1594 risultati
1957rif. 3115006NP: Columbia Pictures. Very Good with no dust jacket. 1957. Poster. Original half-sheet film poster for this 1957 b-movie production. 19 1/4" X 13 3/4" Close to near fine on card-stock with fold at center. Traces of faint wear at margins. Blurb reads - "This Is a picture about DOPE!"; 8vo 8" - 9" tall . Columbia Pictures unknown
1923rif. 3115263NP: Goldwyn Film Corporation. Fine with no dust jacket. 1923. Photograph. Publicity PHOTOGRAPH of actors Claude King & Maude George in a scene from the reportedly lost film "Six Days." Fine with trimmed borders. 7" x 9" Identifying snipe afixed to blank reverse. ; 7" X 9" . Goldwyn Film Corporation unknown
1923rif. 3115261NP: Goldwyn Pictures Corporation. Fine with no dust jacket. 1923. Photograph. Publicity PHOTOGRAPH depicting actors Corinne Griffith & Myrtle Stedman in the reportedly lost film "Six Days." Fine with borders trimmed. Identifying snipe afixed to blank reverse. 7" X 9" ; 7" X 9" . Goldwyn Pictures Corporation. unknown
1923rif. 3115262NP: Goldwyn Pictures Corporation. Fine with no dust jacket. 1923. Photograph. Publicity PHOTOGRAPH depicting actors Corinne Griffith & Claude King embracing from the reportedly lost film "Six Days." Fine with margins trimmed. Identifying snipe afixed to blank reverse. 7" X 9" ; 7" X 9" . Goldwyn Pictures Corporation unknown
1977rif. 310240NP: UNITED ARTISTS. Fine with no dust jacket. 1977. Printed cards. Set of 8 full-color PHOTO STILLS. 8" X 10" All fine. A Michael Ritchie film based on Dan Jenkins novel. B . UNITED ARTISTS. unknown
rif. 21935Oblong 8 x 10 photograph GREAT CONDITION SIGNATURES GUARANTEED AUTHENTIC. Signed by Author. Unbound.
rif. 3102281927. Enlarged PHOTOGRAPH from the film "Sumuru." 16" X 20" Mounted on heavy card board with folded cardboard easel on blank reverse. Image depicts actress Carmel Myers 'Lola' reclining languidly with actor Walter Pidgeon 'Paul Sinclair' leaning towards her. From the personal collection of memorabilia of silent film star Carmel Myers who has SIGNED her name in ink at the base of the image. She has written in 'Walter Pidgeon' as well. B . unknown
rif. 3102271927. An enlarged PHOTOGRAPH from the 1927 film "Tell It To The Marines" with co-stars William Haines 'Skeet' Burns & Carmel Myers 'Zaya' depicted in a scene in a tropical hut where they are hugging one another and laughing madly. 16" X 19 3/4" Near fine on an applied sheet of heavy cardboard. Bump at upper righthand edge of margin not affecting image From silent film star Carmel Myers' own personal collection of memorabilia. B . unknown
1977rif. 310238NP: UNITED ARTISTS. 1977. One-sheet POSTER.27" X 41" Near fine folded in eights. Traces of light foxing at white margins. Hint of foxing at bottom of image Features actors Burt Reynolds Kris Kristofferson & Jill Clayburgh standing at the altar with both men attired in their football uniforms. A Michael Ritchie film. Suitable for framing. B . UNITED ARTISTS. unknown
19838vo., First Edition, with plates; brown cloth, gilt back, a fine copy in unclipped dist-wrapper.
19888vo., First Edition, with plates; black cloth, gilt back, burgundy endpapers, a fine copy in unclipped dustwrapper.
19738vo., First Edition; light blue cloth, gilt back, a near fine copy in unclipped dustwrapper, the latter lightly rubbed at edges.
18352 vols., 8vo., First Edition, with engraved portrait frontispiece (mildly age-soiled), some very light and inoffensive age-staining to text, neat pencilled nineteenth-century inscription of half-title of second volume; attractively bound in contemporary half calf, coarse-grain cloth sides ruled in gilt, backs with five raised bands, second and third compartments lettered and ruled in gilt, all other compartments framed and tooled in gilt, gilt edges, marbled endpapers, a very good, bright, crisp copy in wholly unrestored period binding. The UK edition is much scarcer than its US counterpart published in the same year, particularly as two volumes as originally issued. Kean died in 1833.
