1.122 resultados
1924ref. 47496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
1940ref. 196571940. African American Black Models in Commercial Print: Philadelphia Studio Fashion Photoshoot 1930s-1940s Archive of 4 Original Vintage Photographs. Each black and white silver gelatin photograph measures 3.5" x 4.5". All photographs were captured at Condax Studio in Philadelphia. Condax Studios was associated with the Models' Guild of Philadelphia which served as a "central resource of information for commercial photographers connecting them with professional models for television fashion and convention work". All photographs capture a black woman striking various poses in two contrasting outfits. In two photographs she poses in a black dress and heels glamorous jewelry and a rose. Her eyes are slightly covered by a black birdcage veil. In the remaining two photographs she sports a posh blazer and skirt set glamorous jewelry heels and an umbrella. Until the middle of the 1940s consumer advertising completely ignored the black consumer and virulent racial segregation in the United States meant that Black people's needs were not being satisfied. Thus traditional advertisers were reluctant to associate the image of a black person with their products. At this point in time they perceived it may lead to a loss in sales by the way Black people were viewed in society. These photographs capture an early instance of a Black print model in an era where there was little representation. Two photographs are minority wrinkled not affecting image quality. This photo archive is expressive and in very good condition overall. unknown
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ref. Bech, VibenIn Pristine Condition. unknown
1936ref. 56297Vienna Austria & Paris: Les Editions Leon Claude 4 Rue mayran 1936. Folio. 10.75 x 14.6 in. 4 pp. With 25 colour fashion plates text printed in French English & German. Textured beige softcovers raised & embossed gilt lettering front cover black lettering for Leon Claude minor chipping head & foot of spine edgewear some scuffing still a VG copy w/ the fashion plates in bright condition. First edition of this very scarce and beautifully printed fashion design magazine from the mid 1930s produced by the publishing house which also published fashion publications such as Paris Chic La Coquette and Le Gout Parisien. These designs show the dominant influence of Elsa Schiaparelli’s fashions in the 1930s as she continued Chanel’s idea of comfortable jackets but with the emphasis on beautiful tailoring. The designs here include most in 3/4 length with some sporting shapes and belted jackets as well as fancy wraps made from leopard panther kid-astrakhan Buenos broadtail lamb beaver otter Persian lamb musk mink fox and others. The collars are voluminous and flaring all the way around and the linings are often chosen to complement and match the dresses worn by the models. These 1930s fashions show a dramatic drop in hem lengths the new French beret style hats worn at an angle and designs which inspired the Hollywood glamor look of the era popularized by Joan Crawford Carole Lombard and others. The designs are glamorous and chic with many having geometric patterns and reflecting the Art Deco influence. These fashion designs were issued only to subscribing specialty shops boutiques and fashion enthusiasts at the time with eight different issues on assorted subjects appearing annually. No copies of this issue located in Worldcat. Les Editions Leon Claude, 4, Rue mayran, paperback
1972ref. 54492Chicago & New York: Montgomery Ward Steinthal Sample Co. Inc. 1972. Folio. 13 x 11.5 in. 50 pp unpaginated. printed on Harvest Gold Avocado Green and blue tinted textured papers. Numerous fashion plates and fashion sketches throughout w/ 89 fabric samples tipped-in Carol Brent label mounted. Black vinyl metal spiral wire binding as issued gilt lettering and logo stamped on front cover rounded corners minor foxing to pastedowns otherwise an excellent copy. First edition of this scarce and fascinating salesman’s sample catalogue for men and women’s suits leisure wear and formal tuxedos offered by Montogmery Ward at the beginning of the 1970s. This line of clothing featured English fabrics from Herbert Gladson Inc. tailored portions by Imperial in New York some Jacquard fabrics from David H. Small Co. in New York assembled for tailored clothing bearing Carol Brent Lady Brummell and the Designer’s Showcase labels. The men’s suits feature the slim fit with early bell bottoms wide lapels loud and vivid colour linings reverse welt hip pockets cardigans and even matching belts. Women’s clothing featured flared skirts double-breasted suit coats belted coats five-button pantsuits and fly front topcoats. No copies located in Worldcat. Montgomery Ward, Steinthal Sample Co., Inc., hardcover
