9 996 résultats
1985Two very large signed and justified original aquatints by Joan Hern·ndez Pijuan. 76 x 112 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper. FINE AND BRIGHT, like new. Maluquer 223 and 224. Price is for the set.
1991Four signed and justified original aquatints on chine collÈ by Joan Hern·ndez Pijuan. 43 x 38.5 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper. FINE AND BRIGHT, like new. Maluquer 336-339. Price is for the set. Individual prints may be available separately. Please inquire.
1897réf. 24061416London: Elkin Mathews & John Lane Vol's I and II John Lane The Bodley Head Vol's III - XIII 1897. Hardcover. Near fine. Thirteen volumes complete octavo size approx. 4150 pp. Called "the gay nineties" in America and "the naughty nineties" in Britain the decade of the 1890s was in many respects one in which the Victorian morals and societal codes were loosening with many who on both sides of the pond "embraced more freedom fun and social permissiveness" n.b. quote from Wiki. Within the worlds of literature and art Oscar Wilde 1854-1900 and Aubrey Beardsley 1872-1898 were extremely influential both with a talent for bringing eroticism into their art and making it - almost - socially acceptable. In addition to their joint collaboration on "Salome" first published in 1892 they launched this periodical "The Yellow Book" with its first issue being April 1894. Beardsley was the first art editor and while Wilde was not a contributor his influence can be felt. Ultimately it lasted for only thirteen issues its demise coming about for almost the same reasons as its success. The public initially saw "The Yellow Book" as "something queer and rather alarming.and thus it almost immediately regarded it as symbolic of new movements." However after the trial and conviction of Oscar Wilde the publishers who were from the outset less inclined towards these new ideals than the artists combined with a reaction now negative from the public "the publisher's premises were set upon by a mob who vandalised the building" its final issue was April 1897 n.b. quotes from Wiki. ___DESCRIPTION: All volumes bound in full bright yellow cloth black illustrations and lettering on the fronts black lettering and decorations on the spines the table of contents reproduced on the back covers except the final issue which duplicated the design of the front replete with reproductions of artwork all in black and white with a single exception; bindings octavo size 8 1/8" by 6 1/2" pagination varies between 256 and 406; note that this set does not have the advertisements bound in at the rear. ___CONDITION: Overall near fine the boards mostly clean a few volumes with light spots the corners mostly straight a few slightly bumped most without rubbing and a few with minimal rubbing strong square text blocks with solid hinges we noted a few gutters just beginning to crack the interiors clean and bright and the set entirely free of prior owner markings; some light rubbing to the black ink on the bindings on most volumes light toning to some of the endpapers a few volumes with the boards very slightly bowed and some of the spines lightly sunned note that the spine of Vol. VI is significantly lighter in colour. ___POSTAGE: Please note that this set will require additional postage please inquire for details. International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Elkin Mathews & John Lane (Vol's I and II), John Lane The Bodley Head (Vol's III - XIII) hardcover
1897réf. 24061416London: Elkin Mathews & John Lane Vol's I and II John Lane The Bodley Head Vol's III - XIII 1897. Hardcover. Near fine. Thirteen volumes complete octavo size approx. 4150 pp. Called "the gay nineties" in America and "the naughty nineties" in Britain the decade of the 1890s was in many respects one in which the Victorian morals and societal codes were loosening with many who on both sides of the pond "embraced more freedom fun and social permissiveness" n.b. quote from Wiki. Within the worlds of literature and art Oscar Wilde 1854-1900 and Aubrey Beardsley 1872-1898 were extremely influential both with a talent for bringing eroticism into their art and making it - almost - socially acceptable. In addition to their joint collaboration on "Salome" first published in 1892 they launched this periodical "The Yellow Book" with its first issue being April 1894. Beardsley was the first art editor and while Wilde was not a contributor his influence can be felt. Ultimately it lasted for only thirteen issues its demise coming about for almost the same reasons as its success. The public initially saw "The Yellow Book" as "something queer and rather alarming.and thus it almost immediately regarded it