Fashion - Mojzes, IngeBiblio.com
18.427 resultados
1956ref. 14629AB1956. Vienna 1956-1958. 47 : 32 cm. 64 pencil drawings of special paper. Womans dresses from the 1950-ties also designs for hats shoes etc. From a pupil of the prestigious Viennese fashion-school housed in the castle of Hetzendorf a suburb of Vienna which was founded in 1846 in an 1694 build castle and which is now famous worldwide. Gives a good inside of the designs and fashion the in the late 1950-ties. unknown
1942ref. 14634AB1942. Vienna 1942. 46 : 30 cm. Many designs some in colour on 17 plates. All signed and dated. The designs show different woman's cloth dresses coats skirts etc. some with water-colours all on paper of different colours. All signed Ruth Brose and dated 1942. - with light middle fold. hardcover
1920ref. 13507AB1920. No place o.J.ca. 1920. 20 : 15 cm. Original-Pappband. Leporellowith 5 plates with 66 coloured mounted samples each. Original-Pappband. Shows 330 different sewing threads cotton for tailoring. unknown
1934ref. 11072AB1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
1902ref. 10884AB1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
1880ref. 15769AB1880. Vienna 1880. 25 : 32 cm. 48 leaves with many illustrations. Contemporary half calf. Hand-written pattern-sample book for all sort of linen-cloth. With detailled drawings and long descriptions for man woman and children of all ages. hardcover
2009ref. 132513Aachen, The Russian Museum. St. Petersburg Palace Editions 2009. 280 pages. With a lot of illustrations. Illustrated original hardcover and an illustrated dustjacket. New condition. 32x25 cm
1935ref. 4885New York: 1935 1935. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 192x125mm. pp. 48. Illustrated throughout with art deco colour fashion plates and one pochoir pastedown image. Decorated art deco style cover and endpapers. Some rubbing and wear but overall a very nice copy and internally very good. the Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1935 unknown
1938ref. 4886New York: 1938 1938. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 198x130mm. pp. 44. Illustrated throughout with colour fashion plates and one pochoir pastedown image. Decorated covers with an embossed gilded label pasted on upper cover. Illustrated endpapers with gold fashion silhouettes. The fashion plates are mostly of historic designs. Some rubbing and wear and internally there is some marking and slight staining but overall a nice copy. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1938 unknown
1946ref. 2083002117300772Bonguu-sha 1946. Soft Cover. Fine. The book is in fine condition. Bonguu-sha paperback
1930ref. 19806AB1930. n.p. 1930ties 48 : 36 cm. Four sheets with coloured aquatints partly hightened in gold Six designs for Ladies evening dresses. One plate signed Boris. While men's style changed little women's looks changed significantly over the course of the 1930s. The previous Roaring Twenties were still characterized by a new very androgynous image of women and the so-called Flapper Girl was a symbol of the independent modern woman. But in the 30s this trend changed to the complete opposite: the elegant lady was popular again. This was reflected above all in the rediscovery of the female figure. Reason for this: The woman as a caring mother and housewife was THE ideal of the time. This conservative image was also accompanied by a hyperfeminization of women. This value attitude was particularly evident in the emphasis on the high waist. unknown
1996ref. 52857E-120: Fashion Dossier Inc. Very Good. 1996. Hardcover. Plastic comb trade PB. 4to. Fashion Dossier Inc. 1996. 176 pgs. Illustrated with Color Plates & fabric swatches examples of patterns etc. Wrappers lightly worn with some light shelf-wear to the extremities present. Thick stout quarto that is lightly splayed due to the contents. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Fashion forecasting is a global career that focuses on upcoming trends. A fashion forecaster predicts the colors fabrics textures materials prints graphics beauty/grooming accessories footwear street style and other styles that will be presented on the runway and in the stores for the upcoming seasons. The concept applies to not one but all levels of the fashion industry including haute couture ready-to-wear mass market and street wear. Trend forecasting is an overall process that focuses on other industries such as automobiles medicine food and beverages literature and home furnishings. Fashion forecasters are responsible for attracting consumers and helping retail businesses and designers sell their brands. Today fashion industry workers rely on the Internet to retrieve information on new looks hot colors celebrity wardrobes and designer collections. E-25; 4to 11" - 13" tall; 176 pages . Fashion Dossier, Inc. hardcover
1986ref. 176806Tokyo: Fashion Foundation 1986. Softcover. VG light shelfwear to wraps corners bumped pages are very clean and tight. White wraps with black lettering color illustration on front cover 104 pp profusely illustrated in color and bw followed by several unpaginated pages of ads. Text in Japanese and English. International textile design contest Dec. 3-5 1986 organized by the Fashion Foundation Tokyo Japan. Fashion Foundation paperback books
1994ref. 013663NY: Fashion Group International 1994. First edition. Quarto. 58 pp; profuse color & b/w illustrations. Tan paperback. Near Fine a clean unmarked copy; covers unmarked numbered ticket laid in. The 11th annual Night of Stars held by Fashion Group International honored Bernadine Morris the chief fashion reporter for the New York Times. The evening featured a live fashion show by nine Paris haute couturiers : Oscar de la Renta for Balmain Karl Lagerfeld for Chanel Gianfranco Ferre for Christian Dior Maurizio Galante Hubert de Givenchy Christian Lacroix Emanuel Ungaro Philippe Venet and Gianni Versace. It features a 4-pp tribute to Bernadine Morris by Bill Cunningham tributes by the nine Paris haute couturiers and others. First Edition. Soft Cover. Near Fine. Fashion Group International Paperback
1976ref. AM003Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" Fashion Group of Los Angeles paperback
ref. 0823904822.Gloose_leaf. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1960ref. 1008090028R. Rosen Press 1960. Hardcover. Very Good. Nice looking book has minor edge wear. R. Rosen Press hardcover
1920ref. 199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity. United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form. Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown
1920ref. 199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity. United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form. Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown books
1996ref. 28260Göttingen, Steidl, 1996. 185 S. m. teils farb. Fotos, 4°, OPp. m. OU.
ref. 0884010813New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1996ref. Q-0884010813Fine Arts Museums of San Francisco 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fine Arts Museums of San Francisco paperback
ref. DADAX0884010813Brand: Fine Arts Museum of San Francisco 0000-00-00. paperback. New. 9.00x0.75x12.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Fine Arts Museum of San Francisco paperback
1987ref. D7M220910009Fashion institute of technology new york 1987-01-01. Paperback. Like New. 11x9x0. A very beautiful copy. Text in mint/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily. Fashion institute of technology new york paperback
1986ref. 1001170088Fashion Inst. of Technology 1986. Paperback. Very Good. Nice looking book has minor edge wear. Fashion Inst. of Technology paperback