1943Un volume de format in 8° carré de 224 pp, dont 32 pp. de portraits photographiques essentiellement en fin de volume tirés sur beau papier couché. Reliure en demi basane noire, filets rouge et titre doré au dos. Couverture légèrement défraîchie; rousseurs pâles sur les gardes; sinon bon état. Etonnants portraits d'acteurs, d'écrivains... Voir les photos.
2006344 pages, illustrated, index. eng
2003ix + 262 pages, illustrated, filmography, television, index. eng
196512mo, 172 pages, illustrated. Pages browned. eng
1988335 pages. eng
2005400 pages, illustrated, appendix, bibliography, index. eng
1975Folio, 176 pages, illustrated. eng
1986No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 192pp.
1907Spine a bit browned (spine label browned) and discolored, ffep loose but present. Rear hinge cracked. A bit of chipping to foreedges of a few pages with a bit of loss. ; Number 205 of an edition of 430, designed by Bruce Rogers. Xiv+140pp + 30pls. ; 140 pages
1937(FT) Suede wraps. 4to. [4], 171, [2], 23 pages. 28 cm. First edition. In Yiddish and English. Added title-page: Ten years Artef; published for the tenth anniversary of the Artef, March, 1937. Extensively illustrated publication for the tenth year anniversary of the radical Yiddish theatre company: Artef, the radical Yiddish dramatic troupe based in New York during the heyday of the Yiddish theater in America. Begun in the mid-1920s as a study group of amateur worker-actors (at one time there were nine separate studios with over 120 students) , in the 1930s the troupe went professional, putting on at least two and often three new plays per season. With such plays as Jacob Mostel's Strike, Shmuel Godiner's Jim Kooperkop, Avrum Vevioka's Diamonds, and Maxim Gorky's Egor Bulychev and Dostigaev and Others, Artef spread propaganda to the masses. Ideologically Artef was far left; its hope was a Communist society here in America. As a troupe, its role was agit-prop, to agitate and propagandize, to serve as the cultural representative of radical workers. In fact, most of its tickets were pre-sold through worker unions and, at least in its early years, Artef gave presentations at political events. Its first large-scale production was Mass Play and Ballet of the Russian Revolution, which appeared at the Lenin memorial celebration in Madison Square Garden on January 21, 1928. Artef's greatest artistic and commercial successes were connected with the talented productions of director Benno Schneider. Schneider, who had been active in the Zionist Habima troupe in Moscow, wed aesthetic excellence to revolutionary ideology with his interpretation of Aristocrats, an adaptation of Sholem Aleichem's Mentshn. Incidentally, Schneider earned such a positive reputation with Artef that he received offers to direct on Broadway, a promotion that cost the radical Yiddish theater dearly. The end of the Artef was gradual, and its causes were closely associated with the reduced role of Yiddish in American life. But there were bright lights before the darkness. During the days of the Popular Front, when the Communists formed associations with less radical leftist parties, the Artef attracted a larger audience, which led to an optimistic expansion that later was responsible for huge financial losses. The darkness occurred at the end of the thirties, when the number of Yiddish speakers began to diminish. The last performance of the Artef was on July 7, 1941. (Review by Dr. Brian Horowitz of Yiddish Proletarian Theatre: The Art and Politics of the Artef, 19251940 written by Edna Nahshon) . Many of the actors and directors in Artef went on to establish solid careers on Broadway, Hollywood, and for those blacklisted, overseas. Subjects: Arbeiter theatre verband, New York. Jewish theater. Theater - New York (State) - New York. Artef - Anniversaries, etc. OCLC lists 29 copies worldwide. With previous owners bookstamp on endpage; that of Wolf Mercur, a playwright, actor, and director in Yiddish films and on Broadway. Very clean and fresh. Very good condition. (ART-18-15)
1947Neat inscription to front end paper. No other marks or inscriptions. A very clean very tight copy with faintly indented boards and rubbing to corners. 88pp. The film industry and films in 1947 with special reference to Britain films and stars.
1961Autobiography of George Emlyn Williams, CBE, writer, dramatist and actor known as Emlyn Williams (1905-1987). Includes Index.