as symbolic of new movements." However after the trial and conviction of Oscar Wilde the publishers who were from the outset less inclined towards these new ideals than the artists combined with a reaction now negative from the public "the publisher's premises were set upon by a mob who vandalised the building" its final issue was April 1897 n.b. quotes from Wiki. ___DESCRIPTION: All volumes bound in full bright yellow cloth black illustrations and lettering on the fronts black lettering and decorations on the spines the table of contents reproduced on the back covers except the final issue which duplicated the design of the front replete with reproductions of artwork all in black and white with a single exception; bindings octavo size 8 1/8" by 6 1/2" pagination varies between 256 and 406; note that this set does not have the advertisements bound in at the rear. ___CONDITION: Overall near fine the boards mostly clean a few volumes with light spots the corners mostly straight a few slightly bumped most without rubbing and a few with minimal rubbing strong square text blocks with solid hinges we noted a few gutters just beginning to crack the interiors clean and bright and the set entirely free of prior owner markings; some light rubbing to the black ink on the bindings on most volumes light toning to some of the endpapers a few volumes with the boards very slightly bowed and some of the spines lightly sunned note that the spine of Vol. VI is significantly lighter in colour. ___POSTAGE: Please note that this set will require additional postage please inquire for details. International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Elkin Mathews & John Lane (Vol's I and II), John Lane The Bodley Head (Vol's III - XIII) hardcover books
1916réf. 30863Avec billet autographe, relatif au volume Paris, Bibliothèque des Curieux, 1916. 1 vol. (120 x 190 mm) de 316 p. et 1 f. Broché, sous chemise et étui signé (A. Devauchelle). Édition originale. Exemplaire enrichi d'un billet autographe (encre sur papier, 145 x 100 mm) comportant des notes de travail inédites.
1952réf. 25358Belle lettre à Daragnès S.l.n.d. [Klarskovgaard près de Korsör, Danemark, 7 janvier 1949]. 6 p., à l'encre. Belle et importante lettre
1930réf. 3029631 compositions de François-Louis Schmied Lausanne, Gonin, (3 septembre) 1930. 1 vol. (200 x 255 mm) non paginé. En feuilles, sous couverture titrée de l'éditeur, chemise et étui. Édition originale de cette traduction littérale des textes sémitiques. 31 compositions de François-Louis Schmied, gravées sur bois par Philippe Gonin et tirées en couleurs avec rehauts d’or ou d’argent : 5 hors-texte dont 2 signés, 17 in-texte et 9 lettres ornées. Tirage unique à 175 exemplaires sur Arches (n° 32).
1806réf. 30088La plus luxueuse édition, en reliure de Simier Paris, De l'Imprimerie P. Didot l'aîné, 1806. 1 vol. (235 x 320 mm) de faux-titre, front., titre, xcii, 194 p. et [3] f. Maroquin bleu à long grain, plats à encadrements ornés de larges roulettes et filets à froid et dorés, dos richement orné, roulette intérieure, tranches dorées (reliure signée de Simier R. du Roi). La plus luxueuse édition illustrée de Paul et Virgnie, en partie originale et qui fixe le texte définitif. Elle est illustrée d'un portrait de l'auteur et de 6 planches hors texte, gravées sur cuivre par Bourgeois de la Richardière, Bovinet, Mecou, Prot, Ribault, Roger et Tillement.
réf. 6818New Hyde Park NY & Allentown PA: National Tattoo Association 2013. Fifteen original illustrated posters offset printed in colors on white stock measuring ca.28cm x 43.5cm 11" x 17". Light wear to extremities some minor handling and faint horizontal folds smoothed out a center; Near Fine overall. An attractive group of publicity posters produced for National Tattoo Association NTA conventions around the country from 1989-2013. The NTA formerly the National Tattoo Club of the World is one of the longest-running tattoo organizations in the United States founded in New York in 1976 and run continuously since. They were responsible for putting on 39 tattoo conventions between 1979-2018 each in a different city which over time grew to be among the largest and most prominent expos for tattoo art and culture. Twelve of the fifteen posters in this grouping were designed by legendary Southern California tattoo artist Jack Rudy proprietor of Tattooland a fairly prominent shop in Anaheim California. A striking group from the collection of a long-time tattoo enthusiast. National Tattoo Association unknown
