820 resultados
1922ref. 62342New York: Edward J. Clode 1922. 12 vols. 12mo. 1184 pp all vols. separately paginated. With 100’s of text illustrations diagrams patterns. Brown cloth-backed cream-coloured softcovers illustrated in brown & brown lettering very slight shelfwear slight soiling to fore-edges still a NF set preserved in the original open case. First edition 2nd printing of this informative and well-illustrated set issued by Woman’s Home Companion intended as a Jazz Age “how-to” instructional sewing and tailoring course to properly instruct young aspiring fashion designers seamstresses and at home housewives how to craft the current Flapper-era fashions. These well-organized volumes include sections on selecting the proper clothes and colours simple stitches making their garments attractive trimmings to add a little extra to underwear; different types of blouses lingerie blouses kimono blouses “Smart” clothes drop waist dresses and the key of pattern making. This course helped to propel the idea of “Flapper Design Fashion” and reflected many of her own innovative artistic and graciously elegant designs. Conover Stadtmiller 1891-1968 was a Los Angeles fashion designer associate fashion editor of Woman’s Home Companion and after marrying noted Kennicott Copper Co. mining engineer Karl Stadtmiller 1893-1934 retired from her career until after her husband’s sudden death. Worldcat locates 4 sets FIT-NY Indiana U MFA Boston Toronto Public. Edward J. Clode, paperback
1950ref. 61482Tokyo Japan: Mikimoto ca. 1950. Oblong folio. 14.5 x 11.5 x 1.4 in. Original wooden shadow box sample display case holding 10 opened & cleaned pearl oyster shells on white padded fibers and 5 varying grades of cultured pearls showing progression of growth minor scuffing to corners of polished wood frame backed w/ birch plywood box a VG exemplar. Commercial cultured pearls were first developed by Kokichi Mikimoto who succeeded in creating semi-spherical cultured pearls in 1893 by developing the exacting method of inserting grains into pearl oysters and harvesting two years. later. The company exhibited at many International World’s Fairs in the succeeding years and following World War I gained a foothold in Europe during the Art Deco jewelry phase. Virulently opposed by European jewelers who attacked cultured pearls as imitations rather than real pearls Mikimoto would win the lawsuit at the “Paris Trial” and quickly established the custom of distributing trade literature explaining the pearl process as well as visual sample cases. Although the 1930’s saw the emergence of very good glass imitation pearls cultured pearls continued to be valued and in post-World War II America reached their heyday with elegance and femininity favored with designs inspired by Grace Kelly and later Jackie Kennedy of single strands of pearls and pearl studs. These sample boxes continued to remind customers that the pearls were actually cultivated and harvested from oysters. See: Mikimoto Brand Story Our Founder Kokichi Mikimoto 2024; Amber Michelle A History of Cultured Pearls IAJA 2022. Mikimoto?, unknown
1934ref. 56170Omaha NE: Northwestern Fur Company ca. 1934. Two vols. 4to. 15 1; 16 pp unpaginated. with numerous photo and text illustrations diagrams. Self-printed illustrated softcovers both with cover art of stylish young women wearing furs including one in front of an Art Deco screen both with centerfold creases as issued minor shelfwear rubbing still VG set retaining original mailing envelope addressed to A.lbert H.enry McConnell 1861-1939 Payette Valley Silver Fox Farm Fruitland ID formerly of Gunnison CO set up his fruit orchards ranching business and other opportunities in Idaho. First editions of these very rare fur fashion and furrier supply catalogues issued by the Northwestern Fur Co. of Omaha NE including in the first catalogue furs for sale such as chokers scarfs muskrat Northern Seal Hudson Seal Caracul Siberian Squirrel and others. Also included are listings for furriers’ tools and equipment taxidermy work fasteners and more while the second catalogue promotes the complete furrier course offered by the company. Elwood 1875-1947 with two partners Paul F. Greve and R.H. Smith incorporated the Northwestern Fur Company school of taxidermy and the Northwestern Fur Company furs mail order in 1903 and quickly expanded for the succeeding decades. Elwood had previously taught and been director at a trade school in Iowa before moving to Omaha NE and continued as the public face of the mail order company for decades eventually closing down in the 1980s. No copies located in Worldcat; See: Northwestern School of Taxidermy Northwestern Fur Company Nebraska State Historical Society Manuscript Finding Aid RG5451.AM. Northwestern Fur Company, paperback
