Revue de modeBiblio.com
19.006 resultados
ref. 13001Gazette de la famille Revue de la mode 1879 8è année de janvier à décembre. In folio reliure demi-toile Reliure très abîmée. Bords des feuillets abîmés 52 gravures lithographiées 432 pages. unknown
ref. 12999Revue de la mode 1881 10è année. In folio reliure demi-toile 51 gravures lithographiées 416 pages. Janvier à décembre. Reliure très abîmée. 2 pages avec des manques une déchirée sans manque. Bottines et chaussures chapeaux costumes de bains unknown
ref. 13000Gazette de la famille Revue de la mode 1880 9è année. In folio reliure demi-toile 53 gravures lithographiées en couleurs 432 pages. Reliure très abîmée. unknown
1865ref. 162861865. Le monde élégant courrier de la mode Revue mode. Paris 1865-1866. In/4 reliure demi-basane 100 gravures en noir et majoritairement en couleur. Gravures souvent débrochées reliure défraîchie. unknown
ref. 12998Gazette de la famille Revue de la mode 1883 12è année de janvier à décembre. In folio reliure demi-toile Reliure très abîmée et atteinte au papier sur la tranche. 52 gravures lithographiées en couleurs 416 pages. unknown
1870ref. 162901870. Journal des Demoiselles Revue Mode Journal Paris 1870/71. In/4 reliure demi-basane marine dos à filets et titres dorés 17 gravures couleurs. unknown
ref. 12009Revue de mode : La Toilette de Paris 1978/79 - Les modes Parisienne 1979 - La mode pour tous 1879 - La mode Française janvier à décembre 1880. In folio reliure souple amateur dos en percaline rouge illustrations en noir in-texte 53 gravures couleurs dont plusieurs dépliantes 416 pages. Rousseurs éparses ; premier feuillet déchiré sans manque. Nombreux modèles de mode broderies expliquées coiffures chapeaux. Illustrations en noir à la gravure très fine. unknown
1981ref. 121501-ENew York: Schirmer 1981. Book. Illus. by Van Vechten. Very Fine. Hardcover. 1st.ed. 1981 Hardcover with dust jacket in a clear mylar cover212 pages. Illustrated with black and white photos. A rear Van Vechten book on dance this copy also has the tipped in note the title page should carry the credit "A Dance Horizons Book".Condition VF./ VG. Size: 9"-12" Tall. Schirmer Hardcover
1977ref. 012604-XNew York: Random House 1977. Book. Illus. by Author. Very Good. Hardcover. Signed by Authors. Hardcover with the dust jacket 185 page book. Illustrated withbeautiful black and white photos all of males from models and movie actors to men in the arts. The late francesco Scavullo was a Master Photographer .He learned his trade from the bottom up . Condition: Book is Very Good with light rubs at the corner bottom signed by Scavullo on the FF." For Ted Merry Christmas and my Best : Francesco Scavullo 77 " Dust jacket is very good with small nicks and rips see the picture . See this book and others at our book site on photography at : GibbsBooks. Size: 4to - over 9¾" - 12" tall. Random House Hardcover
1833ref. 62953Leipzig Industrie-Comptoir / Baumgärtner etc. 1833-1856. Small queer-folio 22 x 285 cm. Nice later light brown half calf from ca. 1900 with five raised bands and gilt lines to spine Carl Petersens Enke. Slight wear to extremities. 100 engraved plates in contemporary colouring. A bit of even browning and occasional offsetting. A few plates with more browning. Some plates with tiny holes in blank margin from original stiching having been vertically bound with text-leaves. Occasional light creasing. One plate with a tear no loss. A few plates signed A. Brückner most plates numbered and dated and some plates having "Extra-Kupfer" or "Les Modes Parisiennes Réunis" the last five underneath. A lovely collection of 100 beautiful contemporarily coloured engraved fashion-plates from between 1833 and 1856 importing the highest Parisian fashion of the time to Germany. This beautiful collection magnificently documents the clothing fashion and development of two decades primarily for women but also for children and men. Also in the mid-19th-century Paris was seen as the quintessence of elegance and style. The Allgemeine Moden-Zeitung kept the German-speaking public up to date with the latest fashions from Paris. The magazine “Les modes parisiennes reunites” did the same; that too was produced for the German public despite its French title. As well as outfits for appearing in high society eg. at the theatre the fashion plates collected here show clothes and notably also accessories for almost all other parts of life - paying and receiving social calls going for walks attending different events musical siorées going out with the children etc. “As part of her evening wardrobe every fashionable lady simply had to have elegant dresses in brightly coloured silks and satins with frills and lace bows and flounces tight bodices natural waistlines and exposed shoulders which gave the female