1811réf. 910931811. Watanabe Nangaku 渡辺å—å²³ & Kawamura BumpÅ æ²³æ‘æ–‡é³³ artists. Nangaku BumpÅ KaidÅ SÅga å—丘文鳳 è¡—é“åŒç”». 全 Kawachiya Kihei and Yoshidaya Shimbei of Osaka and Kyoto respectively. Bunka 8 1811 26.2 x 17.9 cm. There is a preface by Bunya Shigetaka. Buff covers blindstamped with a geometric pattern of squares and octagons. Printed paper title label. Our copy of this bibliographically complex work appears to resemble most closely the copy at Ryerson 385 one of Mitchell's "B" examples. It would appear that the two volume edition Mitchell's "A" with a poetry volume is of extraordinary rarity. The KSSM only lists three examples and Mitchell lists his own and one other - a variant. What is clear in the midst of all the detail is that the impressions of this copy are fresh and beautiful. The juxtaposition of Nangaku and Bumpo designs is instructive and interesting. There is a bit of soiling and staining to the covers a very few internal spots and thumbing and a very mild internal waterstain - but overall still a pleasing copy of this uncommon and important book. unknown
1811réf. 910931811. Watanabe Nangaku 渡辺å—å²³ & Kawamura BumpÅ æ²³æ‘æ–‡é³³ artists. Nangaku BumpÅ KaidÅ SÅga å—丘文鳳 è¡—é“åŒç”». 全 Kawachiya Kihei and Yoshidaya Shimbei of Osaka and Kyoto respectively. Bunka 8 1811 26.2 x 17.9 cm. There is a preface by Bunya Shigetaka. Buff covers blindstamped with a geometric pattern of squares and octagons. Printed paper title label. Our copy of this bibliographically complex work appears to resemble most closely the copy at Ryerson 385 one of Mitchell's "B" examples. It would appear that the two volume edition Mitchell's "A" with a poetry volume is of extraordinary rarity. The KSSM only lists three examples and Mitchell lists his own and one other - a variant. What is clear in the midst of all the detail is that the impressions of this copy are fresh and beautiful. The juxtaposition of Nangaku and Bumpo designs is instructive and interesting. There is a bit of soiling and staining to the covers a very few internal spots and thumbing and a very mild internal waterstain - but overall still a pleasing copy of this uncommon and important book. unknown books
réf. 51-5552Amsterdam: L'Honoré & Chastelain fils 1706. Folio. 23.5 x 37cm. Contemporary calf with 6 raised bands restored. 14 126 2pp. and 43 plates with 160 images.Bookplate of Edm. Fries.In-folio veau blond filets dorés dos à nerfs orné reliure de l'époque. Frontispice gravé par C. Luijken et 43 pages de planches montrant 160 FIGURES Bas-reliefs statues des dieux et des hommes instruments sacerdotaux lampes urnes seaux bracelets clefs anneaux fioles lacrimales phallus. OCLC Number:311655636 and 714979496. Amsterdam: L'Honoré & Chastelain fils 1706 hardcover
réf. 9673Charlottesville VA: Virginia Arts of the Book Center 2013. Limited Edition. Stiff Boards Wraps etc. Fine in Fine Archival Box. Limited Edition. Stiff Boards Wraps etc. "This collection of 15 miniature books was created by 27 local artists employing a variety of printing styles including letterpress lithography etching and giclée. The books also showcase several binding styles such as Coptic stiff board accordion and non-adhesive. And believe us "miniature" is no exaggeration! At only 2 wide and 3 long these books evidence the artists' clear precision and attention to detail. The books are packaged in a handsome collector's boxed set." publisher's statement While 20 to 50 copies of each book were available for individual sale only 15 sets of this complete collection were created. This is the last of the run. Includes: 3Q15 The copper scroll / Garrett S. Queen -- Prime of life / Addeane Caelleigh -- How to draw a cloud / Dean Doss with others -- A map to-- / Stacey Evans -- These ancient mountains a poem by Barney Brown / Bonnie Bernstein & Yolanda Merrill -- Poison sisters / Lana Lambert & Frank Riccio -- Trees are the answer / Janet Eden -- Lost & found / Jennifer Wingard -- Temps perdu lost time / Michael Swanberg Mary MacNeil Alysin Lake & Jennifer Wingard -- Emily Dickinson XXIV / Kirsten Miles & Holly Odom -- The gray goo problem / Kriston Adolfson -- Mother> Bear / Angie Hogan & Roger Williams -- Anticism! Manifesto cries / Kevin McFadden & Katherine McNamara -- Jefferson reappraised / Kevin McFadden & Amber Karnes -- Where are you from / Jennifer Billingsly & Matthew Gibson. Tight bright and unmarred. Various bindings and materials; boxed in cream box with printed paper onley. 32mo. Var pag. Illus. Numbered limited edition this being 15 of 15. Virginia Arts of the Book Center unknown