1930ref. 58140Paris Vienna New York et al: Societe Graphique S.A. Editions de Mode Classique Modes Co. Importers of Fashions 303 Fifth Ave. ca. 1930. Folio. 9 x 13 in. IV pp. leaves as V-XX hand-coloured pochoir plates 2 pp. pattern cutting plates. Quarter-embossed gold foil over pink printed softcovers gilt & black decorative lettering minor shelfwear slight bumping to corners rubbing still a VG copy. First edition of this beautifully coloured collection of haute couture Parisian fashion dress designs by Lucien LeLong 1889-1958. Lelong was a contemporary designer alongside Chanel Vionnet Molyneux Lanvin & Patou focusing on designing for cafe society during the 1920’s and 1930’s. These designs emphasize Lelong Schiaparelli and Vionnet’s move towards a more sophisticated and elegant feminine silhouette during the 1930’s with hemlines dropped to mid-calf or close to the ankle soft slim-fitting dresses and backless evening gowns. Classique Modes also distributed other similar pochoir-illustrated fashion design periodicals such as Paris Chic Elite Robes elegantes Iris and others. The final 2 plates No copies in Worldcat. Societe Graphique S.A., Editions de Mode, Classique Modes Co., Importers of Fashions, 303 Fifth Ave., paperback
1946ref. 57486New York: Lord & Taylor 1946. Tall 8vo. 3 101 4 pp. Double-page frontispiece white crepe-paper Christmas Tree pop-up by The Beistle Co. Illustrated throughout most in black & white 10 colour plates some photographic others a mixed-media effect. Colour-illustrated softcovers wraparound cover art minor shelfwear edgewear at corners light rippling to gutter margin of first couple leaves still a VG copy. First edition of this fashionable post-World War II catalogue celebrating 101 stylish gifts for men women & children following the easing of Wartime restrictions. The impressionistic illustrations were created by the in-house Lord & Taylor artists who were some of the most influential designers during the 1940’s and 1950’s including Dorothy Hood Helen Hall Arnold Hall Jean Karnoff Susan Abbott Betty Offt and Carl Wilson. Many of the 101 items drip with a glamour desired and reflected in post-War film and popular culture and a distinct emphasis on femininity with such items as the “Ermine hug-me-tight” stole Hand-made silk lingerie with French Alencon lace Koret dinner bag the Harem lounging costume by Joseph Whitehead Gloves that go up and up and more. Worldcat locates 1 copy Penn State; See: Keren Ben-Horin July Treasure of the Month: Frances Neady Collection On Pins and Needles July 25 2012. Lord & Taylor, paperback
1900ref. 60928Porland OR: Lipman Wolfe & Co. 1900. 16mo. 32 pp unpaginated. w/ photo illustrations throughout. Colour-illustrated softcovers view of the goddess Minerva holding broken sword city of Paris stretching into the background and medals which originally honored Czar Nicholas for the disarmament conference of 1898 now changed to the United States Seal w/ original mailing envelope post-marked 1¢ Franklin stamp NF/NF copy from the library of Caroline Augusta Gray Kamm 1840-1932 noted socialite and philanthropist in Portland built home for poor women & girls with the YWCA and was daughter of PNW pioneer William H. Gray 1810-1889 who traveled to the Lapwai Mission in Lewiston ID in 1836 where he was the Nez Perce secular agent and subsequently later married Jacob Kamm 1823-1912 pioneering Oregon industrialist and entrepreneur. First edition of this beautiful belle epoque 19th-Century fashion catalogue issued by the historic Lipman Wolfe & Co. department store in Portland OR featuring elaborate large-rimmed hats with extensive trimmings featuring fashions created by such women designers as Madam Michniwicz-Tuvee Esther Meyer Camille Roger perhaps best remembered later for her Art Deco Suffrage hats the Guillard sisters and others. The famed Lipman Wolfe & Co. department store was founded in 1880 by Adolphe Wolfe who teamed up with his uncle Solomon Lipman and at the time still maintained their original Dekum Building at 3rd Street and were the first to introduce customer elevators to their many floors. No copies in Worldcat. Lipman, Wolfe & Co., paperback
