8 610 résultats
1915réf. 60791San Francisco CA: A.M. Robertson 1915. 8vo. 16 pp. Title in red & black rubricated initial. Cloth-backed blue-gray boards black lettering on front cover minor soiling to lower fore-edge light foxing still VG- copy bookseller’s label on rear pastedown for “The Seven Arts Carmel CA” from the library of Prof. Marvin Nathan. First edition 1 of 525 copies. In 1914 Sterling had been writing back and forth urging Albert Bender who played a key role in arranging for fire insurance for the PPIE writing that he intended to write an “Ode” for the opening of the Exposition. Although the Commission did not pay him he submitted it to the San Francisco Examiner for publication even though it was “rather Socialistic: but Hearst shouldn’t be particular” and subsequently paid him $ 125.00 Feb. 20 1915. A.M. Robertson, hardcover
1905réf. 60951Washington D.C.: Dept. of the Interior U.S. Government Printing Office 1905. 8vo. 11 1 pp. With 1 double-page map. Self-printed softcovers minor age toning light creasing to fore-edges still VG copy. First edition of this very popular and concise account of the Lewis & Clark Expedition handed out at the Exhibit of the Department of the Interior General Land Office during the 1905 Lewis & Clark Centennial Exposition. The original edition did not feature a second map on the back covers as the reprints and continued to be in demand by secondary school educators through the 20th Century. Dept. of the Interior, U.S. Government Printing Office], paperback
1959réf. 60933Portland OR & Seattle WA: Smith 1959. Ten RPPC silver gelatin photographs all w/ description and inventory number w/in negative at lower fore-edge slight age toning very slight edgewear still VG. A nice set of 10 souvenir RPPC’s shot during the 100 day run of the Oregon Centennial Exposition. The 1859-1959 Centennial Exposition lasted from June 10 to Sept. 17 on 65 acres along the Columbia River formerly Vanport wiped away in the tragic 1948 flood and also featured a Gayway Amusement Park Garden of Tomorrow & Adventureland. The Exposition featured everything from Mossman’s Can-Can girl revue to steam locomotives Modernist sculptures and murals by Louis Bunce and other Oregon artists and the striking Hall of Religious History in the Garden of Tomorrow which featured murals of Carl Morris. This re-created town from the 1870’s Old West featured the Golden Nugget dance hall & saloon as well as livery stable church post office and hotel and proved to be the most successful attraction. The Oregon Centennial only attracted about 1.5 million visitors and largely operated at a loss which encouraged the nascent Seattle World’s Fair organizers to strip out their Western theme and focus instead on their later very successful Century 21 futurism theme. Smith, unknown
1901réf. 60950Akron OH & Buffalo NY: The Goodyear Tire & Rubber Co. 1901. 8vo. 8 pp. With text illustrations illustrated ads self-printed softcovers w/ illustrated vignette front cover minor shelfwear slight toning very minor creasing to lower corner still VG copy. First edition of this very scarce installment in Goodyear Tire’s in-house periodical handed out at their Buffalo NY exhibit inside the 1901 Pan-American Exposition. Opening with the admonishment to readers that “All roads lead to the Goodyear Pavilion” the periodical includes tongue-in-cheek comments of “weeping and lamentation over the bad taste of the people in thronging the Midway to the neglect of the Industrial and Art Buildings” as well as mentioning that the “Indian Congress is catching on finely and they chant weird songs to the Great Spirit.” No copies in Worldcat. The Goodyear Tire & Rubber Co., paperback
1936réf. 60871Dallas TX: Texas Centennial Central Exposition Alco Gravure Inc. 1936. 4to. 12 pp unpaginated. triptych which folds out to text & photos and then large pictorial map on verso of the Centennial Exposition sized 24 x 18 in. Self-printed softcovers featuring Art Deco cover art in sepia of the Exposition minor shelfwear slight creasing still VG copy. First edition of this uncommon souvenir map to the 1936 Texas Centennial Exposition held to commemorate the 100th Anniversary of Texan Independence and after Dallas had won the right to host the Exposition over Houston & San Antonio because their leadership team was superior. The Exposition coordinated with the WPA to erect permanent buildings monuments statues and grave markers and the Hall of State was part of the funding. Billed as the first World’s Fair in the Southwest the Cavalcade of Texas and The Hall of Negro Life proved to be two of the most popular attractions. The unofficial Fort Worth Texas Centennial was a competing attraction produced by Billy Rose with nearly 1 million attendees while the Dallas Texas Centennial achieved nearly 6.4 million visitors. Worldcat locates 5 copies Baylor SMU Hardin-Simmons UT Austin Yale. Texas Centennial Central Exposition, Alco Gravure, Inc.], paperback
