9 340 résultats
1900réf. 101161Paris: Ludovic Baschet 1900. Hardcover. All volumes tight and clean with slightly varying color leather bindings; overall very good with modest sunning and chafing to spine heads. A consecutive run of 10 volumes. Octavos in half leather and marbled paper boards; illustrations; 24 cm. Approx. 300 page per volume; chiefly b&w illustrations. Marbled edges. In French. Handsome leather bindings. Original issues; not reprints. The series ceased in 1914 and purportedly comprised at least 16 volumes. Postage cost billed at our cost. Please inquire. Set weighs 15 lbs. ¶ Salons; Art -- France -- Paris -- Exhibitions. Art. Beeldende kunsten. Line blocks. Collotypes prints Exhibition catalogs. Ludovic Baschet hardcover
2000réf. 91851Paris: Flammarion 2000. First English language edition. Hardcover. Fine in fine faintly spine-sunned jacket in fine dust-jacket. Large folio in multi-color illus jacket; 334 pages: illustrations some color folding plates; 30 cm. In English; Translated from the French. Contents: Foreword / Yvonne Brunhammer -- Preface / Jean-Pierre Seguin -- Reasons for silence / Odile Nouvel-Kammerer -- Precursors of the new mural art. From trompe-l'œil to panorama / Gérard Mabille -- Tapestry and scenic wallpaper: substitution or contamination / Colombe Samoyault-Verlet -- Scenic wallpaper in dollhouses / Barbara Spadaccini-Day -- An economic approach to scenic wallpaper. A study of the archives of J. Zuber & Cie / Bernard Jacqué -- Scenic wallpaper social mirror. Themes reflecting a new view of everyday life / Odile Nouvel-Kammerer -- An art in search of an identity. Scenic wallpaper's relationship to the visual arts / François Pupil -- Theatrical influences. From panoramas to panoramic wallpaper / François Robichon -- The Paris Opera and its stage sets / Nicole Wild -- The taste for bringing the outside in. The roving eye: panoramic décors and landscape theory / Monique Mosser -- Flora with an exotic accent / Jean-Claude Garnaud -- Scenic wallpaper and the other decorative arts. The decorative arts / Marie-Noëlle de Grandry -- Scenics and textiles in France: similarities and differences / Véronique de Bruignac-La Hougue -- Porcelain from the Sèvres Manufactory / Tamara Préaud -- A panoramic viewpoint. Photography and its relationship to space / Joachim Bonnemaison. Wallpaper -- France -- History -- 18th century. Wallpaper -- France -- History -- 19th century. Wallpaper -- France -- History -- 18th century -- Catalogs. Wallpaper -- France -- History -- 19th century -- Catalogs. 21.84 interior design and decoration. Wallpaper. Behangsel. Landschappen. Vergezichten. A large heavy book. Extra shipping charges may apply for international & expedited orders. Weighs almost 5.5 lbs before packing. Please inquire. . Flammarion hardcover
réf. 2013385498.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2329230818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1019686952.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2019978342.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1837réf. 1013971837. Paris imprimerie Crapelet 1837. 95 pp. 363 items described. Wrappers. The first 21 pages of the present catalogue contain a notice on Spanish painting. Don Alejandro María Aguado y Ramírez de Estenoz 1st Marquis de Las Marismas del Guadalquivir Seville June 29 1784 Gijon April 14 1842 Spanish banker was born of Old Christian parentage originally from La Rioja at Seville. He began life as a soldier fighting with distinction in the Spanish War of Independence first against French then on the side of Joseph Bonaparte. After the Battle of Baylen 1808 he entered the French army in which he rose to be colonel and aide-de-camp to Marshal Soult. He was exiled in 1815 and immediately started business as a commission-agent in Paris where chiefly through his family connections in Havana and Mexico he acquired in a few years enough wealth to enable him to undertake banking. The Spanish government gave him full powers to negotiate the loans of 1823 1828 1830 and 1831; and Ferdinand VII. rewarded him with the title of marquis the decorations of several orders and valuable mining concessions in Spain. Aguado also negotiated the Greek loan of 1834. In 1828 having become possessed of large estates in France including the Château Margaux famous for its wine he was naturalized as a French citizen. He died at in Spain on April 14 1842 leaving a fortune 'computed at 60000000 francs and a splendid collection of pictures which at his death was sold by auction.