1916ref. 62798New York: The Leading Pattern Co. 1916. Two parts in one vol. Small folio. 9.75 x 12.5 in. 2 28; 251-341 1 pp. Engraved & illustrated title vignettes text illustrations diagrams photos throughout including engraved signed certificate of completion. Original pebbled green cloth “Spring Binder” w/ gilt stamping & ruling on spine labels on endpapers minor tear to spine scuffing still VG copy from the library of Rose M. Cervini Savarese 1891-1965 w/ certificate signed by Rosenfeld. First edition of this exceedingly scarce and well-illustrated installment in Rosenfeld’s self-instruction dressmaking course available in 14 parts in 3 vols. where students could choose their particular course installment. This well-organized volume details the grading special garment cutting sketching tailoring dressmaking and fitting for dressmakers at the end of the Progressive Era. Rosenfeld b. 1883 was an Austro-Hungarian-American Jewish tailor and dress designer who before World War I had established not only his education courses but also oversaw his own design house and dressmaking operation in Brooklyn New York. The Leading Pattern Co. allowed him to not only train his current employees but recruit further. Worldcat locates 6 copies -- most incomplete or just mircofiche as well as incorrect dates for Rosenfeld FIT NY 10 vols St. Louis Pub. incomplete U of Chicago 13 vols. Northern Illinois LACMA DLC Thomas Jefferson Univ. The Leading Pattern Co., hardcover
2026ref. x-1032800453CRC Pr I Llc 2026. Hardcover. New. 320 pages. 9.18x6.12x9.45 inches. CRC Pr I Llc hardcover
2002ref. 53ac9903U.K.: Aurum Press 2002. Book. Very Good. Paperback. First Edition. Folio - over 12" - 15" tall. 128 pages. Gorgeous colour photography throughout including many shots of vintage pieces of denim apparel - with their tags still affixed! "A history and celebration of all aspects of denim. Delves deep into the archives to explain the origins and development of blue jeans exploding many myths in the process. Features previously unseen pictures of denim-clad icons such as Robert Mitchum Eddie Cochran and Jackson Pollock plus specially commissioned photography of rare and classic garments from the 1880s to the present day. It concludes with a glossary teaching you to tell your arcuate from your cinch and helping you to spot original valuable examples of vintage jeans." - from front flap. Clean and unmarked with light wear. A quality copy. Guaranteed to thrill any denim lover!. Aurum Press Paperback
1913ref. 218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown
1940ref. 56298Vienna Germany & Paris: La Mode Artistique S.A. 4 Rue mayran 1940. Folio. 10.75 x 14.6 in. 4 pp. With 28 colour fashion plates text printed in French English & German. Textured beige softcovers raised & embossed gilt lettering front cover black lettering for La Mode Artistique minor chipping head & foot of spine edgewear some scuffing still a VG copy w/ the fashion plates in bright condition. First edition of this very scarce and beautifully printed fashion design magazine issued in the opening years of World War II following the occupation of Paris in the summer of 1940 originally owned by Leon Claude. The firm had also published fashion publications such as Paris Chic La Coquette and Le Gout Parisien. These fashion designs show the growing restraint and conservatism of Nazi Germany and reflecting the desire by Adolf Hitler to extinguish French influence in European fashion. The designs here include most in 3/4 length with some sporting shapes and belted jackets as well as fancy wraps made from seal kid-astrakhan Buenos broadtail lamb beaver otter nutria ocelot Persian lamb musk mink fox and others. The collars are trimmer and the linings are often chosen to complement and match the dresses worn by the models. These 1940s fashions still show the dramatic drop in hem lengths feathered hats worn by Germans & Austrians and designs which inspired the Hollywood glamor look of the era popularized by Greta Garbo Joan Crawford Carole Lombard and others. These fashion designs were issued only to subscribing specialty shops boutiques and fashion enthusiasts at the time with eight different issues on assorted subjects appearing annually. No copies of this issue located in Worldcat. La Mode Artistique, S.A., 4, Rue mayran, paperback