réf. 9673Charlottesville VA: Virginia Arts of the Book Center 2013. Limited Edition. Stiff Boards Wraps etc. Fine in Fine Archival Box. Limited Edition. Stiff Boards Wraps etc. "This collection of 15 miniature books was created by 27 local artists employing a variety of printing styles including letterpress lithography etching and giclée. The books also showcase several binding styles such as Coptic stiff board accordion and non-adhesive. And believe us "miniature" is no exaggeration! At only 2 wide and 3 long these books evidence the artists' clear precision and attention to detail. The books are packaged in a handsome collector's boxed set." publisher's statement While 20 to 50 copies of each book were available for individual sale only 15 sets of this complete collection were created. This is the last of the run. Includes: 3Q15 The copper scroll / Garrett S. Queen -- Prime of life / Addeane Caelleigh -- How to draw a cloud / Dean Doss with others -- A map to-- / Stacey Evans -- These ancient mountains a poem by Barney Brown / Bonnie Bernstein & Yolanda Merrill -- Poison sisters / Lana Lambert & Frank Riccio -- Trees are the answer / Janet Eden -- Lost & found / Jennifer Wingard -- Temps perdu lost time / Michael Swanberg Mary MacNeil Alysin Lake & Jennifer Wingard -- Emily Dickinson XXIV / Kirsten Miles & Holly Odom -- The gray goo problem / Kriston Adolfson -- Mother> Bear / Angie Hogan & Roger Williams -- Anticism! Manifesto cries / Kevin McFadden & Katherine McNamara -- Jefferson reappraised / Kevin McFadden & Amber Karnes -- Where are you from / Jennifer Billingsly & Matthew Gibson. Tight bright and unmarred. Various bindings and materials; boxed in cream box with printed paper onley. 32mo. Var pag. Illus. Numbered limited edition this being 15 of 15. Virginia Arts of the Book Center unknown books
1932réf. 905201932. Multiple Artists Hardy Jowett author. Chinese Costumes ä¸è¯æœç‰©è€ƒç•¥ ZhÅng huá fú wù kâo lüè. 1932. Peiping Peiking China: The Chinese Painting Association of Peiping. 32 x 22cm silk-covered boards bound with cord. Front board is embroidered with multicolor flowers and a butterfly. Table of Contents in English as well as a Foreword in English by Hardy Jowett. 24 hand-painted color illustrations depict informal and formal dress including military and religious garb of men and women in China during the Qing Dynasty. Each plate has a paper tissue guard with title and description in English. Handwritten name in ink and pencil on title page. Slight discoloration to a few faces. Staining on silk cover. Bottom forecorner of title page clipped. unknown
1932réf. 905201932. Multiple Artists Hardy Jowett author. Chinese Costumes ä¸è¯æœç‰©è€ƒç•¥ ZhÅng huá fú wù kâo lüè. 1932. Peiping Peiking China: The Chinese Painting Association of Peiping. 32 x 22cm silk-covered boards bound with cord. Front board is embroidered with multicolor flowers and a butterfly. Table of Contents in English as well as a Foreword in English by Hardy Jowett. 24 hand-painted color illustrations depict informal and formal dress including military and religious garb of men and women in China during the Qing Dynasty. Each plate has a paper tissue guard with title and description in English. Handwritten name in ink and pencil on title page. Slight discoloration to a few faces. Staining on silk cover. Bottom forecorner of title page clipped. unknown books
réf. 51-3144London: Edward Orme 1819. Large 4to. 27 x 34.8cm. 10.6 x 13.75 inches with 40 hand-coloured aquatint plates some spotting and soiling offsetting onto tissue-guards one plate with tear repaired to verso crayon drawing to front free endpaper contemporary red straight-grain morocco gilt rebacked preserving original spine rubbed Abbey Life 376; Tooley 353Bookplate ot Mr. Spottiswood. OCLC Number: 84007475Notes: The letterpress of this edition is printed on paper without watermarks; most of the plates are unwatermarked but 8 of them have dated watermark "1831."In this undated edition the title occupies 12 lines & the imprint 5 & the title is set off from the imprint by a rule; p. 95-98 are numbered.Plates colored aquatints by J.A. Atkinson F.J. Manskirch William Heath & others. London: Edward Orme, 1819. unknown
réf. 5712Bruxelles, Librairie Edmond Deman, 1907. 28,8 x 20 cm, 67 pp. et 4 pp. du prospectus. Couverture illustrée et 15 compositions originales en couleurs (dont 12 hors-texte) dessinées et gravées par Armand Rassenfosse. Tirage unique à 125 exemplaires numérotés sur papier de Rives. Relié plein maroquin bleu nuit, premier plat orné dun couple damants enlacés en cuir repoussé en relief, monogrammé en bas à droite H.B., dos à cinq nerfs, titre doré, toutes tranches dorées, revers des plats doublés de maroquin marron et filets dorés formant encadrement, celui du premier plat signé H[enri Émile] BLANCHETIÈRE [1881-1933], pages de garde en tissu persan. Légères traces dusures, petites rousseurs, traces de frottements, quelques infimes rayures. Sous emboîtage avec quelques griffures et traces de frottements), sinon superbe exemplaire.
