9 968 résultats
réf. 9107Bruges, Les éditions A. G. Stainforth, 1946. 27 x 17 cm, 101 pp. Broché, sous couverture rempliée, une petite déchirure au bas de la couverture, sinon bon exemplaire. Un des 25 exemplaires numérotés sur papier à la main "Maindstone", numérotés de I à XXV, contenant une suite en noir et une suite en sépia des illustrations. Préface, par James Ensor - Lettre d'Edmond Picard - Lettre de Georges Eekhoud - Réflexions sur l'art, par James Ensor - Poème inédit de Marcel Wyseur - Plaidoyer pour la conservation des bassins d'Ostende - Horoscope autographe de James Ensor. Quelques lettres reproduites en fac-similé, huit dessins reproduits.
1926réf. 30970L'exemplaire de Genevoix, offert par l'illustrateur Quelques rousseurs. Paris, Ferenczi, coll. «Le Livre moderneillustré », (juin) 1926. 1 vol. (145 x 205 mm) de 192 p. Demi-chagrin brun à coins, dos à nerfs, titre doré, date en pied, tête dorée, couvertures et dos conservés. Première édition illustrée. Bois gravés de Clément Serveau, reproduits en galvanoplastie. Exemplaire de l'auteur avec la suite sur chine appliquée. Envoi signé [porté au bas du frontispice tiré sur chine] : «à Maurice Genevoix, en témoignage de mon admiration émue. Clément Serveau».
1954réf. 31555Pointes sèches originales de Gaston Barret Paris, Vialetay, (4 mars) 1954. 1 vol. (265 x 335 mm) de 330 p., [4] et 2 f. En feuilles, sous couverture illustrée et emboîtage éditeur. Édition illustrée de pointes sèches originales de Gaston Barret. Un des 25 exemplaires hors-commerce réservés à l'auteur, l'artiste et aux collaborateurs, signés, celui-ci sur japon nacré (n° II).
1930réf. 153361930 1 Illustration de Pierre BRISSAUD. Paris, 1923, 32 x 42, pochoir en couleurs collé sur carton signé dans la planche, P.L.V.
réf. 22368Montpellier, Fata Morgana, 1975. In-4, 49 pp. 3 pl., en feuilles, couverture originale imprimée (petites rousseurs marginales).
1943réf. 141413(Ludwigsburg). 1943. Signiert G.L. 1943. Bildformat 55 x 77 cm. In schlichtem Holzrahmen (Dieser an den Rändern teils beschädigt).
réf. 22364Béthune, Brandes, 1976. In-4, non paginé, en feuilles, couverture originale imprimée (légère rousseur marginale, linogravure annoncée manquante).
1917réf. 202631917 1 Encre de Chine et mine de plomb, (1917), 21x17 cm, sous-verre.
réf. 22362Montpellier, Fata Morgana, 1981. In-4 oblong, 19 pp. 4 pl., en feuilles, couverture originale imprimée (petites et pâles rousseurs).
réf. 8314Bruxelles, René Henriquez, 1927. Plaquette in-8, 30 pp. Broché, légers manques en haut et en bas du dos sinon bon exemplaire. Rare édition originale tirée uniquement à 110 ex. num. sur Arches numérotée de 1 à 100 et 10 h.c. justifié à l'encre de la main de Nougé. Cinq dessins hors-texte et la vignette de couverture de René Magritte. Complet du feuillet d'errata.
réf. 8314Bruxelles, René Henriquez, 1927. Plaquette in-8, 30 pp. Broché, légers manques en haut et en bas du dos sinon bon exemplaire. Rare édition originale tirée uniquement à 110 ex. num. sur Arches numérotée de 1 à 100 et 10 h.c. justifié à l'encre de la main de Nougé. Cinq dessins hors-texte et la vignette de couverture de René Magritte. Complet du feuillet d'errata.
