1969ref. 2091502133700842Kakusado Publishing Co. Ltd. 1969. Soft Cover. Fine. The book is in fine condition. Kakusado Publishing Co., Ltd. paperback
1920ref. 199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity. United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form. Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown
1994ref. 013663NY: Fashion Group International 1994. First edition. Quarto. 58 pp; profuse color & b/w illustrations. Tan paperback. Near Fine a clean unmarked copy; covers unmarked numbered ticket laid in. The 11th annual Night of Stars held by Fashion Group International honored Bernadine Morris the chief fashion reporter for the New York Times. The evening featured a live fashion show by nine Paris haute couturiers : Oscar de la Renta for Balmain Karl Lagerfeld for Chanel Gianfranco Ferre for Christian Dior Maurizio Galante Hubert de Givenchy Christian Lacroix Emanuel Ungaro Philippe Venet and Gianni Versace. It features a 4-pp tribute to Bernadine Morris by Bill Cunningham tributes by the nine Paris haute couturiers and others. First Edition. Soft Cover. Near Fine. Fashion Group International Paperback
1976ref. AM003Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" Fashion Group of Los Angeles paperback
ref. 0823904822.Gloose_leaf. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1960ref. 1008090028R. Rosen Press 1960. Hardcover. Very Good. Nice looking book has minor edge wear. R. Rosen Press hardcover
1986ref. 176806Tokyo: Fashion Foundation 1986. Softcover. VG light shelfwear to wraps corners bumped pages are very clean and tight. White wraps with black lettering color illustration on front cover 104 pp profusely illustrated in color and bw followed by several unpaginated pages of ads. Text in Japanese and English. International textile design contest Dec. 3-5 1986 organized by the Fashion Foundation Tokyo Japan. Fashion Foundation paperback books
1996ref. 52857E-120: Fashion Dossier Inc. Very Good. 1996. Hardcover. Plastic comb trade PB. 4to. Fashion Dossier Inc. 1996. 176 pgs. Illustrated with Color Plates & fabric swatches examples of patterns etc. Wrappers lightly worn with some light shelf-wear to the extremities present. Thick stout quarto that is lightly splayed due to the contents. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Fashion forecasting is a global career that focuses on upcoming trends. A fashion forecaster predicts the colors fabrics textures materials prints graphics beauty/grooming accessories footwear street style and other styles that will be presented on the runway and in the stores for the upcoming seasons. The concept applies to not one but all levels of the fashion industry including haute couture ready-to-wear mass market and street wear. Trend forecasting is an overall process that focuses on other industries such as automobiles medicine food and beverages literature and home furnishings. Fashion forecasters are responsible for attracting consumers and helping retail businesses and designers sell their brands. Today fashion industry workers rely on the Internet to retrieve information on new looks hot colors celebrity wardrobes and designer collections. E-25; 4to 11" - 13" tall; 176 pages . Fashion Dossier, Inc. hardcover
1930ref. 19806AB1930. n.p. 1930ties 48 : 36 cm. Four sheets with coloured aquatints partly hightened in gold Six designs for Ladies evening dresses. One plate signed Boris. While men's style changed little women's looks changed significantly over the course of the 1930s. The previous Roaring Twenties were still characterized by a new very androgynous image of women and the so-called Flapper Girl was a symbol of the independent modern woman. But in the 30s this trend changed to the complete opposite: the elegant lady was popular again. This was reflected above all in the rediscovery of the female figure. Reason for this: The woman as a caring mother and housewife was THE ideal of the time. This conservative image was also accompanied by a hyperfeminization of women. This value attitude was particularly evident in the emphasis on the high waist. unknown
1946ref. 2083002117300772Bonguu-sha 1946. Soft Cover. Fine. The book is in fine condition. Bonguu-sha paperback
1935ref. 4885New York: 1935 1935. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 192x125mm. pp. 48. Illustrated throughout with art deco colour fashion plates and one pochoir pastedown image. Decorated art deco style cover and endpapers. Some rubbing and wear but overall a very nice copy and internally very good. the Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1935 unknown
1938ref. 4886New York: 1938 1938. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 198x130mm. pp. 44. Illustrated throughout with colour fashion plates and one pochoir pastedown image. Decorated covers with an embossed gilded label pasted on upper cover. Illustrated endpapers with gold fashion silhouettes. The fashion plates are mostly of historic designs. Some rubbing and wear and internally there is some marking and slight staining but overall a nice copy. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1938 unknown
2009ref. 132513Aachen, The Russian Museum. St. Petersburg Palace Editions 2009. 280 pages. With a lot of illustrations. Illustrated original hardcover and an illustrated dustjacket. New condition. 32x25 cm
1950ref. 14631AB1950. Vienna ca. 1950. 42 : 30 cm. 27 plates with many designs partly in colour. Shows also designs for smaller tallor and dicker woman. 2 plates with many designs for evening dresses. unknown
1956ref. 14629AB1956. Vienna 1956-1958. 47 : 32 cm. 64 pencil drawings of special paper. Womans dresses from the 1950-ties also designs for hats shoes etc. From a pupil of the prestigious Viennese fashion-school housed in the castle of Hetzendorf a suburb of Vienna which was founded in 1846 in an 1694 build castle and which is now famous worldwide. Gives a good inside of the designs and fashion the in the late 1950-ties. unknown