figure an hour-glass silhouette. The first thing that strikes one about these ladies’ fashions are the stiff voluminous underskirts. Horsehair crinolines invented in 1850 supported wide sweeping skirts which could measure up to two or two-and-a-half metres in diameter and made the upper body look even slimmer.” Deutsches Historisches Museum. "From the 1820s onwards and particularly under the ostentatious Second Empire 1852–1870 the classicising taste of the Napoleonic era changed completely. Instead fashion now drew inspiration from the elegance of the Rococo period so much so that the period became known as the “second Rococo”. The waistline returned to its natural level but was awkwardly styled – at least from a health point of view: agonisingly tight corsets emphasised the so-called “wasp waist”. Ostensibly guided by aesthetics on closer inspection this fashion trend also had social consequences: with styles that afforded women so little freedom of movement fashion focused on the ostentatious requirements of ladies from the upper echelons of society who didn’t have to work. Practicality was not its concern. This ostentatious and – certainly from the perspective of the 21st century – inconvenient fashion style appealed not only to the fine ladies of high society but also to women from the middle classes and the petty bourgeoisie. The expansion of the textile industry and the rise of the chemical industry made the production of dyes fabrics lace and embroidery and the processing of raw materials and textiles imported from the colonies both quicker and cheaper.” DHM hardcover
2011ref. DADAX6131588163Omniscriptum 2011-07-22. paperback. New. 5.91x1.05x8.66. Buy with confidence. Excellent Customer Service & Return policy. Omniscriptum paperback
1952ref. 41618Chippewa Falls WI: Mason Shoe Manufacturing Co 1952. First Edition. Very good . An illustrated wholesale catalog of leather mens and ladies footwear and outerwear from the Mason Shoe Manufacturing Company of Chippewa Falls WI. Generously illustrated in color throughout with detailed product descriptions and model numbers that correspond to the original price list in front. Of note is a four page spread of men's leather coats including "The Racer" a classic motorcycle-culture jacket with multiple zippers straps and buttons. Wraps. Oblong 4to. Color illustrated wraps. Mild handling wear. Faint creasing to wraps. Overall sound clean. 112pp. Mason Shoe Manufacturing Co unknown
ref. 57964Paris - 1937. Original cover 38x29cm 100 pages with 48 pages with lithographs. Mode publication periodique. All model prints show front and back of fashion dresses with description in French / German and English. Paris - 1937 unknown
1986ref. 3498New York: Rizzoli. VG in VG dust jacket. 1st Printing. Hardcover. Light edgewear to book at corners. Edgewear small closed tears and small chip to dust jacket at spine head in protective Mylar cover; Binding is tight and square pages clean and unmarked; Color Illustrations; Folio 13" - 23" tall; 224 pages . 1986. Rizzoli hardcover
1948ref. 3151Cambridge and New York: Houghton Mifflin Company and The Riverside Press. VG. Hardcover. Book has been well-used. Boards are worn somewhat faded and rubbed with light soiling and marking; edgewear to extremities and some fraying at corners spine head and foot. Book is cocked and page-edges rounded. Two previous owner's names on front free endpaper. A few markings on several pages but fairly unobtrusive. No dust jacket; Pages are otherwise clean and though binding is cocked no pages are loose; overall a sturdy copy; Riverside Home Economics Series; B&W Illustrations; 4to 11" - 13" tall; 326 pages . 1948. Houghton Mifflin Company and The Riverside Press hardcover
1934ref. FASHION004963J.H. Ltd no place. 1934. First edition. Folio. A fashion illustration portfolio with twenty nine colour lithographic plates each measuring approx 37 x 31cm showing women's dresses in various fabrics from silk to tweed. The covers are unusual: full gilt textured cloth with titles in art deco style on front.Some spotting. Very good indeed. J.H. Ltd, no place. hardcover
ref. 33765Leipzig Koehler & Amelang 1968. 8° 212 S. 86 Abb. Kart. Tadell. 010 Leipzig, Koehler & Amelang, 1968 unknown
2011ref. DADAX3642823246Springer 2011-12-15. Softcover reprint of the original 1st ed. 1985. paperback. New. 6.69x0.93x9.61. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
ref. DADAX0884010813Brand: Fine Arts Museum of San Francisco 0000-00-00. paperback. New. 9.00x0.75x12.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Fine Arts Museum of San Francisco paperback
2006ref. 93226New York: The Vendome Press 2006. First Edition. Hardcover. Very Good. New York The Vendome Press 2006. Folio unpaginated hundreds of pages of colour illustrations. Papered boards; an excellent copy. The Vendome Press hardcover