1965ref. 54883Tilburg Holland & Thurles Ireland: Wolspinnerij “De Phoenix” n.v.; Phoenix Yarns Ireland Ltd. ca. 1965. Folio. 34 pp. on thick paper stock 7 of the leaves with gilt lettering specific weight colour information as well as warp & weft thread counts with 54 samples of spun wool yarns and finished woven fabrics tipped-in & mounted a number in bright vivid “Mod” colours. Original black 4-ring binder gilt lettering stamped on front cover leaves hole-punched at gutter margin minor shelfwear still an excellent copy. First edition thus of this beautiful and extremely scarce salesman sample catalogue for the splendid 1960s wool yarns and fabrics produced by the noted Dutch spinning mills. The Feitz’s founded the company in Tilburg in 1958 taking over the former textile firm of J.A. Blomjous in Tilburg and also quickly set up a yarn mill in Great Britain. However due to the high import duties the company was moved to Ireland by 1961 and through the popularity of their yarns and Taslan yarn textiles by the end of the 1960s were producing large quantities of high-end fabrics upholstery fabrics and interior decorating textiles for curtains and wall hangings. Their company focused on producing boucle yarns frotte yarns loops and other twisted fancy wool yarns and specialized knitting yarns. After the recession in the 1980s the company ceased woolen yarn production. No copies located in Worldcat. Wolspinnerij “De Phoenix” n.v.; Phoenix Yarns Ireland, Ltd., unknown
1990ref. 160300N.p.: N.p. 1990. Vintage jumbo oversize UK record store poster promoting Depeche Mode's 1990 release "Violator." Considered by many to the the most sophisticated and sublime of all their releases Depeche Mode's seventh studio album "Violator" propelled the English electronic New Wave band to international stardom. Preceded by the release of two smash hit singles "Personal Jesus" and "Enjoy the Silence" the triple platinum "Violator" achieved the band's greatest critical and commercial success and lists 167 on Rolling Stone's 2020 list of the 500 greatest albums of all time. 40 x 60 inches folded as issued. Some light rubbing on the outer creases else Near Fine. N.p. unknown
1991ref. 23407New York: Knopf & Callaway 1991. Hardcover. SIGNED. First edition first printing. An overview of Irving Penn's career the images chosen by the photographer presented chronologically--1938 through 1990--and for the first time publishes his drawings. The project was produced by Nicholas Callaway with technical direction by Richard Benson the brilliant innovator of photographic reproduction. The printing was accomplished using a then-new process that required eleven separate impressions per page. A stunning production with exquisite printing. Photographs and commentary by Irving Penn; essays by Alexandra Arrowsmith and Nicola Majocchi; introduction by Alexander Liberman. SIGNED BY PENN on the half-title; no inscription. 300 pages; 397 b&w and 71 color photographic plates; 11 x 13 inches. Condition: Fine clothbound hardcover with a touch of rubbing to the bottom edges of the boards in a Near Fine dust jacket with a touch of soiling. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Knopf & Callaway hardcover
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ref. 38855London. Printed by Horace Cox. no printed title page. Hardcover. folio 43.5x 28cm 17" x 11"0 pp207-712107 = 617 pages plus the plates. WITH. 11 COLOUR FASHION PLATES & 11 COLOUR TEXTILE PLATES the textile plates are chromo litho's. double page engraved frontis numerous engraved illustrations through out many full page spine cap wanting both worn boards are loose text block is clean and soundno foxing rare ds1. Great colour plates. [London. Printed by Horace Cox]. (no printed title page) hardcover
ref. BN66821Uexküll Psychosomatische Medizin: Theoretische Modelle und klinische Praxis - mit Zugang zum Elsevier-Portal: Theoretische Modelle und klinische Praxis. Mit dem Plus im Web. Zugangscode im Buch Herzog Wolfgang; Joraschky Peter; Köhle Karl; Langewitz Wolf and Söllner Wolfgang unknown