1904réf. 60923St. Louis MO: Official Photographic Company Louisiana Purchase Exposition Co. Robert A. Reid 1904. 12mo. Die-cut heart-shaped sized 6 x 6.25 in. 49 leaves unnumbered. With 47 photo plates all w/ decorative borders. Colour-illustrated softcovers sewing hole at upper fore-edge punch-sewn w/ silk thread slight creasing to upper left fore-edge minor edgewear still a VG copy. First edition of this charming and inventive souvenir view book to the St. Louis Worlds Fair Louisiana Purchase Exposition offering a comprehensive illustrated tour to the famed event. The opening images reflect the contemporary fascination with the ethnological “Human Zoo” indigenous people’s exhibits on “The Pike” including photos of the Native Americans at the Indian Congress Philippine Igorrots dancing Singalese dancers geisha girls at the Japanese tea house the Chinese Pavilion and other exhibits. Also included are views of the Palaces of Mines & Liberal Arts Palace of Agriculture East Plaza with giant statues of Lewis & Clark the Louisiana Purchase Stock show featuring eleven prize steers the Ferris Wheel exhibit interiors and more. Worldcat loctes 7 copies CS Fresno History CO DLC U of DE Missouri Hist. Mus Bryn Mawr SMU. Official Photographic Company, Louisiana Purchase Exposition Co., Robert A. Reid, paperback
1939réf. 61014San Francisco: Printed by Carlisle 1939. 4to. 4 pp unpaginated. Photo-illustrated in sepia throughout w/ map. Self-printed photo-illustrated softcovers wraparound cover art of the GGIE fold creases as issued very minor shelfwear slight rubbing still VG bright copy from the library of Prof. Marvin Nathan. First edition of this uncommon promotional brochure to Treasure Island and the forthcoming Art Deco marvels of the 1939 Golden Gate International Exposition held on Treasure Island in San Francisco. Of particular interest are the photos showing the Exposition under construction as well as aerial shot of the entire Bay connected with the newly completed bridges. Worldcat locates 4 copies CSU Fresno Bancroft WI Hist. Soc. Lib. Wolfsonian. Printed by Carlisle, paperback
1939réf. 60959San Francisco CA: San Francisco Bay Exposition 1939. 8vo. 116 pp. With oblong folio. 19.25 x 16 in. colour pictorial map frontisp. detailed sections of island and exhibits in blue on verso fold creases numerous photo illustrations text maps diagrams stepped thumb tabs at outer fore-edge. Blue-cloth backed softcovers featuring the striking Art Deco cover art by Simon “Si” Vanderlaan 1904-1986 famed pin-up artist and illustrator who worked for Walt Disney studios during World War II minor scuffing very minor age toning shelfwear still VG bright copy from the library of Prof. Marvin Nathan. Revised 1939 edition of this excellent guide to the first year in 1939 of the Golden Gate International Exposition including “Cartograph” revealing all of the Art Deco architectural wonders and surrounding areas of Treasure Island. The pictorial maps were issued separately as well as with the “Official Guide Books.” Ruth Taylor White’s 1902-1985 delightful pictographic maps or cartographs included depictions of the Territory of Hawaii in which she had driven or traveled to every corner of the Islands and the Grand Canyon for her for her brother’s book “Grand Canyon Country.” Later Little Brown requested an entire atlas which was published as the very scarce Our U.S.A. “A gay geography.” Her cartographs influenced the style of American cartographic illustration for decades afterwards. See: Griffin Mapping Wonderlands: Illustrated Cartography pp. 192-193; Field MapCarte 29/364: Our U.S.A. A Gay Geography 2014. San Francisco Bay Exposition, paperback
