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1894réf. 008457San Francisco: H. S. Crocker 1894 Book. Fine. Hardcover. MIDWINTER FAIR. Oblong quarto. 10x13 inches. Three parts bound together. Illustrated with 8 full-page lithographed color plates by Dickman-Jones Co. of San Francisco plus the full set of 24 full-page lithographed color plates by H. S. Crocker Co. plus over 213 full-page black & white photographs with extensive descriptive text including 13 of 14 double-page panoramas. Publisher's binding of three-quarter brown morocco darker cloth sides gilt lettering and pictorial element on cloth cover gilt-lettered spine. Outer hinges and spine ends rubbed 3 corners show light wear. A fine clean copy. First edition. With the bookplate of Thomas Wayne Norris and included in the famous Norris Catalogue. An incredibly scarce tile with the full complement of 24 full-page color lithographs Series I & II of scenes and buildings at the Midwinter Fair also issued by H. S. Crocker Co. and the addition of the souvenir grouping Glimpses of the Midwinter Fair issued by Dickman-Jones Co. to their customers with 8 full-page color lithographs of the Fair bound in with its original wrappers. Sunset City and Sunset Scenes is usually found only with the Taber black & white reproductions. We have never had a copy bound with the full series of color lithographs although over the years we've seen a few odd plates. The large number of black and white photographic reproductions include a number of views of the buildings and grounds of the Midwinter Fair held in Golden Gate Park; they are interspersed with select views of the natural wonders of the State. Nearly all the photographs are by Isaiah W. Taber official photographer of the Fair. The text for the non-Fair images was written by J. M. Hutchings; the twenty-four lithographs issued by Crocker were drawn by the famous western artist H. W. Hansen. Norris Norris Catalogue this copy: 3493; Rocq Glimpses of the Midwinter Fair: 11355; Rocq Sunset City: 11359; no Auction Records that include the color plates. . H. S. Crocker hardcover
1851réf. 151696London: Spicer Brothers 1851. With a floor plan of the Great Exhibition First edition of this guide to the Great Exhibition of 1851. This work includes a list of some of the displayed objects and a floor plan of the 100000 exhibits. The exhibition was visited by Charles Darwin Charles Dickens and Karl Marx. Hunt's handbook offered the attendants information on the 8 miles of exhibits from over 25 countries. His work intended to teach the reader about the Victorian material science chemistry engineering and design featured in the exhibition. Hunt enlisted the help of several professionals such as William Brough who wrote about the printing presses and Professor Edward Forbes who wrote on the uses of flax and display of wines and spices on show. "From folding pianos and controversial semi-nude Greek statues to the largest diamond in the world The Great Exhibition of 1851 was unlike anything that had been seen before. It was a triumphant celebration of the most extraordinary achievements of the Victorian age from industry culture and engineering - gathered from all four corners of the world. 'Every conceivable invention!' as Queen Victoria wrote in her private diary"Royal Parks. Robert Hunt 1807-1887 was a chemist and photographer. He worked as a professor of mechanical science for the Royal School of Mines. In 1858 Hunt and the Royal Cornwall Polytechnic Society founded the Miners Association. 2 vols octavo. Folding frontispiece floorplan in Vol I. advertisement leaf bound before frontispiece in Vol. I. Original blue cloth spines lettered in gilt and ruled in blind covers decoratively panelled in blind front covers with vignette of Crystal Palace in gilt pale yellow coated endpapers edges speckled brown binder's ticket of Westleys & Co. on rear pastedown. Soiling and abrasions to cloth spine ends and tips bumped a couple of gatherings proud gutter starting in several places in Vol I. A good copy. "The Great Exhibition of 1851 in Hyde Park" Royal Parks. hardcover
1798réf. 43772Paris: Imprimerie de la Republique 1798. Exposition publique des produits de l'industrie française. Catalogue des produits industriels qui ont été exposés au Champ-de-Mars pendant les trois derniers jours complémentaires de l'an VI . . . 25pp. Paris: Imprimerie de la République Vendémiaire an VII 1798. 