1969ref. 61745Portland & Pendleton OR: Pendleton Woolen Mills Feb. 1969. 4to. 9 x 11.25 in. 176 pp sections all separately paginated. on tinted paper illustrations throughout tan coloured printed section dividers thumb tabs at fore-edges. Colour-illustrated softcover post-binder screw at gutter margin 3-ring hole punched as issued minor creasing edgewear minor edgewear to thumb-tabs still a VG copy. First edition thus of this exceedingly scarce wholesaler jobber price list illustrating and presenting Pendleton Woolen Mills Mid-20th-Century fashions for men’s Shirts Light Jackets Robes Accessories Slacks Jackets Outerwear Outdoor Wear Boyswear Sweaters and Knit Shirts. In the 1960’s Pendleton was well-known for their Sir Pendleton shirt line-up of flannels for men including the Board Shirt used at the time by California surfers over a layer of petroleum jelly as an improvised wetsuit in the early days of the surf scene. The Pendletones rock band actually adopted their name in honor of the surf uniform of Pendleton shirts worn over t-shirts with khakis and later changed their name to the Beach Boys featuring Brian Dennis & Carl Wilson Mike Love and Al Jardine. The Worsted Yarns used in Pendleton men’s fashions at the time were tightly twisted and gave them a resilient luster. The company has even recently revived in 2024 the classic Board Shirt first seen in the plaids of the late 1960’s. No copies in Worldcat; See: Iconic Styles Pendleton Woven Issue No. 7 2024. Pendleton Woolen Mills, paperback
1994ref. 31418New York: Random House 1994. Hardcover. SIGNED. First edition. The first book covering the fashion work by the legendary photographer gathering images made for Vogue in the 1950s and '60s as well as his documentary images of backstage scenes at the runway shows. Photographs & preface by William Klein; edited by Mark Holborn; afterword by Martin Harrison. SIGNED BY KLEIN in white marker on the half-title and inscribed. 255 pages; approx. 200 b&w and color plates; 10 x 14 inches. List of plates; bibliography; filmography. Condition: Near Fine minus hardcover with a light bump to the lower tips which has produced a tiny tear to one tip two tiny punctures to the hinge and otherwise only very light shelf wear; no dj as issued. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping will be more than quoted. Random House hardcover
1990ref. 7530Thames & Hudson 1990. Hardcover. SIGNED. First edition first printing. A collection of William Klein's wide-angle in-your-face images of fashion shows street scenes etc. Photographs extensive captions and preface by William Klein; SIGNED BY KLEIN and inscribed. 176 pages; 80 full-spread full-bleed b&w photographic plates; 10 x 14 inches. Biography; filmography; bibliography; list of films about Klein. Condition: Near Fine hardcover with light rubbing to the bottom of the boards and to the spine ends in a Near Fine dust jacket with a touch of shelf wear. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Thames & Hudson hardcover
1999ref. 23374Bulfinch / Little Brown and Co. 1999. Hardcover. SIGNED. First edition first printing. "For more than ten years there was an extraordinary collaboration between Irving Penn and the designer Issey Miyake one of the few figures to have taken clothes design into the realm of art. Miyake's astonishing forms and textures offered Penn subjects that echo both a primitive tribal beauty and the most futuristic fashion." Photographs by Irving Penn; essay by Mark Holborn. SIGNED BY PENN on the half-title and inscribed. 160 pages; 136 color plates 20 b&w and color text illustrations; 11 x 12.5 inches. Condition: Fine buckram-bound hardcover in a Fine dust jacket with one light smudge; appears to be new. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Bulfinch / Little, Brown and Co. hardcover
1991ref. 17685Tokyo: Miyake Design Studio 1991. Hardcover. SIGNED. First edition first printing. Miyake's 1991-92 collection as seen by Penn. Photographs by Irving Penn; afterword by Tadao Ando in English and Japanese all other text in English. SIGNED BY PENN on the title page and inscribed. From an edition limited to 1500 copies. Unpaginated 48 pages; 30 full-page color illustrations 30 b&w thumbnails at the rear with captions 1 full-page color illustration by Ando; 10.5 x 12.25 inches. Condition: Near Fine hardcover with a hint of soiling and a touch of tanning to the edges of the pages; no dj as issued. A nice copy. Ships the next business day wrapped in padding in a box. Miyake Design Studio hardcover
ref. 74231E-218. Hardcover. Very Good. Leather. Folio. Revue fondée par Abel Goubaud Paris France. 1888. 424 pgs. 1 bound volume consisting the full year of 1888. Illustrated throughout with in text drawings with black and white engravings depicting fabrics patterns models lace. Bound in 1/2 red leather and marble paper covered cloth boards with titles and raised bands present to the spine. Boards have shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. EB; 8vo 8" - 9" tall . hardcover