1519réf. 60870San Francisco: The Womans Board Press of the Blair-Murdock Co. under the direction of John Henry Nash 1915 1916. Thick 8vo. xvii 1 191 1 pp w/ 108 pp of tipped-in portrait photos. Frontisp. photo numerous tipped-in photo plates. Quarter-beige cloth over brown boards printed paper spine-label minor rubbing & scuffing minor wear to corners still VG- copy from the library of Prof. Marvin Nathan. First edition of this informative and well illustrated report issued by the Woman’s Board detailing their efforts to coordinate efforts with the Red Cross assorted Woman’s Auxiliary organizations and created a California Chapter of the Travelers’ Aid Society. The Woman’s Board representatives all wore a uniform badge met every boat and train arriving into San Francisco and aided nearly 140000 visitors at a cost of nearly $ 30000. They were essential in not only organizing venues for entertainment but also aiding visitors in finding housing and amenities. The Womans Board, [Press of the Blair-Murdock Co., under the direction of John Henry Nash], hardcover
1939réf. 60828San Francisco CA: San Francisco Bay Exposition Co. H.S. Crocker Co. Inc. Schwabacher-Frey Co. Publishers 1939. Tall 8vo. 7.5 x 10 in. 16 pp unpaginated. photo illustrated throughout. Self-printed softcovers photo cover art of George Washington by Stuart purple lettering slight shelfwear NF copy from the library of Prof. Marvin Nathan. First edition of this surprisingly uncommon catalogue detailing the historic paintings on display at the Golden Gate International Exposition including George Bellows’s “Anne in White” Mary Cassat’s “Fillete au grand chapeau” Winslow Homer’s “The Herring Net” and 21 others. San Francisco Bay Exposition Co., H.S. Crocker Co., Inc., Schwabacher-Frey Co. Publishers, paperback
1940réf. 60958San Francisco: Golden Gate International Exposition 1940. 4to. 4 pp upaginated. printed on gold-coloured paper in red & black. Self-printed softcovers GGIE logo on banner minor shelfwear slight creasing at corner still VG copy. First edition of this scarce daily program printed on Treasure Island announcing the days’ events which in this case was Women’s Day. Dedicated to the Women of Western America the special events included Flower Arrangements Quilt Exhibit Art in Action Home Economics Hour Wine demonstration by Marjorie Glass as well as honoring with Tea & Reception many of the Bay Area Women’s organizations. Worldcat locates only 2 runs Cal State Fresno & City College of San Francisco. Golden Gate International Exposition, paperback
1955réf. 60790Washington D.C.: U.S. Government Printing Office 1955. 8vo. 11 1 pp. With 1 double-page map map on rear cover. Self-printed softcovers minor age toning light creasing to fore-edges still VG. Reprint edition of this very popular and concise account of the Lewis & Clark Expedition which continued to be in demand by secondary school educators through the 20th Century. The originals in 1905 had been handed out at the Exhibit of the Department of the Interior General Land Office during the Lewis & Clark Centennial Exposition. U.S. Government Printing Office, paperback
1915réf. 60797San Francisco CA: Robert A. Reid Publisher of Official View Banks 1915. Oblong 8vo. 12.5 x 9.75 in. 40 pp unpaginated. Photo-illustrated title and photo-illustrated throughout. Tan-illustrated softcovers cover art of the Exposition grounds and tower of Jewels yapp fore-edges NF copy. First edition of this nicely illustrated souvenir for the Panama-Pacific International Exposition. Robert A. Reid, Publisher of Official View Banks, paperback
1875réf. 60874Philadelphia PA: H.J. Toudy 621 & 623 Commerce Street 1875. One oblong atlas folio hand-coloured lithograph sized 25 x 20.5 in. still retaining fairly wide borders printing below centered image colour-tinted border to image some very minor age toning dustsoiling still an excellent copy preserved in the original quarter-sawn oak wood frame 33.5 x 25.5 in. retaining the original glass newly backed in archival foam core framed w/ archival matting. First edition of this impressive first edition birds-eye view of the buildings and sites Centennial International Exhibition with the fairgrounds set above the Schuykill River. This view depicts the Exposition before it was completed and the Halls featured include the Main Building Machinery Hall Memorial Hall Horticultural Hall and Agricultural Hall. Once the construction was complete Toudy issued another version with fuller buildings as well as some changes to the foreground and center of the image. Toudy