199 x 129 mm. Original plain blue-gray wrappers lower corner of front wrapper lightly creased; boxed. Minor foxing but fine otherwise. First Edition of the catalogue of the First Official Public National Industrial Exposition the forerunner of all subsequent "World's Fairs" and international expositions. In 1797 the Marquis d'Avèze an official of the French Republican government visited the factories of Sèvres china Gobelins tapestries and Savonnerie carpets and was appalled to find the factory workshops deserted their artisans starving and their warehouses filled with luxury goods that had no commercial outlet. "It then occurred to the marquis that if these and other objects of industry of the national manufactures could be collected together in one large exhibition a stimulus might be given to the native industry and thus relief be afforded to the suffering workmen. The plan was approved by M. François de Neufchâteau the Minister of the Interior" Tomlinson p. ii. Due to political difficulties the exhibition was not held until the following year. After a highly successful preliminary showing at the Maison d'Orsay the French government built a "Temple of Industry" on the Champ de Mars surrounded by 60 arcades filled with useful and decorative objects by French manufacturers. "The Exhibition remained open only during the last three complimentary days of the year VI of the Republic; but it excited the greatest enthusiasm throughout the country. The merits of the several exhibitors were entrusted to the decision of a jury composed of nine men distinguished in science and in art; and this plan was found to work so well that it was continued in subsequent Expositions" Tomlinson p. iii. Rare-OCLC cites only three copies all in French libraries. A second issue of the catalogue expanded to 30 pages was issued at Grenoble in the same year. Tomlinson Cyclopaedia of Useful Arts 1852 I pp. ii-iii. . Imprimerie de la Republique unknown
1929réf. 2091202133201489Otsuka Kogeisha 1929. Soft Cover. Fine. Number of books: 2 books in total Otsuka Kogeisha paperback
1925réf. 59293Reading PA: Metropolitan Edison Co. 1925. Oblong 4to. 11.5 x 8.25 in. 57 linen-backed silver gelatin photographs nearly all w/ typed captions on versos linen hinges & stubs at gutter margin bound w/ two brass screw-posts at gutter margin recent flexible mylar cover as protection secured w/ screw-posts slight curling at fore-edges still all photos w/ bright strong contrast. This remarkable series of undocumented photographs visually produces the efforts of Metropolitan Edison to further expand their footprint in the Pennsylvania market after electrifying over 35000 customers by 1925. As they accelerated their push to introduce additional electrical appliances following World War I they sponsored trade shows and expositions to advertise the latest available products and even commissioned their employees to regularly make house calls after hours with electrical toasters and lamps with prizes awarded for the most sales. Met-Ed customers could pay for the latest appliances with installments on their monthly electric bills. These images reveal the nighttime lighting illuminating the Electrical Exposition Auditorium on South Fifth in Reading featuring over 30 display booths of local suppliers and contractors wired-in music as well as demonstrators of all the different gadgets showing off their features and uses. “Kill O’Watt” figures as symbols of electrical service were installed at the doorways and with all the different booths and the exhibition space featured a “Court of Illumination” dominated by a life-size nude of the Egyptian Goddess of Light surrounded by 12-foot columns and golden incense burners. Every night and afternoon electric waffle irons and coffee percolators were raffled off and one lucky visitor won the grand prize of a brand-new Frigidaire refrigerator when the Exposition ended. As shown by the photographs visitors to the Electrical Exposition could view huge lighted display maps for the Pennsylvania-New Jersey Super Power System; Frigidaire Refrigerators; miniature home architectural models with cutaways showing the electrification of homes; lighted advertising signs and generators for Exide batteries 1920’s Art Deco Lamps electric train sets and even the most “beautiful booth” from the Philadelphia Electric Co. Supply Dept. with a lavish display of electric vacuums lights lamps toasters percolators fans irons and sound equipment. The Met-Ed Co. filled the entire balcony with the latest insulators meters control devices power transformers and equipment for their system and also featured are salesman sample photo albums displays electric ranges washing machines and more. Of special interest is the photo from Pennsylvania Edison Co. showing “The Story Behind Your Lighting Switch” a motorized mechanical book featuring articulated brass arms turning pages as they slid along the leaves and powered by a small motor. These were produced by the Metropolitan Mechanical Display Co. of New York who were one of the earliest and most successful firms for animatronic and popular powered displays. Metropolitan Edison was originally formed in 1917 after merging Met-Ed with Edison Electric Illuminating Lebanon Valley Electric Light Co. with subsidiaries of Reading Electric Light & Power Neversink and Penn-Ed under W.S. Barstow & E.L. West. We could find no other contemporary surviving visual records of the Electrical Exposition trade literature programs or catalogues in institutional holdings or sales records. See: A History of Met-Ed’s Western Division Met-Ed Centennial 1983; Moody’s Manual of Investments: American and Foreign 1922 pp. 414-418; Reading Times Nov. 7-21 1925 multiple entries & advertisements -- no images. Metropolitan Edison Co., unknown