1988réf. 289744United Kingdom: Michael Goodhuis Colnaghi Oriental 1988. Book. Near Fine. hardback. hardback small folio 12" x 8 1/2" a very well preserved and tightly bound copy with a clean and unmarked text and in a very good pictorial dust jacket which is now protected in a non-adhesive archival film sleeve. Illustrated in full colour A very heavy volume which may attract a request for additional postage if ordered from some locations outside the United Kingdom. . Michael Goodhuis, Colnaghi Oriental Hardcover
1990réf. 281689United Kingdom: Metropolitan Museum of Art & Bullfinch Press 1990. Book. Very Good. Hardcover. 1st Edition. hardback large thick quarto measuring 12" x 9 1/2" A very good tightly bound copy with a clean and unmarked text and in a well preserved pictorial dust jacket illustrated throughout xv 712pp. A heavy volume for which additional postage will be requested if ordered from certain locations outside the United Kingdom. . Metropolitan Museum of Art & Bullfinch Press Hardcover
2000réf. 262875United Kingdom: Freer Gallery of Art 2000. Book. Near Fine. paperback. large paperback published to accompany the exhibition of the same name pictorial card covers a near fine and tightly bound copy with a clean and unmarked text. . Freer Gallery of Art Paperback
1991réf. 264129United Kingdom: Editions de la Reunion des musees nationaux 1991. Book. Very Good. Hardcover. Signed by the editors. hardback French language exhibition catalogue quarto measuring 11 1/4 x 9" A very good tightly bound copy in a well preserved pictorial dust jacket. Interesting association copy. The exhibition was supported by a conference in which many of the contributors to the catalogue took part & most of these have added their signature to the front free endpaper of this copy which belonged to Michael Carley. A very heavy volume which may require additional postage if ordered from locations outside the United Kingdom Please enquire for details prior to placing an order. Editions de la Re?union des muse?es nationaux Hardcover
1915réf. A36930San Francisco CA. Very Good. 1915. Photograph. B&W Illustrations; Oblong panorama photograph approximately 32" x 8" This is an oversized oblong photograph of the American Press Humorists Day events including a Tree planting at the Panama Pacific International Exposition of 1915. The photograph was taken by The Cardinell-Vincent Co. official photographers to the Pan Pacific Exposition. The photograph features a group of officials planting a tree with a large seated crowd of onlookers. . unknown
1988réf. 4ivDa0055Lyon France: Electa/Musée des Baux-Arts de Lyon 1988. Book. Illus. by Electa Milan Réalisation Éditoriale/Editorial Production; Marcello Francone Conception Graphique/Graphic Design; Marina Toppetti Mise en Page/Layout; Olivieri Sistemi Editoriali Milan Photocomposition/Typesetting. Like New. Soft Cover . Copyright © 1988 Nelson Press Ltd Londres. 4to or 4° Quarto: 9½" x 12" tall. 456 pp. Text in French. A true collectible gem! A wonderful copy! An excellent spotlessly clean copy! Clean fresh sharp tight essentially and virtually flawless copy with crisp pages spotlessly clean text and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. // Texte en français. Un véritable bijou de collection ! Une copie merveilleuse ! Une excellente copie d'une propreté irréprochable ! Copie propre fraîche nette serrée essentiellement et pratiquement sans défaut avec des pages nettes un texte impeccablement propre et une usure très légère des étagères. Livre surdimensionné et/ou en surpoids ; Peut nécessiter des frais de port supplémentaires. Veuillez noter que les articles volumineux et/ou lourds peuvent entraîner des frais d'expédition supplémentaires pour les envois nationaux et/ou internationaux. . Electa/Musée des Baux-Arts de Lyon Paperback
2000réf. 1ivBa0011New York: Guggenheim Museum Publications/Distributed by Harry N. Abrams Inc. 2000. Book. Illus. by Takaaki Matsu;moto Matsumoto Incorporated New York Catalogue Design. Like New. Hardcover. Copyright © 2000. 2o or 2° Folio: 12" x 19" tall. 381 xxiii pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. An excellent & beautiful copy. Nearly flawless copy with solid and tight binding and dust jacket with minimal external and internal wear crisp pages and clean text. Dust jacket suffers minor wear around edges. Guggenheim Museum Publications/Distributed by Harry N. Abrams, Inc. Hardcover