fl. 1865-1878 first established with William Toudy his lithography firm at 503-505 Chestnut and later merged with Geroge Wl. Ward & Co. in 1872 lasting less than 2 years. Henry became the sole owner by 1875 and were well known for their atlases maps and city views and he worked on several Stone & Stewart County Atlases from 1866-1877 as well as many of the Mid-Atlantic general surveys. They also managed to outlast a lawsuit over a print based on the drawing by Hermann Schwarzmann architect of the Centennial grounds entitled “Bird’s Eye View” after copyrighting this image in 1875. Firm was destroyed by fire in 1878. Worldcat locates 2 copies AAS DLC another version located at Library Company of Philadelphia. H.J. Toudy, 621 & 623 Commerce Street, unknown
1894réf. 61008San Francisco: H.S. Crocker Co. 215-219 Bush St. 1894. Fifteen parts in one vol. Oblong folio. 13.5 x 10.25 in. 240 pp unpaginated. 227 photo plates 13 double-page. Recent black cloth Portfolio No. 13 cover mounted on front cover as title endpapers renewed all fascicles were bound in adjustable slide post-binder as evidenced by discrete slits at gutter margin some occasional minor tears slight edgewear to textblock from thumbing textblock cropped poorly diagonally when originally bound still a VG- copy from the library of Prof. Marvin Nathan. First edition of this exceptional and complete photographic souvenir series capturing the California Midwinter International Exposition which was the first World’s Fair in San Francisco’s Golden Gate Park prior to the Earthquake & Fire. Taber 1830-1912 was the official photographer of the Fair and he has captured with vividness the excitement and variety of the events in the Fair with night shots of the Electric Tower piercing the darkness the action in the Forty-Niner Mining Camp which featured “Monarch” the stuffed Grizzly Bear who was showcased in the venue along with logging scenes at Lake Tahoe Hopfields in Ukiah CA the bedraggled Apache confined to the “Arizona Indian Village” along with a portrait of a Chinese Opium Den in San Francisco’s Chinatown. H.S. Crocker Co., 215-219 Bush St., hardcover
1915réf. 58381San Francisco: C.T. Co. Artgravure 1915. Oblong 4to. 10.25 x 8.25 in. 48 pp unpaginated. Colour-tinted photogravures throughout including panoramic centerfold birds-eye view by the Cardinell-Vincent Co. Embossed brown softcovers embossed raised gilt lettering yapp edges mounted colour photo front cover w/ original mailing envelope tears rubbing chipping F/G- copy. First edition of this nicely printing souvenir photographic record of the Exposition. The interior is excellent in this piece giving views of many of the pavilions fountains and courts. C.T. Co., Artgravure, paperback
1878réf. 58603Paris: E. Neurdein Editeur Photographie 1878. Seven albumen cabinet card photos. Oblong 8vo. 6 x 3.8 in. mounted on 6.5 x 4.6 in. beige studio cards red & black printed captions red woodcut borders all w/ manuscript annotations on versos minor bowing to boards still VG set w/ bright sharp images. Seven souvenir albumen cabinet card photos chronicling the third great Paris World’s Fair proclaiming through pomp and events that the Third Republic had rebounded from the Franco-Prussian War and the Commune Revolt. The Exposition was far larger than any previously held occupying over 66 acres featuring an Avenue des Nations elaborate exhibition palaces the completed head of the Statue of Liberty and the first Exposition to feature outdoor electric lighting with massive arc lights. These images include the an updated public aquarium featuring undersea grottoes inspired by Jules Verne stories the Palais de Trocadero the Palais du Champ de Mars statue of the Republic the Galerie du Travail showing stoves weaving machines and more; as well as the statuary in the Grande Galerie Italienne. Etienne Neurdein 1832-after 1915 and his brother Louis Antonin 1840-after 1915 were intrepid traveling photographers throughout French Northern Africa particularly the Sahara and Algeria in the 1870’s and also known for portraiture and monuments photos. They were later awarded the status as official photographers of both 1889 and 1900 Paris Exposition Universelle. See: Arthur Chandler Heroism in Defeat The Paris Exposition Universelle of 1878 World’s Fair Magazine Vol. VI No. 4 1986; Orientalist Photography: Part One -- 19th Century Neurdein Brothers Twicemodern in Photography Jan 27 2013. E. Neurdein, Editeur Photographie, hardcover