1931réf. 168811931 une chemise grand in-quarto Editeur (32,5 x 25 cm), 1ère de couverture illustrée en rouge par Robert Orceau (Figurant l'entrée et l'Enseigne du Bordel "à la Patte de Chat" rue d'Ancin) et numérotée : 10/100 et signée à la mine de plomb en bas à droite + signature à l'encre rouge (monogramme) en bas des piliers + texte manuscrit de l'auteur à l'encre rouge : "13 planches en 100 Exemplaires, dessins de Robert Orceau Sociétaire des Artistes Français 1931...", petite restauration ancienne de la chemise aux angles, contenant 12 lithographies en noir numérotées : 10/100 signées et titrées à la mine de plomb par l'auteur, petits trous de punaises aux angles de certaines gravures mais sans gravité, 1931 Phototypie à Tainon pour Robert Orceau Editeur,
réf. 8660Bruxelles, directeur : René Magritte, 1940. 23,5 x 17 cm, non paginé. Plaquette agrafée, sous couverture illustrée imprimée en bleu. Couverture avec des rousseurs sinon bon exemplaire. Édition originale. Textes et illustrations de Scutenaire, Marcel Mariën, René Magritte, Achille Chavée, Marcel Lecomte, Raoul Ubac, Paul Delvaux, etc. Le premier numéro de cette revue surréaliste qui ne comportera que deux numéros. Ancienne collection R.C.
réf. 8660Bruxelles, directeur : René Magritte, 1940. 23,5 x 17 cm, non paginé. Plaquette agrafée, sous couverture illustrée imprimée en bleu. Couverture avec des rousseurs sinon bon exemplaire. Édition originale. Textes et illustrations de Scutenaire, Marcel Mariën, René Magritte, Achille Chavée, Marcel Lecomte, Raoul Ubac, Paul Delvaux, etc. Le premier numéro de cette revue surréaliste qui ne comportera que deux numéros. Ancienne collection R.C.
1969réf. 013872Akron: Akron Art Institute 1969. 1st Edition. Soft cover. Near Fine. Square folder pictorial cover with clear acrylic overlay. Inside folder the pocket on the left has a 45 rpm vinyl record of the recorded sound from the light sculpture of Charles Waldeck; in the right pocket are 6 loose sheets of biographical information on the artists and the exhibition list of their works plus a sheet of 9 color slides 3 each of the work for each artist. An early work in the career of all three artists: Erdmann 1931 -2012 received his BFA in sculpture from University of Wisconsin in 1969; Jankowski 1939 - 2020 also graduated from Wisconsin and taught art and sculpture at Monmouth University in New Jersey. We could find no additional information on Waldeck. OCLC lists only 7 collections with this catalog. Akron Art Institute unknown books
2017réf. 10880Charlottesville VA: Virginia Center for the Book 2017. Limited Edition. Fine in Fine Box. Limited Edition. Virginia Arts of the Book Center collaborative project of a 56-card deck "Pack of Lies." Never fall for falsehoods when this 56-piece letterpress printed card deck can be your guide to the many forms of fib deceit misrepresentation and hoax. Card back design by Lana Lambert Individual concepts designs and printing by individual artists from Virginia Arts of the Book Center. "The 2017 VABC collaborative project A Pack of Lies is an exploration of the history and phenomenology of untruths. This 52-card playing deck - with four jokers tossed in -- was letterpress printed by 25 participating artists with special suits stars arrows bangs question marks. Explore a list of fabrication forms historical hoaxes infernal liars and logical fallacies!" A Pack of Lies: A Full Deck of Half-Truths: "A sign of our troubled times when the distinctions between fact and fabrication reality and distortion honesty and bunk seem sinisterly shuffled. We might as well then acquaint ourselves fully with the lie in its many forms its argumentative acumen is historical high tides not to mention its infernal and eternal legends." The suits : Stars - Types of Lies; Question Marks - Hoaxes; Bangs - Fallacies; and Arrows - Falsifiers. Bright and clean in a sealed box. 56 cards including 4 jokers one of which is "No Trump." letterpress printed; housed in handmade letterpressed cardbox. 3.5 x 5". Illus. color and b/w plates. Numbered limited edition of 65 this being 47. Virginia Center for the Book unknown books