réf. 5712Bruxelles, Librairie Edmond Deman, 1907. 28,8 x 20 cm, 67 pp. et 4 pp. du prospectus. Couverture illustrée et 15 compositions originales en couleurs (dont 12 hors-texte) dessinées et gravées par Armand Rassenfosse. Tirage unique à 125 exemplaires numérotés sur papier de Rives. Relié plein maroquin bleu nuit, premier plat orné dun couple damants enlacés en cuir repoussé en relief, monogrammé en bas à droite H.B., dos à cinq nerfs, titre doré, toutes tranches dorées, revers des plats doublés de maroquin marron et filets dorés formant encadrement, celui du premier plat signé H[enri Émile] BLANCHETIÈRE [1881-1933], pages de garde en tissu persan. Légères traces dusures, petites rousseurs, traces de frottements, quelques infimes rayures. Sous emboîtage avec quelques griffures et traces de frottements), sinon superbe exemplaire.
1960réf. 10140Hollywood: Carson George Productions 1960. Collection of 55 mixed media paintings and production illustrations 2 are 10x14" and the rest generally 7x11" Just a few are on thinner stock and the rest on board. A few with production notes on versos most with original glassine protection. Generally near fine and accompanied with a torn copy of a Carson George Productions flyer. An absolute gem of a collection of midcentury production art from a little-known but prolific Hollywood commercial studio. The promotional brochure notes Carson George was a photographer for Disney before leaving in 1955 to found his own productions studio specializing in 35mm filmstrips slidefilm and audiovisual presentations for corporate clients. These clients included Mobil ITT General Controls Kaiser Aluminum Capitol Records the Los Angeles Examiner Coleman United States Gypsum and others. One blurb on the flyer mentions George hired his former colleagues at Disney who worked on Lady and the Tramp to create art for his productions. Undoubtedly the work of several different artists the archive displays a remarkable range of styles from surreal and symbolic imagery to humorous corporate cartoons. Floating hot dogs and bread loaves greedy businessmen fanning stacks of cash pneumatic machine diagrams maps bewildered suburban homeowners confronted by cowboys vivid depictions of the microscopic world and other imaginative compositions all reflect the visual language of midcentury educational and corporate communications. The brochure states "Since leaving Walt Disney Studios in 1955 Carson George has produced over 400 films." A number of these productions are independently documented in the Catalog of Copyright Entries Third Series Vol. 12 1958 including the educational 35mm color filmstrips Nitrogen Bacteria and Man 1957 Physiology of Digestion 1957 A Giant in the Blood 1957/58 and Basic Clinical Nutrition 1958. Several paintings depicting blood cellular structures nutrition and scientific concepts appear consistent with the subjects of these documented productions. A remarkable collection from the golden age of Hollywood commercial art preserving the work of Carson George Productions and its ties to Walt Disney Studios. Carson George Productions unknown
réf. 16-4398Paris: Goupil; Luchon: Lafon; Pau: Ariza circa 1850. Oblong Folio. 38 x 26.5 cm. Original publisher's percaline cloth. 22 tinted and 1 color lithograph; incl. a double page panorama of Pau.Very good.See list of plates below.OCLC Number: 715593228.Sur le cartonnage Souvenir des Pyrénées. Paris Goupil Luchon Lafon sd. vers 1860.In folio oblong : Sans titre 22 planches lithographiées sur fond teinté dont 2 sur double page par CICERI 10 GORSE 11 et MERCEREAU 1 et une en couleurs Saint-Jean-de-Luz.Cartonnage percaline marron éditeur titre doré sur le plat supérieur. Très bon état.5 vues de Pau ou prises de Pau dont 2 dépliantes une vue de Lourdes Pic du Midi d'Ossau 2 des Eaux-Bonnes Eaux-Chaudes Saint Jean de Luz 5 vues des environs de Cauterets Luz Pont Napoléon cascade du Parisien Luchon Pont de Vénasque La Maladetta. Album monté tel quel à l'époque. Expertise by Michel Convert expert en livres anciens installé à Salies de Béarn 64. Paris: Goupil; Luchon: Lafon; Pau: Ariza, circa 1850 hardcover