1939réf. 57677San Francisco CA: H.S. Crocker Company Official Publishers G.G.I.E. 1939. Oblong folio. 13.5 x 10.75 in. 24 pp unpaginated. With photo plates throughout. Colour-illustrated softcovers cover art colour photos of the Exposition by Henry Wachs yapp edges very slight shelfwear w/ original printed mailing envelope minor toning shelfwear still F/NF copy. First edition of this beautifully printed photographic excursion through the Art Deco marvels of the 1939 Golden Gate International Exposition held on Treasure Island in San Francisco. Photographers included Roberts & Roberts Gabriel Moulin and George Grau. Worldcat locates 6 copies Cal. Hist. Soc. Cal State Library CS Fresno SF Public UC Berkeley Art Inst. Chicago. [H.S. Crocker Company, Official Publishers, G.G.I.E., paperback
1939réf. 57661San Francisco CA: Crocker Company 1939. Oblong 4to. 12 x 9 in. 16 pp unpaginated. With numerous colour photo plates. Colour-illustrated softcovers cover art night scene photos of the Exposition very slight shelfwear w/ original printed mailing envelope added label for Wobbers on cover minor toning shelfwear still F/NF copy. First edition of this beautifully printed photographic excursion through the Art Deco marvels of the 1939 Golden Gate International Exposition held on Treasure Island in San Francisco. Crocker Company, paperback
1905réf. 57693Portland OR: Fred A. Shogren 1905. One silver gelatin photograph sized 8 x 9.8 in. on thick photo paper stock and appears to be direct copyprint from glass plate negative 1 small tear lower right corner dustsoiling still VG sharp image. An original photograph of the famed Forestry Building which at one time was the largest log cabin in the World featuring one million board feet of old growth timber and renowned for the collonade of 52 uniform massive matching old growth trees with 6 foot trunks. Constructed by Simon Benson for the Exposition and largely an outlier from the Spanish Renaissance Revival architecture prevalent at the Fair the Forestry Building would survive the Exposition fall into disrepair and had been mostly restored in 1959 for the Oregon Sesquicentennial Celebration. See: Michael Riscica The 1905 Leiws and Clark Exposition Young Architect 2021; Finn J.D. John Oregon Lost World’s Biggest Log Cabin in Spectacular 1964 Fire Offbeat Oregon History June 17 2012. [Fred A. Shogren, unknown
1905réf. 56241Portland: Lewis & Clark Official Photographic Co. F.H. Kiser Goodnough Building c. 1905. One large silver gelatin photograph sized 10.25 x 13.5 in. mounted on gray studio board 17 x 13.75 in. w/ embossed photographer’s stamp in lower right corner of the board in white some scuffing & wear to corners fore-edges couple very minor scuffs to the image still a VG- image w/ bright strong contrast. A very scarce original souvenir intending to promote the Pacific Northwest for the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The Kiser Brothers Fred Kiser 1878-1955 and Oscar Kiser 1883-1905 began shooting photos as a hobby but very quickly became successful commercial photographers and one of the best artistic photographers in the country during the first three decades of the 20th century. They sold their images as prints photo albums stereoviews postcards glass lantern slides and even later hand-coloured many of them and sold them to tourists and collectors as framed or unframed art prints. Lewis & Clark Official Photographic Co., F.H. Kiser, Goodnough Building, unknown
1931réf. 56330Paris: Edite par Degorce En Depot a la Librairie Eos 56 rue de la pompe 1931. Folio. 5 24 pp. on thick laid paper colour-lithograph frontisp. 24 colour lithograph plates printed on bifolium on thick laid-paper preserving original tissue guards throughout. Cream-coloured softcovers w/ illustrated d.j. cover art decoration by Degorce minor creasing to spine edgewear still w/ original glassine d.j tattered on spine minor tears & chips NF/VG/VG- copy from the library of John Kistner Dukehart 1908-1968 noted Portland architect who designed the Harvey Scott Memorial Library Jefferson School of Optometry at Pacific University and others w/ his woodcut bookplate on ffep. First edition No. 238 of 2000 copies of this splendid series of lithographs recording the spectacular Colonial Exposition held in the Bois de Vincennes which drew 33 million visitors from around the globe. The French government brought in people from their colonies all over the globe to recreate architectural styles and temples including a massive reproduction of Angkor Wat even including an entire Senegalese Village. The lighting costumes and designs were at the height of the Art Deco era. Degorce b. 1894-1943 illustrates the Algerian Pavilion Tunisia Morocco French West Africa Madagascar Martinique Angkor Wat Tonkin and others. Edite par Degorce, En Depot a la Librairie Eos, 56, rue de la pompe, paperback