1958réf. mon0003879227Staten Island Museum 1958 1958T. paperback. Good. . Staten Island Museum, 1958 paperback
1910réf. 214342名古屋. Nagoya.: 澤田文精社. Sawada Bunseisha. 1910. Single sheet folded in two Japanese text and plan of the exhibition reverse blank 12 x 16.5cm light creasing few small closed tears at margins otherwise very good. This small brochure highlights the Port Arthur Sea Battle Exhibition Hall a pavilion featured at the 1910 Kansai Fuken Rengo Kyoshinkai 10th Kansai Prefectural Joint Exposition held at Tsurumai Park in Nagoya from March to June 1910. Attracting over 2.6 million visitors the exhibition showcased diorama models of the battle operated by newly imported electrical machines from the United States. The brochure emphasises the immersive experience suggesting spectators would feel transported to the heart of the conflict. Entrance fees are also listed. Notably Edogawa Ranpo the famed mystery writer visited the exhibition in his youth and was deeply impressed by the displays. . 澤田文精社. [Sawada Bunseisha]. unknown
1911réf. 100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co.,
réf. 19697Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 London . For New Year 1971. 16pp. 16mo. Stapled. One minor manuscript correction. Aged and worn in lightly-stained card covers carrying six Bewick woodcuts in black with text lengthwise and upwards in red. The insides of the covers are red in colour and on the front inside cover is written 'love from Sim & Arnold'. Whether the hand is Rattenbury's or his wife's is not clear. Fourteen poems from 'Considering K 279 to K 284' to 'Koechel's Adoration'. John Lucas in his Guardian obituary 30 July 2007 singles out the present item as Rattenbury's finest poetic achievement: 'As a poet Arnold thought naturally in sequences and possibly the finest of these is Mozart Pieces a series of sonnets which began life in the early 1970s and which he went on adding to for the rest of his life.' Scarce: no copy on OCLC WorldCat apart from Ebook or COPAC. Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 [ London ]. For New Year 1971. unknown
2004réf. 88551New York: Guggenheim Museum Publications 2004. Presumed First Softcover Edition First printing. Trade paperback. Very good. Photographs from The Buhl Collection. The format is approximately 9 inches by 10.5 inches. Illustrated front and back covers. With essays by Jennifer Blessing Kirsten A. Hoving and Ralph Rugoff. Contents include Photophilia Plates Photography in surrealism's Trip Plates The Telltale Hand Plats Catalogue Entries and Index of Reproductions. Jennifer Blessing Senior Curator Photography joined the curatorial staff at the Guggenheim in 2002 after previously working at the museum from 1989-97. She developed the Guggenheim's photography collection as well as organizing photography-based exhibitions. Most recently Blessing co-curated Gillian Wearing: Wearing Masks. In 2015 Photo-Poetics: An Anthology opened at the Deutsche Bank KunstHalle Berlin and subsequently appeared at the museum in New York. Prior to Photo-Poetics she organized the New York presentation of Carrie Mae Weems: Three Decades of Photography and Video an exhibition originating at the Frist Center for the Visual Arts in Nashville. In 2012 she collaborated with the San Francisco Museum of Modern Art to present Rineke Dijkstra: A Retrospective and Francesca Woodman. During her tenure with the museum she curated Haunted: Contemporary Photography/Video/Performance which opened in March 2010 before traveling to the Guggenheim Museum Bilbao; Catherine Opie: American Photographer; True North and Jeff Wall: Exposure 2007 for the Deutsche Guggenheim Berlin; Family Pictures; Speaking with Hands: Photographs from The Buhl Collection; and Rrose is a Rrose is a Rrose: Gender Performance in Photography. Kirsten Hoving is a photographer and multimedia artist from Charleston SC whose art balances on the edge between fact and fiction. Hers is an art of transcendence and she frequently combines photographs with unusual processes