1937ref. 47549Praha Prague: Karl Berner 1937. First edition. Paperback. Very good. Very slim quarto 31 cm Original beige and orange printed wraps bound with two rivets. Eighteen leaves with color lithograph fashion illustrations on every leaf. With rippling and a general layer of mild soiling on the wraps. Some occasional thumbing and barely perceptible tidemarks on the pages. One minor pencil notation. A first edition of this original trade catalogue issued by Karel Berner in Czechoslovakia and featuring the "Chic Parisien" line created by Vlasta an in-house designer. The designs in this catalogue highlight the growing influence of militaristic styles such as square-edged shoulder pads plate hats and an emphasis on tight waists and long skits. Karl Berner paperback
1990ref. BN513452Tübingen / Wasmuth 1990. 1990. Rene Gruau. Rene Gruau. Mode - Gilles de Bure Tübingen / Wasmuth unknown
2024ref. BN513462London / Thames & Hudson 2024. 2024. Chanel. The Allure of Makeup. Chanel. The Allure of Makeup. Mode - Natasha A. Fraser London / Thames & Hudson unknown
1987ref. BN513314München / Schirmer/Mosel 1987. 1987. Dior. Christian Dior 1905 - 1957. Dior. Christian Dior 1905 - 1957. Mode - Francoise Giroud und Sacha van Dorssen München / Schirmer/Mosel unknown
1924ref. 47496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
1940ref. 196571940. African American Black Models in Commercial Print: Philadelphia Studio Fashion Photoshoot 1930s-1940s Archive of 4 Original Vintage Photographs. Each black and white silver gelatin photograph measures 3.5" x 4.5". All photographs were captured at Condax Studio in Philadelphia. Condax Studios was associated with the Models' Guild of Philadelphia which served as a "central resource of information for commercial photographers connecting them with professional models for television fashion and convention work". All photographs capture a black woman striking various poses in two contrasting outfits. In two photographs she poses in a black dress and heels glamorous jewelry and a rose. Her eyes are slightly covered by a black birdcage veil. In the remaining two photographs she sports a posh blazer and skirt set glamorous jewelry heels and an umbrella. Until the middle of the 1940s consumer advertising completely ignored the black consumer and virulent racial segregation in the United States meant that Black people's needs were not being satisfied. Thus traditional advertisers were reluctant to associate the image of a black person with their products. At this point in time they perceived it may lead to a loss in sales by the way Black people were viewed in society. These photographs capture an early instance of a Black print model in an era where there was little representation. Two photographs are minority wrinkled not affecting image quality. This photo archive is expressive and in very good condition overall. unknown
ref. Bech, VibenIn Pristine Condition. unknown
1936ref. 56297Vienna Austria & Paris: Les Editions Leon Claude 4 Rue mayran 1936. Folio. 10.75 x 14.6 in. 4 pp. With 25 colour fashion plates text printed in French English & German. Textured beige softcovers raised & embossed gilt lettering front cover black lettering for Leon Claude minor chipping head & foot of spine edgewear some scuffing still a VG copy w/ the fashion plates in bright condition. First edition of this very scarce and beautifully printed fashion design magazine from the mid 1930s produced by the publishing house which also published fashion publications such as Paris Chic La Coquette and Le Gout Parisien. These designs show the dominant influence of Elsa Schiaparelli’s fashions in the 1930s as she continued Chanel’s idea of comfortable jackets but with the emphasis on beautiful tailoring. The designs here include most in 3/4 length with some sporting shapes and belted jackets as well as fancy wraps made from leopard panther kid-astrakhan Buenos broadtail lamb beaver otter Persian lamb musk mink fox and others. The collars are voluminous and flaring all the way around and the linings are often chosen to complement and match the dresses worn by the models. These 1930s fashions show a dramatic drop in hem lengths the new French beret style hats worn at an angle and designs which inspired the Hollywood glamor look of the era popularized by Joan Crawford Carole Lombard and others. The designs are glamorous and chic with many having geometric patterns and reflecting the Art Deco influence. These fashion designs were issued only to subscribing specialty shops boutiques and fashion enthusiasts at the time with eight different issues on assorted subjects appearing annually. No copies of this issue located in Worldcat. Les Editions Leon Claude, 4, Rue mayran, paperback