1950ref. 218281950. Fashion design archive likely 1950s to 1960s documenting women's garment design during the mid-century through original working sketches that preserve both style development and the practical language of dressmaking. The archive is strongest as evidence of how women's fashion was conceived on paper before production with repeated attention to silhouette trim fabric and construction. Dresses blouses coats and eveningwear appear throughout placing the material within the visual world of postwar American fashion as it moved from structured elegance toward sharper and more decorative later mid-century forms. Archive of over 100 original hand-drawn fashion sketches on individual sheets measuring approximately 6.5 x 9 inches. The drawings are executed in ink and depict a wide range of women's clothing including fitted dresses capes blouses coats and formal designs with careful attention to drape proportion neckline sleeve treatment and surface embellishment. Many sheets are accompanied by dense handwritten notes in the margins or on the reverse recording measurements fabric suggestions and pattern or construction instructions. The combination of illustration and notation gives the sheets the character of working designs rather than purely display drawings and suggests use in dressmaking training or client planning. The archive belongs to the history of women's fashion not only as a record of finished styles but as evidence of the design process itself preserving the intermediate stage between idea and garment. Such working sketches show how fashion circulated through manual skill technical knowledge and close attention to fabric and form in the decades before design became fully digitized. Light general wear from use; overall very good. A substantial mid-century design archive that preserves the visual and technical vocabulary of women's fashion making across more than one hundred original sketches. unknown
1950ref. 218261950. Fashion design archive. 1950s-1960s. This group documents mid-century women's fashion design practice through a sustained body of original sketches and working notes showing how garments were conceived annotated and prepared for construction during a period of stylistic transition in American dress. The material provides direct evidence of design thinking at the level of silhouette fabric selection and pattern planning including repeated attention to cocktail wear outer garments and formal dress. It captures the movement from structured postwar styles toward more experimental and decorative approaches associated with later mid-century fashion with particular emphasis on the technical and aesthetic decisions made by a designer or dressmaker. Archive of over 100 original hand-drawn fashion sketches on individual sheets measuring approximately 6.5 x 9 inches executed in ink with extensive handwritten annotations on rectos versos and margins. The drawings depict a range of women's garments including dresses blouses coats and evening wear with recurring titles such as "cocktail dress" "cocktail cape" and "dress." The figures are rendered with attention to line proportion and textile texture often emphasizing drape fitted bodices and surface embellishment. Annotations provide detailed construction guidance including measurements fabric types and pattern instructions. One design for a strappy dress specifies "Pattern: leopard or zebra fur attached.fabric velveteen.color red -- orange -- black." indicating experimentation with bold materials and color combinations. The consistent pairing of image and instruction suggests use as a working portfolio either for client presentation dressmaking production or formal training. Mid-century fashion in the United States expanded through department stores home sewing and professional dressmaking with designers and students producing working sketches that translated style into reproducible garments. The presence of detailed technical notes alongside finished illustrations places this archive within that production process linking aesthetic design to practical construction. Light wear from handling; overall very good. A concentrated record of mid-century women's fashion design practice preserving both the visual language and technical methods used to create garments during a period of evolving style. unknown
1950ref. 218271950. Fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences. Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches. This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown
1950ref. 211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery. Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida. The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