materials and presentations to evoke quiet dreams and half-remembered tales. Using unexpected viewpoints three-dimensionality and kinetic elements she expands photography's decisive moments into visionary states of wonder. Our imagination she believes is what makes us human and our ability to see the world through metaphors stories and poetic allusions connects our minds to our hearts. Over the last fifteen years Hoving has shown her work in galleries around the world and has published several books of her work including Svala's Saga a project done in collaboration with photographer Emma Powell. With a Ph.D. in art history from Columbia University Hoving had a long career as a professor and scholar of modern art with books and articles on many topics including Surrealist photography and the assemblages of Joseph Cornell. Ralph Rugoff OBE born 12 January 1957 is an American-born curator the director of London's Hayward Gallery since 2006 and the curator of the Venice Biennale in 2019. He studied semiotics at Brown University. Rugoff was director of the Wattis Institute for Contemporary Arts in San Francisco for nearly six years before becoming the director of London's Hayward Gallery. Rugoff was artistic director of the 58th Venice Biennale in 2019. He was appointed Officer of the Order of the British Empire OBE in the 2019 Birthday Honours for services to art In October 1993 Henry M. Buhl purchased Alfred Stieglitz's photograph of Georgia O'Keeffe's hands. This photograph became the cornerstone of his private collection that now includes over 1000 images by the medium's foremost practitioners as well as little-known and emerging artists. From a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker the collection encompasses a wide range of photographic practices--scientific journalistic and fine art photography--with a strong component of contemporary art. Published on the occasion of a major exhibition at the Guggenheim Museum these beautiful and poetic reproductions demonstrate the prevalence of the hand as a photographic theme; a result of photography's easy ability to capture fragments details and ephemeral movement. The images are discussed through topical texts: why hands are a unique theme Jennifer Blessing the prevalence of hands in Surrealist photographs and prose Kirsten A. Hoving and the uncanny aspects of hands in contemporary art that uses photography Ralph Rugoff. Containing work from 150 artists this catalogue is both a visually stunning and haunting object and a handy resource for the study of photography. Guggenheim Museum Publications paperback
2005réf. N4769Tel Aviv: Eretz Israel Museum- Tel Aviv 2005. Original Decorative Wrappers. Very Good. 4to Oblong. Some 200pp English and Hebrew text. PROFUSELY ILLUSTRATED IN COLOUR. A VERY GOOD CLEAN AND FRESH COPY. Eretz Israel Museum- Tel Aviv unknown
réf. 143665503X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1149307366.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0548523398.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1878réf. 004906Paris and London: No Publisher 1878. Two items both from the Exposition Universelle Paris in 1878. First item - embossed binding title in gilt to upper cover folding out to approximately 1330mm in length; second item - card cover 64mo in size folding out to approximately 735mm in length probably published by Bodega. Minor rubbing but generally fairly bright and clean. Concertina style view books of the exhibition the larger one showing several of the buildings for different countries and of Parisian landmarks the smaller one including Notre Dame and the Champs Elisees. First Edition. Hardback. Good. 16mo. No Publisher Hardcover
2002réf. 11772Osaka: Museum of Oriental Ceramics. Fine. 2002. Softcover. 188pp. Iv-xxxi index; 122 full page color photographs of ceramic bottles plates bowls etc. Captions titles in Japanese & English; Forward Japanese and English. Joseon: The name of a Korean state founded in 1392 lasting about five centureis. Postcards: sixteen 8. 5" x 6" color photographic postcards in printed brown folder published by Hollym. 2012. From the collection of Frank S. Bayley. ; 4to 11" - 13" tall; 188 pages . Museum of Oriental Ceramics paperback