1934réf. 31491Paris: Association des Ecrivains et des Artistes Revolutionaires 1934. 1934. Fair. - Quarto 12-1/2 inches high by 9-3/4 inches wide. Softcover reddish orange wrappers printed in black & white with a full page caricature by Yvette Guilbert on the back cover. The soiled and heavily chipped covers are detached. There are several tears and small pieces out from the edges of the covers. Several tears to the bottom edge of the front cover have been reinforced with archival linen tape from the verso. 20 pages including the covers with textual and full-page illustrations by the French caricaturists of the period including contributions by Antoni Deupe Gosse Andres Jimmy Oawks Enri Schmied Antek Pogolotti Sagette Yvette Guilbert. The text includes a poem by Jacques Moulin "Dedie a Henri Willemin" the satirical "Petit cours de Medecine pratique" by Le Bon Docteur "Petites explications pour ceux qui n'auraient par compris les evenements" by Jimmy Oawks and numerous biting captions serving as titles to the illustrations. The pages are darkened with short tears and chips to the edges. A complete but fragile issue well worth restoring due to its rarity. Biting political satire about the Stavisky Affair distributed by the left wing Association des Ecrivains et des Artistes Revolutionaires. Founded in March 1932 the Association was a section of the International Union of Revolutionary Writers which the Comintern had founded a couple of years earlier. The AEAR was a French association founded by communist and communist sympathizing writers in opposition to war and fascism. Henri Cartier Bresson Luis Bunuel Max Ernst Andre Gide and Man Ray were for a time among the notable members of the association. A 1934 financial scandal The Stavisky Affair was generated by the actions and dealings of the embezzler Alexandre Stavisky 1888-1934. Politicians and investors were swept up in Stavisky's schemes. He sold hundreds of millions of francs worth of false bonds on the city of Bayonne's municipal pawnshops. First charged with fraud in 1927 his trial was postponed over and over again as Stavinsky known as "Le Beau Sasha" was granted bail 19 times. In the interim one judge was found decapitated and the affair culminated with Stavisky's "suicide" though speculation persisted that the police killed him. As suggested by "Le Canard enchaine" if it was indeed suicide Stavisky must have had "a long arm". Right wing accusations that the police had killed Stavisky to protect influential people led to the resignation of French premier Camille Chautemps. His successor Daladier from the Radical-Socialist Party immediately fired the right-wing Paris Police prefect Jean Chiappe as well as the director of the Comedie Francaise. The new Interior minister Eugene Frot announced that demonstrators would be shot. The events led to an attempted right-wing putsch fomented by Action Francaise the Croix-de-Feu the Mouvement Franciste and a collection of anti-Semitic monarchist and fascist groups. The riots resulted in 14 deaths at the hands of the police. Daladier was himself forced to resign and his successor the conservative Gaston Doumergue formed a coalition cabinet. The affair inspired the 1937 Hollywood movie "Stolen Holiday" starring Claude Rains and the later 1974 Alain Resnais film "Stavisky" starring Jean-Paul Belmondo. RARE. WorldCat locates only 1 copy at the University of Wisconsin-Madison. Paris: Association des Ecrivains et des Artistes Revolutionaires, [1934]. paperback
1970réf. 9003Seattle 1970. 5 charcoal sketches on 8.5x11" paper by Ray Jensen with a 41 page handwritten journal by his wife Gloria on loose sheets. Also included is a 10 page handmade card from an acquaintance. Some pinholes to upper edge of sketches few light marginal smudges or stains. Generally very good. Small archive of materials from the influential Seattle artist Ray Jensen 1929-2019. Jensen was most well-known for his sculptures and mixed-media assemblages which often explored themes of death and decay. He was also an art educator at Bellevue Community College and the Cornish College of the Arts. Jensen's work can be found in both public institutions and private collections including The Waiting Multitude at the University of Washington's Suzzallo Library; The Dance at Seattle's McCaw Hall; The Doorway at Bellevue Community College; The Pursuit of Knowledge a life-size bronze of leaping figures at the Rainier Branch of Seattle Public Library; and The Graduates at Bellevue High School. The journal from Gloria Jensen with whom Ray was married for 61 years from 1958 covers family activities including trips to Ashland and Hawaii and her feelings about Ray with dates ranging from 1977-1989. The included card is related to Gloria's work in Special Education. . unknown