réf. 51-5974Haarlem: François Bohn 1802-1803. 8vo. 13 x 224 cm.I: xxii 274pp.; II: x 348pp.; III: xx 232 ivpp. Original marbled wrappers printed lettering label on spines of 2 volumes lacks spine of one volume housed in morocco-backed solander box .Rare - OCLC only lists one copy of the later German edition: 1067860712. Tipped in to each volume is a contemporary one page manuscript related to the work. 4 hand-colored costume plates 4 folding engraved plates 3 folding letterpress tables one with short tear Mendelssohn I pp. 432/3 Haarlem Francois Bohn 1802-3 .In 1791 Cornelius arrived in Cape Town with his frigate where he met his future wife. At that time the Republic was at war with France. It was not until 1794 that Cornelius returned to get married. Because his wife quickly became pregnant he had to return alone. During the trip he heard that the Republic was now at war with England again due to political complications the patriots had come to power but he managed to bring the fleet safely to Norway. He was given a year's leave to collect his wife and daughter. Six more children would be born in the Netherlands. As soon as he returned he was given command of a ship in the squadron that had to repel the Russian-English fleet. Not all Dutch captains were pro-patriotic and some defected to the English. Cornelius had remained neutral but was still condemned by the High Council of the Sea and exiled. He settled with his family on the Duivenvoorde estate near Kleef. He wrote a number of travel stories here and started a publication to prove his innocence. After the Republic was annexed by France Cornelius was allowed to return and the family settled in Vught. In 1814 he was rehabilitated. In 1815 the family left for The Hague where Cornelius also held all kinds of administrative positions Haarlem: François Bohn, 1802-1803 unknown
réf. 198307Oaxaca: Adoratorio Galería 2024. First edition. New. 20p. boards housed in a black canvas box. "Carpeta Gráfica Entomografía" is features insect-themed art by 20 Mexican artists. The compilation showcases a diverse range of printmaking techniques including etching lithography and digital processes reflecting the artists' unique interpretations of entomological subjects. This collaborative endeavor highlights the richness of Mexican graphic arts and offers a contemporary perspective on the natural world. Adoratorio Galería unknown
2023réf. 198306Mexico D.F.: Taller de Gráfica Venado 2023. First edition. New. 22p. boards housed in a black canvas box. This 2023 collection features 22 prints from Taller de Gráfica Venado in Mexico City an art workshop founded in 2016 by Samuel Chávez Mazatl also known as "Samo." This workshop focuses on collaborative production and the promotion of graphic arts especially engraving lithography and relief printing. Their work often explores themes that are rooted in tradition while experimenting with innovative techniques. This copy is number five in a limited run of 35. Featured artists include Fermín Revueltas Melecio Galván Adrián Aja Méndez Ernesto Alva Franco Eduardo Barrera Demián Flores Carlos Flores Rom Emiliano Guerrero Victor Manuel Hernández Castillo Daniel Luis Hernández Ãlvaro Medina Claudia Méndez Méndez Gabriela Morac Diana Morales Galicia Triana Parera Alejandro Pérez Cruz Coral Revueltas Valle and José Luis Vázquez. Taller de Gráfica Venado unknown
réf. 51-3609Paris: Henri Charpentier 1870. Folio. 48 x 34cm. Original boards. 25 lithographs in 2 colors. 36pp. text in French and 36pp. text in English.OCLC Number:457564828Paris Henri Charpentier 1870.In-folio demi-percaline verte couvertures imprimées reliure de l'éditeur.Ouvrage illustré de 25 planches lithographiées par Sabatier Ciceri Ph. Benoist et Bayot d'après les dessins de Félix Benoist. Texte en français puis en anglais par Loïc Petit & Sigismond Ropartz.Bon exemplaire. Premiers feuillets du texte français légèrement jaunis une seule piqûre sur une planche. Coiffes émoussées coins et coupes frottées Paris: Henri Charpentier, 1870 hardcover