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2000ref. x-981024097XWorld Scientific Pub Co Inc 2000. Hardcover. New. 768 pages. 9.25x6.75x1.75 inches. World Scientific Pub Co Inc hardcover
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1976ref. 2083002117402880Mako-sha 1976. Soft Cover. Fine. Number of books: 6 books Mako-sha paperback
ref. 11683Without place or date late eighteenth century. 1p. 12mo. On one side of a piece of 18 x 10 cm paper laid down on leaf removed from commonplace book with a clue to provenance on the reverse provided by the part of a family tree of James Carmichael laid down there including 'Carmichael of Balmedy' 'Tho. Graeme of Balyowan' and 'Mr Ja. Smyth of Aitherny'. Fair on aged paper. A delightful poem apparently unpublished and a valuable piece of social history containing a couple of manuscript emendations. A total of fourteen lines of verse with the first ten relating to the lady's portmanteau beginning: 'With Linen and stocking and shoes first begin / Then your night-cloaths and petticoat neatly put in / Next your Dresses compleat for each part of the Day / With your handkerchiefs Caps all in Gala array / Then your Ribbons fans flowers & Gloves long & Short / With your combs & your brushes of every sort'. The four-line poem on the gentleman's portmanteau begins 'Coats Waiscoates sic and breeches short stocking & shoes / With Hankerchiefs sic Nightcap & Gown'. Without place or date [late eighteenth century?]. unknown
1926ref. 73817Paris: Editions Nilsson 1926. First editions. There was a large and small edtion published; these are all the small size 3 1/8 x 3 3/4 inches. La Mode Feminine is complete is three volumes. Each volume in four parts and each part with 20 color card depicting French fashion of that date and each part in a printed paper portfolio. Each volume i.e. four parts housed in a floral slipcase with a printed paper spine label Slipcase for the third volume with some tape repair but overall a very clean and charming set of all 240 color plates.Together with a companion volume also published by Nilsson: Les Costumes du Pays de France. This volume only has three parts of 20 cards each complete and have paper portfolios and slipcases as in the above. Complete with 60 color cards. A very good set. For a total of 300 cards bearing charming color illustrations of French fashion through the ages all in their proper printed paper portfolios and slipcases. Editions Nilsson unknown
1950ref. 54848Cincinnati OH: The Melville Company ca. 1950. 4to. 39 8.5 x 11 in. fashion plates with 97 tipped-in fabric samples including cotton cotton blends cotton-rayon blends satin nylon for men & women’s fashions dresses lingerie pants suits skirts. order blank booklet preserved in original cardboard portfolio w/ company design logo on rear flap an excellent collection. First edition of this scarce and unusually complete salesman sample sales kit for women’s dresses fashions coats lingerie as well as men’s overcoats underwear & socks and even women’s outerwear rubber pocket books and overcoats in post-World War II America. The Melville Company was a coordinated direct-sales fashion company supplied by Harford Frocks Inc. which maintained a large mail order tailoring operation in Ohio from the early 1920s up through the 1970s employing 100s of tailors and seamstresses to fill orders together with J.C. Field & Son Inc. direct marketing firm. The company focused on “plus sizes” while maintaining how these fashions emphasized trim appearances survived on a constant sales force composed primarily of young women and house wives earning extra money willing to peddle door-to-door and created a high-quality product. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the explosion and impact of Christian Dior’s new designs reflecting the refined femininity with severely cinched waists extra padding to the hips longer and decidedly more romantic skirts and dresses as well as nicely fitted jacket-and-skirt tailored suits. Israel 1901-1991 built and ran this very successful mail order dressmaking operation which also owned the Fashion Frocks Dress Company as well and operated out of the Oesterlein Machine Company historic building in Cincinnati OH now home to the American Sign Museum. The Melville Company, unknown