réf. 51-6001Paris: Galerie Maeght 1971. Folio. Original wraps. 28 x 28cm.DLM publié en octobre 1950 pour une exposition comportant desoeuvres de Alechinsky Arnal de Brunhoff Chillida Goetz Palazuelo Youngermann … à la Galerie Maeght. Textes de Jean Cassou et Michel Ragon. cahier 8 pages non découronnées. 2 lithographies originales en couleurs de Pierre Alechinsky dont 1 en double page. Reproduction en noir et blanc d’ une sculpture de La Fresnaye Paris: Galerie Maeght, 1971. paperback
1969réf. 013872Akron: Akron Art Institute 1969. 1st Edition. Soft cover. Near Fine. Square folder pictorial cover with clear acrylic overlay. Inside folder the pocket on the left has a 45 rpm vinyl record of the recorded sound from the light sculpture of Charles Waldeck; in the right pocket are 6 loose sheets of biographical information on the artists and the exhibition list of their works plus a sheet of 9 color slides 3 each of the work for each artist. An early work in the career of all three artists: Erdmann 1931 -2012 received his BFA in sculpture from University of Wisconsin in 1969; Jankowski 1939 - 2020 also graduated from Wisconsin and taught art and sculpture at Monmouth University in New Jersey. We could find no additional information on Waldeck. OCLC lists only 7 collections with this catalog. Akron Art Institute unknown
1909réf. ABE-1521407858608Shanghai: Yu Tseng Book Depot 1909 1909 Folio 3826.5cm 15 full-page plates with tissue guards. Sewn binding. A few pages slightly water stained. Photos available upon request. 1st Edition. Soft cover. Good/No Jacket. Shanghai: Yu Tseng Book Depot, 1909 paperback
réf. 51-3416Paris: XXe Siècle 1974. . 4to. 24.5 x 31 cm. Original pictorial boards. Original lithographs by James Rosenquist Enrico Baj Man Ray Matta and silkscreen by Veliekovic. Very good. Paris: XXe Siècle, 1974. hardcover
réf. 16-5877Parisiis: ex typographia Philippi-Dionysii Pierres MDCCLXXXIV-MDCCLXXXV 1784-1785. Engravings on 18th Century laid paper. 42 x 25cm and smaller. Belder 215. Hunt 673. Johnston 555. Nissen BBI 1190. Pritzel 5268. Stafleu/Cowan 4484. Cf. Buchheim "A bibliographical account of L'Héritier's 'Stirpes novae'" in: Huntia vol. 2 1965 pp. 29-58.Charles-Louis . Expertise by : Amaury BONNETAIN. Parisiis: ex typographia Philippi-Dionysii Pierres, MDCCLXXXIV-[MDCCLXXXV] [1784-1785 unknown
2017réf. 10880Charlottesville VA: Virginia Center for the Book 2017. Limited Edition. Fine in Fine Box. Limited Edition. Virginia Arts of the Book Center collaborative project of a 56-card deck "Pack of Lies." Never fall for falsehoods when this 56-piece letterpress printed card deck can be your guide to the many forms of fib deceit misrepresentation and hoax. Card back design by Lana Lambert Individual concepts designs and printing by individual artists from Virginia Arts of the Book Center. "The 2017 VABC collaborative project A Pack of Lies is an exploration of the history and phenomenology of untruths. This 52-card playing deck - with four jokers tossed in -- was letterpress printed by 25 participating artists with special suits stars arrows bangs question marks. Explore a list of fabrication forms historical hoaxes infernal liars and logical fallacies!" A Pack of Lies: A Full Deck of Half-Truths: "A sign of our troubled times when the distinctions between fact and fabrication reality and distortion honesty and bunk seem sinisterly shuffled. We might as well then acquaint ourselves fully with the lie in its many forms its argumentative acumen is historical high tides not to mention its infernal and eternal legends." The suits : Stars - Types of Lies; Question Marks - Hoaxes; Bangs - Fallacies; and Arrows - Falsifiers. Bright and clean in a sealed box. 56 cards including 4 jokers one of which is "No Trump." letterpress printed; housed in handmade letterpressed cardbox. 3.5 x 5". Illus. color and b/w plates. Numbered limited edition of 65 this being 47. Virginia Center for the Book unknown
2009réf. Q4-31-10-2025-001Rhino Records - No SAI 2009-09-22. audioCD. Good. 11x8x0. Signed. Signed by multiple artists including Dick Dodd Alan Brackett P.F. Sloan Jackie DeShannon and Danny Hutton. Discs are in excellent condition with no scratches. Case shows moderate wear with a deep scratch on the back cover at the barcode. A nice collectible copy signed by several featured artists. Rhino Records - No SAI unknown