1942ref. 14634AB1942. Vienna 1942. 46 : 30 cm. Many designs some in colour on 17 plates. All signed and dated. The designs show different woman's cloth dresses coats skirts etc. some with water-colours all on paper of different colours. All signed Ruth Brose and dated 1942. - with light middle fold. hardcover
1920ref. 13507AB1920. No place o.J.ca. 1920. 20 : 15 cm. Original-Pappband. Leporellowith 5 plates with 66 coloured mounted samples each. Original-Pappband. Shows 330 different sewing threads cotton for tailoring. unknown
1934ref. 11072AB1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
1902ref. 10884AB1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
1880ref. 15769AB1880. Vienna 1880. 25 : 32 cm. 48 leaves with many illustrations. Contemporary half calf. Hand-written pattern-sample book for all sort of linen-cloth. With detailled drawings and long descriptions for man woman and children of all ages. hardcover
1927ref. 19102AB1927. Paris Draeger 1927. 275 : 22 cm. 8 leaves with the text of Colette 6 plates by Jean Dupas 1 mounted plate. Original cloth original black wrappers illustrated in silver and red bound in. Excellent copy of the album Toi founded by Maison Les Fourrures Max and illustrated by Jean Dupas for the poems of Colette. One of the most beautiful catalogues created in art-déco."Ce bel étui noir onré de fleurs rouges et argent contient de superbes planches en camaieu gris et noir. La provocation des nus féminins que Jean Dupas a drapé des fourrures de la novelle collection est atténué par leur hiératisme de statue" in 'Arts et Métiers Graphiques' No.1 1927 - Bibliothèque Exposition Forney 1988. No.18. Jean Dupas Bordeaux 1882 - 1964 Grand Prix de Rome of painting in 1910 lead this album to the summit of publicity. - Some text-pages verso with mist of stains otherwise a superb copy of this mark stone of art deco. hardcover
ref. 133200France: 18th century. Puffs Powders Patches Bibles Billet-doux A beautifully crafted vanity kit bound to mimic a French Book of Hours. Its elaborately gilt-tooled red morocco casing disguises an ingenious interior of fashionable accoutrements bodkin brush looking glass and miniature essentials writing tools all key elements of the ritualized toilette. Books of Hours - personal prayer books kept by laypersons for private devotion - were frequently the remit of women whether gifted to commissioned by or made for them. The books' content encouraged quiet introspection while their lavish illumination decoration and bindings became an external expression of wealth and status. This palm-sized "Heures Royal" as the spine label reads encourages reflection of a more literal kind. Instead of religious meditations its contents include a set of six vanity tools a removable mirror an ivory writing tablet and a retractable pencil all carefully positioned within a compartmentalized silk- and ribbon-lined interior. "A wealthy woman never left home without her travelling case or nécessaire which held her perfumes and toiletries" Martin p. 18. French vanity boxes ranged from the larger nécessaire de voyage and nécessaire de toilette to "nécessaires de poche which housed one or two important bottles and brushes for emergency application deep in the many pockets of their voluminous gowns" Martin. Even tinier were "much smaller vanity cases called etuis intended to fit into a pocket. another must-have item. These were also used as containers for other items such as sewing kits and writing tools" Stewart. Most of the finest manufacturers and retailers of nécessaires were located near to the Palais Royal in Paris. Cases were available in a wide variety of costly materials and designs often incorporated precious stones. Book-form examples like this are much more unusual. Alexander Pope satirized the toilette in The Rape of the Lock 1712 mocking the frivolous combination of "Puffs Powders Patches Bibles Billet-doux" - a clash of religious and cosmetic devotion neatly encapsulated in this etui case. This item has been registered with the UK government's ivory declaration service. Book-form box sextodecimo 112 x 72 mm. Original red morocco green spine label lettered "Heures Royal" raised bands compartments covers and inner dentelles heavily gilt-tooled with floriate scrollwork and star motifs edges gilt 2 metal catches. Interior lined with green moiré silk and trimmed with yellow ribbon. Interior sections include recesses one holding 12 blank paper slips tied with pink ribbon a hinged panel supporting an ivory aide-memoire leaf on recto and a pull-out mirror on verso and compartments for 6 miniature engraved vanity tools: 2 retractable styluses likely formerly holding a pencil or tooth pick pair of scissors bodkin with ear spoon at end scraper and brush. Externally bright and well preserved small chip at upper outer corner of front cover tiny pinholes at edges near catches; internally sound lining a little frayed implements tarnished mirror desilvered and corroded. A remarkable survival. Morag Martin Selling Beauty: Cosmetics Commerce and French Society 2009; Susan Stewart Common and Uncommon Scents: A Social History of Perfume 2022. hardcover
1920ref. 14632AB1920. Vienna n.d. ca.1920 36 : 30 cm - 15 : 12 cm 21 water-colours partly heightened in white on grey cardboard. Beautiful very detailled elaborated custome designs in different colours white black blue red green yellow pink. The designs show mainly woman maybe designs for Bizet's 'Carmen' Two plates show actors and actress dancing with masks. unknown
1934ref. FASHION004963J.H. Ltd no place. 1934. First edition. Folio. A fashion illustration portfolio with twenty nine colour lithographic plates each measuring approx 37 x 31cm showing women's dresses in various fabrics from silk to tweed. The covers are unusual: full gilt textured cloth with titles in art deco style on front.Some spotting. Very good indeed. J.H. Ltd, no place. hardcover
1919ref. 15780AB1919. Year 1919/1920. Issues 1 - 12. Vienna 1919-1920. 32 : 235 cm With many illustrations. Coloured illustrated original wrappers. Shows very clearly the spirit of the time. unknown