1929réf. 56441Seville & Barcelona: Oliva de Villanova Impresor Casanova 169 1929. 4to. 48 pp. Illustrated & decorated title in sepia & black sepia-coloured printing throughout numerous photos throughout 1 folding map at rear. Illustrated beige softcovers cover art by Santiago Martinez yapp fore-edges minor dustsoiling shelfwear VG copy w/ former ownership markings on upper fore-edge front cover. First edition of this well-illustrated guide to the International Exposition held in Seville Spain from May 1929 to June 1930. This Exposition featured buildings designed by the famed Spanish architect Anibal Gonzalez featured a set of letters and manuscripts that had belonged to Christopher Columbus and featured replica of the ship Santa Maria complete with reenactment crew. [Oliva de Villanova, Impresor, Casanova, 169, paperback
1819réf. 52180Portland OR: n.p. July 18 1902. One panoramic silver gelatin photograph printed on matte finish thick photographic stock sized 8 x 24 in. preserved in the original dark stained wood frame sized 10.25 x 26.5 in. with very faint title inscription in white ink below image in clear cursive hand very minor damage & loss to the very lower right corner of image still VG copy expertly cleaned with new archival backing. This exceedingly scarce original photograph records the site selection inspection by the Lewis & Clark Exposition Board of Directors July 18 1902 the day after the Site Subcommittee had recommended on July 17 1902 that the Board choose City Park for the Exposition site. In fact many different sites were proposed at the meeting including Henry Corbett’s preference for City park while the Ladd interests advocated for a site along Hawthorne Boulevard. Nonetheless the Board adjourned into executive session and as a result of a last minute proposal by Henry Dosch it decided that they would examine the Guild’s Lake site in detail as evidenced by this photograph showing the several board members standing upon the Electric Railway line tracks on the Willamette Heights next to the land proposed for development by the Scottish-American Investment Company. When the Board reconvened after an August hiatus the vote was 6-2 in favor of Guild’s Lake. Robert Livingstone who owned the Scottish-American Investment Company set about with his real estate development partners Russell & Blyth to build a group of Arts & Crafts homes designed by Emil Schacht in the Willamette Heights subdivision which would inspire Portland residential architecture in the decades following the Exposition. Peter Guild 1797-1870 led his family over the Oregon Trail in 1847 lost a herd of cattle to the Oregon Territorial militia during the Cayuse Indian War and eventually homesteaded on Guild’s Lake constructing a large octagon block house which proved to be a very popular Public House and later the site for the 1905 Lewis & Clark Exposition. See: Jim Heuer & Roy Roos The Emil Schacht Houses in Willamette Heights: The Cradle of Arts and Crafts Architecture in Portland 2002 pp. 2-10; Thacher The Site of the Lewis and Clark Exposition The Pacific Monthly Vol. 7 pp. 210-212; Finn J.D. John Long-lost Guild’s Lake was Once Portland’s Water Wonderland Offbeat Oregon October 21 2012. n.p., unknown
1915réf. 50814Paris: PLM 1915. 8vo. 11 1 pp. 8 blue-tinted photo plates 1 large folding colour map at rear. Printed softcovers yapp edges minor shelfwear slight creasing still VG copy. First edition of this scarce tourism brochure handed out at the French Pavilion at the Panama-Pacific International Exposition in San Francisco. The company before World War I was urging Edwardian travelers to travel on the P.L.M. through Dijon Lyons Saint-Etienee Le Creusot Marseille Vichy Evian Aix-les-Bains and more. In addition travelers could visit Vienna Orange Avignon Arles Nimes Savoy and many other places. PLM, paperback