + many smaller black & white illustrations. Chronology. Bibliography. 12" high X 8" wide, 266 pages. This book will be securely wrapped and packed in a sturdy box and sent with tracking.
1999Sm. Folio, First Edition, text in French, with numerous fine reproductions in colour, tint and monochrome; pictorial wrappers, a fine copy.
197066 pages. Features: Jeet-Kune-Do - Fast, powerful, deceptive; West Coast Pro Tourney turns sour - kickboxing exhibition; Whirlwind Fred Wren; Karate Ni Sente Nashi - Richard Kim; Preview of Jhoon Rhee's Hyung Book; To-San at a Glance; To-San Complete; How to Choose a Karate School - Chuck Norris; Mideast National Karate Matches; Kumite Karousel. Above-average wear. Binding intact. Centerfold holding by one staple. Unmarked. A worthy copy of this vintage issue. Book
198061 pages. Black and white illustrations. Text in English and Spanish. Hand-written addresses inside back cover else clean and unmarked with moderate wear. A sound copy. Book
1893In 8°(19,7x13,5 cm); (8 pubblicitarie), 60, (16 di pubblictà editoriale) pp. e 14 c. di tav. fuori testo con belle immagini di Genova, New York, Chicago. 38 illustrazioni nel testo e fuori testo, varie a piena pagina. Brossura editoriale illustrata, dorso anticamente ed abilemente rifatto dello stesso colore della brossura e per il resto buono stato di conservazione. Prima rara edizione di questa guida di Chicago che contiene oltre una descrizione del viaggio da intraprendere (con costi, orari, hotel, ristoranti, mezzi di trasporto, monumenti da visitare lungo il tragitto) per andare da Geova, attraverso New York fino a Chicago e visitare i luoghi "Colombiani" e l'esposizione Colombiana di Chicago, contiene due brevi capitoli dedicati il primo alla descrizione del porto di Genova e il secondo alla città di Genova (20 pagine). Segue una breve descrizione di New York con una tavola che a doppia pagina riproduce una veduta aerea della "Grande Mela" così come appariva alla fine del XX secolo. Segue la descrizione di Chicago e della celebre "Columbian Exposition". Prima edizione, non comune.
1931P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché avec couverture à rabats, 38-64-68 pp.- hors-textes photographiques. Petit manque de papier en bas du dos.
Paris, Draeger-Vilo, 1975. In-4 ; XI-(préface)-143 pp plus 16 pages de reproduction d'affiches, table des matières. Plein cartonnage toîlé bleu, bien complet de sa jaquette illustrée en couleurs. Bel exemplaire, état neuf. Planches en noir et en couleurs hors-texte.
2015A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
2008New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. 176 p. Color ills. Hüsn-i hat bulusmasi. 28 Ekim - 3 Kasim 2007.
1979This is a very good softcover copy with just light wear. Completely clean inside, a bit of light soil to covers. Also a small art library handstamp on the inside front cover, no other marks. This monograph was prepared to accompany the exhibition at the Whitney Museum in 1979. Essay by Roland Barth. Contributions by Heiner Bastian and David White. Chronology. Bibliography. Exhibition checklist with 85 works catalogued. Illustrated in black & white, some color. 10" high X 9" wide, 118 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2009New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
1990A clean, unmarked book with a tight binding. 38 pages. 8 7/8"w x 10 7/8"h. The catalogue for the exhibition titled Insound/Instructure. Essays by Yoko Ono, artworks from the sixties and the seventies, many film scripts with the film stills and instruction pieces. An essay by Ina Blom in Finnish and in English. Black and white photographs of Yoko Ono's films and works
1993A clean, unmarked book with a tight binding. Very large format: 11 3/4"w x 11 3/4"h. 394 pages. Exhibition catalog for the Guggenheim Museum's second Lichtenstein retrospective of his paintings, sculptures, and works on paper.
1994v, 109 pages. Glossary. Index. Black and white illustrations. "In this manual, the techniques used to create the 32 different species in the Open Ocean exhibit have been presented in 10 groups, ranging from the simplest to the most complex. These techniques can be adapted for many uses such as reproducing archaeological artifacts as well as biological specimens." - Preface. Clean, bright and unmarked with very light wear. A nice copy. Book
1985pp. [2], 3-48. Chronology. Bibliography (to 1971). Catalogue of on exhibition held at the Art Gallery of Greater Victoria, September 19-November 24, 1985, and the Vancouver Art Gallery, January 25-March 23, 1986. Includes essay by David MacWilliam. Printed upon glossy stock illustrated in colour and black and white. "The paintings of Michael Morris from the late 1960s epitomize all that I have come to associate with what was vital in Vancouver at the time. They are original, inventive, eccentric art works which comment with wry humour, intense colour, aggressive compoistion and intellectual detachment on their times." - p.7. Clean and unmarked with moderate wear. A sound and attractive copy. Book
198320 pages. Oblong 9" x 6". Diagrams and black and white reproductions of photos. "The decorative arts, as epitomized by bark biting, reflect in their motifs an environment in constant flux, an interdependence of plant/animal/human lives, a nature of continuing beauty and mystery." - page 3. Includes biographical information about Merasty and information about bark biting and birch bark. Unmarked with somewhat above-average wear. A sound copy. Book
